RISD GLASS

Closing out the year together with a department picnic at Tillinghast

Spring 2026 final critiques!

Celebrating our second-year MFA cohort in the RISD Grad Show. On view now!

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Lingyi (Ada) Hu, ‘26 RISD Glass MFA 

Lingyi Hu (Ada) is a glass artist from Nanjing, China, currently based in Providence, Rhode Island. Her work considers glass not as a stable object, but as a condition of suspension where perception and material are continuously in negotiation. Moving between object, image, and installation, she constructs situations that ask viewers to look at glass rather than through it.

Her works explore the tension between permanence and ephemerality. Treating glass as a site where time is both held and interrupted, she develops arrangements of fragments, images, and structures that resist fixed interpretation. Drawing from imaging, systems of creating context, and archival forms, her work examines how knowledge is translated and stabilized, and what is lost in that process.

Lingyi Hu received her BFA in Glass from the Rhode Island of Design in 2023 and is currently pursuing her MFA in Glass at RISD. 

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What Arrives Denies Us, 2026
Glass, Walnut, Padauk, 280 working hours
Glass: 61in H x 44in W x 14in D
Side Wood Sculptures: 62in H x 26in W x 5in D
Center Wood Sculpture: 63in H x 52in W x 5 in D

Distillation of Nine, 2025
Glass, Padauk, 96 hours working time
3in H x 36in W x 4in D

On Edge of Seeing, 2026
Glass, Print, 26 hours working time
Glass 2in W x 3in H x 0.5in D, Print 102in W x 115in H

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Ashley Bedet, ‘26 RISD Glass MFA

Ashley Bedet, (pronounced like Bed-ETTE) is an interdisciplinary artist focused on subjects equally ubiquitous as they are transparent, or difficult to see, which naturally led her to join RISD Glass for her MFA. Recently, she has been exploring how post-consumer glass, and the contexts of their original use-cases could be resituated and reconsidered. Her final thesis is a study in glasses material history and how value alters as fluidly as our relationship to a material does.

The lack of vernacular information about glass lends to its mystique. It is everywhere, and the average person is left to consider it expensive, so commonplace it is rendered invisible, or burdensome and dangerous when broken. Bedet encourages a reconsideration of the familiar, as there may be more than meets the eye at first glance.

Shared here are two works, the first, ‘a Window as a Screen as a Blind’ 2026 pulls apart the many layers of two LCD screens and reorients them as vertical blinds in the Gelman Gallery.

The second, ‘Unskilled Labour’ 2025, recontextualized an unseen mirror from a rear projection TV (these models were popular in the 80s), into an uncanny optical interior object. It stands upon crystal claw feet of the artist’s own extremities.

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Abby Sunde, ‘26 RISD Glass MFA 

Abby Sunde (b. 1991) is an interdisciplinary artist who predominately works in glassworking, drawing, sound art, and installations. She was raised on Anishinaabe ceded territory of Northcentral Wisconsin and is currently living in Rhode Island. She is a first-generation descendant of the Fond du Lac Band of Lake Superior Ojibwe and is also of Scandinavian/European-American descent. 

Sunde’s practice explores the ways in which we might reconnect to the ancestral, embodied knowledge of nature that our minds may have forgotten. Informed by decolonial theory, indigenous epistemologies of relationality and belonging, and land-based pedagogies, she is interested in the cycles of the earth and how those cycles act as tethering points to our histories and the natural phenomena around us. 

Sunde earned her BA in Biology and Environmental Sciences from the University of Minnesota - Morris in 2013. Recently returning to school, she received here AFA in Studio Art at Normandale Community College in 2022, her BFA in Studio Art from University of Wisconsin Madison in 2024 and is currently pursuing her MFA in Glass at the Rhode Island School of Design as a Society of Presidential Fellow and LoveFrom Scholar. 

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Leaf Bodies
Installation of fused glass and traces of fallen leaves
15’x10’

Collective Heartbeats
Borrowed rocks from Anishinaabe and Narragansett lands, Ojibwe, phonetics, sound, time
8’4”x10’6”

Collective Heartbeats (detail image)
Borrowed rocks from Anishinaabe and Narragansett lands, Ojibwe, phonetics, sound, time
8’4”x10’6”

Earth shields
48”x24”
Dirt, graphite, copper foil, and sounds of the earth’s magnetosphere activated by touch

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Leah Baron, ‘26 RISD Glass BFA 

Leah Baron is a multidisciplinary artist based in Providence, Rhode Island. Currently, Leah works across a variety of mediums including glass, photography, painting, drawing, and various fiber arts. Her artistic practice is inspired by the awe-striking potential of luminous color, the history of mirrors, and her feminine experience. Through creative expression, she explores human emotional and sensorial experiences and her relationship with the Moon and spirituality. She uses pattern, texture, color, shape, and repetitive forms in series in order to create site specific installations. 

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Luminous Spirit
Glass
6’x5’x10’

If I Change The Mirror, Can I Change The Reflected
Glass, Silver
11’x6’

Reflections of Soul
Glass
6’x10’

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Anjali Gauld, ‘26 RISD Glass BFA 

Anjali engages with materials that have a defining hardness and exist in continuous performance before, during, and after the conception of the object. Her work currently centers around her glass formulated from bamboo silica and the poetic agents that cause image and color to arise in it.

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Tripods on the river, left for birds
Tabasheer, calcium carbonate, steel, ceramic
28” x 22” x 22”

Tripods on the river, left for birds (detail)

Fugitive (adj.)
Video, 05:50

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Minsik Joo, ‘26 RISD Glass BFA 

Minsik Joo (1996 Seoul, Korea) is a multidisciplinary artist and sculptor whose practice centers on the elusive nature of time and the traces it leaves behind. Working across glass, wood, metal, plaster, cement, and his body, Joo investigates how materials hold, distort, and release temporal residues. His work emerges from an impulse to understand the world more deeply through witnessing—observing, photographing, sculpting, experimenting, and performing. For Joo, time is not singular but layered—composed of what has been, what has slipped away, what is still approaching, and what flickers within the present moment.

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My Cubes
video, 1hr 12min
a record of counting cubes made over two and a half years

untitled
A record of bodily movement applying soot on glass

Map of Time
mixed media
75” x 16”

RISD Glass Celebrates our 2026 graduating cohort.

Through deep disciplinary inquiry RISD Glass students develop an individualized studio practice reflecting their unique perspective.

Meet Peiran Li, ‘26 RISD Glass BFA 

Peiran is a double major in Glass and Industrial Design. Her work centers around exploring systems of ritual, biology, and devotion, adopting their language to thread together her own ecosystems of balance and fragility. The proposal of parallel evolutions and hypothetical mythologies reveal the systems she has been building to navigate a state of perpetual confusion. Materiality is important in her practice, as utilizing the sense of history and placement (or displacement) of a medium in time can allow for the suspension of context or creation of new timelines.

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∴
Glass, alabaster, Arduino, motors, red wiring, red and green tape, black grit
48”x48”x8”

Tanned Hide
Glass, wire, jump rings
48”x30”x0.2”

Reaching Ancestor Status
Alabaster, red thread, black slate
1”x1.5”x125”