Brian Trent

Brian Trent Brian Trent’s speculative fiction appears regularly in the world’s top magazines.

My mother died today.She’s the reason I’m a writer. My first memory of books is when she’d read to me from The Arabian N...
07/31/2026

My mother died today.

She’s the reason I’m a writer. My first memory of books is when she’d read to me from The Arabian Nights (a book that also inspired my love of fantasy and travel). Mom’s knowledge of classic films, actors, TV, and music was encyclopedic… she even had obscure Jazz Age jingles on tap. She loved The Beatles and Gilbert and Sullivan, The Twilight Zone and One Step Beyond.
She encouraged my brother and I to pursue our dreams.

Raised in a heavily Italian household, she nonetheless had a fondness for all things British: their history, literature, and cozy mystery films. I took her and my Dad to Italy, and will never forget her dancing the night away in Tuscany. I didn’t get to take her to England.

She saw JFK firsthand, and was once kissed by Tom Jones: the singer was onstage, saw my mother in the audience, leaned down and gave her a peck. “I did look good that night,” she told me years later. In her youth, she bore a remarkable resemblance to Audrey Hepburn (check out her high school graduation photo).

Her and my Dad knew each other 61 years. They met at Kennedy High School when it first opened; more specifically, they met while starring (as a married couple) in the school production of Damn Yankees. Six decades later, I watched Dad kneel by her bedside to hold her hand a final time.

I will forever remember her as a sweet, sensitive soul who loved fairies (especially Tinkerbell), Shakespeare, Gone with the Wind, Daphne du Maurier, Conan the Barbarian (seriously), and most of all, her family. She was a gifted singer and dancer (launching into spur-of-the-moment performances), gifted artist (even if the only canvas nearby was a bunch of lemons), spectacular cook (her tomato sauce truly was the best in the world) and her attempts at playing video games are the stuff of legend. She sparkled with life, wit, and love.

The world is so much dimmer for her passing. I’m reminded of the famous line from the end of Blade Runner: “All those moments will be lost in time. Like tears in rain.” Life is insultingly short… and it shouldn’t be that way. Certain species of turtles live three hundred years. Bristlecone pines live five thousand.

All day today, my mind has fixated on a childhood memory with technicolor clarity: her adjusting my clip-on tie before sending me out to the school bus on an overcast October morning, and how I knew that when I returned she’d be there to ask how my day was.

F**k cancer, and f**k the lack of cultural and political will to invest in a cure the way we invest in war. This situation exists because we allow it, and that’s our eternal shame.

I love you always, Mom. And every day, for as long as I exist, I’ll tell you how my day was.

06/22/2026

Spider-Noir is exactly what it says on the tin: a lovely homage to the noir genre, from moody shadows to Dutch angles, hardboiled detectives to femme fatales. It’s an ode to an older, more romantic era of filmmaking, pulling inspiration from everything from Double Indemnity to The Third Man, and avoiding cheap parody as it goes.

Nicholas Cage may be an enigma for the ages, but he’s eerily excellent as the down-on-his-luck P.I. with a secret, and delivers his lines with rapid-fire 1930s irony. Likewise, the supporting cast is roundly excellent and clearly loving the assignment, from Li Jun Li’s deliciously sultry lounge sinner with a past, to Lamorne Morris’ journalist bent on getting at the truth no matter where it takes him. The motley crew of villains range from sleazy to psycho, misunderstood to manic.

And let’s be clear (as I speak in my best Edward G. Robinson voice):

Listen buster, anyone NOT watching this in glorious black-and-white is missing the point, see? Got that, copper? You’re off your rocker!

Highly recommended.

06/08/2026

A person who launders creativity through AI, using it to write their dialogue, describe their scenes, come up with their story, is only an “artist” when preceded by the word “con”.

Stephen King once opined that writers should throw their thesaurus into the garbage, because “Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.”

The same thing applies to using AI to “write”. Any word a writer needs to outsource to an electronic homunculus isn’t just the wrong word; it’s a brick in a self-made prison, and the prisoner is your creativity. Art isn’t something to be procedurally generated, slapped together as an empty pastiche of other people’s stolen work. It doesn’t help you “develop your own voice”; it suppresses your voice for its own stolen chorus.

In short, art matters.

And artists matter.

This is a line in the sand. It’s an existential battle.

Creativity is NOT an optimization problem. Tools are great. Tools can make things easier. But when tools replace humanity in all things, that’s extinguishment. If we stop believing that artists matter, that thinking and reading and deciding for ourselves matter, then we really have accepted imprisonment in the Matrix. If we’re okay with our paintings and books and films and games and music being cranked out by the cold equations of automation, then we’ve committed a type of human sacrifice. If we sit back and accept that creativity can or should be replaced, then this really is the last invention of the Krell.

This is the line in the sand.

My view whenever I’m writing at the computer. His right paw has a habit of hitting the F11 key, which is either his way ...
05/12/2026

My view whenever I’m writing at the computer. His right paw has a habit of hitting the F11 key, which is either his way requesting attention, or demanding a fighter jet.

05/06/2026

The Lowdown is a delightfully weird romp, a deeply engaging neo-noir that oscillates between screwy and grim with equal fluency. Ethan Hawke has really come into his own as an actor; he plays a downtrodden “truthstorian” drawn into the darker side of Tulsa history, and who comes across as an unhinged combo of Philip Marlowe and The Big Lebowski (or as one character calls him, a “hillbilly Indiana Jones”). The dialogue is whip-smart, the performances roundly excellent, and the topsy-turvy narrative is worthy of Raymond Chandler, constantly keeping you guessing. Hats off to writer-director Sterlin Harjo. There aren’t many shows I’ll immediately rewatch on completion, but this is one of them. Highly recommended.

03/30/2026

Project Hail Mary is a smart, sweet sci-fi film, with Ryan Gosling delivering the very best performance of his career. With striking visuals and a sublime musical score, it offers a hard sci-fi story with exactly the right measures of humanity, humor, and pathos. I have a few nitpicks, but they’re minor against the cosmic scope of the picture. Recommended.

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Prospect, CT

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