10/04/2022
DEATH ON THE NILE
[How Kenneth Branagh ruined Hercule Poirot]
_A book enthusiast’s perspective_
Part 1: In the name of Love
Before making any judgments and critiques, I have to admit that I enjoyed the movie, though for the first time only. The painting of an intense murder hiding under the beauty of the Nile was successfully sketched by Kenneth Branagh and his team. The scene was a marvellous masterpiece, beyond my wildest imagination about the Nile while reading the book.
From my point of view, the endings of both the book and the 1978 version were Poirot's victories, but I consider Branagh's version a happy ending for the couple. In the older movie and the book, Jacqueline shot Simon and then ended her life, which seems nothing more than two criminals, back against the wall, having no choice but to end their lives. The new ending with a single bullet pierced through their hearts, while being together, is the happy ending for them.
It seems like there's nothing more I can give compliments to, since as I mentioned, Mr Branagh and his team only “sketched” the painting, not delineated it.
First of all, the theme of “Love and Lust” overwhelmed the detective side of the movie, I thought I was watching a Gal Gadot’s or Emma Mackey’s p**n during the first half of the movie. Although “Love” was supposed to be the main theme, the chemistry of the love triangle seemed to be an irreversible reaction, there was nothing in return. How the characters described their love was just some cliches and talked about their s*x life, how absurd that was!
The moustache, Poirot’s iconic trademark, is what he’s proud of, along with his brilliant mind.
“If you must have a moustache, let it be a real moustache – a thing of beauty such as mine” is how Poirot advice Hastings in “Peril at End House”, showing how he considers his moustache is the ideal model of all moustaches, in an arrogant and haughty way.
But Kenneth Branagh ruined the Poirot’s trademark in the name of “Love”. In this version, Poirot’s moustache represents his battle scar, the loss of his love, Katherine and the captain who passed away. From my perspective, Kenneth Branagh single-handedly ruined the Poirot’s characteristics of an arrogant and brilliant man, making him a weak ass p***y, crying his ass off for long lost loved ones, all in the name of love.
Secondly, the appearance of Bouc instead of James Ferguson and Colonel Race created ridiculous changes to the plot. He's the reason for making the crime become predictable in the end. He's the reason for Poirot's outrage, which is another Kenneth's spoil of the character. His characteristics are poles apart in comparison to Col. Race, the true Poirot's friend, instead of a wild, delusional and penniless man, hoping for his mother's blessing for the marriage.
Kenneth Branagh, in the name of love, spoiled the character of Hercule Poirot. I wonder if he has any feelings toward the greatest detective, the character he's supposed to play.
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