05/06/2026
Day 6: Pragmatic Pen May Showcase
Last but not least, I present my award for Most Creative Writer of the Year: Anika Shah.
Anika writes for her student newspaper at The Hockaday School in Dallas and it shows.
Themes are witty, prose is pithy, rhythms are perfect.
She keeps everything tight, tight, tight.
We had a party at my table every time she came to visit--and she popped over a lot: Anika applied to 23 colleges.
But here's the thing: She only needs one.
And as of today, Anika still hasn't picked, putting down deposits at two schools and planning to visit the East Coast in June one more time.
Wherever she lands, she'll be a standout in her field--public policy.
Thank you, Anika, for letting me play in the word sandbox with you and allowing me to publish your work.
Here's her "Why University of Texas" piece...
I don’t measure time in minutes, or months, or years. I measure it in odd units.
Like the wobbles before a bike finds balance. I remember gripping the handlebars too tightly, wobbling toward the curb, feeling gravity test my patience. Now, when I run beside a child learning to pedal, I count their wobbles differently. Not as mistakes, but as proof of movement. Stability isn’t the absence of falling; it’s the courage to keep going anyway.
Or broken golf tees. I’ve snapped more than I can count, usually in the heat of practice or just before a tournament. Some might throw them away, but I tuck a few into my bag. Not trophies, exactly, but markers of persistence. Each splintered stick is a reminder that progress hides in the moments no one notices.
Sticky notes are another measure. Neon squares clutter my desk, scribbled with half-formed ideas, story deadlines, reminders I’ll probably ignore, and sometimes just a random quote that stuck. They don’t track time in hours, but they map the rhythm of my days, the cadence of my thoughts.
Headphones deserve their own units. Pink ones I wore as a child, too big for my head, tangling themselves into knots at the bottom of my backpack. Black ones patched with tape, stretched from travel and practice, carrying playlists that guided me through focus, nerves, or long walks. Each pair is a timestamp, a way of hearing my life as it happened.
Zoom glitches measure time too. The frozen rectangles of faces, the echoing feedback, the endless “You’re muted” reminders—they marked entire weeks, stretching moments into micro-forevers. At the time, it was exhausting. Looking back, I realize those glitches were exercises in patience, in improvisation, in finding clarity in chaos.
Even the smallest units matter: the two seconds before raising my hand in class, the beat before asking a question, a held breath before a golf swing. Tiny pauses, but they measure risk, curiosity, and the quiet push toward action.
Some units are discovered in anticipation. The thrum of a live show at Austin City Limits, the chatter of students in the UT Main Mall, the quiet hum of the Tower at sunset—these are rhythms I’ve imagined counting in visits and online exploration. Looking at campus maps, festival lineups, and student-led panels, I picture stepping into spaces pulsing with energy, curiosity, and collaboration. Even from afar, noticing those beats shapes how I think about learning and community, and how I want to engage in environments that challenge and inspire me.
When I look back, I see a mosaic of units rather than a straight timeline. Wobbles, strokes, sticky notes, headphone scratches, glitches, pedals, pauses, imagined UT rhythms-they don’t form a tidy calendar, but they capture life in its actual texture: messy, uneven, alive.
I don’t know what the next units will be. Maybe the scratch of pencil on paper in a late-night draft, the squeak of sneakers in a gym, the applause of a student festival I finally attend. Whatever they are, they will join the others in recording the small, stubborn evidence of growth.
Odd units are my way of understanding the world: imperfect, specific, unmistakably my own. They remind me that progress isn’t measured in conventional increments, but in the strange, personal rhythms that make life feel real-and that the spaces I hope to explore at UT Austin have their own pulse, waiting for me to notice it.
****