BRH

Dr. Karaikudi Subramanian will perform in State College, Pennsylvania, as part of the Happy Valley Performing Arts Festival hosted by and on Thursday, October 17, 2024.

Time: 6 PM
Location: Unitarian Universalist Fellowship of Centre County

Prof. K.S. Subramanian returned to his alma mater, Wesleyan University, to present a short vina recital and deliver a colloquium talk. Many thanks to for the warm reception.

Prof. K.S. Subramanian returned to his alma mater, Wesleyan University, to present a lunchtime concert and deliver a colloquium talk. Many thanks to for the warm reception.

Dr. Karaikudi Subramanian will present a lunchtime concert at his alma mater, Wesleyan University, this Thursday, October 10, 2024, at 12:00 PM.

Location: Olin Library, Gribbel Room 202A (second floor)

Later that day, he will deliver a colloquium talk at 4:30 PM as part of the 48th Annual Navaratri Festival series.

Location: Adzenyah Rehearsal Hall, Room 003 (Daltry Room)

Karaikudi S. Subramanian will deliver a Colloquium talk at Wesleyan University, his alma mater, as part of their 48th Annual Navaratri Festival series on October 10th, 2024, at 4.30 PM.

Date: Thursday, October 10, 2024
Time: 4:30pm
Location: Adzenyah Rehearsal Hall, Room 003 (Daltry Room), 60 Wyllys Avenue, Middletown

Please visit Wesleyan University’s website for more details (link in bio).

Karaikudi S. Subramanian will deliver a Colloquium talk at Wesleyan University, his alma mater, as part of their 48th Annual Navaratri Festival series on October 10th, 2024, at 4.30 PM.

Date: Thursday, October 10, 2024
Time: 4:30pm
Location: Adzenyah Rehearsal Hall, Room 003 (Daltry Room), 60 Wyllys Avenue, Middletown

Please visit the Wesleyan University’s website for more details (link in bio).

Come join us for the coming together of Carnatic musicians Karaikudi Subramanian and Karaikudi Krishnamurthy and organist Arthur Greene at St. Brigid’s Cathedral, Kildare Town. The concert will feature Caranatic music on the vina and mridangam, solo organ music and finally a blend of all three instruments.

Date: 16 June 2024
Time: 6.00 pm (Doors at 5.30 pm)
Venue: St. Brigid’s Cathedral, Kildare Town, R51 HY65

For ticket information, visit https://paralleltraditions.eventbrite.com/ (link in bio).

For any inquiries, please email [email protected].

Excerpts from ‘Continuity and Change in Musical Transmission in Contemporary South India: The Case Study of Brhaddhvani’ in ‘Music Archiving in the World: Papers Presented at the Conference on the Occasion of the 100th Anniversary of the Berlin Phonogramm-Archiv’ (2002).

Please visit our website for the full chapter (link in bio).

Brhaddhvani is happy to provide an opportunity for advanced practitioners of Karnatak music to learn directly from Prof. Karaikudi S. Subramanian. The programme focuses on key elements of self-learning – a holistic and detailed listening, incorporating a meticulous and nuanced exploration of authentic Karnatak renditions.

Classes are set to begin on Sunday, April 7, 2024. Interested participants are required to submit an application. For detailed information, please visit our website (link in bio).

Closing date:
15 February 2024

More information:
https://www.brhaddhvani.com/masterclasses

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Music, once a holistic art form, has evolved into a splintered global culture. The vast array of resources now allows proficient practitioners to skillfully adapt the works of great masters, seamlessly blending elements from different styles. However, any authentic Karnatak rendition requires a heightened sense of listening at both macro and micro levels.
Professor Karaikudi S. Subramanian introduces COMET methodology as a comprehensive guide towards accurate self-learning in Karnatak music. In these masterclasses, you will be guided through the process of self-learning by opening yourselves to holistic listening at the macro level and detailed listening at the micro level. Holistic listening makes the students absorb the whole song over various stages of listening. This method not only helps a student within the culture but also goes beyond cultural boundaries to sensitize any student of music to the nuances of any musical system.