02/12/2025
This one goes out to the students who feel uninspired after page one. Weāve all been there š DONāT BE A PAGE ONE PLAYER! Practice what you CANāT play more than what you can. You got this!
The art of mastering the first pageā¦(also called ā bad practiceā )
You find a new piece. It looks amazing. You can already hear yourself playing it. Your audience, aka your cat, will be impressed. Smooth. Effortless. A masterpiece. You sit down and start.
The first notes? Perfect. Youāre a genius. The music flows. This will be your piece. Then, you turn the page.
Chaos. Tiny, fast notes. Jumps that make no sense. Blurry chords. You stare at the page. You stare at your hands. This is not what you signed up for.
No problem. Youāll be disciplined. Slow practice. Hands separate. Metronome on. Counting out loud. No skipping the hard parts.
That lasts a day. Maybe two. By day three, you have a new plan. Play the beginning again. Just to āwarm up.ā It sounds great. Might as well play it again. And again. The hard part? It can wait.
Weeks pass. The opening is flawless. The theme? Beautiful. The hard part? Still a disaster. But who needs that section anyway?
You decide to āstudyā instead. Watch performances on YouTube. Compare interpretations on TikTok. Three hours later, youāve learned a lot. Except how to play the middle section.
You sit at the piano again. The beginning is still perfect. The tricky part? A train wreck. You sigh, close the score, and tell yourself youāll fix it tomorrow.
One more piece where you know the beginning. And nothing else.
( I wrote this post after being inspired by my students this week š)
Piano on the picture from Markson Pianos