J'té Argent - Witch & Teacher

J'té Argent - Witch & Teacher Witch, Feri Priest, Teacher, Mom, Visual Artist and Costume Designer Teaching Witchcraft, Magick and Crafting is my Path.

“I went to sleep somewhat sad. But I awoke happy, purely animal. When I opened the bedroom windows and looked out onto t...
11/25/2021

“I went to sleep somewhat sad. But I awoke happy, purely animal. When I opened the bedroom windows and looked out onto the cool, calm garden in the first rays of sunlight, I was certain there was nothing to do but live."
Clarice Lispector

Tetsuhiro Wakabayashi - At the Lakeside, n.d.

October!
10/11/2021

October!

'The Mocking Fairy' by Walter de la Mare.'Won't you look out of your window, Mrs. Gill?'Quoth the Fairy, nidding, noddin...
10/07/2021

'The Mocking Fairy' by Walter de la Mare.

'Won't you look out of your window, Mrs. Gill?'
Quoth the Fairy, nidding, nodding in the garden;
'Can't you look out of your window, Mrs. Gill?'
Quoth the Fairy, laughing softly in the garden;
But the air was still, the cherry boughs were still,
And the ivy-tod neath the empty sill,
And never from her window looked out Mrs. Gill
On the Fairy shrilly mocking in the garden.
'What have they done with you, you poor Mrs. Gill?'
Quoth the Fairy brightly glancing in the garden;
'Where have they hidden you, you poor old Mrs. Gill?'
Quoth the Fairy dancing lightly in the garden;
But night's faint veil now wrapped the hill,
Stark 'neath the stars stood the dead-still Mill,
And out of her cold cottage never answered Mrs. Gill
The Fairy mimbling, mambling in the garden.
Art by Ed Binkley.

10/06/2021

The mysteries are what is wild in us, what cannot be quantified or contained. But the mysteries are also what is common to us all: blood, breath, heartbeat, the sprouting of seed, the waxing and waning of the moon, the turning of the earth around the sun, birth, growth, death, and renewal.

To practice magic is to tap that power, to burrow down through the systems of control like roots that crack concrete to find the living soil below.

We are never apart from the power of the mysteries. Every breath we take encompasses the circle of birth, death, and rebirth. The forces that push the blood cells through our veins are the same forces that spun the universe out of the primal ball of fire.... We can invoke them, but we cannot control them, nor can we disconnect from them. They are our life, and when we die, decay, and decompose, we remain still within their cycle...

An excerpt from my book "Truth or Dare: Encounters with Power, Authority, and Mystery"

Nice!
10/05/2021

Nice!

Sometimes a wild god comes to the table.He is awkward and does not know the waysOf porcelain, of fork and mustard and si...
10/05/2021

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine.
When the wild god arrives at the door,
You will probably fear him.
He reminds you of something dark
That you might have dreamt,
Or the secret you do not wish to be shared.
He will not ring the doorbell;
Instead he scrapes with his fingers
Leaving blood on the paintwork,
Though primroses grow
In circles round his feet.
You do not want to let him in.
You are very busy.
It is late, or early, and besides…
You cannot look at him straight
Because he makes you want to cry.
The dog barks.
The wild god smiles,
Holds out his hand.
The dog licks his wounds
And leads him inside.
The wild god stands in your kitchen.
Ivy is taking over your sideboard;
Mistletoe has moved into the lampshades
And wrens have begun to sing
An old song in the mouth of your kettle.
‘I haven’t much,’ you say
And give him the worst of your food.
He sits at the table, bleeding.
He coughs up foxes.
There are otters in his eyes.
When your wife calls down,
You close the door and
Tell her it’s fine.
You will not let her see
The strange guest at your table.
The wild god asks for whiskey
And you pour a glass for him,
Then a glass for yourself.
Three snakes are beginning to nest
In your voicebox. You cough.
Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.
You cough again,
Expectorate the snakes and
Water down the whiskey,
Wondering how you got so old
And where your passion went.
The wild god reaches into a bag
Made of moles and nightingale-skin.
He pulls out a two-reeded pipe,
Raises an eyebrow
And all the birds begin to sing.
The fox leaps into your eyes.
Otters rush from the darkness.
The snakes pour through your body.
Your dog howls and upstairs
Your wife both exults and weeps at once.
The wild god dances with your dog.
You dance with the sparrows.
A white stag pulls up a stool
And bellows hymns to enchantments.
A pelican leaps from chair to chair.
In the distance, warriors pour from their tombs.
Ancient gold grows like grass in the fields.
Everyone dreams the words to long-forgotten songs.
The hills echo and the grey stones ring
With laughter and madness and pain.
In the middle of the dance,
The house takes off from the ground.
Clouds climb through the windows;
Lightning pounds its fists on the table.
The moon leans in through the window.
The wild god points to your side.
You are bleeding heavily.
You have been bleeding for a long time,
Possibly since you were born.
There is a bear in the wound.
‘Why did you leave me to die?’
Asks the wild god and you say:
‘I was busy surviving.
The shops were all closed;
I didn’t know how. I’m sorry.’
Listen to them:
The fox in your neck and
The snakes in your arms and
The wren and the sparrow and the deer…
The great un-nameable beasts
In your liver and your kidneys and your heart…
There is a symphony of howling.
A cacophony of dissent.
The wild god nods his head and
You wake on the floor holding a knife,
A bottle and a handful of black fur.
Your dog is asleep on the table.
Your wife is stirring, far above.
Your cheeks are wet with tears;
Your mouth aches from laughter or shouting.
A black bear is sitting by the fire.
Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine
And brings the dead to life.

Words: Tom Hirons at Coyopa - Tom's book, Sometimes a Wild God, which contains this and many other FINE examples of his wordsmithing is available via this link ---> http://shop.hedgespoken.org/products/sometimes-a-wild-god Please support artists & their work!
Art: Illustration by Janne Pitkanen & concept & photography by Harri Halme (from the album cover The Spirit of Ukko by Finnish band Kiuas)

some days...
09/28/2021

some days...

talking about making good changes!
09/28/2021

talking about making good changes!

We are in charge -- you and I are in charge -- of imagining and discovering and animating a new world. Not in some distant time or faraway place, but right here and right now.

As we stand on this brink, as we dance on this verge, we cannot let the ruling fools of the dying world sustain their curses. We have to rise up and fight their insane logic; defy, resist, and prevent their tragic magic; erupt with our sacred rage and supercharge it.

But overthrowing the living dead is not enough. Protesting the well-dressed monsters is not enough. We can't afford to be consumed with our anger; can't be obsessed and possessed by their danger.

Our mysterious bodies crave delight and fertility. Our ancient imaginations demand fresh tastes of infinity.

In the new world we're creating, we need l***y compassion and ecstatic duty, ingenious love and insurrectionary beauty. We need radical curiosity and reverent pranks, voracious listening and ferocious thanks.

Art by Paula Nadelstern

Deep thoughts!
09/28/2021

Deep thoughts!

DREAMWORK AS A FOUNDATION FOR ACTIVISM

Some people imagine I'm an unruly drug-user with a deranged view of reality. They don't seem cognizant of the fact that parts of reality are deranged, not me.

I assume that maybe they also can't tell the difference between the impact of taking drugs and the influence of doing dreamwork. The latter has been instrumental in shaping my unusual perspectives.

I've remembered and recorded and learned from my dreams virtually every single night since I was 19 years old. They've been creative disruptors and rigorous educators.

I'm certainly not a perfect master of transmuting the unripe and less beautiful aspects of my psyche, but I have developed some skill—and working with my dreams has been crucial in that quest.

I am eternally perplexed by how few people draw on the challenging wisdom of their own dreams.

More and more of us seem to have come to appreciate the value of meditation and mindfulness, but a comparable embrace of dreamwork hasn’t happened.

(Meditation is a wonderful tool for clearing away the monkey mind's chatter and tuning in to interesting modes of consciousness beyond our default everyday awareness. Dreamwork, on the other hand, helps us work with and transform what's painful and unripe in our own make-up.)

This cultural blindspot, the neglect of our dreams, seems like an unrecognized form of insanity to me. I'm convinced that if dreamwork were a more regular practice—if people were constantly working on wrestling with their shadows and redeeming the toxins in their souls—some of our massive collective problems would dramatically diminish.

Here's my hypothesis: To the degree that we stop projecting evil onto others and face it and deal with it in ourselves, we are far more likely to act with moral equanimity toward everyone else.

So yes, I recommend dreamwork as a foundation for effective activism. Our effort to wrangle compassionately with the shadow within us is an effective ground-level way to purify and strengthen our efforts to help and redeem the outer world.

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Art by Shawn Thornton

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Boulder Creek, CA
95006

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