When boys arenāt singing clearly, donāt rehearse harder.
Instead of fixing it inside the musicā¦
take the concept out of the song.
Speak it. Clap it. Feel it.
Then put it back in.
šÆThey lock in immediately because now they know what success feels like.
Instant clarity. Instant buy-in.
Save it. Steal it. Use it tomorrow. āØ
The Choir Guy
Real classrooms. Real results.
I help choir teachers build confident choirs where students want to sing and keep coming back.
š¶ Choral Consultant | Clinician | Presenter
š Fort Worth, TX | Nationwide
š” Practical strategies.
Middle school boys struggle with toneā¦
because weāre speaking a different language.
When we say ācreate space,ā they hear words.
When we attach it to movement, they feel it. āØ
So we turned it into a game:
Eyebrow push-ups.
Physical anchor.
Instant difference.
šÆWith boys, the body often unlocks what the voice wonāt.
Save it. Steal it. Use it tomorrow.
Meet me at TMEA 2026! š¶š
Iām excited to see familiar faces, meet new ones, and talk all things tenorābass choir. If you see me, stop me ā letās chat!!
See you there! š„
Iām not yelling. Iām not arguing.
Iām not repeating myself 12 times. š®āšØ
I give them a cue.
We run it.
If it slips, we run it back.
šThatās it.
Thatās the system.
Save it. Steal it. Use it tomorrow.
š¤ÆPART 3 (Final): Connect Sound to Singing š¶
This didnāt start with singing.
It started with safety.
šÆBefore boys are ready to sing,
they have to feel safe enough to make sound.
When sound is allowed to be rawā¦
when itās encouraged instead of correctedā¦
when itās anchored with trustā¦
sound becomes singing.
Every voice you hear here found its way into head voice
not through force,
but through patience, movement, and belief. š„
Boys will sing.
Boys want to sing.
Let them. š¤
𤯠PART 2: Move the Soundā¦
Before boys are ready to sing,
they have to feel safe letting their sound move.
I start where their voice already feels safe, then guide the sound up using:
⢠movement
⢠familiar context
⢠airflow
This is how sound becomes singingā
without breaking trust.
Part 3 is where it all connects. š„š¶
100 Middle School Boysā¦š±
First time meeting this groupā¦
Some chose choir. Some didnāt.
šÆ But Iāve learned that before boys feel safe enough to sing, they have to feel safe enough to make sound.
So we start there.
Sound builds trust.
Trust builds buy-in.
Buy-in leads to singing.
š¤ Boys need to be BROUGHT IN before they BUY IN.
01/28/2026
š¶Iām excited to be presenting at āVoices in the Middle,ā an online mini-conference created specifically for middle school choir teachers.
š¤ Iāll be joining an amazing group of clinicians who are passionate about supporting directors in one of the most important (and challenging!) stages of choral education.
If youāre looking for practical strategies, new ideas, and real encouragement from people who truly get the middle school choir world, this conference is for you.
š January 31 & February 1
š Register here: https://anola-douglas-s-school.teachable.com/p/voices-in-the-middle-an-online-conference-for-middle-school-choir-directors
How to get 75 studentsā attention without raising your voiceā¼ļøš¤Æ
First time meeting this group.
75 students. Zero raised voices.
šÆ Iāve learned that attention isnāt about being louder ā itās about giving students something to follow.
The very first thing you do sets the tone before you ever start teaching or singing.
Set the tone. Stay in the zone. š
Waiting to conduct an honor choir,
but THIS happened insteadā¦āØ
Fill it low. Let it flow. ššØ
Backpack Breathing is a game-changer for you tenor-bass singersāhelping them build the foundation of breath support needed to unlock a stronger, freer, and more supported tone! š„
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