10/13/2024
PIANIST OF THE PAST.
THERE was never a moment of doubt. When I look back, I think I was born playing the piano because, before I realized what I was doing, I was sitting at a piano trying out various sounds and playing in a very natural way.
I had a feeling for the instrument. To me, even as a child, the piano seemed to be a continuation of my arms. On the other hand, natural gifts by themselves aren't enough.
They have to be developed, and I was fortunate enough to be aided in my development by Martin Krause, who had studied under Franz Liszt. So I inherited the Liszt tradition, and through Liszt, the Czerny and Beethoven traditions. Krause was the greatest influence in my life because he was my one and only teacher. I may have had the same career without him, but it would have been accomplished much differently.
I know many artists claim they have developed by intuition, but I don't believe it. Intuition is important, so is talent. But a teacher, a guide who helps you unfold and develop is absolutely necessary.
Also, that teacher has to be the right teacher for you, because the teacher-pupil relationship is a two-sided affair involving mutual responses. In a sense I worshiped Krause; I ate up everything he tried to put in front of me. I worked exactly according to his wishes.
Krause taught me the value of virtuosity. He believed in that absolutely, but only as a basis for what follows the meaning of the music, the interpretation of the music. Being a "piano player," no matter how brilliant, is never enough. I believe in a complete development of general culture, knowledge, intuition, and in a human integration in the Jungian sense of the term. All the elements, all the talents one possesses, should go into the personality as an artist and into the music the artist makes. Concentration should not be on music alone; to better understand music the artist must embrace, as it were, the total universe.
CLAUDIO ARRAU.