ART 101 with Prof. Lee

ART 101 with Prof. Lee

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Info pertaining to Prof. Eric Lee's ART 101 course.

12/19/2019
Photos from ART 101 with Prof. Lee's post 12/19/2019

The final project of the semester. A collaborative project combining paintings of individual dreams to create the story of our class. Mining the unconscious à la Surrealism to create the Myth of our collective unconscious.

ABSTRACT GEOMETRIC PAINTING 11/01/2019
GRAYSCALE/VALUE SCALE & TRANSPARENCY 11/01/2019
ABSTRACT LINEAR DRAWING 11/01/2019

For this assignment we first discussed the difference between Representational and Abstract art. We recognized that art is not either one or the other but can range in the degree of abstraction. We used a scale of 0-5 where zero would be pure realism involving no abstraction and five being pure abstraction. We looked at paintings that varied in their degree of abstraction. For example, Picasso's painting of "The Weeping Woman" would be somewhere around 2-3 on the scale of abstraction.

We also discussed different types of abstraction such as Geometric and Organic abstraction, involving aspects of Realism, Figuration, Mechanical principles as aesthetic elements that depending on individual works of art, can be independent or combined for different forms of expression. Examples we looked at were works by Charles Sheeler, Georgia O'Keefe, Marcel Duchamp, Wasily Kandinsky, Yves Tanguy, Al Held, Keith Haring and Northwest Native Americans.

The objective of this assignment is to draw a purely abstract drawing (Level 5) showing both Organic and Geometric Abstraction and how they also blend together. So imagine that there are three parts to your composition. For example in one area of the composition, draw only ORGANIC ABSTRACTION. In another area draw purely GEOMETRIC ABSTRACTION. Then somewhere where the two areas come together, draw both Geometric and Organic abstraction COMBINED. Since this a PURELY abstract drawing, we do not want to see any images or forms that are recognizable. Think of this as an elaborate doodle. Also, since this a STRICTLY LINEAR drawing (no shading!), we want to use a VARIETY OF LINES and LINE WEIGHT. This way you can show aspects of spatial depth. You can use a VARIETY OF SHAPES and SIZES as well. In this case we are also working towards VISUAL COMPLEXITY which is often achieved by overlapping and transparent shapes.

05/16/2019

Spring 2019 Experiencing Art Final Project.

05/16/2019

Spring 2019 Experiencing Art Final Project.

Sakura Pigma Micron Pen - BLICK art materials 01/31/2019

I'm super excited about Spring 2019 students!

Micron Pens: https://www.dickblick.com/products/sakura-pigma-micron-pen/?clickTracking=true&wmcp=pla&wmcid=items&wmckw=20702-2089&gclid=EAIaIQobChMIntHjuuaW4AIVwZ6zCh0sWgANEAYYASABEgINMvD_BwE

https://www.amazon.com/Sakura-Pigma-30062-Micron-Blister/dp/B0008G8G8Y

Sakura Pigma Micron Pen - BLICK art materials Pigma Micron pens are acid-free and archival, making them ideal for any application requiring precision and permanance. Pigma ink is derived from a single pigment to ensure color consistency, and is fadeproof against sunlight or UV light.

COLLAGE 10/24/2018
05/31/2018
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