10/05/2026
When I first started in Chen Taiji, I heard that someone who knows good Taiji can tell your skill level after watching three or four movements. I think it's true.
You can see it because the pattern recognition has been developed by your experience, if you have had quality instruction. After enough years, you aren't watching the choreography anymore. You start seeing how the person produces the choreography because within a few movements, the same underlying habits repeat themselves.
For example, you notice if the arms are moving independently, or are there consequences of movement through the torso. Is the weight transfer drives anything except the hips. Is it just hip turning, hips moving in space, or in the kua involved? Does the body open and close, and is there a structural connection to the ground?
And if the knees wobble in space or collapse, that is an indication of either low-quality instruction or lack of experience. Also, during "transitions," does the whole-body connection endure?
A beginner might watch a teacher do three movements and think, "Ooh, he really knows Tai Chi. It's beautiful."
But an experienced person may see the same three movements and think, "His shoulders are driving his hands, his center isn't doing anything, his arms move but the torso doesn't, and there's a limpness that doesn't have peng or a full-body connection to the ground."
Or, the experienced person might think, "He looks like he has some skill."
In 1987, I would have looked at someone with 6 months more experience than I had and thought, "Ooh, I can't wait to be that good."
Now, I see some folks whose skill I admire, and I'll watch others, even some who have been teaching for decades, and I think, "Their teacher needs a tap of Dim Mak."
Beautiful doesn't mean there is a good body method. Experience without quality guidance doesn't mean quality movement.
It took me a while to understand that there is a huge difference between choreography and a good, internal body method. After 39 years of Taiji (the first 10 in Yang style), I'm still working on it so when I do three movements in front of a master, they don't roll their eyes.