UW-Madison Art Department

09/10/2026

Next week, join us for the Fall 2026 Visiting Artist Colloquium public lecture by Pei-Hsuan Wang on Wednesday, September 16th at 5pm, hosted by the Chazen Museum of Art at the Chazen Auditorium! Reserve your seat now!

Pei-Hsuan Wang’s practice traces kinship shaped by migration, memory, and the interplay between personal and canonized histories. Weaving together bio(mytho)graphical narratives, folklore, and cultural artifacts born of Asia-Pacific geopolitics, her work reflects on how meaning is carried and reconstructed across generations. Through sculpture, installation, video, drawing, and public intervention, Wang navigates migratory restlessness, incorporating materials ranging from sancai ceramics and institutionally loaned objects to motorized mechanisms.

Wang has presented work internationally at institutions, project spaces, biennials and triennials, and galleries including Framer Framed (Shapeshifters: On Wounds, Wonders and Transformation, 2025); Princessehof (The Extent of Our Union, solo exhibition, 2025); Rhizoma Biennial at MASEREEL (Our Future Is To Live With Bruises, public art commission, 2024); Triënnale Kortrijk (After Paradise: Every Love Story Is a Ghost Story, solo project, 2024); Triënnale Beaufort (Fabric of Life, public art commission, 2024); STUK Leuven (At the Still Point of the Turning World, 2024); Publiek Park (Publiek Part, public art commission, 2023); BALLON ROUGE (Gratitude Is a Colored Vessel, solo exhibition, 2023); Kunsthal Gent (Ghost Eat Mud, solo project, 2022); Good Weather (Longer Than Smoke & I’ve Left My Body to Occupy Others, solo exhibitions, 2020 & 2026); and 台北當代藝術中心 TCAC (You Are My Sunshine, solo project, 2019), among others.

Each Wednesday from 5-6:15pm this Fall, attend weekly lectures in person in the Chazen Museum of Art Auditorium by some of the nation’s most prominent visiting artists, critics, and gallery and museum directors at at the Visiting Artist Colloquium! Discover the latest developments in Fine Art, Craft, and Design at our free public talks, reserve your seat at art.wisc.edu/public-programs/

09/10/2026

This weekend, R&D presents Substitute Teacher, on Saturday, September 12th from 6-10pm and Sunday, September 13th from 11-3pm, featuring the work of Emma Rossoff, Alex Gartelmann, Academic Advisor of Undergraduate Programs Certificates & Outreach Annmarie Suglio [MFA '23], Sculpture Technician Casey Fletcher [MFA '25], April Behnke, and MFA Candidate Christian Ulloa!

Attend the opening reception with the Lot Sandwiches Pop-Up provided by The Grilled Cheese Grant on Saturday from 6-7:45pm, $5 sandwiches while supplies last!

Located in a five-car garage, the R&D artist-run gallery is a vibrant hub that's dedicated to nurturing creativity and fostering artistic expression, providing a unique platform to emerging and established artists nationwide and serving as a haven for their ideas to come to life. R&D is committed to embracing diverse artistic visions, creating a dynamic space for innovation and collaboration. Exhibition support is provided by The Open Fund, through the Poor Farm, with funding from The Andy Warhol Foundation and Ruth Foundation for the Arts.

The Grilled Cheese Grant is an annual community fundraising event and visual artist grant that provides financial support for undergraduate seniors and emerging artists in Wisconsin by making grilled cheese sandwiches. Learn more about GCG at grilledcheesegrant.com.

3118 Harvey St, Madison, WI

09/03/2026

Next week, join us for the first Fall 2026 Visiting Artist Colloquium public lecture of the semester on Wednesday, September 9th at 5pm with Jim Ga***rd, hosted by the Chazen Museum of Art at the Chazen Auditorium! Reserve your seat now!

New York-based artist Jim Ga***rd explores the possibilities and boundaries of abstraction, adapting languages of formalism, geometry, ornament, and iconography. He interlayers motifs from both man-made and organic structures, finding connections between engineered and naturally occurring patterns. Recontextualizing symbols from our visual culture, his work resonates in ways that are specific yet enigmatic, inviting multiple readings.

Ga***rd manipulates heavy watercolor paper through processes of addition and removal—cutting, bending, and scraping—to create his multidimensional surfaces. His singular approach to image-making encompasses painting, drawing, collage, and sculpture. Working primarily in monochrome, he focuses on effects of light and shadow cast upon raised edges, volumetric forms, and surface textures. Through this formal exploration, Ga***rd seeks out a sense of harmony and rightness among shapes that appear otherwise idiosyncratic.

Ga***rd has had solo exhibitions at Sperone Westwater, Deanna Evans Projects, Gregory Lind Gallery, AMT Torri & Geminian in Milan, and baileygallery, among others. Selected group shows include DC Moore Gallery, Weatherspoon Art Museum, Carré de Baudouin, LACE (Los Angeles Contemporary Exhibitions), and BAM Film. He has completed residencies at Sharpe-Walentas Studio Program, MacDowell, and Yaddo. He received his MFA from UC Berkeley and a BA from UNC Greensboro.

He is currently represented by DC Moore Gallery in New York, where he will have his first solo exhibition with the gallery in the spring of 2027.

Each Wednesday from 5-6:15pm this Fall, attend weekly lectures in person in the Chazen Museum of Art Auditorium by some of the nation’s most prominent visiting artists, critics, and gallery and museum directors at at the Visiting Artist Colloquium! Discover the latest developments in Fine Art, Craft, and Design at our free public talks: art.wisc.edu/public-programs/

08/28/2026

On display now through September 12th, see the Elise Ostraff’s exhibition P A U S E . at the UW-Madison School of Education Gallery, Monday through Friday, 8am to 5pm, and attend the reception on Tuesday, September 8th from 6-8pm!

Boucher Ostraff’s artwork is centered on finding the sacred in daily repetition and life at home. She grew up in Utah and received a BFA in studio art with an emphasis in painting from Brigham Young University. She is working toward an MFA at UW–Madison.

08/21/2026

Save the dates for the Fall 2026 Visiting Artist Colloquium public lectures this September, hosted by the Chazen Museum of Art at the Chazen Auditorium!

Get the details & reserve your seat at: art.wisc.edu/public-programs/

New York-based artist Jim Ga***rd explores the possibilities & boundaries of abstraction, adapting languages of formalism, geometry, ornament, & iconography through painting, drawing, collage, & sculpture. Recontextualizing symbols from our visual culture, his work resonates in ways that are specific yet enigmatic, seeking a sense of harmony & rightness among shapes that appear otherwise idiosyncratic.

Through sculpture, installation, video, drawing, & public intervention, Pei-Hsuan Wang’s practice traces kinship shaped by migration, memory, & the interplay between personal & canonized histories. Weaving bio(mytho)graphical narratives, folklore, & cultural artifacts born of Asia-Pacific geopolitics, her work reflects on how meaning is carried & reconstructed across generations.

Furniture maker, artist, & educator Wendy Maruyama has spent more than 5 decades creating innovative, boundary-pushing work. Rooted in traditional craft, her ongoing wildLIFE Project confronts the endangerment of elephants following a research trip to Kenya—a powerful work that merges craftsmanship with activism & storytelling.

A scholar of contemporary studio craft, material culture, decorative arts, & design, Perry Price is the Executive Director of the international Haystack School, a research & studio program. Inviting visiting artists & scholars across the sciences, literature, music, & the visual arts to spend 2 weeks focusing on their work, Haystack functions as a ʻthink-tankʼ in looking at craft.

Each Wednesday from 5 to 6:15pm this Fall, attend weekly lectures in person in the Chazen Museum of Art Auditorium by some of the nation’s most prominent visiting artists, critics, & gallery & museum directors at at the Visiting Artist Colloquium! Discover the latest developments in Fine Art, Craft, & Design at our free public talks, reserve your seat at art.wisc.edu/public-programs/

08/11/2026

Three students from the UW-Madison Summer Screen Printing class in Printmaking and Ring Making in Art Metals share their experiences!

Summer arts courses offer students a bonus season to earn valuable credits, expand their horizons, and, in some cases, discover deeply personal stories.

07/22/2026

Get a peek at the UW-Madison Summer 2026 Screen Printing and Ringmaking courses from 3 different perspectives!

Summer arts courses offer students a bonus season to earn valuable credits and, in some cases, discover deeply personal stories.

Division of the Arts student writer and photographer Ted Hyngstrom visited the UW-Madison Art Department to speak with three students about what drew them to enroll in a summer arts course, and how their creative work has flourished in the last month.

Head to news.wisc.edu to read the full story ➡️ 📰

07/20/2026

New exhibition guest curated by rising 3rd year MFA Candidate and Tandem Press 2025–2026 University of Wisconsin-Madison Graduate Student Curatorial Assistant Alexandra Riesco!

07/14/2026

Only 1 week left to apply for the tenure-track tenured Associate Professorship in Graphic Design position at the UW–Madison Art Department in the UW-Madison School of Education beginning August 2027!

Apply now at Jobs at UW: jobs.wisc.edu

PVL JR10010558: Associate Professor of Graphic Design - Tenure Track

05/14/2026

Next week, at night only from May 20th to 22nd, see the .art’s 4D art installation at the Art Lofts Atrium, and attend the reception on Friday, May 22nd from 8-11pm!

Signals in Flux is an immersive installation that translates environmental data from a year of satellite data, captured by NOAA-21, a joint NASA/NOAA satellite system, into a dynamic field of light and sound.

In this iteration of the Signals installation, a year of North American wildfire data involving luminosity, frequency, and temporal fluctuation is rendered into dynamic visual outputs through Max/MSP Jitter and paired with a spatialized soundscape.

Supported by the Creative Arts Award.