SAIC Art & Technology/ Sound Practices

SAIC Art & Technology/ Sound Practices SAIC's Art and Technology Studies department provides a fresh and innovative forum for interdiscipli

Art and Technology / Sound Practices (AT/SP) is a place to explore, critique, and imagine the potentials of artistic production with technology, sound, or their unlimited hybrid forms through focused study and interdisciplinary exploration. It integrates two SAIC departments that are visionary in their fields: The Department of Art and Technology Studies and the Sound Department. Its faculty and c

urriculum reflect an inclusive approach to the technological and sonic arts in which rigorous practice is informed by robust research and the interrogation of diverse histories, theories, and strategies. The Art and Technology component of AT/SP springs from the founding of the Kinetics & Electronics research program at SAIC in 1969, which also comprised robotics, neon and holography. In 1970, the Generative Systems program explored image reproduction technologies and included some of the earliest uses of personal computers for art making, which led to the formation of the Department of Art and Technology Studies and its focus on the use of technology as an art medium. This experimental and interdisciplinary approach has grown to include areas such as creative coding and machine learning, augmented and virtual realities, games, kinetics, electronics, light, audio, poetic systems, bio art, and olfactory art, as well as the history and theory of technology-based art. The Sound Practices component of AT/SP began as an area of study at SAIC in 1972 and became the world’s first full-fledged Sound Department in an art school. It went on to develop the first MFA program focused on sound art in 2002. Its pedagogy was founded in exploring sound as a material through synthesis, sampling, recording media, and signal processing, and has evolved to include investigations of sound’s manifestations in text, body, performance, installation, improvisation, technologies, acoustic ecology, and social meaning. Deeply informed by this legacy, AT/SP is one of the very few places in the world where one can engage in rigorous graduate-level study of sound in an interdisciplinary art school context. The integration of the two departments’ unique and expansive legacies, expertise, and aspirations creates a synergistic environment that encourages students to build their own individual course of study. They can take advantage of a fully interdisciplinary pedagogy through courses, advisers, and seminars in the department and throughout the school’s entire graduate program, or they can take a focused approach to specific media, disciplines, or topics in the AT/SP ecosystem.

Works by AT/SP MFA Student Beile Hu-"A Meal with Words" is a durational, one-to-one performance in which each participan...
08/17/2026

Works by AT/SP MFA Student Beile Hu
-
"A Meal with Words" is a durational, one-to-one performance in which each participant prepares a meal for the performer, not with food, but with words written directly onto a plate. At the entrance, each participant receives an instruction card that asks, "Have you ever held something unbearable, personal or political?" Their answer becomes the dish, inscribed onto the plate's surface and served to the performer through a sequence of intimate gestures at the table, including writing, serving, and consuming. The performance unfolds as a ritualized recipe that transforms difficult memories into a shared, embodied experience.
-
Beile Hu is an artist working across performance, sound, and video installations. Their work extends toward the soft touch of one-to-one relationships, circling around ritual repetition and intimate encounters with human and non-human others. As part of this engagement, the human body functions as a sensor and a site of mediation shaped through ongoing processes of variation and transformation. Working across cities in China and the United States, they examine how non-human entities register, retain, and recompose human presence both physically and historically.

Works by AT/SP MFA student Jiaqi Liu for the Spring 2026 Graduate show.-Dear Water, (2026)Dear Water, is a video install...
08/12/2026

Works by AT/SP MFA student Jiaqi Liu for the Spring 2026 Graduate show.
-
Dear Water, (2026)

Dear Water, is a video installation documenting a performance: a human hands a piece of water-soluble print, with scientific answers to philosophical questions on water's existence and purpose, to a body of water. A stack of prints is available next to the installation — viewers are invited to take a piece and bring it to any water body on earth.

The three questions are philosophically fundamental, with roots in Socratic, Platonic, and Cartesian thinking. The three answers were scientifically accurate: the wave equation (answers #1 and #3) describes the spatial pattern of any water waves in relation to their temporal movements; H2O (answer #2) captures the components and structure of any water molecule. In addition, the paper used as the physical medium was made of wood fiber and therefore completely natural and biodegradable — yet another sign of human benevolence.

In Dear Water,, human assumes, imposes, condescends, teaches, and presumptuously acts in water’s best interest — philosophy, science, accuracy, teaching, and bio-degradability are all human concepts. Water flows. In addition to human-centeredness, this work remarks on the sense of futility associated with the quixotic march toward understanding and communication.
-
Jiaqi Liu (b.2001, Beijing) is a project-based, concept-driven artist. Interdisciplinary and non-medium-specific in nature, her work often engages technology, imaging, performance, writing, and the public. Deeply inspired by philosophies of dynamics and tension from her cultural heritage, she hosts them in conversations with science and technology to examine pattern, perception, and communication in contemporary life. In her work, Jiaqi constructs precise conditions in which natural and social forces unfold, valuing clarity of intent while leaving space for contingency, discovery, and reflection.

This in person workshop explores playing with plastics and materials in order to look at how to grow and design material...
08/10/2026

This in person workshop explores playing with plastics and materials in order to look at how to grow and design materials that can be used to replace plastics and replace them with more sustainable materials.

Taught by Andrew Scarpelli, please email [email protected] to sign up for this workshop.

More information at the link int our bio!

If you are interested in bringing motion into your projects, this is the course.This class will cover mechanical fabrica...
08/09/2026

If you are interested in bringing motion into your projects, this is the course.
This class will cover mechanical fabrication, connecting to electronics and various control techniques, including the Arduino microcontroller.

Students will develop and complete a working project by the end of the semester.

Title: Fabricating For Motion - AT/SP 3103-001
Instructor: Dan Miller
Wednesday's 9am - 3pm

✨ Faculty Spotlight: Kristin McWharter✨Kristin McWharter is an artist whose practice uses multidisciplinary approaches t...
08/06/2026

✨ Faculty Spotlight: Kristin McWharter✨

Kristin McWharter is an artist whose practice uses multidisciplinary approaches to interrogate the relationship between competition and intimacy. She often integrates novel technologies and unexpected material forms to conjoin viewers within immersive sculptural installations and viewer- inclusive performances. Her work imagines new and alternative forms of social behaviors and relationships. Inspired by 20th century sorts and competition narratives as well as social/ psychology research concerning “the self”, collective decision making, and technology as a contemporary spiritual authority, her work blurs the boundaries of social intimacy and consumer culture in an effort to evoke the viewer's individual relationships to affection, antagonism, sincerity and discomfort within the larger social context.

Works by AT/SP MFA student D. Wibowo for the Spring 2026 Graduate show.D. Wibowo is an Indonesian born interdisciplinary...
08/04/2026

Works by AT/SP MFA student D. Wibowo for the Spring 2026 Graduate show.

D. Wibowo is an Indonesian born interdisciplinary artist working with visual and sound motives. Her practice moves through walking as performance, generative moving images, vocal modulation, sound design, labor-intensive animation, and refabrication of waste through projector building, speaker construction, woodworking, metalworking, and hacked electronics.

Through the community movement Resolusi Mekanika ("Mechanical Resolution"), which emphasizes process as a critical thesis, she uses spatial movement, written archives, multiplication, and intuitive material practices as languages to examine access, visibility, and change within collective experiences. Her latest work, Proyeksi Jalanan, critiques and deconstructs cinema, tearing down experience-specific walls in favor of a more fluid form of techno-portability while keeping analog approaches intact.

Other works in this exhibition trace a lineage of studio works that led up to this film, Saat Adil Binasa,.. ("When Justice Perishes,.."), Jamu Keliling, American Literature, Surat Cinta Untuk Jakarta, and WORM, a collage of community film archives from the rippable printed zine format.
-----
SLIDE 1 - "Jamu Keliling" (2024)
Hand-sewn speakers and electronics

Self-fabricated multichannel speaker sling with 5-ohm drivers, powered by Raspberry Pi and a portable battery pack. Finger toggles activate individual speaker tracks during a listening walk, engaging sound as an active healing of spaces in the city. This walk was demonstrated in Chicago, IL.

SLIDE 2 - "The artist broke the chair" (2026)

SLIDE 3 - "Speakers" (2026)
Maple and cherry hardwood.

SLIDE 4 - "WORM" zines and Literary section (2026)
Various readings

SLIDE 5 - Hacked projector, generative software and battery-powered electronics.

✨ Faculty Spotlight: Daniel Miller ✨Daniel Miller uses robotics, electronics to investigate systems and ecologies in the...
07/23/2026

✨ Faculty Spotlight: Daniel Miller ✨

Daniel Miller uses robotics, electronics to investigate systems and ecologies in the contemporary landscape. Currently, he is an Assistant Professor at Art & Technology /Sound Practices at The School of The Art Institute of Chicago. From 2014-2023 Miller was Associate Professor of Sculpture & Intermedia at the University of Iowa. He received his MFA in Time Arts from SAIC in 1997. He has received numerous commissions, grants and awards to support his research.

Miller's projects have been exhibited internationally in: Australia, Ireland, Switzerland, Italy, Colombia, Hong Kong, Korea. Recent solo exhibitions include Simulating Nature at the Cohen Gallery, Brown University, RI and Ebb & Flow at the Evanston Arts Center, IL.
--
Slide 2- title: Flexion
Image from Vector Fest 2026. Flexion is an interactive robotic organism made from pneumatic air muscles (PAMs). Stretch sensors will drive this network of air actuated artificial muscles, within an installation. Through this web of pneumatic muscles, Flexion becomes a surrogate extension of the human participant, extending their actions into a larger gallery space. Please gently pull on the stretch sensors located on this wall.

Slide 3 - title: Mutual Light
Mutual Light is an interactive light art installation, where large illuminated artificial flower forms interact with participants, exploring social interaction and body heat of the visitors in the space. The changes in visitors body heat and proximity to the light sculptures will cause the flowers to illuminate in different color patterns, emulating organic flowers as seen in the Ultraviolet spectrum.

Slide 4 - title: Gradual Slip
In Gradual Slip, a peristaltic pump moves water up to a hypodermic needle; from this a drip of water emerges and falls onto an angled aluminum plate. As the drop of water encounters the (TEC) plate it freezes solid before it can roll off. Gradually the frozen drips accumulate into a small “glacier”. Freeze and thaw cycles feed a tray of dirt and grass seed below.

Survival Skills Workshop: Fabrication in EK Lab with Daniel Miller  August  20,2026Times: 9am – 3pm*With 1 hour lunch br...
07/22/2026

Survival Skills Workshop: Fabrication in EK Lab with Daniel Miller

August 20,2026
Times: 9am – 3pm
*With 1 hour lunch break.

This in-person workshop will introduce the AT/SP Graduate Students to the Electronics and Kinetics Lab, a core facility of AT/SP Department.

We will look at essential skills for testing and integrating motors and load devices into artwork. Best practices for selecting structural materials, cutting techniques, tapping and strategies for connecting to motors will be covered.

Please note there will be a required Electronics and Kinetics Lab Authorization that we will complete together to start the session. This EK Lab authorization will give participants access to the EK Lab during open hours this fall.

Email Daniel Miller at [email protected] to sign up!

More information at the link in our bio!
____

Works by AT/SP MFA student Clara (Yanjun) Liu for the Spring 2026 Graduate show.-PoSSeSSion (2026)PoSSeSSion is a multi-...
07/18/2026

Works by AT/SP MFA student Clara (Yanjun) Liu for the Spring 2026 Graduate show.
-
PoSSeSSion (2026)

PoSSeSSion is a multi-sensory installation that uses sound, scent, image, and spatial rules to examine how control moves through the body. Rather than presenting possession as a single dramatic act, the work treats it as something quiet, gradual, and atmospheric. Visitors enter a space where their movement, attention, and bodily awareness are shaped by subtle conditions. The work asks how power can be felt before it is fully understood: through a smell, a sound, a gaze, a rule, or the strange feeling of being watched.

Drawing from performance, installation, and sensory systems, Possession explores the tension between choice and conditioning. Participation is voluntary, but never completely free.
-
Clara (Yanjun) Liu is an interdisciplinary artist currently based in Chicago. Clara's practice moves across sound, performance, installation, video, coding, and object-making, often exploring the relationship between the body, memory, cultural symbolism, and systems of control.

Drawing from personal experience, feminist perspectives, and the tension between intimacy and social structure, Clara creates works that examine how identity is shaped, performed, hidden, and disciplined. The projects often combine fragile materials, everyday gestures, sound, and interactive technologies to build poetic but unsettling environments. Through the work, Clara is interested in the emotional residue left by rituals, shame, desire, and inherited cultural expectations.
-

✨ Faculty Spotlight: Grace Grace Grace ✨"I am an arts and design researcher, theorist, educator, programmer, and perform...
07/16/2026

✨ Faculty Spotlight: Grace Grace Grace ✨

"I am an arts and design researcher, theorist, educator, programmer, and performance-installation artist. Currently part-time faculty at the School of the Art Institute of Chicago and University of Illinois Chicago, I received PhD in Media Arts and Sciences in December 2022 from the School of Arts, Media, and Engineering at Arizona State University and a certificate in critical theory. I also work as a researcher and consultant on an NEA Lab project with Virginia Tech and Leonardo/ISAST. I am the founding lead of a 501c3 organization called CCAM, the Center for Concrete and Abstract Machines, which supports cultural development at the nexus of art, technology, and contemporary thought located Chicago’s Pilsen neighborhood."

-
Images slide 1 ,3, and 4 (bottom photo) from performance with the CLEAT 16-channel sound system as HYPERGRACE.

Images on slide 2 and 4 (top) from 2025 generative sound and video sculptural installation "POST TENEBRAS LUX".

Images on slide 5 top right image and bottom image are student works by Lithe and Sheldon. Circuit board photo (top left) is a photo of a "kludge (a wired fixed to a fabricated board) my friend Will Mitchell () helped me with on a new Eurorack synthesizer audio mixer I am developing".

Address

Michigan Building 112 South Michigan Avenue
Chicago, IL
60603

Alerts

Be the first to know and let us send you an email when SAIC Art & Technology/ Sound Practices posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The School

Send a message to SAIC Art & Technology/ Sound Practices:

Shortcuts

Share

Category