Breath by Breath: inspired leadership for rabbis, cantors and educators

Breath by Breath: inspired leadership for rabbis, cantors and educators Inspiration to Expression, teaching present and future rabbis, cantors and educators how to lead from their hearts and that charisma is a learnable skill.

ABOUT INSPIRATION TO EXPRESSION
It is often true that when different elements come together, they have the ability to create a brand new and unique entity. A thing that would not have existed in the world on it’s own. It is through her special combination of theatrical skills, teaching experience and devotion to Torah that Carol Fox Prescott created her “unique entity” which is to assist rabbis, rabbinical students, cantors and Jewish educators in learning the skills, originating in theater, that can help them to become ever more authentic, spirited, generous, and creative transmitters of the depth and breadth of Judaism. ABOUT CAROL, LEADERSHIP CONSULTANT
Carol Fox Prescott is a celebrated actor, singer, director, master teacher, performance coach and author. She brings more than 50 years of experience in professional theater to individuals in all walks of life, enabling breakthroughs in authenticity, personal growth, and imaginative thinking. Carol’s clients include professional actors, clergy, educators, attorneys, business leaders, doctors and artists, anyone for whom presentation and self-discovery are essential to success. She is renowned internationally for her breath-based technique, Inspiration to Expression, which helps people master the art of “being at ease” wherever the spotlight begins to shine. This includes learnable skills to foster confidence, creativity, personal communication and the re-channeling of performance anxiety into free flowing insightful, self-expression. In this her seventh decade of life, in addition to working with actors and other professionals, Carol has turned her attention beyond the world of theater to embrace her belief that we can all benefit from the power of Inspiration to Expression. She is particularly interested in reaching out to progressive-thinking rabbis, cantors, Jewish educators and lay leaders who hold the future of our enlightened sacred traditions in the their often overburdened hands. Carol is one of fifty teachers in The United States chosen to be included in "Acting: A Vital Tradition" by Ronald Rand and is one four master teachers in New York City recommended in "The Actor’s Pocket Guide to NYC." She studied acting with Joshua Shelley, Robert Lewis, Charles Nelson Reilly, and Michael Moriarty. Carol has played leading roles in New York, National Touring Companies, and Regional Theaters. Her teaching career began at The American Academy of Dramatic Arts and the T. Schreiber Studio in New York City after which she created Carol Fox Prescott: Acting Classes, her own studio, where she developed her approach to acting based on breathing awareness and joy and became a highly valued acting coach for professional actors in New York, Los Angeles, Seattle, Melbourne and Paris. She was a founding member and senior faculty of Artistic New Directions 18 Annual Improvisation Retreats and still teaches twice a year at Acting International, a professional theater school in Paris, France

Her book 'Breathing, Awareness and Joy: An Approach to Acting for the Twenty-First Century' is available on her website: www.CarolFoxPrescott.com and at The Drama Bookshop in New York City, www.TheDramaBookshop.com

In the Jewish world, Carol is proud to be a member of the teaching faculty of The Lev Shalem Institute of the Woodstock Jewish Congregation where she specializes in courses and workshops that emphasize the joy that comes with being Jewish. On her own, she coaches privately with rabbis, cantors, lay leaders and Jewish Educators. In years past, she taught for many successive summers at The Jewish Retreat Center, Elat Chayyim and facilitated weekend seminars at The Reconstructionist Rabbinical. And she devotes volunteer time in The Exodus Program at The Shawangunk Correctional Facility, a maximum security men’s prison in Shawangunk, NY. Carol is the author of 'Some of These Days', a one-woman show about vaudeville star and early Jewish groundbreaker, Sophie Tucker and 'In The Voice of Our Mothers', a five character play taking the audience deep inside the lives of our biblical matriarchs.

'I am never alone wherever I am.  The air itself supplies me with a century of love.  When I breathe in, I am breathing ...
07/07/2022

'I am never alone wherever I am. The air itself supplies me with a century of love. When I breathe in, I am breathing in the laughter, tears, victories, passions, thoughts, memories, existence, joys, moment, and the hues of sunlight on many tones of skin; I am breathing the same air that was exhaled by many before me. The air that bore them life. And so how can I ever say that I am alone?' by C. Joybell C.

Carol Fox Prescott (acting and performance coach) is known as a master teacher of acting, but what she actually teaches ...
12/17/2019

Carol Fox Prescott (acting and performance coach) is known as a master teacher of acting, but what she actually teaches is the skill of being present. That is, she teaches people how to be fully available and responsive to the life flowing both around and within themselves. For this reason I consider Carol to be a spiritual teacher. For Carol, acting is not pretending to be someone else; rather it is discovering your deepest self through the medium of creative expression. As a rabbi, I have learned that my most valuable offering to my congregation is the offering of myself, unpretentious, honest, fully present and expressive. Carol teaches this subtle art, and she can teach it to anyone, even the shy and self-conscious. Carol helps people to blossom.

Rabbi Jonathan Kligler
Woodstock Jewish Congregation, Woodstock, NY

www.carolfoxprescott.com

08/29/2017

While shopping in my local fruit and vegetable market today, I heard my name called out, loud and clear. I turned around to face the sound and saw myself approached by a smiling, forthright woman with closely cropped gray hair and a pleasing manner. She introduced herself and announced that she had two things to tell me. The first was that she had been thinking about me as she had watched the battery of local candidates who were throwing their proverbial hats in the ring in order to unseat our local congressman, declaring she could see that many of them needed coaching on how to communicate their messages more effectively, and that I would be the perfect one to do it. As I wondered how she knew of me, or my work, she launched in to the second thing, which I could feel was a heartfelt and considerate “thank you” for the work I have been doing with the minister of her church, a delightful young woman who I’ve been happily coaching for almost a year. Then she rhapsodized about what she sees as the profound difference in the ability of said minister to engage, move and touch her beloved community since she had been working with me. By this time, I was so moved that all I could do was hold my hand over my heart and nod my own thank yous, as my experience of coaching the young minister has been a rewarding, joyous and deeply meaningful one, just for its own sake.

How lovely to be recognized for my work in such a surprising and round about way.

How lovely to get a glimpse into the mysterious process that encourages the reverberations of my work to continue to move out beyond me and touch people I might never see, hear or know.

All in all, a lovely day at the grocery store!

08/21/2017

Having expanded my Breath by Breath coaching practice to include more one-on-one sessions both in my studio and on Skype or Facetime, I am happy to report that good work is being done here. I am humbled by the trust people are placing in the work we do together as we identify what might be in the way of clear, compassionate, authentic communication, and open safe, viable, enlivening pathways, filled with the joy of full, creative expression.

With prayers of peace in these troubled times,

Carol

08/21/2017

FELLOW STUDENTS—my work with Carol is some of the most profound work I have encountered on my journey of becoming a rabbi, teacher, storyteller, singer, listener, breather, and more. If you can find the resources to study with her, Do.

Love
Shavuah Tov
Shir Yaakov

07/29/2017

A week ago today I taught an all day workshop at The Unitarian Universalist Church of the Catskills, at the invitation of their minister Rev. Erica Baron. I worked with members of the congregation who regularly express their devotion by taking a leadership role in Sunday services. It was a joyous occasion for me and I do believe each participant came away with an expanded sense how to express their deepest selves through liturgy poetry and song.

07/09/2016

“With Carol’s sensitive and expert coaching you will find yourself expressing a depth of feeling and presence that you didn’t know was possible. When you practice with Carol, the boundary between performance and prayer, between the spiritual and the theatrical, vanishes.”

Rabbi Jonathan Kligler

05/29/2016

I wrote the following commentary on Leviticus 25:35 as a way of celebrating my birthday and I want to share it with my friends here on Facebook. It was fun to write and more fun to share.

Commentary on Leviticus 25:35, B’har

(With additional music and lyrics by Johnny Burke and Jimmy Van Heusen)

This portion seems to set up impossible goals for us. Working out the logistics of a sabbatical year and, even more, the jubilee year is maddening in its specificity of the unattainable. I especially, a sufferer of math anxiety, usually run screaming from any obligation to consider numbers higher than 3. So when faced with questions like how could we work this out and has it ever been done, I run away as fast as I do when a politician offers new tax plans alone that are supposed to save us from unemployment, failing schools and crumbling infrastructure. I know somebody has to take care of these things but my mind will not bend that way. Like my mother, I just want us all to get along and be happy.

(Sing)
Imagination is funny
It makes a cloudy day sunny
Makes a bee think of honey
Just as I think of YOU

But as I read on, I know there is something crucial to learn about how we might create an ideal society so that we may all live in peace and rest in the sanctity of our families and I love the feel of that. It sounds so fair. Let the land rest every seven years. It needs it no less than we need to rest at night and on our blessed Shabbat. And in the Fiftieth year, give it all back to whoever lost it, for whatever reasons, and start again. We don’t need to hold on to so much. Fair! Yes! And, in the same way as when I saw one or both of my two sisters getting something I wanted desperately and cried out, it’s not fair! I what I want is fair.

I want to know that teachers can be paid wages commensurate with their contributions to our children, which is already immeasurable. I want communities to value their school buildings more than their sports stadiums. I’m sure that the folks wrenching their backs in the fields to provide food for the rest of us are at least as valuable to society as a whole, as doctors, lawyers and bankers

I know that the contribution of the bit player is certainly as valuable to the play as is the star because she is an intrinsic part of the whole production, and without her at her best, the audience will lose track of the story and their willing suspension of disbelief will fade as they turn their attention to checking their phones and reading their programs.

(Sing)
Imagination is crazy
Your whole perspective gets hazy
Starts you asking a daisy
"What to do, what to do?"

So I don’t think it matters if the Seventh year and the Jubilee year were ever actually practiced. It only matters that the Rabbis imagined that they might have been. It matters that so many centuries ago there were some wise people who looked around and said to one another something like, “This Life (with a capital L) does not belong to me, this Land (also a capital L) does not belong to me. And so, together we must find ways of defining ourselves as part of this Life. Together, as a people we can celebrate the gifts of this Life. And one way, we tell ourselves, that we might learn how to do this, is to listen to one another’s stories, to sing one another’s songs. We must finally discover that we are all on the same side, that we are all made in the image of the One Source of Each of Our Lives.”

What is more important to us than what the literal truth of the past might have been, if there even is such a thing, is that we have a written record of the thoughts, musings, poetry and fictions of our ancestors, who through millennia did their best to understand the workings of their world and tried to help to create a better life for the people who lived there.

I take great pleasure in imagining a gathering of that ancient tribe that made the leap from gestures and grunts into language. Gestures and grunts must have done well by us for untold millennia. I know from my work with actors that often the unspoken can communicate an immediate experience more delicately than the finest words we might cull together. We can easily recognize one another’s needs and desires in behaviors and the relative urgency of the sound of the grunts. Think of those long scenes in movies where no words are spoken yet we understand every single complicated emotional nuance.

(Sing)
Have you ever felt
A gentle touch and then a kiss
And then and then
Find it's only your imagination again?
Oh, well.

Even so, can you imagine the wonder as some one (and it had to have started with some one) who began to transform those generalized sounds into specific phonemes, distinguishing one from another then adding meaning to those sounds so that they could be understood and repeated and shared? All of a sudden we could communicate about things that had already happened and might happen in the future. All of a sudden we could think about a future, the way things might be. All of a sudden we could imagine a world for our children, distinct from our own.

And as caves became canvasses, as early drums gave rise to dance, as well as becoming the forerunners of the Internet, we humans went to work to develop the art of language.

It would take someone an awful lot more skilled in that art than I to describe the blessing of poetry that grows out of every day language and sometimes even seems to rise to the musings of God. But if we can stop for a moment to consider what it is that happens to us when we absorb heightened, richly magnificent musical sounds that merge into mesmerizing, wisdom filled symbols bursting with luxurious visual imagery and wordplay that simply dances off the page, then we might have a glimpse of what good those words do for our souls. And we cannot be other than grateful to the generations and generations of folks who first told the stories and then the scribes who sat down to scrupulously pen our blessed, blessed Torah scrolls with their echoes of white and black fire etched into the parchment. These humans, our ancestors, were able, because they had the language, to look around to see what was and wasn’t working in their individual lives and societies and then imagine ways they might make it better.

And we, as Jews, have had what I consider the brilliance to revere that Language of our People and what became our Torah, our Talmud, our more contemporary writings and conversations throughout the ages. We converse together; we imagine together, we argue together, we create together. We did then and we do now.

And if our sages from so long ago could imagine a world where the Land belonged to God and had to be treated with love and respect and divided among us so that none were left out, what can we imagine that will insure our bright future, one that is shared by all?

Stuck as we are in this moment of time where the Earth itself seems in danger of no longer being able to provide a home for us, where scientific and technological changes happen so rapidly that no one knows how or what to regulate or deregulate, where some of our politicians and their followers descend into the ravings of frightened children, the balance of power between women and men along with gender, ethnic, racial and economic categories has shifted beyond recognition and we despair of discovering a new balance that will give us any sense of well being, it is our traditions and imaginations that we must turn to.

Allowing our carefully chosen ancient and modern teachers to be our guides we can and must project ourselves into a future where we can be secure and live well with the land.

And here is where the mathematicians, accountants, philosophers, politicians, doctors, lawyers bankers, engineers, inventors, farmers and laborers must join with the artists and keepers of the faith to maintain our conviction in a future as bright and shining (and yes, dark and dirty as all human times have always been) that we may move through this particular crisis by not only imagining our hope filled future, our own land of milk and honey, but by joining ourselves with the wisdom of our ancestors and those yet to be born, to continue to work to bring it to being.

May we combine our passions, insights and love of learning with those of students of humanity all over the globe that we may reveal new, visionary, fair and far- reaching solutions to the dilemmas we encounter every day. May the spirit of the Seventh and Jubilee Years invade our longings, occupy our musings and dwell deeply in our hearts that we may help to move humanity further towards a world of people who do Justice, love Mercy and walk Humbly with our Source, our Breath, our Life as it Unfolds, Our Yud Hey Vav Hey, Our God.

(Sing)
Imagination is silly
You go around willy-nilly
For example I go around wanting you
And yet I MUST imagine
That YOU want me, too.

My personal study of Torah is a pathway into the deepest core of my imagination as it meets the visionary minds of my mothers and fathers from ages past and combines with the inspired thinking of my study buddies.

Little these days, gives me more pleasure th
an joining in the process of unpacking ancient words of Torah, the very existence of which are as much a miracle as the Burning Bush and the Parting of The Sea of Reeds.

I am and will continue to remain grateful to my teacher, Rabbi Jonathan, The Woodstock Jewish Congregation, The Lev Shalem Institute and the dedicated people who show up, who have shown up for years at our Thursday study sessions, our newer Tuesday night Pathways to Jewish Prayer classes, as well as the folks who drop in on occasion to offer their questions, doubts and insights.

As I celebrate my 76th birthday, my love of Torah, my love of language, story, communication and imagination, indeed my love of Judaism, grows exponentially.

Thanks for listening.

(The original lyric is “And yet I can’t imagine, That you would want me too.” I thought it worth changing when referring to God!)

01/20/2016

"THE TORAH OF BROADWAY weekend, I taught with Rabbi Jonathan Kligler at The Lev Shalem Institute in Woodstock, NY last month, seemed to me to be a totally delicious experience for all concerned. What stands out for me is that besides the plain fun of it, the delightful rebelliousness I think we all felt just haveby stepping so far out of traditional forms and the way everyone simply that by gave themselves over to it from the very beginning, was the very real understanding that seemed to grow throughout the weekend, that if we could enter into our weekly Shabbat worship with the same sense of fullness, intention and joy that we effortlessly and unselfconsciously did here, we would………what? Live our lives in love? Really know God? Maybe!

It might be true that the same kind of thing could happened with any genre of music that people have grown up with and know in their bones, but I still think there is something particular about this music and poetry of the American musical theater, that was mostly written by Jewish immigrants and sons and daughters of Jewish immigrants, that takes the original Chasidic impulse (mostly from Eastern Europe) and forms it into this fiercely secular art form that not only speaks to the Jews in the audience but helped to create a unique, inclusive and relentlessly optimistic American art form.”

10/13/2015

Directing "The Diary of Ann Frank" at Manhattanville College

Our work on this play has turned out to be a joyous interfaith exercise and a lesson in the courage and divinity of our common human spirit.

I am a Jew among Christians and agnostics in this production. And yet we continually find, not only shared experiences but also deep respect and abundant love.

We began rehearsals with a viewing of a “yellow star,” that my friend Susan’s father was given by a survivor of Dachau when he was among the men who came to liberate the camp in 1945.

It was lovingly wrapped in red silk and as I explained what it was, I could see the faces of our cast members move to expressions of such seriousness that I was taken aback by their depth of feeling. We passed it around, from person to person, remaining silent all the while.

Later, I offered teachings about the history and culture of the Jews as I shared various personal artifacts (tallit, shofar, candle sticks, spice box, braded candle, challah cover, and a small replica of The Torah, complete with printed text inside.)

After we had been together for three full days of work, I asked the cast to sit in a circle and talk about how they or their families might have experienced harsh discrimination. It was important that they be able to personally identify with the Franks, The Van Danns and the Dussels rather than think that the hatred from others was something that only happened to Jews.

As one might imagine, we quickly became a “sacred circle.”
We heard about Greek/Cypriot struggles, Catholics and Protestants in Ireland, inter-marriage of Native American grandparents, escapees from occupied territories and drug wars. We were told about a Catholic grandfather who, having fought with the Polish resistance, died in the camps. We were also reminded that not all of our ancestors were victims of hatred but perpetrators of it.

And there we were, alive in our circle, together in our love of humanity, our commitment to our truths, our joy in our artistic expression and in our collegial affection.

In these moments, we were able to open our hearts as individuals, and as a company of actors to enter the world of the play with the common intention of bringing our “characters” to life, in all their humanity. And each day we have learned more about what it is to be human.

One day in our second week one of our actors said, “Oh I get it! They didn’t go into hiding to die or even keep from dying, they went there to live!” That was the day that our rehearsal process truly began.

Through this play we have been given an opportunity to see the heroic side of all human beings who live through darkness in hopes of reaching the light. Our play is not about death and destruction but about the courage it takes to live, every precious minute we are alive.

We have four performances coming up starting Thursday, October 15 and run through the 18th.

08/26/2015

lsi-wjc.org

THE TORAH OF BROADWAY:
Spiritual Wisdom and Joy from the Great American Songbook
with Carol Fox Prescott and Rabbi Jonathan Kligler

Friday, December 11, 2015—Sunday, December 13, 2015
4:30pm, Friday - 2pm Sunday

Tuition: $295
10% early-registration discount available, plus WJC members receive an additional 40% off! Not a member? Consider joining.

George and Ira Gershwin. Richard Rodgers. Jerome Kern. Oscar Hammerstein II. Lorenz Hart. Irving Berlin. Yip Harburg. Harold Arlen. Dorothy Fields. Betty Comden. Adolf Green. Cole Porter. In the 1930’s and 40’s, the creators of the uniquely American genre of musical theater were MOSTLY Jewish.

Well not Cole Porter! But the list goes on: Leonard Bernstein. Alan Jay Lerner. Frederick Loewe. Sheldon Harnick. Jerry Bock. Jerry Herman. Jule Styne. Frank Loesser. John Kander. Fred Ebb. Stephen Sondheim. Richard Adler. Jerry Ross. And many more. These immigrants and children of immigrants gave us a body of music that arises from our common Jewish teachings and traditions and soars right into our hearts with wisdom, insight, and humor. They created songs that form a large piece of the cultural DNA of 20th century America. And what great music!

Come sing your hearts out and lift your spirits for a great weekend with Broadway musical actress and master teacher Carol Fox Prescott (Fiddler on the Roof, The Rothschilds, Pippin) and Rabbi Jonathan Kligler. We will be focusing on both classics and lesser-known songs from the American musical theater that speak deeply to the human condition. We will open our breath and expand our expressiveness with wonderfully effective vocal and acting exercises. We will enjoy a different kind of Shabbat service filled with popular songs that become our liturgy for the day. And in between we will explore the Jewish roots of Broadway. Open to all voices – joy guaranteed!

This weekend falls during Chanukah, so we will be singing around the menorah. It will be a wonderfully festive way to celebrate the holiday!

Details: This weekend workshop meets at the Woodstock Jewish Congregation and begins with registration late Friday afternoon, continues all day Saturday and concludes at 2:00 pm on Sunday. There are modest additional fees for meals. The delicious catered meal plan includes Friday dinner, Saturday lunch and dinner, and Sunday lunch. Special dietary needs can be accommodated. Contact the institute for more information.

lsi-wjc.org

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