12/02/2013
Racial P**nographics: A Special Issue of P**n Studies
>
>
>
> Edited by Mireille Miller-Young, PhD
>
> Associate Professor of Feminist Studies, UC Santa Barbara
>
> Contact: [email protected]
>
>
>
> This special issue of P**n Studies will promote a discussion about race in the study of po*******hy. Race remains an underdeveloped area of research in p**n studies, and employing racial analytics to the study of po*******hy’s historical, representational, market, labor, industrial, and technological production is imperative for the field. Race is crucial for the field because it allows us to think through power relations that function in concert with gender, s*xuality, and class, to uncover the historical importance of unequal looking relations, labor relations, and access to media authorship, and to reveal the ways in which desire, s*xual and otherwise, is inextricably bound to processes of racialization.
>
> A critical racial optic illuminates the interests, desires, and experiences of racialized minorities as they are portrayed in, mobilize, or labor within p**nographic fields. This mode of analysis may draw upon the theoretical scholarship of critical race scholars, women of color feminists, and q***r of color critique as well as on the emerging field of p**n studies scholarship to think through the fantasies, energies, connectivities, pleasures, and power relations embedded in racial p**nographies. Another function of a racial optics is to expose the rise of colorblindness or postracial ideologies in popular media discourses and academic theories about po*******hy, even as race is ever more salient to adult industries in a neoliberal era.
>
> In addition, this special issue of P**n Studies will highlight research that launches p**nographics as a framework for examining cultural productions and social relations outside of the genre and industry of po*******hy. Increasingly, scholars have drawn on po*******hy as a lens to problematize racial, gender, and s*xual discourses, structures, and economies in ways that reveal the utility of p**nographics as a mode of cultural inquiry that exceeds the formal confines of adult entertainment industries and networks of particular erotic communities. The goal of this special issue is to read the labor of race in po*******hy or p**nographics, and the labor of po*******hy or p**nographics in race.
>
> Finally, although this is a scholarly journal we welcome essays, interviews, and creative pieces from academics, artists, activists, and adult industry practitioners.
>
>
>
> About P**n Studies
>
> New in 2014, P**n Studies is an international, peer-reviewed journal, which publishes original research examining specifically s*xual and explicit media forms, their connections to wider media landscapes and their links to the broader spheres of (s*x) work across historical periods and national contexts.
>
>
>
> Topics
>
> Ø Race or racial minorities in p**nographic images
>
> Ø Race or racial minorities in adult entertainment labor, racialized s*x work
>
> Ø Deployments of racialized discourses in p**n or discussions of p**n
>
> Ø Colorblindness and postracial ideologies in p**n or discussions of p**n
>
> Ø Race in the production, distribution, or consumption of p**n media technologies
>
> Ø Race or racial minorities in p**nographic aesthetics or art
>
> Ø Racial discourses in antip**n or s*x positive feminist approaches to po*******hy
>
> Ø Histories of race or racial minorities in po*******hy or p**nographic cultural production
>
> Ø Ethnopo*******hy and race
>
> Ø Racial or in*******al communities in po*******hy
>
> Ø Race in global, transnational, or diasporic p**nographies
>
> Ø Racial fetishism
>
> Ø Race and disability politics in po*******hy
>
> Ø Race and B**M in po*******hy
>
> Ø Q***r and feminist approaches to race and racism in po*******hy
>
> Ø Racial politics in p**n activism, health issues, and legal concerns
>
> Ø Race and obscenity law, censorship, or free speech issues
>
> Ø Race and class in access to po*******hy, circulations of explicit media
>
> Ø Race in p**nographic pop culture, s*x tapes, viral videos, animation, and gaming
>
> Ø Race in feminist po*******hy, q***r po*******hy, trans po*******hy, and gay p**n
>
> Ø Race pleasure, racial pain, racial disgust, racial desire and other affective domains
>
> Ø Radical approaches to race or the methodology of racial studies in po*******hy
>
>
>
>
>
> Format
>
> The journal special issue will consist of original articles, book and/or film reviews, conference proceedings, photo essays, and a forum or dialogue based interview essay.
>
>
>
> Submission formats:
>
> Ø Original articles, approximately 6,000-7,000 words in length (including notes)
>
> Ø Book or film reviews, approximately 1000-2000 words in length (including notes)
>
> Ø Conference proceedings or Photo Essay, approximately 1200 to 2000 words in length (including notes)
>
> Ø Forum pieces, Interviews, or Dialogue/Debate essays, approximately 3,000 to 5,000 words in length (including notes)
>
>
>
> Style Guidelines:
>
> Manuscripts are accepted in English, OED spelling and punctuation preferred, including use of single quotation marks. Authors should include 1-5 keywords, 150 word abstract, and a short biographical note. Manuscript preparation instructions for Taylor and Francis publications and Routledge journals can be found here: http://www.tandfonline.com/action/authorSubmission?journalCode=rprn20&page=instructions #.UpOSA42f8sg
>
>
>
>
>
> Timeline
>
> Ø Deadline to Receive Notice of Intent to Submit a Manuscript, 150-200 word Abstract: January 8, 2014
>
> Ø Deadline to Receive Full Submissions: April 11, 2014
>
> Ø Expected Publication Date: September 2015
>
>
>
>
>
> Address questions and submissions to:
>
> Dr. Mireille Miller-Young
>
> Department of Feminist Studies
>
> 4631 South Hall
>
> University of California
>
> Santa Barbara, CA 93106 USA
>
> Email: [email protected]
>
>
>
Taylor & Francis Online :: P**n Studies - Instructions for authors
Use these instructions if you are preparing a manuscript to submit to P**n Studies .