As a mixed race and immigrant poet, writer and multidisciplinary artist, I am interested in exploring the realm of "hyphenated identities" as well as the definitions of refugee and immigrant through the creative process, in order to move beyond their traditionally prejudistic confinement toward a multiethnic and cross-cultural approach to the text as a visual and/or written narrative, as a permanent record of our ancestry, and as a catalyst for transformation of both the individual and the community. In global neighborhoods such as New York City, and The Bronx in particular, the notion of identity is often challenged by its own denizens and the body of politics. Hence, if The Bronx is, indeed, a melting pot, our notion of identity based on ethnic and cultural idiosyncrasies, becomes the vessel capable of containing the universality of those very ethnic and cultural backgrounds rooted in individual expression. Therefore, the borough that fuels my creative and teaching practice becomes a catalyst for empowerment and transformation of the individual—both the artist and the community. No matter where we come from, or the circumstances that brought us here, we become "the other" when we find it possible to relate to one another, only if we were to look at our similarities instead of looking at our differences. In a world swamped by the spree of globalization and digital communication, the human notion of identity acquires a multiplicity of nuances through storytelling and visual representations such as clay sculptures, photography, drawing and mixed media. The creative process becomes a vehicle for self-awareness, allowing our hyphenated identities to acquire a sense of universality through the fabric of our singularity.