08/16/2026
"A fella ain't got a soul of his own, but only a piece of a big soul, the one big soul out there that belongs to everybody," he said.
~~~
What he witnessed he could never forget.
On September 28, 1919, Will Brown, a 40-year-old African American meat-packinghouse worker, was lynched by an angry mob.
An estimated 5,000 to 15,000 (depending on sources) people watched the murder in front of the Omaha Courthouse in Nebraska.
Among the witnesses was a young Henry Fonda, who was left in tears, horrified and enraged.
Fonda was across the courthouse, at his father's print plant. Since he was just a young teen, he was unable to do anything but what he witnessed would haunt him for the rest of his life.
Greetings, everyone, this is Jon. A lot of things on my mind lately, so I wanted to reshare this post from 2020. One of the books I read growing up was John Steinbeck's "The Grapes of Wrath."
The lead character of the book was Tom Joad, who became one of my early heroes, when he said:
"I'll be all aroun' in the dark. I'll be ever'where—wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. I'll be in the way guys holler when they're mad an'—I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build—why, I'll be there too."
In the movie, Henry Fonda played Tom Joad.
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Henry Jaynes Fonda, the son of printer William Brace Fonda, was born on May 16, 1905 in Grand Island, Nebraska. The young Fonda was a bashful, short boy who worked part-time in his father's print plant and imagined a possible career as a journalist, according to his biographies.
“Nebraska-born actor Henry Fonda was 14 years old when the lynching happened . . . He watched the riot from the second floor window of his father’s shop,” according to Nebraska Studies.
The incident a young Fonda witnessed was the infamous Omaha Courthouse Lynching of 1919.
The size of the crowd was estimated as between 5,000 and 15,000 people, according to Nebraska Studies.
Other sources state it could have been more than 20,000 people, which would make it one of the largest individual spectacles of racial violence in the nation’s history.
There were also reports that some groups actually had picnics.
Fonda watched in horror as Brown - [sensitive readers may want to skip the next paragraph due to the graphic description]
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- was dragged into the street, lynched, shot, then his body burned and dragged again through the streets, this time from a vehicle, as spectators took turns taking photographs, which, along with pieces of the rope used, were sold for 10 cents each.
~~~~~
The Peace Page won’t go into the more graphic details described in the history journals, but there is information online, which includes photographs, which were used as postcards.
"It was the most horrendous sight I’d ever seen,” said Fonda years later in an interview. “We locked the plant, went downstairs, and drove home in silence. My hands were wet and there were tears in my eyes. All I could think of was that young black man dangling at the end of a rope."
“Brown’s guilt or innocence remains unknown. He never had the opportunity to prove what he uttered with his last words: ‘I am innocent,’” according to History Nebraska.
After Brown’s murder and the riot, the grand jury issued 189 indictments,” according to Menard. “Only a few of the arrested were ever prosecuted, mostly on minor charges. Two exceptions were charged for Brown’s murder. They were found not guilty after brief jury deliberation. From atop a burned police car, one of them shouted, ‘We have showed the ni**er what a northern mob can do.”
“Despite the presence of thousands of people, few cooperated with law enforcement; a conspiracy of silence protected the participants,” according to History Nebraska. “Collective guilt prevented individuals from identifying or denouncing fellow rioters. Witnesses without recollections and jurors unwilling to convict were the riot’s progeny. Short-lived voices of condemnation were heard, but mostly a consensus of acceptance of lynching, even approval, was typical in Omaha and other cities.”
Few “people had the conviction or courage to speak up and challenge or to simply be a witness to the inhumanity,” wrote Palma Joy Strand, professor of law at Creighton University in Omaha, Nebraska.
Fonda would remember what he witnessed for the rest of his life, something that would influence the way he thought.
According to writer Sean Hogan, "Henry Fonda left Omaha and became a movie star, but Will Brown never left Fonda."
This memory would change Fonda forever and influenced the roles he would later take as an actor, reliving some of the moments in his mind and wondering, if he was able, what he might have been able to do.
“During Fonda’s long career, at least two of his best movies — ‘Young Mister Lincoln’ and ‘The Ox Bow Incident’ — featured lynchings as major plot points,” according to Nebraska Studies.
In “Young Mr. Lincoln,” according to Hogan, "The movie features an attempted lynching eerily similar to the lynching Fonda witnessed: A mob tries to break into the jail, so they can lynch two young men. Lincoln blocks the jail’s doorway with his body and threatens the mob . . . There’s real rage in Lincoln’s voice; is Fonda imagining himself standing between Will Brown and the mob that murdered him?"
In the “The Ox-Bow Incident”, Fonda again is only an observer but laments, “Man just naturally can’t take the law into his own hands and hang people without hurting everybody in the world.”
Hogan concludes in his article, Fonda chose "characters who stood between the innocent and the mob. He chose roles that brought him back to the night of September 28, 1919. Why? Why go back to 'the most horrendous sight' he’d ever seen? Maybe the answer is in the memory: 'It’s not like doing it in the daytime.' Men do things at night that they’d be mighty ashamed to do during the day. Henry Fonda wanted to turn on the light."
Years later, after Fonda was already a star and history had forgotten Will Brown, Fonda finally turned on the light, revealing his painful memory.
A Californian named Chris Hebert saw the interview with Fonda and went out to locate Will Brown’s unmarked grave in the potter’s field of Omaha’s Forest Lawn Memorial Park.
“I was watching a TV show that was talking about the actor Henry Fonda,” said Hebert. ”It mentioned that his life was greatly affected by a lynching that took place in Omaha, Nebraska, when he was a boy.
Although he had no connection to Brown or Omaha, Hebert contributed to a grave stone, which had the words engraved, “Lest we forget”.
“When I discovered that William Brown was buried in a pauper's grave, I did not want William Brown to be forgotten,” Hebert said. “I wanted him to have a headstone to let people know that it was because of people like him that we enjoy our freedoms today. The lesson learned from his death should be taught to all.”
“I got the headstone thinking that if I could reach just one person, it was well worth the money spent,” he said. “I am a proud American. I am a person of color. An average guy who loves his wife, his family, and his country."
"I wanted to show there's still some decency left."
"We have to acknowledge the past,” said David Bristow, associate director for research and publications at the Nebraska State Historical Society and editor of Nebraska History magazine. “The past influences everything that came after it. The underlying idea that some people have fewer rights than others, that some people aren't worthy of the presumption of innocence, hasn't entirely gone away."
“We must never let ourselves sink again to this level of inhumanity,” wrote Hebert.
“The invitation of LEST WE FORGET is to pay attention to the racial violence – fast and slow – that surrounds us today,” wrote Strand. “To face up. To witness. To name. To engage in the conversation. To recognize the humanity of everyone in our community. To take responsibility for doing whatever we can to stop the violence, dismantle the structures that cause it.”
In one of his most memorable roles, Fonda, as Tom Joad in John Steinbeck's "The Grapes of Wrath", would say:
"A fella ain't got a soul of his own, but only a piece of a big soul, the one big soul out there that belongs to everybody."
~ jsr