San Antonio femtechnet 'taller' - Dialogues on Feminism & Technology

San Antonio femtechnet 'taller'  - Dialogues on Feminism & Technology

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San Antonio’s FemTechNet ¡Taller! A DOCC is a feminist response to a MOOC, Massive Open Online Course. The ¡Taller! FacilitatorsParticipants.

The FemTechNet ¡Taller! | Dialogues on Feminism & Technology will convene weekly on Tuesday evenings 6:30-8:30pm, September 17 through December 3, 2013 at Geekdom in the downtown San Antonio Weston Center, 112 East Pecan Street, (free parking) is the only community-based, free-and-open-to-the-public version of FemTechNet’s 2013 DOCC, “Dialogues on Feminism and Technology.” It is hoped that a wide

12/24/2013

We would like to wish our fearless leader/facilitator Penelope Boyer a Happy Birthday and a holiday filled w cheer. Much love and respect.

Photos from San Antonio femtechnet 'taller'  - Dialogues on Feminism & Technology's post 12/12/2013

These are photos from the final FemTechNet ¡Taller! From left to right in right photo is Laura Varela, Lisa Cortez Walden, Ph.D., Sandra Torres, Lauren Browning and Penelope Boyer, Ph.D. We're holding holiday cookie cutters in homage to or as avatars of the early female technology of oven cooking. We are standing in front of an outline of Gloria Anzaldua's seven-stepped transformation theory of conocimiento or self-realization as presented by Dr. Lisa Cortez Walden (preparing the presentation in photo at left). Fin.

12/03/2013

Hope to see everyone tonight, Tuesday December 3, at Geekdom for the final FemTechNet ¡Taller! Bring a potluck dish, dessert or a digital gift to share--or just bring your embodied self and ideas to share--free parking in Weston Centre garage, 112 East Pecan Street...

If you have a chance, here's one last article to read to prepare for tonight's theme: TRANSFORMATION

http://www.unc.edu/~aparicio/WAN/AnzalduaNowLetusShift.pdf

http://www.unc.edu/~aparicio/WAN/AnzalduaNowLetusShift.pdf

Love Conquers Hate Russian T-Shirt | Human Rights Campaign Store 12/02/2013

Madonna has graciously joined thousands of others from around the world to be part of our campaign – standing in solidarity with LGBT people in Russia. http://shop.hrc.org/love-conquers-hate-collection/love-conquers-hate-russian-t-shirt.html?utm_source=Email&utm_medium=Madonna-liftnote&utm_campaign=SUPPORTRUSSIA

Her inspiring note is below. If you're looking for a way to provide badly needed support for the LGBT community in Russia, please consider purchasing the Russian version of our iconic Love Conquers Hate t-shirt. All net proceeds support LGBT advocates in Russia.

– Chad Griffin, President of HRC




Dear fellow equality supporter,

"Love conquers hate." It's an iconic message that the Human Rights Campaign's members and supporters have spread to millions around the United States.

But right now in Russia, LGBT people and our allies who support basic fairness and dignity face a different reality. They are being targeted by hateful new laws that outlaw support for LGBT equality. Even with the 2014 Sochi Olympics just a few months away, fair-minded Russians are facing fines, harassment, and violence at the hands of thugs.

At this dangerous moment in Russian history, we as advocates have a responsibility to speak up and take our hopeful message global. That's why I'm joining HRC's Love Conquers Hate campaign, in hopes that more and more fair-minded people around the world will stand up and fight against the Russian government's campaign of hate.

Right now, you can send that message directly to the Russian people and provide much-needed support to LGBT advocates in Russia by purchasing the Russian-language Love Conquers Hate t-shirt. And once you have your t-shirt, share a picture of yourself wearing it on social media using . With your help, we can make this simple message go global.

Make no mistake about it: the goal of these hateful laws is to leave LGBT Russians feeling isolated. Worthless. Completely alone.
Together, we can send a message to LGBT Russians that the world is on their side, and that those who seek to support them aren't alone in this fundamental fight for fairness.

It's time for love to conquer hate everywhere, for everyone. I hope you'll stand with me in this fight.

Sincerely,


Madonna Ciccone

© 2013 The Human Rights Campaign. All rights reserved.
Human Rights Campaign | http://www.hrc.org/
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Phone: 202-628-4160 TTY: 202-216-1572 Fax: 202-347-5323

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Love Conquers Hate Russian T-Shirt | Human Rights Campaign Store Wear your Love Conquers Hate Russian T-Shirt proudly. 100% of your purchase supports Le***an Gay Bis*xual Transgender equality. 100% of net proceeds from this t-shirt will be donated to LGBT advocates in Russia

Books Aren't Dead: Modern Girls on the Go 12/02/2013

Fembot’s Books Aren’t Dead (BAD) interview for December 2013 is now available on the Fembot website. In this BAD interview Kate Page-Lippsmeyer (Doctoral Candidate, University of Southern California) talks with Alisa Freedman (Associate Professor, University of Oregon), co-editor of Modern Girls on the Go: Gender, Mobility, and Labor in Japan (Stanford, CA: Stanford University Press, 2013). You can listen to this interview at: http://fembotcollective.org/blog/2013/12/01/books-arent-dead-modern-girls-on-the-go/.

Both the podcast and the transcript for this interview (as well as BAD’s past interviews) will be available for download in the near future. BAD is Fembot’s series of monthly interviews with feminist authors of recent books on media, science, and technology. For those who are interested in participating in the ongoing BAD project please contact the BAD editor, Hye Jin Lee ([email protected]), or Carol Stabile ([email protected]).

About Modern Girls on the Go: Gender, Mobility, and Labor in Japan (Description from Stanford University Press website):
This spirited and engaging multidisciplinary volume pins its focus on the lived experiences and cultural depictions of women's mobility and labor in Japan. The theme of "modern girls" continues to offer a captivating window into the changes that women's roles have undergone during the course of the last century.

Here we encounter Japanese women inhabiting the most modern of spaces, in newly created professions, moving upward and outward, claiming the public life as their own: shop girls, elevator girls, dance hall dancers, tour bus guides, airline stewardesses, international beauty queens, overseas teachers, corporate soccer players, and even female members of the Self-Defense Forces. Directly linking gender, mobility, and labor in 20th and 21st century Japan, this collection brings to life the ways in which these modern girls—historically and contemporaneously—have influenced social roles, patterns of daily life, and Japan's global image. It is an ideal guidebook for students, scholars, and general readers alike.

About the Author:

Alisa Freedman is an Associate Professor of Japanese Literature and Film at the University of Oregon. Much of her interdisciplinary work investigates the ways the modern urban experience has shaped human subjectivity, cultural production, and gender roles. She strives to show how literature and visual media can provide a deeper understanding of society, politics, and economics. Alisa has published widely on Japanese modernism, urban studies, contemporary youth culture, media discourses about gender norms, humor as social critique, and the intersection of literature and digital media. Her work in progress include books about Sesame Street in Japan and changing images of working women on Japanese television and a series of articles on popular culture representation of Japan's lost generation. Additionally, Alisa is engaged in a research and teaching project on the future of the book using Japanese literature as an example and is involved in several literary translation projects. Alisa has served as Resident Director of OUS study abroad programs in Tokyo and is currently Undergraduate Advisor for the Japanese Culture Major.

Laura Miller is the Ei'ichi Shibusawa-Seigo Arai Professor of Japanese Studies and Professor of Anthropology at the University of Missouri-St. Louis.

Christine R. Yano is Professor and Chair of Anthropology at the University of Hawai'i at Manoa.

About the Interviewer:

Kate Page-Lippsmeyer is a Ph.D. Candidate in East Asian Languages and Cultures at the University of Southern California. Her work focuses on modern Japanese fiction, particularly science fiction, gender studies, posthumanism, feminist writing, and new media. Her dissertation, titled “The Emergence of Gendered Posthumans in Japanese Science Fiction” is an interdisciplinary literary, visual studies, and new media studies investigation of the contradictions within the aesthetic space created by the longest running Japanese science fiction magazine’s cover illustrators and how those inconsistencies affected the function and articulation of the “posthuman” in feminist science fiction. By tracing these spectacles the study redefines the cyborg’s subversive potential and challenges utopic thinking about the dissolution of gender in the posthuman to propose a new model of distributed authorship for the digital age rooted in the relationship between fan and genre.
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Books Aren't Dead: Modern Girls on the Go In this BAD interview Kate Page-Lippsmeyer (Doctoral Candidate, University of Southern California) talks with Alisa Freedman (Associate Professor, University of Oregon), co-editor of Modern Girls o...

Taylor & Francis Online :: P**n Studies - Instructions for authors 12/02/2013

Racial P**nographics: A Special Issue of P**n Studies
>
>
>
> Edited by Mireille Miller-Young, PhD
>
> Associate Professor of Feminist Studies, UC Santa Barbara
>
> Contact: [email protected]
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>
>
> This special issue of P**n Studies will promote a discussion about race in the study of po*******hy. Race remains an underdeveloped area of research in p**n studies, and employing racial analytics to the study of po*******hy’s historical, representational, market, labor, industrial, and technological production is imperative for the field. Race is crucial for the field because it allows us to think through power relations that function in concert with gender, s*xuality, and class, to uncover the historical importance of unequal looking relations, labor relations, and access to media authorship, and to reveal the ways in which desire, s*xual and otherwise, is inextricably bound to processes of racialization.
>
> A critical racial optic illuminates the interests, desires, and experiences of racialized minorities as they are portrayed in, mobilize, or labor within p**nographic fields. This mode of analysis may draw upon the theoretical scholarship of critical race scholars, women of color feminists, and q***r of color critique as well as on the emerging field of p**n studies scholarship to think through the fantasies, energies, connectivities, pleasures, and power relations embedded in racial p**nographies. Another function of a racial optics is to expose the rise of colorblindness or postracial ideologies in popular media discourses and academic theories about po*******hy, even as race is ever more salient to adult industries in a neoliberal era.
>
> In addition, this special issue of P**n Studies will highlight research that launches p**nographics as a framework for examining cultural productions and social relations outside of the genre and industry of po*******hy. Increasingly, scholars have drawn on po*******hy as a lens to problematize racial, gender, and s*xual discourses, structures, and economies in ways that reveal the utility of p**nographics as a mode of cultural inquiry that exceeds the formal confines of adult entertainment industries and networks of particular erotic communities. The goal of this special issue is to read the labor of race in po*******hy or p**nographics, and the labor of po*******hy or p**nographics in race.
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> Finally, although this is a scholarly journal we welcome essays, interviews, and creative pieces from academics, artists, activists, and adult industry practitioners.
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>
>
> About P**n Studies
>
> New in 2014, P**n Studies is an international, peer-reviewed journal, which publishes original research examining specifically s*xual and explicit media forms, their connections to wider media landscapes and their links to the broader spheres of (s*x) work across historical periods and national contexts.
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>
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> Topics
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> Ø Race or racial minorities in p**nographic images
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> Ø Race or racial minorities in adult entertainment labor, racialized s*x work
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> Ø Deployments of racialized discourses in p**n or discussions of p**n
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> Ø Colorblindness and postracial ideologies in p**n or discussions of p**n
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> Ø Race in the production, distribution, or consumption of p**n media technologies
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> Ø Race or racial minorities in p**nographic aesthetics or art
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> Ø Racial discourses in antip**n or s*x positive feminist approaches to po*******hy
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> Ø Histories of race or racial minorities in po*******hy or p**nographic cultural production
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> Ø Ethnopo*******hy and race
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> Ø Racial or in*******al communities in po*******hy
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> Ø Race in global, transnational, or diasporic p**nographies
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> Ø Racial fetishism
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> Ø Race and disability politics in po*******hy
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> Ø Race and B**M in po*******hy
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> Ø Q***r and feminist approaches to race and racism in po*******hy
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> Ø Racial politics in p**n activism, health issues, and legal concerns
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> Ø Race and obscenity law, censorship, or free speech issues
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> Ø Race and class in access to po*******hy, circulations of explicit media
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> Ø Race in p**nographic pop culture, s*x tapes, viral videos, animation, and gaming
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> Ø Race in feminist po*******hy, q***r po*******hy, trans po*******hy, and gay p**n
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> Ø Race pleasure, racial pain, racial disgust, racial desire and other affective domains
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> Ø Radical approaches to race or the methodology of racial studies in po*******hy
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>
>
>
>
> Format
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> The journal special issue will consist of original articles, book and/or film reviews, conference proceedings, photo essays, and a forum or dialogue based interview essay.
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>
>
> Submission formats:
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> Ø Original articles, approximately 6,000-7,000 words in length (including notes)
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> Ø Book or film reviews, approximately 1000-2000 words in length (including notes)
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> Ø Conference proceedings or Photo Essay, approximately 1200 to 2000 words in length (including notes)
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> Ø Forum pieces, Interviews, or Dialogue/Debate essays, approximately 3,000 to 5,000 words in length (including notes)
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>
>
> Style Guidelines:
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> Manuscripts are accepted in English, OED spelling and punctuation preferred, including use of single quotation marks. Authors should include 1-5 keywords, 150 word abstract, and a short biographical note. Manuscript preparation instructions for Taylor and Francis publications and Routledge journals can be found here: http://www.tandfonline.com/action/authorSubmission?journalCode=rprn20&page=instructions #.UpOSA42f8sg
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>
>
>
>
> Timeline
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> Ø Deadline to Receive Notice of Intent to Submit a Manuscript, 150-200 word Abstract: January 8, 2014
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> Ø Deadline to Receive Full Submissions: April 11, 2014
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> Ø Expected Publication Date: September 2015
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>
>
>
>
> Address questions and submissions to:
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> Dr. Mireille Miller-Young
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> Department of Feminist Studies
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> 4631 South Hall
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> University of California
>
> Santa Barbara, CA 93106 USA
>
> Email: [email protected]
>
>
>

Taylor & Francis Online :: P**n Studies - Instructions for authors Use these instructions if you are preparing a manuscript to submit to P**n Studies .

12/02/2013

> Dear Contributors,
>
> Here at Antenna we are most thankful for all of our contributors, and hope that you will continue to be involved during what we know is a busy Holiday season. It is time for our monthly editors to rotate and Kyra Hunting will now be editing throughout December. I have provided a quick list of topics below that might spark your interest and inspire a post but as always we are always happy to have posts about any topic that you are interested in. We hope you will get in touch with us at [email protected] if you are willing to contribute this month.
>
> Below you will find a list of some timely tops but this list is by no means comprehensive, so other topics, as well as historical or more theoretical perspectives are welcome!
>
>
> POLITICS, CULTURE & OTHER RECENT NEWS
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> New coverage of drug use by politicians Rep. Trey Radel and Mayor Rob Ford
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> VMA performances and controversies
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> Ongoing Health Care website news
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> GoldieBlox and Copyright Controversies
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> Black Friday as a media phenomenon through YouTube and News coverage
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> The Pope’s use of new media to redefine the Papal Image
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> - Media coverage of JFK Assassination Anniversary
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> TELEVISION
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> - Thanksgiving specials/episodes
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> Hannukkah and Christmas specials/episodes
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> Amazon Instant Watch Originals Premieres (Alpha House & Betas)
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> Re-purposing of content on TV: Johnny Carson interviews as TMC bumpers
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> The growing presence of British television (particularly on streaming sites)
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> Select shows are having their season finales
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> - Reflections on the cancellation count so far, or programs with ongoing episodes
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>
> FILM
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> Hunger Games Catching Fire and the Female-Driven Franchise
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> Disney’s Frozen (Nov. 27)
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> - Oldboy (Nov. 27)
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> Philomena w/ Judy Dench (Nov. 22)
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> Thor: The Dark World (Nov. 8) (the role of the Franchise in the Holiday Season)
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> - The Book Thief (Nov. 15) (and the WWII/Holocaust film genre)
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> Saving Mr. Banks (Dec. 13) and narrating film history
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> The Hobbit: The Desolation of Smaug (Dec. 13)
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> - Justin Beiber’s Believer (Dec. 25) and the role of the music film auto-biography
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>
> DIGITAL / NEW MEDIA
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> The U.S. Agrees to pay $50 million after accusations of “piracy” of software
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> Snapchat and buy out rumors
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> Playstation 4 and Xbox One sales
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> new consoles and console releases, particularly the move away from backwards compatibility
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> - Disney Infinity/Skylanders - and the toy/game hybrid as financial strategy
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> SEASONAL TOPICS
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> technology and apps for the Holiday season
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> - new media and shopping: Cyber Monday, The Prowl, Social Shopping
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> year-round Christmas music stations
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> spotlight on Holiday Media (old or new)
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> the use of movie theaters to bring Holiday themed live performance to remote locations (such as screenings of the Nutcracker)
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> news discourses framing the Holidays in American culture
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> - broadcasting of church events
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>
> As usual, we also extend invitations for contributors to develop a column or mini-series. In addition, as the target length for posts is 600-800 words, we welcome contributors to develop longer content into a mini-series.
>
> Thank you so much,
> Kyra Hunting
> (December Antenna Editor)
>

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