09/14/2023
Last week, GLOBES hosted Mallery Quetawki of the Zuni Pueblo to talk about her experience using art to tailor research communications to be more culturally inclusive and relatable.
Since 2016, Mallery has been working with the Community Environmental Health Program at the University of New Mexico College of Pharmacy as an Artist in Residence and Communications and Outreach Specialist. She has worked with partner communities to use more culturally appropriate visuals to communicate scientific concepts. The key goals of the artist-in-residence program are “to translate the science, bridge bi-directional communication and create an inclusive environment effectively and appropriately so that our collaborating Indigenous communities are well informed and represented throughout the processes of research from consent to collection and evaluation to remediation.” Mallery highlighted the stark differences in the approach to medicine and science in the Zuni Peublo culture compared to Western culture. Scientists and doctors often talk about very technical aspects of what is happening within the human body when we are sick; however, these can be difficult to conceptualize and visualize so she highlights the spiritual contexts to describe the pathways and interactions within the body.
Attendees heard about how Mallery first began her career by creating images of human body parts integrated with traditional art and patterns of the Zuni Pueblo for her art class. However, this doubled as studying for her pre-med courses. Through the artist-in-residence program, Mallery has expanded to use these same themes and patterns, such as beading, spiritual beings, and totems from different Indigenous communities to conceptualize and explain complex medical ideas.
Through her artwork, Mallery has taken highly complex and technical concepts and made them approachable and easy to comprehend. These include DNA repair, placental transfer, gut microbiomes, and radiation remediation. This was particularly helpful throughout the COVID-19 pandemic. Many of the early visuals and communications about pandemic precautions were not related to the Native American experience, so they were unnoticed or ignored. A movement by local Indigenous artists, including Mallery, created new public communications and notices that were distributed online and in print to communities across the Southwest. Mallery also created artwork explaining mRNA vaccines in an accessible way.
Following her talk, GLOBES students had the pleasure of attending dinner with Mallery to further discuss her process and pathway to where she is now. Mallery provided incredible insights into the challenges that she faces in her day-to-day work as well as challenges of being an Indigenous women working alongside Western scientists. She expanded and described her lived experiences as an Indigenous women in the Southwest.
We greatly appreciated hosting her and getting to learn so much about science communication and Zuni Pueblo culture!