The Society of the Vav

Mass deportations don’t open up more jobs for U.S.-born workers — they cause American workers to lose jobs, wages to go down, and our economy to slow. Watch Robert Lynch, an economics professor emeritus at Washington College, discuss how immigrants are good for the American economy.

UPDATE: Rule making has been temporarily paused thanks to you all. We’ll probably ask for your help at some point later on down the road - thank you! We won’t survive without your help. Please make your voice heard. ❤️ Jim & Kat IMPORTANT: By Friday, July 25th, please email your thoughts to DLCD opposing their draft rules: [email protected] oregon farm rules • family farms • regenerative farming • local government • sauvie island

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Yes!’

I was on a flight with a very cheerful flight attendant, who was clearly gay and made everyone smile as he served us food and drinks.

As we were getting ready to land, he came down the aisle in a fun way and announced, “Captain Marvey asked me to tell you that he’ll be landing the big, scary plane soon. So, lovely people, please put your trays up – that would be super.”

As he walked back down the aisle, he saw a well-dressed woman, who looked a bit Arabic, hadn’t moved her tray. He said, “Maybe you didn’t hear me over the loud engines, but I asked you to raise your trazy-poo so the main man can get us safely on the ground.”

The woman calmly turned to him and said, “In my country, I’m called a Princess and I don’t take orders from anyone.”

Without missing a beat, the flight attendant replied, “Well, sweet-cheeks, in my country I’m a Queen, so I outrank you. Tray up, Bitch.”

I had to close comments for a while because of some rude and negative responses. But after a few months and a reminder from Kathy, I realized I can just delete the nasty comments and keep going. It’s time to reopen comments and let people enjoy the humor again. So, here we go – enjoy at your own risk!

Yes!!

Mike Reeves stared at the note left on the kitchen table by his thirteen-year-old daughter, Lisa. It began not with "Dad," but with "Mike," as if he were some distant acquaintance. The second line cut deep: "Everyone's parents look normal, and you're going to embarrass me with your tattoos and your motorcycle and the way you look."

At fifty-one, Mike was a rugged biker, his skin a canvas of ink from neck to knuckles, his beard cascading to his chest. His Harley rumbled like a storm, a far cry from the polished image of suburbia. Yet for seven years, since cancer had stolen his wife when Lisa was just six, it had been the two of them navigating life together.

Mike had juggled daytime construction jobs with nighttime lessons in braiding hair, deciphering the mysteries of tampons and training bras, and shielding her from schoolyard cruelties. He'd attended every parent-teacher meeting in his weathered leather vest, the cleanest item in his wardrobe free of job-site grime.

Now, her words branded him an outsider in his own family. He sat there for an hour, the note blurring in his vision. Then, resolve hardened, he phoned the school and inquired about joining the talent show as a performer.

Mrs. Patterson, the music teacher, hesitated. "Mr. Reeves, sign-ups closed two weeks ago. We're fully booked."

"Please," he urged, his voice thick with urgency. "I'll take the last slot. Five minutes. It's crucial."

Perhaps sensing his desperation, she relented. "Fine, you're added. But what will you perform?"

"A song I wrote," he replied. "For my daughter."

He kept it secret from Lisa. On the evening of the show, he claimed a late work shift, watching relief flicker across her face—a sting sharper than any rejection.

As she departed with her friend's mother, clad in the blue dress they'd chosen together, her hair in the French braid he'd mastered via online tutorials, Mike's heart twisted. She resembled her mother so strikingly.

An hour later, he arrived at the school, guitar in tow. Mrs. Patterson greeted him at the rear door, her eyes widening at his vest, tattoos, and boots. "Mr. Reeves, Lisa has no idea you're here, does she?"

"No, ma'am."

"She'll be humiliated when you step onstage," she said softly, concern etching her features. "Are you certain?"

Doubt flickered in Mike's eyes, and for a moment, he nearly backed out. But memories flooded him: the note's cold detachment, nights consoling her tears for her lost mother, bandaging scrapes, inventing tales of heroic bikers. He'd swapped reckless freedom for fatherly duties, his tattoos mapping a life unapologetically lived.

"Yes," he affirmed, voice firming. "For her sake."

Mrs. Patterson offered a tentative smile. "Then good luck, Mr. Reeves."

The auditorium buzzed with neatly dressed families—mothers in light dresses, fathers in casual slacks, children squirming. Backstage, Mike waited, pulse thundering like his bike's engine. Performances zipped past: dances, pop tunes, juggling feats. Then Lisa took the stage.

Under the spotlight, her blue dress shimmered as she played the piano piece she'd rehearsed endlessly, fingers dancing with elegant precision. Applause swelled as she curtsied, cheeks aglow, oblivious to her father's presence.

At last, Mrs. Patterson introduced the unexpected closer: "And now, a dedication from Mr. Mike Reeves to his daughter, Lisa."

The curtain rose, and Mike strode out amid audible gasps. Eyes bored into his inked skin, his flowing beard, his vest. In the front row, Lisa's expression shifted from surprise to mortification; she slumped, hiding her face.

Seated on a stool, he tuned the mic and struck the opening chord. His gravelly voice, honed by years shouting over machinery, resonated through the hall.

*"Little girl with skies in her eyes,
You lit my path when shadows arose.
Mom faded fast, but we faced the gale,
On heartbeat and thunder, we prevail.
They call me rough, out of place in the throng,
But sweetheart, this biker's where you belong.
You're my journey, my spark, my endless quest,
Through every stare, I'll stand the test."*

Lyrics wove their shared history—her giggles during piggyback rides on his Harley, her curious fingers exploring his tattoo tales, late-night ice cream confessions after hard days. At the bridge, emotion roughened his tone:

*"If I clash with the crowd, if I don't blend in,
Know love's raw, like stories on skin.
It's wild and true, through joy and through strife,
I'll ride with you always, my heart's light in life."*

The final strum lingered, silence blanketing the room before applause exploded—hesitant, then overwhelming, with standing ovations and misty eyes. But Mike focused solely on Lisa.

Tears streamed down her face, hands pressed to her lips. She rose, paused, then dashed onstage. He barely set aside his guitar before she flung herself into his arms. "Dad," she murmured against his chest. "I'm so sorry. You're not embarrassing—you're my hero."

They embraced amid the spotlight and cheers. In the lot afterward, she hopped onto his Harley without hesitation, no longer concealing their bond. They grabbed burgers, chuckling at the evening's stares, and she vowed never to address him as "Mike" again.

That experience etched a vital lesson for both: Authentic love defies superficial judgments. It thunders forth, cherishing every mark, every eccentricity, every unorthodox rhythm of the soul. The takeaway? Let no external verdicts eclipse your essence—family thrives by journeying united, regardless of the path's ruggedness.

We will not be erased
We will live beyond your hate
We will always be apart of the web of life
And I laugh
Thinking you can live well
Turning your back on us
We are a part of you, fool
Wake up to the Beloved’s plan all along
You missed that information
With your narrow thinking

We will not be erased

You cannot whitewash history: Why the African American Museum must be protected
By Dr. Frances Murphy Draper, AFRO Publisher and CEO

Frances Toni Draper
https://ow.ly/o6TH50WJeFc

When others try to whitewash our history, we have to stand our ground.

Pulitzer Prize-winning journalist and author Nikole Hannah-Jones didn’t hold back this week when fitness influencer Jillian Michaels attempted to minimize the significance of slavery.

..And honestly, we’re here for her "historically accurate diss track."

Read our latest blog post highlighting essential resources on the legacy of slavery. https://naacp.org/articles/whitewashing-slavery-not-nikole-hannah-jones-watch

ponder this

David Bohm - a friend of the spiritual teacher Jiddu Krishnamurti and one of the most significant physicists of the 20th century - said this:

"Deep down, the Consciousness of mankind is one. This is a certainty; and if we don't see this, it's because we are blinding ourselves to it.
The notion that we are all separately existent fragments is evidently an illusion, and this illusion cannot do other than lead to endless conflict and confusion."

ponder this

i will not be in despair nor give up my power

Here is a quote from a poem by Irena Klepfisz that inspiring me:

how we laughed at another people’s fear,
as if fear was alien
as if we had known safety all our lives

there is no inborn difference between oppressed and oppressor

one becomes the other the moment the power shifts