06/20/2026
What is the historical context of the framed concert poster on Emahoy’s piano? Read on to find out.
Historical details pulled from Thomas Feng’s dissertation on Emahoy.
Official music and stories of the renowned pianist, composer and Ethiopian nun, plus Foundation news. Subscribe for the latest music and news.
As heard in Éthiopiques, Netflix's Passing, and The Honky Tonk Nun.
06/20/2026
What is the historical context of the framed concert poster on Emahoy’s piano? Read on to find out.
Historical details pulled from Thomas Feng’s dissertation on Emahoy.
A composition for the organ written by Emahoy Tsege-Mariam Gebru in 1970, performed by University Organist Annette Richards at Cornell’s Sage Chapel as part of a two-day symposium in 2023 by Thomas Feng titled, “Emahoy Tsege-Mariam Gebru at 100.”
A composition for the organ written by Emahoy Tsege-Mariam Gebru in 1971, performed by University Organist Annette Richards at Cornell’s Sage Chapel as part of a two-day symposium in 2023 by Thomas Feng titled, “Emahoy Tsege-Mariam Gebru at 100.”
05/20/2026
Self portrait of Emahoy Tsege Mariam Gebru. Pencil drawing on paper. 25/6/1966. Addis Ababa. See more of Emahoy’s paintings and drawings at our virtual museum, emahoy.com.
05/13/2026
Words of hope from Emahoy Tsege Mariam Gebru. Quotes are pulled from her March 2015 feature in “Temsalet: Phenomenal Ethiopian Women.”
05/01/2026
Assayehegn Gerbu. Assayehegn was the beloved youngest son in the Gebru family. He died in a tragic car accident at the age of 18, leaving behind a wife and child. “My heart will weep for him all my life,” Emahoy once wrote. Her compositions “Last Tears Of A Deceased” and “Have You Seen Assayehegn?” are dedicated to his memory and his family. Emahoy’s handwritten draft of the latter composition from 1955 can be seen behind Assayehegn on the first slide.
Lyrics from “Don’t Forget Your Country” by Emahoy Tsege Mariam Gebru.
04/21/2026
Sheet music for “The Storm” is now in our store at emahoymusicpublisher.com! And check out Thomas Feng’s introduction to the piece and its place in Emahoy’s life and oeuvre.