09/02/2026
Art in English Film Club - Spring 2026
In the spring season, we will explore how twentieth-century Hungarian history has shaped the lives, memories, and identities of Hungarians through a selection of highly acclaimed, internationally produced films.
István Szabó’s Sunshine (1999) opens the programme in March with an epic portrayal of Hungarian–Jewish history, using the story of a single family to examine assimilation, identity, and the moral costs of survival throughout the twentieth century.
Ildikó Enyedi’s The Story of My Wife (2021), based on the novel of the same title by Milán Füst, turns inward, offering a distinctly Hungarian blend of irony, tenderness, and philosophical curiosity as it explores love, obsession, and the unknowability of others within a restless marriage.
The season concludes in May with The Brutalist (2024). Although directed by the American filmmaker Brady Corbet, the film resonates strongly with Central European and Hungarian experience: its immigrant narrative, architectural modernism, and historical trauma echo themes long present in Hungarian cinema.
Together, these three films trace a rich arc of Hungarian talent and sensibility across generations and borders, asking a central question: what does it mean to be Hungarian in the world?
I hope to see you at our online sessions.