Savithri Arts Academy

e as she reflects maturity in its true form. She, in fact, lives in the hearts of all who know what classical dance is.'
-The North East Times, Vol. III No. 37, November 9, 1992


'Sinduri has a gazelle-like grace, rhythm and vitality and a face that can portray the entire gamut of human emotions. Her adavus have great variety conforming to the subtle, rhythmic variations. She endeavoured to present the beauty and spiritual meaning of the number through a subtle body-language. The graceful movements and the rhythmic patterns vividly demonstrated her talent and felicity of expression. Sinduri's clipped, well-accentuated and clear depiction of poses and movements lent depth to her presentation. One may marvel at her originality most clearly apparent in all the numbers she chose. What was striking in 'Siva Stuti' was her admirable portrayal of nuances of bhava and abhinaya in harmony with devotional aspects of bhakthi and divine love centred on the cosmis Lord Shiva.'
-Pisapati Sriram, Indian Express, September 9, 1993


'The Tamilnadu Iyal Isai Nataka Manram can be justly proud of its find, Miss Sinduri, a sprightly danseuse with sparkling enthusiasm. Endowed with a lithsome figure and a charming countenance, she could make quite an impact on the audience with her brisk footwork and telling expressions.'
-K. Chandran, Indian Express, February 18, 1984


'God certainly has been very kind to Sinduri. Not only has the Almighty endowed her with a beautiful face and sensual figure, but given her talent, in abundance, too.'
-Sanjay A. Sayani, Hindustan Times, April 2, 1988


'One was struck by the mobility of her face during the 'abhinaya' parts of the Bharat Natyam. The expressions produced a greater impact during the second half of her recital. Her 'abhinaya' was excellent and she rose to heights which are expected from a qualified and experienced dancer. Her flexibility and capacity for variations while first balancing on a brass thali with a 'lota' of water on her head and later doing a small, vibrant number with the 'lota' still on her head, held the audience spellbound.'
-The Afternoon, April 2, 1988


'One of the main attractions of the dance performances was a vivacious and versatile dancer from India, Sinduri. She performed the three different dace items with grace and charm. Clad in a white Bharatnatyam dress, Sinduri performed the dance with grace and poise. Her lively and vivid expressions and brisk footwork made quite an impact on the audience.'
-India West, Vol. XIV No. 52


'In what was an enchanting evening of talent and finesse combined, Sinduri, a multitalented dancer from Madras, thrilled the 200 odd audience at the Bellflower Civic Auditorium here recently. The item was presented beautifully, with beautiful portrayals, and well modulated and perfect style. Her expressions were emotive and footwork impeccable. Her gestures convey even the most subtle of messages and the serene countenance on her face reflects maturity in its true forms coming from a young person. Her dance performance no doubt forces the audience to delve into the world of mystical sounds and graceful movements. What strikes people the most about this dancer is her effervescence and enthusiasm for dance. With a blend of classical and innovative moves, she has definitely created a niche for herself in the field of dancing.'
-India Post, July 14, 1995


'It is not often that one gets an opportunity to witness laudable and also successful experimentation in the field of art and culture. That is why one's visit to Ravindra Bharati to witness Dr. Sindhuri's Molla Ramayanam, presented under the aegis of Samaikya Bharati, at once became memorable.'
-CK & Anil Ekbote, Deccan Chronicle, November 13, 1996