New Lehrhaus

New Lehrhaus California's Jewish educational nonprofit. Intellectual, creative, and open to all.

Classes, films, concerts, and cultural programs exploring arts, history, literature, music, and ideas throughout the state. New Lehrhaus brings students and teachers together in dynamic dialogue to explore sources, traditions, and arts, sustaining and enriching the vibrant spirit of Jewish civilization. As California‘s non-denominational lifelong Jewish learning institution, we are dedicated to academic excellence, open inquiry, contemporary relevance, and cultural and religious pluralism.

When the synagogue was forbidden, the home became the center of Jewish life. And women ran it.After the 1492 expulsion f...
08/28/2026

When the synagogue was forbidden, the home became the center of Jewish life. And women ran it.

After the 1492 expulsion from Spain, Sephardic women became the keepers of a culture that could have disappeared.

Thousands of families resettled in far-flung communities, and it was through songs and stories that the Judeo-Spanish women carried their culture, values and identities abroad to be passed down through the generations.

In thousands of "Converso" households - families converted to Christianity in public while practicing Judaism in secret - the stakes were even higher. Without any public spaces, the home became the spiritual center, and women stepped into roles once reserved for men. They became the teachers. The ritual slaughterers. The ones who carried the songs, the prayers, and the memory of Spain to the next generation.

Join Dr. Rivka Amado to reconstruct these hidden lives through the legends and songs they left behind, full of loyalty, earthy secularism, and a lasting longing for a lost homeland.

She also looks at what's happening now, as these families return to public synagogue life and renegotiate who holds authority between women and men.

Who in your family kept the traditions going? Tell us below.

📌 Women as Guardians of Sephardic Culture
📆 Wednesday, Sept. 2
⌚️ 7pm - 8:30pm Pacific
🌐 on Zoom

🔗 Link to register in the comments.

08/27/2026

What can Sephardic women’s songs and stories tell us about Jewish history that official records cannot?

On Sept. 2, you're invited to explore the covert preservation of Spain's Jewish identity through music and story—a practice created and sustained by Sephardic women across the diaspora and in Spain for over 500 years.

What happens when a tradition preserved by women for generations in kitchens, courtyards, and family rituals returns to the male-led realm of the synagogue?

**Women As Guardians of Sephardic Culture**
With Dr. Rivka Amado
Wednesday, September 2
@ 7–8:30 PM Pacific on Zoom

Come for the songs and stories. Stay for the history hiding inside them.

🔗 Register at the link in our bio.

Are you curious about in-depth Talmud study? This week, we are hosting free intro sessions to our Community Talmud Circl...
08/26/2026

Are you curious about in-depth Talmud study? This week, we are hosting free intro sessions to our Community Talmud Circles, facilitated by Deena Aranoff and Rabbi Peretz Wolf-Prusan. Both of our Talmud Circles are hybrid with virtual and in-person options.

Come find out what 2 hours of in-depth Talmud study is like!

✨ TONIGHT! ✨ Introduction to Talmud with Deena Aranoff
➡️ Wednesday, August 26 @ 6:30pm
🌐 Hybrid: Zoom or Berkeley

✨ Introduction to Talmud with Rabbi Peretz Wolf-Prusan
➡️ Sunday, August 30 @ 10:00am
🌐 Hybrid: Zoom or JCC San Francisco

Register at the link in our comments.

08/18/2026

Paul Celan wrote "Todesfuge" in 1945. It was among the very first attempts anyone made to give the Holocaust artistic form, and this August his life and poetry will be at the heart of our class on German writers after the Holocaust.

Celan survived eighteen months in a forced labor camp, while his parents were deported to Transnistria and killed. Then, in the direct aftermath of the Shoah, he did the nearly-unthinkable: he bore witness in German. As novelist Aharon Appelfeld observed, it was a courageous and complex decision: “To recount the Holocaust in the German language, the language of the murderers, adds one difficulty to another.”

The title means "Death Fugue," and the poem works like the musical form it's named for. Lines enter, repeat, and fold back over each other, spiraling closer as they go. Two women move through it in counterpoint, one with golden hair, one with ashen hair, the two images — and fates — contrasted against one another on a single page.

This month, we focus on Celan, Ingeborg Bachmann and Nelly Sachs, writers bound by the same impossible question: how do you reclaim a language that has been used to destroy?

➡️ Writing in the Enemy's Language: Poetry in German After the Holocaust
🗓️ Thursdays: Aug 20, 27 & Sept 3
⏰ 7–8:30pm PT · on Zoom
🔗 Link in bio.

Beginning Tuesday, August 18, join us for a journey into the history of one of the oldest and most distinctive Jewish co...
08/17/2026

Beginning Tuesday, August 18, join us for a journey into the history of one of the oldest and most distinctive Jewish communities in the world!

In this 4-session course, Alan Niku traces the history, folklore, and language of Kurdistan's Jews, starting with their ancient Assyrian exile and exploring how the Jewish mountain villages developed a Neo-Aramaic dialect closely related to the Babylonian Talmud.

You'll even pick up a few words of Hulaula along the way!

➡️ The Jews of Kurdistan
📅 Tuesdays: August 18, 25 + Sept 1, 8
🕰️ 7–8:30pm Pacific on Zoom

Had you heard of Jewish Neo-Aramaic before today? 👇 Tag someone who needs to see this.

This August 30, join Jehon Grist to break the Hebrew sight-reading barrier!In this focused 2-hour workshop, you'll learn...
08/12/2026

This August 30, join Jehon Grist to break the Hebrew sight-reading barrier!

In this focused 2-hour workshop, you'll learn to write and recognize every letter of the Hebrew alphabet, master the key vowel symbols and sounds, and start building and reading real Hebrew words.

We'll also explore the ancient origins of Hebrew, because understanding where this remarkable language came from deepens everything that follows.

This session is the perfect on-ramp for anyone who has always wanted to decode the Hebrew they see in synagogue, in texts, and in Jewish life.

💫 Register at the link the comments!

08/11/2026

Listen to William Donahue on the Stolpersteine: small brass cobblestones embedded in sidewalks across Europe, placed directly in front of the homes and workplaces of people persecuted and killed in the Holocaust.

Starting Thursday, August 13, join Professor Donahue for a 4-part class on Auto-da-Fé, Elias Canetti's only novel. It's a book about learning that produces no wisdom, about the systems that function as forms of not-seeing, and the dazzle by which even the most disciplined mind blinds itself.

🗓️ Four Thursdays: August 13, 20, 27 & Sept. 3
🕛 12–1 pm Pacific on Zoom

🔗 Register at the link in our bio.

How do you write poetry in the language of those who tried to destroy you? For Paul Celan, Ingeborg Bachmann, and Nelly ...
08/05/2026

How do you write poetry in the language of those who tried to destroy you?

For Paul Celan, Ingeborg Bachmann, and Nelly Sachs, German was both wound and weapon, the only language in which they could bear witness to what the world had done.

In a three-session course starting August 20, you'll get introduced to some of the twentieth century's most courageous and innovative poets, whose friendships sustained them as they transformed personal and collective trauma into some of the most powerful verse of the postwar era.

We'll explore how each writer navigated the moral and artistic challenge of reclaiming a language shadowed by atrocity, and why their work remains essential reading for anyone seeking to understand Holocaust literature, postwar European poetry, and the resilience of the human voice.

All texts are read in English translation.

📖 Writing in the Enemy's Language
🗓️Three Thursdays: August 20, 27 & Sept. 3
🕐 7–8:30 PM Pacific, on Zoom

Register at the link in the comments.

Elias Canetti was one of the most intriguing figures in twentieth-century literature. For starters, he won the Nobel Pri...
07/31/2026

Elias Canetti was one of the most intriguing figures in twentieth-century literature. For starters, he won the Nobel Prize, yet he only produced one novel in his 70-year career. We'll read that novel together as part of our summer reading series.

Canetti was born into Ladino in Bulgaria and learned English and French as a child. He then settled on German, which he chose at age eight, specifically because it was the language his parents used to keep secrets from their children. When Canetti was asked in 1944 why he'd keep writing in the language of the country that had exiled him to England, his answer was four words: "because I am Jewish."

His one and only novel is "Die Blendung" -- a German phrase for the kind of dazzle that blinds you. English readers know it as "Auto-da-Fé." It asks the one question that followed Canetti's writing throughout his life:

How do people come to believe what they believe, and what do those beliefs do to them?

Starting August 13, William C. Donahue, among the world's foremost experts on Canetti and author of the standard study on this novel, leads a four-week summer reading at New Lehrhaus focused on Auto-da-Fé.

📖 Reading Canetti: Auto-da-Fé and the Problem of Wisdom
🗓️ Four Thursdays: Aug 13, 20, 27 & Sept 3
🕐 12–1 PM Pacific, on Zoom

Register at the link in the comments ⬇️

Most people know that Jewish law draws a sharp distinction between men and women. What fewer people know is that the Tal...
07/20/2026

Most people know that Jewish law draws a sharp distinction between men and women. What fewer people know is that the Talmud itself recognizes human beings who fit neither category.

Centuries before modern debates about gender identity, rabbinic tradition developed sophisticated legal frameworks for individuals who were "androginos" (dually s*xed) or "tumtum" (of indeterminate s*x), grappling seriously with questions of status, obligation, and exemption that feel remarkably contemporary.

Join Charlotte Fonrobert for two sessions where we'll explore those talmudic texts closely, examining how the rabbis thought about gender, embodiment, and law.

This is an invitation to learn what Talmudic frameworks might offer to our own moment of intense legal and cultural debate about gender and s*xuality in the United States.

BEYOND BINARY: Gender and Sexuality in the Talmud
Two Thursdays: August 6 & 13
7pm-8:30pm Pacific
On Zoom

Register at the link in our comments.

Address

P. O. Box 7843
Los Angeles, CA
94707

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