School Of Percussive Arts

School Of Percussive Arts Learn to Hit Stuff! Drum lessons available in the studio or virtually. Established in 1983. We have three percussion ensemble available to private students.

Metro Chattanooga's premier percussion lesson studio since 1983. https://schoolofpercussivearts.com/2020/02/12/chips-bio/

All concepts on this site is Artistic and Intellectual Property of
Chip Hancock, Chattanooga, TN © ® ™ 2012 by Chip Hancock

The School of Percussive Arts: A Legacy of Percussion Excellence

Our Mission and Philosophy
The School of Percussive Arts is dedicated to its student

s and their passion for music. My primary goal is to offer students versatile, effective, and successful instruction supported by a comprehensive percussion curriculum. Students work diligently to master the fundamentals of music, drumming, and music reading skills. Success is fostered by establishing goals and learning the steps required to achieve them. This emphasis on objectives and aspirations not only empowers students in their musical studies but also benefits them in many other facets of life. Our History
I founded the School of Percussive Arts (SOPA) in August 1983, after returning to Chattanooga, Tennessee, from my tenure with the USMC Band in San Diego, California. Recognizing a significant need in Chattanooga for a comprehensive percussion instructor—one who could teach snare drum, drum set, timpani, marching percussion, keyboard instruments, symphonic percussion, and auxiliary percussion—I established SOPA to fill this gap. While many teaching facilities require several instructors to cover all these areas, my extensive experience enables me to provide instruction across the entire spectrum of percussion. During my time with the USMC Band, I performed in more than 1,000 appearances throughout the West Coast, gaining invaluable experience in a variety of genres on both drum set and all percussion instruments. This foundation of versatility in musical situations, styles, and venues was further strengthened by over 28 years of experience playing in the percussion section and on drum set for the Chattanooga Symphony and Opera. I am committed to sharing this wealth of knowledge and experience with all my SOPA students. Our Impact and Instruction
Since 1983, SOPA has been recognized as the premier source for percussion education in the Chattanooga area. Through private lessons, group lessons, clinics, workshops, percussion ensembles, and year-round instruction in numerous high schools and middle schools, I have had the privilege of working with thousands of drummers. The combination of my teaching methods and the dedication and practice of my students has resulted in outstanding success among drummers in the Chattanooga area—and this number continues to grow each year. Why Choose SOPA? SOPA is a one-stop destination for percussion studies. I take great pride in my extensive teaching and performance background with all percussion instruments, as well as earning a Bachelor of Science Degree Cum Laude with a Concentration in Instrumental Music Education from the University of Tennessee at Chattanooga. There is no need for multiple teachers to cover all areas of percussion study; I provide qualified, expert instruction at a reasonable price. SOPA focuses exclusively on percussion, ensuring that 100% of the attention and instruction is dedicated to percussion and the unique needs of each percussion student.

03/30/2026

Here is a snippet of one of the pieces we are working on.

02/27/2026
My studio. This is at the top of my happy places.
02/05/2026

My studio. This is at the top of my happy places.

01/13/2026

Congratulations to Hudson Case, 11th grade Heritage HS, who made principal\timpani in the GA All-State 11th/12th orchestra. Congratulations to Otto Brumit, 11th grade Red Bank HS, who made 4th chair All-East Tennessee 11th/12th grade blue band.

12/22/2025

This is the edited video of the Percussion Ensembles 2025 Christmas Concert. The kids did an amazing job!

12/19/2025

Congratulations to Hudson Case, 11th grade Heritage HS, for winning 1st chair 11-12th grade Georgia District 7 band!

12/16/2025

Catch out concert tonight, December 16, at 7:00 pm. We will be live streaming with 3 camera angles!

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed...
12/12/2025

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed previous week's posts - etudes 1 - 5, click on School of Percussive arts and you will find it there. Click like and follow to catch the remaining 10 lessons.

Etude 6, 3+2 Son Clave Ostinato, is the 6th segment in a 12 segment course. Each week, for 3 months, I will post a new etude. The video includes the etude being performed, 4 times each. You can practice along with the video. You will see amazing results in your mastery of limb coordination after each etude. This approach is fail proof if you follow the procedure. Please click like and follow if you want to catch the whole series.
This process was inspired by using variations with the George Lawrence Stone book, "Stick Control". The version presented in this series includes some sticking combinations not found in Stick Control. Each etude has the same sticking pattern, but the bass drum and high hat ostinato changes. Seeing it written out clearly indicates what occurs together and with which hand, written over the current ostinato.
Drum Set Sticking Independence
The concept of sticking independence in drumming is centered on the ability to use all limbs separately, ensuring that the movement of one does not interfere with another. Rather than perceiving drumming as numerous actions happening simultaneously, it is more effective to view it as a single rhythm being played, with the freedom to choose which limb executes each part. Every pattern performed is, at its core, a coordinated combination of hand and foot movements.
These sticking patterns are articulated between the snare drum and the ride cymbal, while the feet maintain an ostinato—a short, fixed rhythmic pattern that forms the foundation of the music. When practicing, it is important not to focus on the resulting sound, but rather to concentrate on whether the right or left hand is being used. Through this approach, each task gradually becomes ingrained as muscle memory, allowing for effortless and automatic playing.
If a particular exercise proves challenging, it is essential to pause and isolate the difficulty. Begin by establishing the ostinato with your feet. While maintaining this, verbally indicate each sticking direction by saying "right" or "left" in rhythm. This process serves as self-instruction, helping encode the sticking sequence mentally. Once you can recite the sequence over the ostinato, you are prepared to physically practice the example.
Muscle Memory in Drumming
Achieving mastery in drumming relies on developing muscle memory. This involves internalizing elements such as counting, rhythms, reading notation, sticking, and playing with precise timing. Muscle memory refers to the ability to reproduce specific movements without conscious thought, and it is most effectively developed through repetition at a pace slow enough to ensure flawless ex*****on. This deliberate practice must be consistent and purposeful.
A key principle to remember is that practice does not inherently make perfect—it makes permanent. Only perfect practice leads to perfect performance. The way you practice will directly influence how you play; if you practice with poor technique, frequent mistakes, interruptions, or by skipping necessary steps, these bad habits will become permanent. The goal is to achieve perfection at a slow speed, as practicing slowly and with accuracy accelerates the development of muscle memory. Once a rhythm can be executed perfectly and automatically, speed can be increased incrementally. There are no shortcuts to this process.

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed...
12/07/2025

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed previous week's posts - etudes 1 - 4, click on School of Percussive arts and you will find it there. Click like and follow to catch the remaining 10 lessons.

Etude 5, the Baion Ostinato, is the 5th segment in a 12 segment course. Each week, for 3 months, I will post a new etude. The video includes the etude being performed, 4 times each. You can practice along with the video. You will see amazing results in your mastery of limb coordination after each etude. This approach is fail proof if you follow the procedure. Please click like and follow if you want to catch the whole series.

This process was inspired by using variations with the George Lawrence Stone book, "Stick Control". The version presented in this series includes some sticking combinations not found in Stick Control. Each etude has the same sticking pattern, but the bass drum and high hat ostinato changes. Seeing it written out clearly indicates what occurs together and with which hand, written over the current ostinato.

Drum Set Sticking Independence
The concept of sticking independence in drumming is centered on the ability to use all limbs separately, ensuring that the movement of one does not interfere with another. Rather than perceiving drumming as numerous actions happening simultaneously, it is more effective to view it as a single rhythm being played, with the freedom to choose which limb executes each part. Every pattern performed is, at its core, a coordinated combination of hand and foot movements.

These sticking patterns are articulated between the snare drum and the ride cymbal, while the feet maintain an ostinato—a short, fixed rhythmic pattern that forms the foundation of the music. When practicing, it is important not to focus on the resulting sound, but rather to concentrate on whether the right or left hand is being used. Through this approach, each task gradually becomes ingrained as muscle memory, allowing for effortless and automatic playing.

If a particular exercise proves challenging, it is essential to pause and isolate the difficulty. Begin by establishing the ostinato with your feet. While maintaining this, verbally indicate each sticking direction by saying "right" or "left" in rhythm. This process serves as self-instruction, helping encode the sticking sequence mentally. Once you can recite the sequence over the ostinato, you are prepared to physically practice the example.
Muscle Memory in Drumming

Achieving mastery in drumming relies on developing muscle memory. This involves internalizing elements such as counting, rhythms, reading notation, sticking, and playing with precise timing. Muscle memory refers to the ability to reproduce specific movements without conscious thought, and it is most effectively developed through repetition at a pace slow enough to ensure flawless ex*****on. This deliberate practice must be consistent and purposeful.

A key principle to remember is that practice does not inherently make perfect—it makes permanent. Only perfect practice leads to perfect performance. The way you practice will directly influence how you play; if you practice with poor technique, frequent mistakes, interruptions, or by skipping necessary steps, these bad habits will become permanent. The goal is to achieve perfection at a slow speed, as practicing slowly and with accuracy accelerates the development of muscle memory. Once a rhythm can be executed perfectly and automatically, speed can be increased incrementally. There are no shortcuts to this process.

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed...
11/26/2025

Drum Set Sticking Independence is a free video course on developing independence with your hands and feet. If you missed previous week's posts - etudes 1,2, and 3, click on School of Percussive arts and you will find it there. Click like and follow to catch the remaining 10 lessons.

Etude 4, the Baion Ostinato, is the 4th segment in a 12 segment course. Each week, for 3 months, I will post a new etude. The video includes the etude being performed, 4 times each. You can practice along with the video. You will see amazing results in your mastery of limb coordination after each etude. This approach is fail proof if you follow the procedure. Please click like and follow if you want to catch the whole series.
This process was inspired by using variations with the George Lawrence Stone book, "Stick Control". The version presented in this series includes some sticking combinations not found in Stick Control. Each etude has the same sticking pattern, but the bass drum and high hat ostinato changes. Seeing it written out clearly indicates what occurs together and with which hand, written over the current ostinato.

Drum Set Sticking Independence
The concept of sticking independence in drumming is centered on the ability to use all limbs separately, ensuring that the movement of one does not interfere with another. Rather than perceiving drumming as numerous actions happening simultaneously, it is more effective to view it as a single rhythm being played, with the freedom to choose which limb executes each part. Every pattern performed is, at its core, a coordinated combination of hand and foot movements.
These sticking patterns are articulated between the snare drum and the ride cymbal, while the feet maintain an ostinato—a short, fixed rhythmic pattern that forms the foundation of the music. When practicing, it is important not to focus on the resulting sound, but rather to concentrate on whether the right or left hand is being used. Through this approach, each task gradually becomes ingrained as muscle memory, allowing for effortless and automatic playing.
If a particular exercise proves challenging, it is essential to pause and isolate the difficulty. Begin by establishing the ostinato with your feet. While maintaining this, verbally indicate each sticking direction by saying "right" or "left" in rhythm. This process serves as self-instruction, helping encode the sticking sequence mentally. Once you can recite the sequence over the ostinato, you are prepared to physically practice the example.

Muscle Memory in Drumming
Achieving mastery in drumming relies on developing muscle memory. This involves internalizing elements such as counting, rhythms, reading notation, sticking, and playing with precise timing. Muscle memory refers to the ability to reproduce specific movements without conscious thought, and it is most effectively developed through repetition at a pace slow enough to ensure flawless ex*****on. This deliberate practice must be consistent and purposeful.
A key principle to remember is that practice does not inherently make perfect—it makes permanent. Only perfect practice leads to perfect performance. The way you practice will directly influence how you play; if you practice with poor technique, frequent mistakes, interruptions, or by skipping necessary steps, these bad habits will become permanent. The goal is to achieve perfection at a slow speed, as practicing slowly and with accuracy accelerates the development of muscle memory. Once a rhythm can be executed perfectly and automatically, speed can be increased incrementally. There are no shortcuts to this process.

Coming in January 2026!
11/25/2025

Coming in January 2026!

Address

809 Kentucky Avenue
Signal Mountain, TN
37377

Opening Hours

Monday 2pm - 8pm
Tuesday 2pm - 8pm
Wednesday 2pm - 8pm
Thursday 2pm - 8pm
Friday 2pm - 5:45am

Alerts

Be the first to know and let us send you an email when School Of Percussive Arts posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The School

Send a message to School Of Percussive Arts:

Shortcuts

Featured

Share