Parsons Interior Design

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Our faculty are shaping the future of interior design, through research, exhibitions, public installations, and collabor...
05/27/2026

Our faculty are shaping the future of interior design, through research, exhibitions, public installations, and collaborative practice. We’re proud to spotlight the creativity and rigor driving their contributions to the field. ✦


IMAGE 4: Making Space as Matrix Exhibition, Parsons Kellen Gallery (NYC) in collaboration with Brian McGrath, Christine Facella, Sugandha Gupta

IMAGE 5: Shakespeare Machine, Public Theater (NYC) in collaboration with Ben Rubin

IMAGE 8: Multispecies Totem — Earth Matter NY, Urban Farm on Governors Island NYC by e+I Studio

IMAGE 9: Gateway to Chinatown Oculus — On Canal Finalist by e+i Studio

IMAGE 12: Sit/e/uation — An Urban Interiors Photo Series by Alfred Zollinger

IMAGE 15: Cumulus Working Papers The Handbook of Interior Architecture and Design

IMAGE 18-19 WHEN PLACES SPEAK Lead Researcher & Curator: Carly Cannell, Primary Photographer & Curatorial Advisor: Alejandro Aguirre, Special thanks to Cotter Christian, Alfred Zollinger, and Annabelle Schneider.

We’re proud to celebrate Camilo Trujillo as a Metropolis Future100 Award recipient. His practice investigates the ways t...
05/21/2026

We’re proud to celebrate Camilo Trujillo as a Metropolis Future100 Award recipient. His practice investigates the ways time, use, and environmental exposure transform materials and interiors. Repositioning deterioration, wear, corrosion, and repair as generative design conditions rather than shortcomings.

Day 1 at PARSONS X IMPACT: SEAPORT SATELLITE ✨Returning from Salone Satellite at Milan Design Week, Seaport Satellite tr...
05/17/2026

Day 1 at PARSONS X IMPACT: SEAPORT SATELLITE ✨

Returning from Salone Satellite at Milan Design Week, Seaport Satellite transforms a loft space at the Seaport into a living pavilion featuring interdisciplinary student work across lighting, objects, furniture, graphics, digital media, textiles, fine arts, and spatial installations. Throughout the week, the exhibition continues to evolve through workshops, screenings, sound experiences, and live performances.

Featuring work and collaboration from:

MFA Interior Design Thesis
Students: Galya Titova, Jude Qassem, Amanda Davila, Vera Keiter, Kevin She, Camilo Trujillo Morales
Faculty: Arianna Deane, Jonsara Ruth, Maria Linares Trelles, Jen Shin

Mixed Realities in the Built Environment
Students: Mehak Kumar & Vishnu Singeetam, Iana Tchantchaleishivili, Janne Berg, Galya Titova
Faculty: Michele Gorman and Maya Georgieva

Impact Exhibition
Faculty: Carly Cannell

📍 PARSONS X IMPACT: SEAPORT SATELLITE
🗓 Saturday, May 16 – Wednesday, May 20, 2026
⏰ 12:00 PM – 6:00 PM
🎟 Free and open to the public

Come stop by and experience the space as it transforms throughout the week.

Day 1 at PARSONS X IMPACT: SEAPORT SATELLITE ✨Returning from Salone Satellite at Milan Design Week, Seaport Satellite tr...
05/17/2026

Day 1 at PARSONS X IMPACT: SEAPORT SATELLITE ✨

Returning from Salone Satellite at Milan Design Week, Seaport Satellite transforms a loft space at the Seaport into a living pavilion featuring interdisciplinary student work across lighting, objects, furniture, graphics, digital media, textiles, fine arts, and spatial installations. Throughout the week, the exhibition continues to evolve through workshops, screenings, sound experiences, and live performances.

Featuring work and collaboration from:

MFA Interior Design Thesis
Students: Galya Titova, Jude Qassem, Amanda Davila, Vera Keiter, Kevin She, Camilo Trujillo Morales
Faculty: Arianna Deane, Jonsara Ruth, Maria Linares Trelles, Jen Shin

Mixed Realities in the Built Environment
Students: Mehak Kumar & Vishnu Singeetam, Iana Tchantchaleishivili, Janne Berg, Galya Titova
Faculty: Michele Gorman and Maya Georgieva

Impact Exhibition
Faculty: Carly Cannell

📍 PARSONS X IMPACT: SEAPORT SATELLITE
🗓 Saturday, May 16 – Wednesday, May 20, 2026
⏰ 12:00 PM – 6:00 PM
🎟 Free and open to the public

Come stop by and experience the space as it transforms throughout the week.

Following our Earth Day gathering on Governors Island, join us May 16th for NYC x Design at the South Street Seaport for...
05/08/2026

Following our Earth Day gathering on Governors Island, join us May 16th for NYC x Design at the South Street Seaport for our 5th Decolonized & Decarbonized Dinner Party! This event highlights student projects that engage with materials not only as designers, but as caretakers, listeners, and participants within larger ecological and cultural systems. By working through recipes, rituals, and collective gatherings, students explore how design can support practices of decolonization, decarbonization, and healing—through everyday acts of making and sharing.

The dinner party is used as a conceptual and anthropological framework: a place to gather, share, reflect, and exchange knowledge. It becomes both a ritual and a site of learning, where materials, food, and stories intersect.

Project conceived of by Michele Gorman, Yvette Chaparro and Preeti Gopinath. Our 2026 course is taught by D+D alumna, Jess Theis and Luisa Mantelli

Photography by: Jurien Huggins, Michele Gorman and Barent Roth,

Carving Your Corner: Crafting Resistance amidst the Rise of AuthoritarianismStudent: Vera Keiter Approximately 122 milli...
04/29/2026

Carving Your Corner: Crafting Resistance amidst the Rise of Authoritarianism
Student: Vera Keiter

Approximately 122 million people around the world have been forcibly displaced, finding themselves in unfamiliar contexts and disrupting people’s sense of identity, connection to home, and belonging.

This project is grounded in the Russian vernacular concept of the Red (Sacred) Corner as a site and anchor for craft-based making. Historically, the Red Corner was an integral part of everyday rituals, displaying family icons and heirlooms and prompting everyday acts of tending.

How can activating a particular corner of a new home give displaced individuals a sense of agency and rootedness? How can the craft and care involved in the making of that corner allow one to settle into place? Ornament, arrangement, and accumulation are understood here as the expressions of byt (everyday lived practice): a layering of memories, narratives, and histories. The ornamentation of the corner, made from whatever is at hand, becomes an act of resistance. It’s proof of life.

The corner can exist beyond the constraints of an architectural corner, and many might find their corner on a windowsill, a shelf, a wall. What stays consistent is how it comes to be.

The corner is never given, but created.
It is carved out. It is claimed.
Objects create the corner.
Without them, the corner disappears.

The project proposes seven steps for carving a corner. This framework is precise yet not prescriptive, democratic, and portable, with disassembly and flexibility in mind, offering multiple options and addressing three scales—the room, the objects, and the body. This project allows anyone navigating the making of a new home to find comfort and agency, one step at a time.

1. The Corner Framework
2. Reflections on the definition of a corner
3. The relationship of a body to a corner
4. The accumulation and memory that a corner holds
5. The Frame for the Objects
6. The Frame for the Body
7. The Frame for the Body, detail
8. Material and ornament explorations
9. The Frame for the Corner, activated
10. How to carve a corner in seven steps

Photography by .herqui

Melting Gardens: Ritual Practices and Collective Interiors in a Community GardenStudent: Carmen Sarg Melting Grounds beg...
04/29/2026

Melting Gardens: Ritual Practices and Collective Interiors in a Community Garden
Student: Carmen Sarg

Melting Grounds begins with a simple claim: interior space does not require walls. It investigates how land-based ritual practices from Mayan diaspora communities particularly from Guatemala, southern Mexico, and Honduras can continue within dense cities where access to soil, fire, and collective gathering is often unstable or erased. Sited in the 6th Avenue and 15th Street Community Garden in Brooklyn, the thesis reimagines the garden as an urban interior produced through use rather than enclosure. Its material strategy draws from melting candle wax used in ritual practice: a substance that pools, hardens, and leaves traces of time and occupation. This logic shapes earthen planting beds that shift through stewardship and lime-cast cloth structures that form shaded thresholds for gathering. Through seasonal cultivation, recurring ceremonies, and collective maintenance, the project proposes that space can be built through repetition—and that the ground itself can hold memory.

Rituals in Circular Motion: Study of how people move, gather, and position themselves during ceremonies.
Sediments of Memory: Exploration of overlapping materials and the elements recreated through each ritual.

Garden of Slow Burning: Collage reimagining the space formed by melted candles and ritual traces.

Contours of Regrowth: Axonometric drawing of the planting bed and its spatial organization.

Plan of Dissolving Grounds: Design plan showing the arrangement of landscape, circulation, and gathering spaces.
Composite State of Thaw: Programmatic college of music, harvesting, rituals, and community activities within the site.

Spatial Melt Transformation: Study of how the space shifts, transforms, and melts through use over time.

Comfort In Common: Redefining communal space in student housingStudent: Minhee Kim .spaceThis thesis reimagines student ...
04/29/2026

Comfort In Common: Redefining communal space in student housing
Student: Minhee Kim .space

This thesis reimagines student housing as a shared landscape shaped by comfort, choice, and everyday interaction. Emerging from lived experience in post-pandemic dorm life, the project questions rigid spatial systems, such as long corridors, identical rooms, and underused lounges that force a divide between isolation and exposure. Instead of treating communal space as a single, fixed room, it proposes a continuous gradient that extends across the building.

Inspired by the spatial softness of Central Park, the design introduces “nooks” as micro-environments that create subtle transitions between public and private. These layered spaces allow students to move fluidly between solitude, focus, and connection, supporting diverse modes of living within one environment. Through shifts in scale, material, and light, communal space becomes adaptable and emotionally responsive.

By distributing shared space across hallways, rooms, and in-between zones, student housing is redefined as a micro-city where belonging emerges not from programming, but from spatial nuance and everyday presence.

1. Ceramic model exploring how communal space can emerge in the in-between.
2. Hallway Nook. The corridor shifts from circulation to occupation, opening pockets where movement softens into rest, and privacy becomes adjustable.
3. Laundry Lounge. A laundry routine reimagined as a social moment. What was once a space for just waiting becomes an interior of social nooks for lingering, conversation, and comfort.
4. Art Studio. An underused studio reconfigured. Instead of a single open room, the space breaks into focused pockets that allow students to settle in and immerse themselves in their work.
5. The gradient between public and private continues within the residential unit. Sleeping, gathering, and retreating unfold across different niches, forming layered moments of comfort.
6. A tactile palette developed through clay and glaze experimentation. By testing finishes, the study explores how softness, porosity, and reflection shape a quieter, more intimate interior atmosphere.

A Softer Place to Wait: Reimagined Cancer-Care Waiting InteriorsStudent: Balbina Pozas My thesis explores the relationsh...
04/28/2026

A Softer Place to Wait: Reimagined Cancer-Care Waiting Interiors
Student: Balbina Pozas

My thesis explores the relationship between interior design and neuroscience, focusing on how the built environment shapes emotional and bodily experience. This research centers on healthcare waiting rooms, spaces often defined by discomfort, lack of privacy, limited agency, and an intensified sense of time.

Waiting rooms are environments we are all familiar with: harsh lighting, constrained seating, and little to do but wait. These conditions can heighten feelings of uncertainty, frustration, and fatigue. In cancer care settings, this experience becomes more complex, as patients and their support systems enter with layered emotions, expectations, and vulnerability.

This project investigates how interior design can respond to these conditions by introducing moments of agency, choice, and play within a serious and sensitive context. Rather than treating waiting as passive endurance, the proposal reimagines it as an experience that can be supported, softened, and reshaped through space.

The research is guided by the following questions:
How can play and agency reshape waiting in cancer care environments?
How can interior design alter the perception of time in cancer care waiting environments?
How can design create moments of choice where autonomy is limited?

Through an iterative process, I explored spatial interventions, material properties, and body posture through drawing, collage, and physical models in clay, paper, cardboard, and fabric. The work includes diagrams and material studies that test how space can hold emotion and support the experience of waiting.

1. Collages showing different ways of waiting
2. The waiting room
3. Clay diagrams
4. Sensory & emotional map of the space
5. Experimenting with paper and clay models

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Governors Island, NY
10004

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