Club Tantra

Club Tantra Club Ta**ra is located in Maui, Hawaii and is an educational club designed to teach ta**ra in a fun, safe, relaxed and spiritual atmosphere.

Club Ta**ra's available to individuals, groups and pairs via zoom, skype or phone.

TRANSFORMATIONAL THERAPY*By Sasha Alex Lessin, Ph.D., Dean, School of Counseling and Therapy>Transformational counseling...
08/28/2026

TRANSFORMATIONAL THERAPY*
By Sasha Alex Lessin, Ph.D., Dean, School of Counseling and Therapy
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Transformational counseling emphasizes integrating your insights into your immediate interactions with your therapist and peers. Transformational work is based on the idea that you may become "disordered" as a child—you do not express what you feel inside due to getting "daily doses of stunting, browbeating, phony sentiment, neglect, harshness, denials, withholding, reprimanding, regulating, over-reacting, and lack of response."
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If your rearers disordered you like this, you may have grown up pretending to be okay to others, when you do not feel okay in your own head or body. If, so, you become defensive. block your emotions and sensations, say nonsensical things to yourself, confuse your present with your childhood, and fail to make full, loving, intimate, emotional contact with your family, friends, and mate. Yet you try to appear okay to others. This is the "reasonable insanity" you may be living with.
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In transformational work, you change with the help of your friends. You fully feel every moment. You learn to catch yourself when you fail to get as much feeling, expression, and contact from your friends as you do when you return to full expression and contact.
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In Transformational therapy, you learn to drop your images, infantile reactions to adult situations, and mismatched emotions, sensations, and ideas about them. Live, instead, with complete, ordered, integral feelings. To do this, go through the cycle of feeling at increasingly deep levels as you enter a spiral of transformation.
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RIDE THE CYCLE OF FEELING
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The cycle of feeling consists of feeling your defenses (counteraction), reliving and feeling the pain of specific childhood events onto which you built your defenses (abreaction), expressing the feeling you are hiding in the present (proaction), and changing your life by your new awareness (integration).
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I'll give you a personal example of my emotional cycle from my 20s. I was into a disordered trip with my girlfriends. I'd get close, break off, then make up. I'd get a rush when we got back together.
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Dudles, with whom I lived and played this game for over a year, left me for good.
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At first, I pretended that I didn't care. I dated other women. I wouldn't admit I was upset.
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I just hunted dates and ate chocolate bars. I ate dozens of chocolate bars each day. I moved out of the house I shared with my friends and got a new place on my own. I was defensive. I felt tense from holding in my upset; I got pimples from the chocolate.
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COUNTERACTION: FEEL DEFENSES
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My friends initiated me into the cycle. They held me down and told me to breathe deeply until I admitted what they could sense—that I was upset and hiding my pain. They forced me to stop pretending to be okay. Feeling my defensiveness and what it was doing to me was the counteraction phase of my cycle. As I became more honest, I could freely admit that I had been defensive.
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ABREACTION: Relive Childhood Pain that Made You Defensive
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The next phase in the cycle of feeling I went through was abreaction. As I lay on my back, I felt my heartbreak at losing Dudles. I gasped and sobbed.
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Then I re-experienced a childhood scene I'd forgotten. I remembered and relived a time when I was a year and a half old. We lived in New York. My father left for California. The next day, for the first time in my life, my mother left me at a nursery school. I felt totally abandoned by my parents. I screamed and cried all day. When my mother finally came, she gave me a chocolate bar and told me not to cry.
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When I relived this scene, I screamed as I had not done as a child.
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I then began to recall and relive even earlier scenes from my infancy.
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I relived being left alone in a room every day when I was a few months old. I would call to my mother, as she had trained me to do. She wouldn't come in and get me. She was following the behaviorist Watson's book and had me on a "schedule" that said to leave me alone for a certain amount of time. I did not understand. I was upset.
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PROACTION: Express Emotions You Hid
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I saw how the rigid scheduling Mom imposed affected me, and how I had been acting out the pain which I hadn't fully felt from my early childhood. By breaking up with my lovers as an adult, I awoke my feelings of being left in the crib and the nursery school.
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When I made up with my girlfriends, I symbolically reenacted my mother's rescue of me from the crib and the nursery school. By eating candy bars as an adult, I returned to the chocolate defense against feeling my pain that my mother had offered me 30 years earlier.
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I felt close to my friends. They had helped me stop running, feel my past and present feelings. I could feel the pain of breaking up with Dudles without adding my infantile abandonment pain.
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INTEGRATION: Better Your Life with Your New Awareness
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The last phase in the cycle is integration. I took what I learned and lived from it, with the help of my friends. I'm married now. I enjoy my wife's affection and feel no impulse to push her away and then reconcile.
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I can feel more of my real present-day feelings with her. I've been transformed.
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To test your understanding, describe and define the cycle of feeling and each of its phases (counteraction, abreaction, proaction, and integration).
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PERSONALIZE THE CYCLES OF FEELING: DO-IT-YOURSELF BETTERMENT EXERCISE
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Be alone or with partners for the following exercises. Respond aloud from your own experience for each of the exercises indicated in the fantasy below.
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Ride the Cycle of Feeling
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Imagine that you are on the first story in the house of consciousness. You see a door labeled "STOREROOM OF MEMORIES: ONE DEFENSE OPENS DOOR". Intrigued, you read the small instruction card tacked beneath the sign; it says, "A vocal rendering of one of your defenses is the key to opening this door." Push the button beneath this card for further instructions. Lift the card and push the black button under it. A mechanical voice says, "You are being scanned visually and auditorily. Do as I say. Tell me one of your defenses."
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Do it, aloud. EXAGGERATE YOUR DEFENSE AS YOU ENACT A FANTASY DIALOGUE AND WITH YOUR BODY.
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When you finish this exploration, the voice from the door says, "Congratulations, you have completed your counteraction." You hear a click. The door slides open and you step into a round, white room. The door closes behind you. You see the exercycle in the middle of the room. On the exercycle is a note.
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The note reads, Backpedal for memories. Projection lenses protrude from columns under the cycle. Climb on the exercyle and begin pedaling.
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As you pedal backward, the room lights dim out, and the projectors light up. They project three-dimensional images from your past all around you.
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You see yourself yesterday, last week, and last month. The projectors are running your life film backward as you pedal the cycles counterclockwise.
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You think, "I'm going to have to pedal my memories to answer the questions Dr. Lessin will ask." The pedals lock.
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See the specific events that led you to develop the defense you used to open the door to the storehouse of memories. Notice how old you are when these events occur. Relive the events.
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Realize what you think about yourself, the people involved, and the world during these events. Let yourself experience those emotions and let them build until they feel overwhelming. Then express these emotions to the people involved.
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You have finished your abreaction phase, announces the machine-voice. The lights dim, and the 3D projectors assemble before you, the holographic projection of the person toward whom you feel most trusting. Share with me the feeling you've been defending against, says the apparition. Do so.
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Your friend's image says, Express these feelings to me, in the flesh, or to someone else in your life. In this proaction phase of going sane, you become authentic with your facilitator and say how you feel toward her or him.
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"Create a REALITY REMINDER—an affirmative statement that will help you remember what you learned so you can use it if you start to use that defense again. Make one up.
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Pedal forward on the cycle to future-pace what you learned about your defensiveness and the feeling it hid. As you pedal forward, recall times where you would probably have been defensive before but this time, however, imagine you become aware of your tendency to react defensively. Remember your experience of reacting on the cycle of feeling. Invoke your reality reminder and watch yourself reacting nondefensively.
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Stop pedaling, get off the exercycle, and walk over to the door. It opens. Exit.
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For one week, express the feeling underlying the defensiveness you were denying. Short-circuit your defensive impulses with your reality reminder. Let the people you trust know how you feel for a week.
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Complete this sentence: My awareness of the feeling motivating my defense has changed my life in the following ways: ______.
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Think of the last time this week you felt bad. Attach this bad feeling to your failure to completely and unreservedly express this feeling to someone in your life this week.
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Go back to your childhood, when you held your feelings in the same way. Express your whole feeling to the "someone" above.
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BALANCE THERAPEUTIC MOVEMENT IN THE SPIRAL OF TRANSFORMATION
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You go through the cycle of feeling many times, spiraling into transformation. Joseph Hart says to simultaneously clear out your past and your present mismatches of feelings, sensations, and meanings; otherwise, you just grovel in your past and miss sharing feelings in the present. This is balanced therapeutic movement: each time you relive part of your past, you do better in the present. Live from and express your new levels of feeling. Match each movement into the past with better contact with the people in your life.
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Balanced therapeutic movement means ________________________ (complete).
The loops in the spiral of transformation formed by your successive, balanced cycling are called opening, beyond the nonsense, and growth.
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OPENING
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In Opening, you catch your non-feeling and non-expression (counteraction). You learn where you are being affected by the past. You express your past feelings (abreaction). You make feeling contact with your facilitator (proaction).
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In the opening loop, you "become aware of the difference between past and present." You notice how you really are and what has been done to you.
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You distinguish what you do to yourself with your "Internalized Insanity" and what you want to do. You want to "say everything that's inside and allow feelings to follow".
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BEYOND NONSENSE
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In Beyond the Nonsense, the second loop in the spiral of transformation, you start noticing when you are defensive. You admit it. You voluntarily share the crazy things you say to yourself (your nonsense) to continue the pretense that you are okay when you are really disturbed. You readily regress, feel the underlying feelings from your past, feel what you really want from your past, feel what you really want more, make better contact with your facilitator, and live your life from your new level of feeling.
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GROWTH
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In Growth, the final loop of the cycle of transformation, you actively seek contact with others as your form of counteraction. You reveal your subtlest held-in thoughts from when you were little. You and your facilitator exchange feelings as equals when you proact. Your life is integrated in a community of friends. You share feelings and live in the present.
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SELF-TEST
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What is the spiral of transformation?
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What is the relationship of the cycle of feeling and the spiral of transformation? Illustrate or diagram your answer.
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Where are you now in the spiral of transformation?
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*Hart, J, Corrierre, R., Binder, J., 1975, Going Sane: An Introduction to Transformational Psychology, N.Y., Aaronson.
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REFRAME & OVERCOME JUNK ATTITUDES: Do-It-Yourself Betterment Exercise>From THE HOUSE WITH THE ONE-WAY MIRROR FLOORS by S...
08/17/2026

REFRAME & OVERCOME JUNK ATTITUDES: Do-It-Yourself Betterment Exercise
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From THE HOUSE WITH THE ONE-WAY MIRROR FLOORS by Sasha Alex Lessin, Ph.D. (Dean, School of Counseling and Ta**ra)
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For more self-help and do-it-yourself betterment exercises, see https://www.youtube.com/watch?v=33R2ziB_BRQ
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Use the reframing technique of neurolinguistic programming (NLP) to overcome parts of yourself that generate behavior that limits you.
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REFRAME
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Select ONE OF YOUR WAYS OF ACTING which you find troublesome and would like to change.
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Say to the part of you running the behavior (it’s one of your subselves) that you want to change. Tell it, “I KNOW YOU’RE TRYING TO HELP ME, SO I WON’T MAKE ANY CHANGES UNLESS THEY’RE OKAY WITH YOU AS WELL AS THE REST OF ME.”
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Then tell it, “GIVE ME A NEW IMAGE--BRIGHTER OR DIMMER, LOUDER OR SOFTER, MORE OR LESS EMOTIONAL …[name a particular place in your body] TO SIGNAL ‘YES’ (brighten, louder, more intense), OR ‘NO’ (‘dimmer, softer, less intense’).”
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Tell the part of you that’s been running the reaction you seek to reprogram, “WILL YOU LET ME COMMUNICATE WITH MY CREATIVE PART IN A WAY THAT RESPECTS YOU AND YOUR FUNCTION FOR ME?”
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RECEIVE THE BRIGHTENING, VOLUME OR TONE CHANGE, EMOTION, SENSATION, OR INTUITION INDICATING “YES,” FROM THE PART OF YOU GENERATING THE PATTERN YOU WANT TO CHANGE. (If you receive a “no,” stop this reframing experiment for now.)
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If the aspect of you running the behavior you want to change indicates “yes,” ASK YOUR CREATIVE PART TO ESTABLISH A SEEN, HEARD, OR FELT CHANNEL FOR A “YES” AND “NO” ANSWER THAT’S DIFFERENT FROM THE INTERNAL REACTION PATTERN YOU SEEK TO CHANGE.
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ASK THE PART OF YOURSELF THAT KEEPS YOUR INTERNAL, HABITUAL, JUNK-REACTIVE PATTERN IF IT IS WILLING TO MOTIVATE YOU TO END THE JUNK BEHAVIOR YOU WISH TO DROP.
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RECEIVE AN emotional, SENSATIONAL, VISUAL, AUDITORY OR INTUITIVE REACTION FROM YOUR HABITUAL SUBSELF RESPONDENT.
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Then ask the part of you producing the behavior you want to change, “WILL YOU COMMUNICATE YOUR UNDERLYING, BENEFICIAL INTENTION TO MY CREATIVE PART?”
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Receive a “YES” signal from your creative part and tell it, GENERATE NEW WAYS I CAN MEET YOUR GOOD INTENTION THAT MOTIVATES MY DYSFUNCTIONAL REACTION. GIVE ME A BODILY OR VISUAL SIGNAL WHEN YOU’VE GENERATED ALTERNATIVE REACTIONS FOR ME TO SUBSTITUTE FOR MY DYSFUNCTIONAL ONES.
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In your mind’s eye, SEE THE SITUATIONS THAT CAUSED THE PROBLEM BEHAVIOR YOU WISH TO REPROGRAM.
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SELECT 3 NEW WAYS THAT ARE EQUALLY OR MORE EFFICIENT IN FULFILLING YOUR UNDERLYING GOOD INTENT. GIVE ME YOUR ‘YES’ SIGNAL WHEN YOU HAVE CHOSEN 3. [You need not be aware of what the new ways are; you know they have been generated when you see, hear, feel, or intuit a “yes” from the generator of the problem-behavior.]
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If you do not receive a “yes” from the habitual but dysfunctional subself that perpetuates the troubling response you want to reprogram, ask it, ARE YOU WILLING TO LET MY CREATIVE PART KNOW WHAT GENERATED THE CHOICES THAT KEEP ME BEING MORE EFFECTIVE?
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HAVE YOUR CREATIVE PART GIVE YOU ALTERNATIVES UNTIL THE PROBLEM-CAUSING PART OF YOU SIGNALS “YES” AND GIVES YOU 3 NEW, ACCEPTABLE ALTERNATIVES FAITHFUL TO ITS INTENTION.
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Tell the part of you authoring your targeted behavior, “WILL YOU TRY THE NEW ALTERNATIVES AT AN APPROPRIATE TIME AND PLACE?” Secure a “yes” through the authoring part’s sensory channel.
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Ask yourself, “ARE THERE ANY OTHER PARTS OF ME OBJECTING TO THE NEW ALTERNATIVES?” Notice what you see, hear, feel, and intuit in response.
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If a part of you indicates it objects, ask that part, “FIND ALTERNATIVE WAYS TO DO WHAT YOU NEED TO DO WITHOUT BLOCKING THE ALTERNATIVE MY CREATIVE PART THAT ALSO SATISFIES THE PART OF ME THAT DRIVES THE BEHAVIOR I’M IMPROVING. Otherwise, form a committee with all your subpersonalities and select alternatives acceptable to all.
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If the behavior you want to change ever comes up again, have your creative part generate more acceptable alternatives.
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Use this post as your script with a partner.

SIZE MATTERS: Squeeze & Tease Lovers Wands of Any Size with Your Cave Muscles.  Click https://wp.me/p1TVCy-5Ft for adult...
08/05/2026

SIZE MATTERS: Squeeze & Tease Lovers Wands of Any Size with Your Cave Muscles. Click https://wp.me/p1TVCy-5Ft for adult discussion

From Janet Kira Lessin*, in TA**RA FOR ALL CHAKRAS*

I've experienced many lingams (p***ses), large and small, thick and thin. I've learned how to adjust my yoni (va**na) through conscious thought and intention.
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I know how to clamp down or expand to feel and compensate for variations in p***s size. Anyone can do this at any time. It involves time, patience, and tuning in to yourself.
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You learn to master your control over specific muscular loci within your yoni as you make love to yourself.
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When you experiment loving yourself, you can learn how to love others.
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Master your or**sm as you self-pleasure and reconnect to yourself.
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Open communication lines between you and God Source with your or**sm.
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You're free to let go then when you or**sm because you know where you're going, which is home. It's no longer frightening.
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Then you learn how to let go with another person.
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For many, that "other person" is a lover, a Beloved, one with whom you feel safe.
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When you master or**sm, you can take lovers with you home to our spiritual Source.
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*Click https://wp.me/p1TVCy-5CH for do-it-yourself or do-it-with-partners teaching exercises that train you to be direct and get what you need.
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**TEACH TA**RA, a manual for you to experience advanced ta**ra and teach it to others.
You learn to teach lovers and seekers how to:
* Master advanced ta**ra techniques
* Open all energy vortexes (chakras) to each other
* Refine relations
* Encourage female ej*******on and master male ejaculatory control
* Find meaning and purpose in relationships and life
* Reprogram parent imprints that diminish s*x and love * Get satisfaction and sustain s*x
* Mutually make more in s*xual loving
* Delve into dreams and past lives
* Worship women and gratify guys

Also by the Lessins:
TA**RA for ALL CHAKRAS guides you through experiences that help you:
* Love each other more and better
* Open your energy vortexes (chakras) to each other
* Share your diverse inner voices
* Learn what hurts and scares your Inner Kids
* Discern when to lower your subself shields
* Share vulnerability and connect
* Synergize your inner selves' dance within and between you
* Refine how you relate
* Heal each other's hearts
* Encourage female ej*******on
* Master male ejaculatory control
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THE LESSINS: HOLISTIC-LOVING GUIDES
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SASHA ALEX LESSIN, PH.D. (U.C.L.A.) taught S*x Education in the University of Hawaii School of Medicine, Leeward Community College, and the Professional School for Psychological Studies. He served as Director of Counseling at the Waikiki Drug Center and has counseled on relationships, guided spiritual journey work, and taught Ta***ic practices for over forty years.
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JANET KIRA LESSIN, naturally ta***ic, joined Sasha as his co-teacher and presenter, and together they developed All-Chakra Ta**ra as Janet worked through her s*xual abuse traumas and learned how to facilitate others' reprogramming.
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https://www.youtube.com/watch?v=w7ZIrxhTRcAThis is a VIDEO; click the word "VIOLENCE:  to start it.ANUNNAKI ARCHETYPES A...
08/02/2026

https://www.youtube.com/watch?v=w7ZIrxhTRcAT
his is a VIDEO; click the word "VIOLENCE: to start it.
ANUNNAKI ARCHETYPES ACTIVATE ALTERNATE ALTER-EGOS (Part 4, Power, Rule & Violence).

Part IV opens the Anunnaki Who’s Who section of the larger Anunnaki...

ANUNNAKI ARCHETYPES ACTIVATE ALTERNATE ALTER-EGOS (Part 4, Power, Rule & Violence). >From Zecharia Sitchin students, Jan...
08/02/2026

ANUNNAKI ARCHETYPES ACTIVATE ALTERNATE ALTER-EGOS (Part 4, Power, Rule & Violence).
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From Zecharia Sitchin students, Janet Kira Lessin, CEO, World Peace Association, and Sasha Alex Lessin, Ph.D. (Anthropology, UCLA)
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Enjoy more on this at https://wp.me/p1TVCy-9nd
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See the video above this post for a narrated and illustrated historical review.
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Meet the giant (6-12 foot tall) rulers and rivals of the Planet Nibiru. Nibiru is a planet that revolves clockwise around the binary Dark Star Nemesis, then passes through the Sun (Solaris) star between Jupiter and Mars every 3,600 years at the beginning of this post and sped to every 3,450 YEARS.
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The murderous competition from the dominant Nibiran between the Heir Line and the Spare Line within the Nibiran Royal hierarchy inevitably drove deadly fights among Nibiru's royals. These principal figures' ambitions, loyalties, marriages, and rivalries shaped the early Anunnaki story on Nibiru and Earth. Each also embodies an attitude toward authority, knowledge, duty, compassion, alliance, and ambition that people can still recognize within themselves.
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We begin with the architects of empire—the rulers who claimed the heavens, organized the Earth mission, and divided Earth's domains among their sons.
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ANU RESTORED THE ROYAL LINE
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Anu was the heir, in the Royal Nibiran line of succession, and, under normal circumstances, but for Alalu, the scion of the Nibiran Spare succession line, he was displaced and stood at the center of the royal succession. He restored the royal line, brought order back to Nibiru, and carried that authority to Earth. He emerged as the rightful king and dynastic patriarch. His blue-eyed line became the standard of legitimacy, command, and royal succession.
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In his youth, Anu embodied the promise of the royal line. He appeared brilliant, strong, and destined for rule long before he conflicted with Alalu.
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Anu divided the lots among his sons and turned kingship into policy. His decision assigned dominion, command, and mining responsibilities and gave the Earth mission a formal structure.
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As an archetype, Anu represents lawful authority, legitimacy, judgment, and the power to distribute responsibility. His strength can become orderly stewardship; his shadow can become distant, top-down rule.
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ALALU TURNED EXILE INTO LEVERAGE
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Alalu seized Nibiru's throne and ruled in defiance of the accepted succession. He eventually lost everything—but his flight to Earth changed history when he found the gold Nibiru needed.
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As a younger man, Alalu radiated charisma and force. His beauty and confidence helped him gather support, but they also foreshadowed his volatility and pride.
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On Earth, Alalu entered the marsh, tested its waters, and found gold. That discovery transformed a defeated exile into a dangerous bargaining force. He could no longer claim the throne through accepted succession, so he tried to regain influence through something the rulers of Nibiru desperately required.
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As an archetype, Alalu embodies charisma, defiance, wounded pride, daring discovery, and the urge to turn knowledge into personal leverage. His courage can open new worlds; his resentment can make every discovery another weapon in a power struggle.
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ENKI JOINED SCIENCE WITH STATESMANSHIP
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Enki stood between worlds. He was a scientist, explorer, mediator, and prince whose intelligence made him indispensable—and controversial. Enki became the expedition's most complex intelligence. He combined royal status with scientific skill, curiosity, political nuance, and an ability to mediate among competing interests.
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Young Enki carried beauty and confidence. He moved like an observer and planner, studying a world before acting within it. At work, he became the mission's practical mind. He studied the terrain and turned discovery into working systems of mining, settlement, and survival.
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As an archetype, Enki represents curiosity, invention, adaptability, mediation, and the practical use of knowledge. His gifts foster life and solve problems; his complexity can also produce secrecy, divided loyalties, and strategies others do not understand.
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ENLIL ORGANIZED EARTH THROUGH COMMAND
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Enlil arrived as lord of command and chief organizer of Earth's administration. He brought discipline, hierarchy, and executive control to the mission.
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Enlil bore the authority of the legal successor and projected the controlled power of a man trained to command and hold the line. From the heights of administration, he imposed structure. His responsibility was to oversee Earth and make the mission serve Nibiru's royal necessity.
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As an archetype, Enlil embodies discipline, boundaries, organization, obedience, and institutional command. His strength can coordinate enormous undertakings; his shadow can place order above empathy and turn necessary structure into domination.
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NINMAH, SUD, AND DAMKINA SUSTAINED THE DYNASTY
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After the rulers and strategists came the healers and alliance-makers who brought grace, continuity, and diplomacy to the royal house.
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Ninmah entered the story as healer and mother of dynasties. Her compassion made her one of the most consequential women in the saga. Young Ninmah radiated warmth and grace. She carried the empathy and learning that later defined her power. As a healer, she represented renewal and life itself, bringing medical wisdom into a world shaped by rivalry and struggle.
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Sud, later known as Ninlil, began as a poised young woman. Her story carried innocence and duty into a court where personal fate, royal desire, and social order collided. Thoughtful and restrained, she belonged to an inner world in which rank could reshape a life. As the story advanced, Sud moved from royal assistant to Ninlil, a central figure in Enlil's bloodline.
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Damkina carried the weight of a marriage alliance. Rival claims and political tensions passed through her union into the next generation. Her marriage to Enki mattered not only to a family but to the balance of power itself. Their union bound rival houses together. It did not erase the conflict, but it created a bloodline that would shape the future through their son, Marduk.
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As archetypes, these women represent healing, adaptation, diplomacy, relational intelligence, and dynastic continuity. Their stories remind us that empires do not survive through commands alone. They also depend on those who heal injuries, negotiate loyalties, sustain relationships, and carry life forward.

MARDUK INHERITED COMPETING AMBITIONS
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Marduk entered the story as the child in whom dynastic hopes converged.>
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As a beautiful young prince, Marduk stood beneath the watchful eyes of the royal houses. Before he could choose his own course, others projected their ambitions, grievances, and hopes onto him.
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Against the banners of empire, Marduk looked toward a future that was not yet his. He waited in the wings, already marked for a much larger conflict.
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As an archetype, Marduk represents talent burdened by expectation, inherited rivalry, ambition, and the drive to claim a promised destiny. His confidence can become courageous leadership; when fused with grievance and entitlement, it can become murderous conquest.
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THEIR ARCHETYPES STILL LIVE WITHIN US
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This first royal cluster contains the seeds of a conflict that will span worlds. Yet these figures are more than names in a dynastic record. They give recognizable faces to recurring human attitudes.
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We invoke Anu when we decide who has legitimate authority.
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Alalu appears when wounded pride turns discovery into leverage.
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Enki lives in curiosity, mediation, invention, and strategic ambiguity.
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Enlil lives in our need for discipline, limits, hierarchy, and control.
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Ninmah appears whenever compassion and knowledge unite to preserve life.
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Sud/Ninlil and Damkina show how duty, relationship, and alliance can redirect history.
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Marduk embodies the gifted heir who must decide whether to transform inherited rivalry—or intensify it.
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These archetypes do not dictate our behavior. They help us recognize the attitudes competing within us. When we can name them, we gain more choice about which qualities to develop and which shadows to restrain.
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Part 5, coming soon, expands the cast and completes more of the saga's emotional architecture. The dynastic web will grow wider, and the struggle between domination and partnership will become still clearer.
Thank you for joining me for this introduction to the Anunnaki royal line. Join us in the next segment as we meet more of the personalities who shape the saga.
REFERENCES
• Lessin, Sasha Alex, and Janet Kira Lessin. Anunnaki: Evolution of the Gods. Independently published, 2019. ISBN 978-1696969871. Book listing
• Sitchin, Zecharia. The Lost Book of Enki: Memoirs and Prophecies of an Extraterrestrial God. Bear & Company, 2001.
• Sitchin, Zecharia. The 12th Planet. Stein and Day, 1976.
• Sitchin, Zecharia. The Wars of Gods and Men. Avon Books, 1985.
• Lessin, Sasha Alex. "About Dr. Sasha Lessin & Janet Kira Lessin." EnkiSpeaks.com
• Lessin, Janet Kira. Author profile and Anunnaki-series bibliography. EnkiSpeaks.com
Editorial note: This post presents the Anunnaki narrative through Janet Kira Lessin's and Zecharia Sitchin's interpretive framework.
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Evidence https://wp.me/p1TVCy-1zg
References http://wp.me/p1TVCy-2cq
Timeline http://wp.me/p1TVCy-1Km
Who's Who http://wp.me/p1TVCy-1PE
New stuff: http://enkispeaks.com
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