University of Utah Composition

University of Utah Composition The UofU Composition Area includes undergraduate, MM, and PhD students working in a variety of genres

09/05/2026

Sep 15 - Applications DUESep 19  - Session 1 - introductions + Instrumental Q&ASep 28 - Session 2 - orchestrating for Hypercube with erin Rogers (90 mins)Oct 5 - Session 3 - Writing about your work with BKT Education (90 mins)Oct 7 - Early draft of piece DUEOct 8-10 - Individually scheduled lesson...

09/03/2026

Applications are now open for the 2027 Alba Music Festival Composition Program! It is free to apply and open to composers and music creators from anywhere in the world and at any stage of career. Applications are open through December 15, and some limited financial aid is available. If you are a composer interested in an intensive and collegial musical experience in Italy, or know someone who might be, please have a look and share widely!

The program features an intensive week of music-making as part of the Alba Music Festival. Participants receive private composition lessons, take part in daily workshops and masterclasses, and have their music performed and professionally recorded by our Ensemble-in-Residence. For 2027, we are delighted to welcome Quartet ES as our Ensemble-in-Residence, with Jennifer Jolley and Eric Nathan as Composers-in-Residence, and Andrew Bishop and J. Anthony Allen joining our resident composition faculty.

Beyond the lessons, rehearsals, concerts, and workshops, the program offers the opportunity to spend a week immersed in the cultural life of Alba and Italy’s Piedmont region, a center for some of the worlds finest wine and food.

May 22–31, 2027 | Alba, Italy
https://www.albacomposition.com

09/03/2026

Applications close soon for the next EarShot Readings with Wisconsin Chamber Orchestra in Madison, Wisconsin, January 20–21, 2027.

Selected composers will have their chamber orchestra works rehearsed, performed, and recorded. There is no application fee. Local accommodations and up to $700 in travel support are provided.

Apply by 11:59 PM EST on Sunday, September 13, 2026. BIPOC and women composers are strongly encouraged to apply.

Learn more and apply: https://www.americancomposers.org/earshot-composer-incubator/call-for-scores-earshot-readings-wisconsin-chamber-orchestra

08/11/2026
08/09/2026

Composers! Researchers!

Submit your work for the 2027 Penn State International New-Music Festival and Symposium!

Festival dates: March 18-20, 2027
Submission deadline: September 4, 2026
Notification date: October 19, 2026

Guest Ensemble: Anzû Quartet

Composers: There are 31 submission categories to choose from! You can submit up to two works total.

Research Presenters: There will be two two-hour research presentation sessions! You can submit thirty-minute research presentation proposals on any topic related to contemporary music.

The guidelines and call are packed full of information… check it out via the links below.

Composition Guidelines:
https://sites.psu.edu/pennstatecomposition/files/2026/08/Penn-State-2027-New-Music-Festival-and-Symposium-Call-for-Scores-Announcement.pdf

Composition Online Submission Form:
https://forms.gle/zx4xbHsnYo7awGqs8

Research Presentations Guidelines:
https://sites.psu.edu/pennstatecomposition/files/2026/08/Penn-State-2027-New-Music-Festival-and-Symposium-Call-for-Presentations-Announcement.pdf

Research Presentations Online Submission Form:
https://forms.gle/Feo1k4mLCWS5ZiCp9

Festival Webpage:
https://sites.psu.edu/pennstatecomposition/penn-state-international-new-music-festival-and-symposium/

The Penn State University School of Music will be holding the 4th Biennial International New-Music Festival and Symposium March 18-20, 2027. The festival will consist of multiple concerts and research presentation sessions, featuring the work of composers and scholars selected through an international call for scores and research proposals. Selected composer participants will attend the festival in person, work with performers, network with other participants and within the Penn State community, and hear their compositions presented on a festival concert. Selected scholars will present a paper/presentation on any topic related to contemporary music. The festival concerts will feature performances by Penn State faculty and student performers, Penn State large ensembles, chamber ensembles, and guest ensemble Anzû Quartet. Composers can submit up to two works total and can select from 31 categories/genres for submission.

Penn State School of Music

08/04/2026

Applications are now open for the next EarShot Readings with the Wisconsin Chamber Orchestra, Wisconsin, on January 20–21, 2027.

Selected composers will have the opportunity to hear their chamber orchestra works rehearsed, performed, and recorded while collaborating with established orchestral composers and industry leaders.

This collaboration between ACO and WCO is open to all eligible composers, with BIPOC and women composers strongly encouraged to apply. There is no application fee. Travel support of up to $700 and local accommodations are provided, and featured artists will receive recordings of their works for personal and professional use.

Submissions must be received by 11:59 PM EST on Sunday, September 13, 2026.

Learn more and apply here: https://www.americancomposers.org/earshot-composer-incubator/call-for-scores-earshot-readings-wisconsin-chamber-orchestra.

Join us at the University of Utah School of Music in Salt Lake City forSPLICE FESTIVAL 8 February 11-13, 2027.https://sp...
07/24/2026

Join us at the University of Utah School of Music in Salt Lake City for
SPLICE FESTIVAL 8
February 11-13, 2027.
https://splicemusic.org/festival/about
Call for proposals deadline: August 24, 2026.

SPLICE Festival is a three-day festival that blends engaging live performances with new technologies. Unlike the SPLICE Summer Institute, the Festival takes place at a different location each year. It offers an opportunity for composers and performers to gather for a weekend of concerts and present

07/02/2026

Call for scores 📣

We are looking for five — three for and two for — to include in our 24th Milan season, , which also marks our 50th anniversary.

The compositions will be evaluated and selected by a committee made up of the Divertimento Ensemble’s artistic director, two ensemble musicians, and two internationally recognized composers.

📣 Apply to the on our website https://idea.divertimentoensemble.it/en/concorsi/call-for-scores-2027 by September 20 2026!

06/27/2026

Applications are now open for the next EarShot Readings with the Tucson Symphony Orchestra and the University of Arizona!

Selected composers will have the opportunity to hear their work rehearsed, performed, and recorded while collaborating with leading composers, conductors, and industry professionals. There is no application fee, and travel support and accommodations are provided for selected participants.

Learn more and apply here: https://www.americancomposers.org/earshot-composer-incubator/earshot-readings-tucson-symphony-orchestra

06/25/2026

REMINDER: This year’s theme is Solo Percussion with Electronics for the now open PAS Composition Contest. The purpose of this competition is to encourage and reward composers who write music for percussion instruments and to increase the number of quality compositions written for percussion. The deadline to enter is September 2. Learn more at pas.org/composition-contest

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