Medallion Art School

Peder Severin Krøyer, Summer evening on Skagen's Southern Beach, 1893
Oil on Canvas, 100 x 150 cm
Skagens Museum
Skagen, Denmark

Inspiration by our wonderful Medallion Art Artists!

The Learning Section of Medallion Art Fun Corner is thrilled to present "50 Most Beautiful Villages and Small Towns in Europe !"

50 Most Beautiful Villages and Small Towns in Europe | 4K Travel Guide & Hidden Gems Discover the hidden charm and breathtaking beauty of The 50 Most Be...

It's Wednesday Today's dose of inspiration is a beautiful work by a skilled Medallion Artist!

Florimond van Acker
(Belgian painter)
1858 - 1940
Bruges - People în a rowboat in front of a house on a canal
1915
Via BELGIAN MODERN PAINTERS

Frederick Carl Frieseke, Afternoon - Yellow Room, 1910
Oil on Canvas, 81 x 81 cm
Indianapolis Museum of Art
Indianapolis, Indiana

Remedios Varo (Spanish-Mexican painter) 1908 - 1963
El Visitante (Visitante Inesperado) (Visita Inesperada), 1959
oil on cardboard
42 x 22 cm. (16.54 x 8.66 in.)
signed R. Varo
private collection
© photo unknown

Remedios Varo was a Spanish-Mexican surrealist painter. She was born in Anglés Cataluna, Spain in 1908 and died from a heart-attack in Mexico City in 1963. During the Spanish Civil War she fled to Paris where she was largely influenced by the surrealist movement. She met in Barcelona the french surrealist poet Benjamin Péret and became his wife. She was forced into exile from Paris during the N**i occupation of France and moved to Mexico City at the end of 1941. She initially considered Mexico a temporary haven, but would remain in Latin America for the rest of her life.

In Mexico she met native artists such as Frida Kahlo and Diego Rivera. However, her strongest ties would be to other exiles and expatriates, and especially her extraordinary friendship with the English painter Leonora Carrington. Her last major relationship would be with Walter Gruen, an Austrian who had endured concentration camps before escaping Europe. Gruen believed fiercely in Varo, and gave her the support that allowed her to fully concentrate on her painting.

After 1949 Varo developed into her mature and remarkable style, which remains beautifully enigmatic and instantly recognizable. She often worked in oil on masonite panels she prepared herself. Although her colors have the blended resonance of the oil medium, her brushwork often involved many fine strokes of paint laid closely together - a technique more reminiscent of egg tempera. She died at the height of her career.

Her work continues to achieve successful retrospectives at major sites in Mexico and the United States.

Source: Wikipedia

Have a terrific Tuesday!