New Oxford Shakespeare

New Oxford Shakespeare Changing the way Shakespeare is presented to the world in the twenty-first century

Bravo Rory! 👏🏼🤩
09/07/2026

Bravo Rory! 👏🏼🤩

Shakespeare at Thirty offers an original account of Shakespeare’s early career by returning to a moment before his fame was assured: the spring of 1594, when he turned thirty amid plague closures, censorship, social upheaval, financial insecurity, and professional uncertainty. Instead of reading Shakespeare’s beginnings through the lens of later achievement, Rory Loughnane reconstructs the precarious world in which a young actor-writer learned his craft and forged a path through a rapidly developing theatre scene.

Drawing on recent advances in textual scholarship, biography, and theatre history, the book sets Shakespeare’s early plays and poems within the collaborative literary networks and volatile theatre world of late-Elizabethan London. It examines the forms of co-authorship underlying many of Shakespeare’s early works; the pressures that plague, censorship, and the authorities put on those working in the theatre; the economics of patronage; and the emerging commercial structures that enabled the repertory system. Above all, it describes a young author who was talented but far from secure, shaped by peers, circumstance, and contingency as much as by innate genius.

By offering a rare biographical and critical portrait of the dramatist before he became a cultural icon, Shakespeare at Thirty restores uncertainty to Shakespeare’s twenties, revealing how he had to grapple with questions of direction, opportunity, and ambition that confront all young artists, and challenging the narratives of inevitability that dominate many Shakespeare biographies. The result sheds new light on his early career—and reminds us that Shakespeare, too, had to become himself.

https://amzn.to/4dhkTSC

08/01/2026

'Shine out, fair sun, till I have bought a glass,
That I may see my shadow as I pass.'

Richard III is Shakespeare's most charismatic protagonist-villain, exercising his wrongdoing with devilish glee and dazzling loquaciousness. He is also one of the most notorious examples in English literature of a damaging equation of disability with moral failing. The introduction to this edition provides a fresh take on this play's attractions and repulsions. Susan L. Anderson details how Shakespeare's telling of the final chapter in the Wars of the Roses has irrevocably shaped both the reputation of the historical figure of Richard III and the way disability is represented on stage and in fiction.

The introduction draws on the recent burgeoning of work on early modern disability to demonstrate how the lens of disability can provide fresh and interesting readings of the play. While acknowledging the recent archaeological findings about the historical Richard III, Anderson carefully distinguishes the literary character from the historical king and explores his relationship to a wider swathe of histories. Anderson highlights how the play's poetic and linguistic features contribute to the pleasures and fascinations of reading this text, and shows readers that Richard III as a play can also prompt us to think differently about disability in the past and now.

https://amzn.to/4wv5ndK

Our Performance editor:
07/24/2026

Our Performance editor:

On a recent episode of Don't Quill the Messenger — a podcast by Dragon Wagon Radio — the Florida State University English Department's Terri Bourus discusses her work and research on Shakespeare's "Hamlet!" 🎭

To tune in, visit: bit.ly/4vAK3SI.

Florida State University, Florida State University Division of Research

Our lead editor. 👏🏼
07/22/2026

Our lead editor. 👏🏼

A recent publication by Gary Taylor — a Robert O. Lawton Distinguished Professor in the Florida State University English Department, part of the FSU College of Arts & Sciences — offers new perspective on how bloodline genealogy is approached in William Shakespeare’s history plays, which spotlight English history from the 12th to 16th centuries.

To learn more about why scholars study the relationship between genealogy and literature, check out Taylor's video abstract: bit.ly/45hzdpS.

The 12 figures and two audio files featured in Taylor's publication, as well as the video abstract recording, were made possible thanks to the Florida State University Libraries' resources and staff.

Florida State University

02/05/2026
New OUP publication with many brilliant colleagues and essays by the NOS editors! Thanks to Rory and Will for this beaut...
11/15/2025

New OUP publication with many brilliant colleagues and essays by the NOS editors!
Thanks to Rory and Will for this beautiful volume!

09/22/2025

I'm so delighted to share that the Oxford World’s Classics Arden of Faversham for which I wrote the Introduction now has a gorgeous cover! I was so honoured Professor Emma Smith invited me to write this piece. I've been working on this most excellent of domestic tragedies for 15 years and feel emotional that I got to share my thoughts on it with such a wide readership.

Look at that cover! ❤️❤️🔥

Publication date is 9 April 2026. You can pre-order your copy here:

08/27/2025

'I see a man's life is a tedious one.'

Set in Ancient Britain, Cymbeline is a play of deceit, disguise, banishment, and fidelity against the backdrop of a Roman invasion. When the King of Britain Cymbeline discovers his daughter's secret marriage, he banishes her husband to Rome, who then accuses Innogen of being unfaithful. Innogen must evade deadly plots and homicidal jealousy to restore her name. Long recognised as a response to James VI and I's project to unite England and Scotland, the play conjures ancient British history at a moment when that history was eroding, revealed as a medieval invention. This sense of historical endings is entangled with Cymbeline as a late play, and its numerous apparent callbacks across Shakespeare's career.

https://amzn.to/4645UZ8

08/15/2025

'Cry "havoc!" and let slip the dogs of war'

Set against the backdrop of a nation breaking out into civil war, Julius Caesar raises questions of governance, power, tyranny, and enslavement. This New Oxford Shakespeare edition situates these questions within the historical framework of the play's early history in theatre and print, as well as within its long performance history up to and including in the 21st century. The introduction examines the ways in which Roman history is deployed to justify and question political structures, both by Shakespeare and other writers, as well as the transition from historical sources to stage.

https://amzn.to/4fKqotd

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