How can a pianist sustain repeated octaves like this?
The answer isn't strength. It's efficient movement.
This performance demonstrates principles taught through the Taubman Approach, helping pianists play demanding repertoire with greater freedom, coordination, and reliability.
Want to learn how this is possible?
Join us at the 2026 Golandsky Institute Summer Symposium where you can explore these principles with foremost experts of the Taubman Approach.
đź”—GolandskyInstitute.org
The Golandsky Institute
Preeminent center for the teaching of the Taubman Approach.
Not every descending passage has a crossing!
In this clip from her lecture at the 2025 Golandsky Institute Summer Symposium, Senior Faculty Mary Moran demonstrates using the Alla Turca from Mozart's Sonata in A Major, K. 331, showing how a single rotation from finger 1 to 5 drives a surprising amount of lateral arm movement.
Watch the full lecture, "Exploring and Expressing Descending Passages in Mozart" on Golandsky Streaming and join us at the 2026 Golandsky Institute Summer Symposium to work with teachers like Mary in person.
đź“… July 26 - August 1, 2026 Golandsky Institute Summer Symposium: https://www.golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium/
🎓 Full lecture: https://www.golandskyinstitute.org/course/exploring-and-expressing-descending-passages-in-mozart/
05/20/2026
The Golandsky Institute is thrilled to announce two outstanding concerts as part of the 2026 Summer Symposium!
On Monday, July 27 at 7:30 PM, "Wondering Worlds" features soprano Anna Cavaliero and pianist Sebastian Issler in a richly expressive program spanning English, French, German, and Hungarian repertoire. The evening includes works by Howells, Gurney, Britten, Schubert, Duparc, Hahn, Poulenc, Korngold, Mendelssohn, and Bartók, with highlights such as Britten’s Nocturne and Seascape, Schubert’s Rastlose Liebe, Duparc’s L’invitation au voyage, Poulenc’s Les Chemins de l’amour, and Bartók’s Hungarian Folksongs.
On Wednesday, July 29 at 7:30 PM, "Gershwin for Two" showcases pianists Logan Skelton, Sean Duggan, and Mi-Eun Kim in a vibrant celebration of George Gershwin’s music in imaginative arrangements for two pianos. The program features University of Michigan professor, Logan Skelton’s virtuosic arrangements of Gershwin songs (including I Got Rhythm, Someone to Watch Over Me, and Strike Up the Band), Percy Grainger’s Fantasy on "Porgy and Bess", and concludes with an exciting performance of Skelton's ambitious arrangement of An American in Paris, alongside additional Gershwin favorites.
Both concerts are included for Symposium participants and warmly open to the public.
https://www.golandskyinstitute.org/concerts-at-the-2026-golandsky-institute-summer-symposium/
05/09/2026
Whether you're coming to grow your technique, musical insights, or simply be inspired, here's what a week at the Golandsky Institute Summer Symposium will give you:
Presentations by Faculty & Guest Artists
Gain deep insight into the Taubman Approach through lectures and presentations from Golandsky Institute faculty and guest artists.
Masterclasses
Watch, listen, and learn as faculty and guest artists work with participants and demonstrate the diagnostic and transformative power of the Taubman Approach in real time.
Technique Clinics
In small-group settings designed for close interaction, technique clinics give you focused, personalized attention and the chance to work through specific challenges with an expert by your side.
Pedagogy Sessions
Whether you're a teacher or aspiring to become one, pedagogy sessions offer practical tools and insights for bringing the Taubman Approach into your studio with confidence.
Private Lessons
Work directly with a Golandsky Institute faculty member in three 30-minute private lessons scheduled throughout the week and included for in-person participants.
Concerts by Guest Artists
Be moved and inspired by evening performances featuring Symposium guest artists, Logan Skelton and Sebastian Issler, the perfect complement to a week of deep learning.
Register by May 15 to take advantage of early pricing!
With limited room and board available, don't wait until the June 30 in-person registration deadline to secure your spot.
https://www.golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium/
Why scale crossings feel hard after a leap...and how to fix it
In this clip from the 2025 Golandsky Institute Summer Symposium, Senior Faculty John Bloomfield demonstrates a simple but counterintuitive solution for a tricky moment in scale playing.
🎬 Watch the full lecture on Golandsky Streaming: golandskyinstitute.org/streaming
🎹 Experience it in person at the 2026 Golandsky Institute Summer Symposium: golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium
Playing piano should feel like joy, not pain.
This piano hobbyist struggled with persistent hand pain and tension that took away from his love of playing...until he discovered the Taubman Approach.
If you're a pianist dealing with tension, discomfort, or limitations in your playing, you're not alone. And there IS a solution.
👉 Join us at the 2026 Golandsky Institute Summer Symposium to experience the Taubman Approach firsthand:
đź”—https://www.golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium/
🗓️July 26–August 1
📍SUNY Fredonia - Fredonia, New York
One small tweak is the secret to smoother chord transitions
Golandsky Institute Senior Faculty Mary Moran works with a young student on a challenging passage from Schumann's Sicilienne. Watch how a simple adjustment, using rotation and connecting through just one finger, transforms the student's chord transitions instantly. The student's reaction says it all.
This is exactly the kind of detailed, technique-changing instruction that makes the Golandsky Institute Summer Symposium so special. Whether you're a student, teacher, or performer, a week immersed in the Taubman Approach can genuinely change the way you play.
Join us at the 2026 Golandsky Institute Summer Symposium
🗓️July 26–August 1
📍SUNY Fredonia - Fredonia, New York
đź”— golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium/
He explains it… then just plays it.
“Physical shaping” isn’t just technical. It’s what creates flow, warmth, and musical line.
Golandsky Institute Senior Faculty, Robert Durso, demonstrates how movement at the piano directly shapes sound in Chopin's Impromptu No.3 in G-flat Major, Op.51.
Discover how technique and artistry become one at the 2026 Golandsky Institute Summer Symposium.
🗓️July 26 - August 1, 2026
📍SUNY Fredonia - Fredonia, New York
đź”—GolandskyInstitute.org
There are pianists who are told their playing days are over. This is not one of those stories.
He began his studies with a playing injury. What you're hearing is his graduation recital, performing De Falla's Fantasia Baetica, a physically demanding work in the piano repertoire.
The Taubman Approach not only restored his ability to play, it gave him the technical and musical freedom to thrive.
If you or a student you know is dealing with a playing injury, or if you simply want to discover what technical freedom feels like, the 2026 Golandsky Institute Summer Symposium is the place for you.
đź“… July 26 - August 1, 2026
📍 SUNY Fredonia - Fredonia, New York
đź”— GolandskyInstitute.org
Why this Chopin passage feels hectic, and how to fix it
Golandsky Institute senior faculty member, Mary Moran, identifies why chordal passages with big leaps can feel like you're working against yourself, and explains how grouping transforms a passage from chaotic to continuous.
In her full session, now available on Golandsky Streaming, Mary guides you through chordal textures in Debussy, Rachmaninoff, and Chopin, showing how the same principles apply across the repertoire.
🎬 Subscribe to Golandsky Streaming to watch the full session: https://www.golandskyinstitute.org/product/golandsky-institute-streaming/
📅 Join us in person this summer at the 2026 Golandsky Institute Summer Symposium, July 26–August 1: https://www.golandskyinstitute.org/event/2026-golandsky-institute-summer-symposium/
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