Rated Tourist Attractions in Venice

A trip to Venice wouldn't be complete without hopping aboard a vaporetto for the ride across the lagoon to Murano, home of Venice's fabled glass workers. They were sent here in the 13th century in hope of decreasing the risk of fire from one of the glass furnaces sweeping through Venice's tightly compacted center.

The delicate marble filigree by Bartolomeo Bon seems too lace-like to be carved of stone, and you can only imagine the impression this façade must have made covered in its original paint and gold. Along with the Porta della Carta in the Palazzo Ducale, also created by Bartolomeo Bon, this is considered the most perfect example of Venetian Gothic.

The name La Fenice (The Phoenix), chosen at the constriction in 1792, proved prophetic, as like the mythical phoenix, it has risen from the ashes. The theater has been destroyed by fire three times, the last one, in 1996, leaving only the outer walls standing. Each time, it has been rebuilt, and continues to be one of the world's great opera houses.

This impressive white marble building was built between 1515 and 1560 to house a charitable society dedicated to San Rocco. Soon after its completion, the great 16th-century Venetian artist Tintoretto won the competition to paint a central panel for the ceiling of the Sala dell'Albergo by entering the building and putting his painting in its intended place before the judging, much to the irritation of his rival artists.

One of the most photographed churches in Venice, Santa Maria della Salute has a postcard setting, rising at the tip of a peninsula across from the Doge's Palace.

Just as Ca' d'Oro lets you glimpse into the life of the late Middle Ages, Palazzo Rezzonico gives a vivid picture of life here in the Baroque and Rococo periods, in the 18th century. Designed and begun by Venice's master of Baroque architecture, Baldassare Longhena, the palace was completed nearly 100 years later in 1750 by Giorgio Massari.

Venice began on this outer island of Torcello, founded here as early as the seventh century, and by the 12th century, it was a flourishing commercial town. Of its palaces, churches, shipyards, and docks, only two churches and a handful of houses remain, dotted over the large island.

The long (12-kilometer) strip of sand that separates the Venetian lagoon from the Adriatic Sea was Europe's first real beach resort, and in its heyday, at the turn of the 20th century, was Europe's most fashionable watering hole for royalty and the day's celebs. Today, the grand hotels where they reposed still welcome guests and still own the beautiful fine-sand beaches, although for a price you can share them with hotel guests.

The impressive façade of Ca' Pesaro overlooking the Grand Canal, was inspired by the Sansovino Library that stands across from the Doge's Palace, built a century earlier. The lavish Venetian Late Baroque interior contrasts sharply with the art displayed there, for the palazzo now houses the Galleria d'Arte Moderna.

The Arsenal, the shipyard of the Venetian Republic, was the largest and busiest in the world until the end of the 17th century. From its founding in 1104, it was continuously expanded, until in its heyday, it employed as many as 16,000 workers.

Standing like a giant exclamation point above the expanse of Piazza San Marco, the Campanile is not the first to stand here. The original one, erected as a lighthouse in 1153, collapsed dramatically into the piazza in 1902, and was rebuilt on a firmer footing. Also rebuilt was the Loggetta at its base, a small marble loggia completed in 1540, where members of the Great Council assembled before meeting in the sessions.

To one side of the basilica, facing onto Piazza San Marco, is one of Venice's most familiar icons, a clock tower surmounted by a pair of bronze Moors that strike the large bell each hour. The face of the clock shows phases of the moon and the zodiac in gilt on a blue background, and above the clock is a small balcony and a statue of the Virgin.