絕對空間藝術進駐

絕對空間藝術進駐 By inviting institution operators, curators, and artists to Tainan, we create opportunities to work with local artists.

絕對空間藝術進駐乃絕對藝力延續過去與泰國、日本、丹麥、馬來西亞、越南等地之藝術交流進駐計畫所累積的豐富經驗，於2024年啟動的藝術進駐單位。
Based on past residency experiences with artists and groups in Thailand, Japan, Denmark, Malaysia, and Vietnam, Absolute Arts Group initiates the Absolute Space AIR program in 2024. 【絕對空間藝術進駐ABSOLUTE SPACE ARTIST-IN-RESIDENCE PROGRAM】

Ⅰ. 關於絕對空間藝術進駐
絕對空間藝術進駐（Absolute Space AIR）乃延續過去絕對藝力（Absolute Arts Group）與泰國、日本、丹麥、馬來西亞、越南等地之藝術家或藝術單位的交流進駐計畫所獲得的豐富經驗，於2024年啟動的藝術進駐單位。

我們延續「在地創作社群」與「在地元素」的關注，藉由駐地藝術家作品對於本地文化現象的採用與轉化，藉由作品、活動或展覽形式，呈現出不同的城市紋理樣貌；另一方面，來自不同國家的各類機構創辦人／策展人／藝術家前來參訪交流，也讓我們得以善用這些機會推動他們與台灣藝術家的認識與合作。如 2017年泰國Anothai Oupkum策展人與日本藝術家Shinya Akutagawa所策「遙遠之繫」（Touch Far Away）、2018年馬來西亞Lostgens' contemporary art space團隊「台南街區踏查拓印紀錄呈現」（Presentation and Forum of Field Research in Tainan's City Blocks and Communities）、2019年「異地的語彙：台灣─越南兩地交流論壇」（Different Places: Taiwan-Vietnam Exchange Symposium）等駐地交流計畫。

同時，我們意識到有許多潛在的「對話、想法」是需要經由某些行為、活動被挖掘出的，不僅是最終駐地作品的靜態展出，而是國際藝文工作者、民眾、在地居民、藝術相關科系學生持續的關注、互動、討論等流動的狀態，空間也因著他們的反應隨時調整，每次的國際接軌的對話經驗，都帶給我們無形回饋，思索空間與城市和社區的關係。

絕對藝力進駐空間的所在地，正好位於台南市中心的老城區中西區，藝術家可以感受到當地的人文歷史、新舊建物的交錯地景與當地活絡的廟宇文化，同時，台南亦匯聚著許多藝術空間、藝術家與策展人，進駐藝術家將有許多機會與他們交流，我們亦期望來訪的藝術家，將社區和充滿活力的當地文化作為他們進駐的創作靈感。絕對空間藝術進駐，希望提供專業藝術家創作空間，透過藝術工作坊和展演活動，創造國內、外藝術家的交流機會，發掘優秀藝術家，亦培育台南藝文欣賞人口。

Ⅱ. 進駐基地
藝術家駐村期間，將擁有住宿空間、工作室空間與成果展出的展覽空間。我們整合原有的絕對空間位址，共設有兩處基地位址。

基地一｜三和藝術基地（SanHo Art Lab）
702台南市南區三和街14號
基地二｜絕對空間×Residency
700台南市中西區民生路一段205巷11號

Ⅰ. About Absolute Space AIR

Based on past residency experiences with artists and groups in Thailand, Japan, Denmark, Malaysia, and Vietnam, Absolute Arts Group initiates the Absolute Space AIR program in 2024. The program continues to engage with local communities and elements, and invites artists to adopt and translate local culture in their works, events, or exhibitions. For example, Anothai Oupkum (Thailand) and Shinya Akutagawa (Japan) curated the show “Touch Far Away” in 2017. In 2018, Lostgens' contemporary art space from Malaysia organized “Presentation and Forum of Field Research in Tainan's City Blocks and Communities”. In 2019, we presented “Different Places: Taiwan-Vietnam Exchange Symposium”. We also recognize that many potential “dialogues” and “ideas” require certain actions or activities to trigger. Besides final exhibitions, it’s also important for international artists to engage, interact, and discuss with the public, residents, and art students over time. Physical spaces can be adjusted according to their reflections. Every international experience offers valuable feedback to us. Through conversations, we contemplate on how physical spaces connect and relate to cities and communities. Participating artists will stay in a dynamic artist community, with opportunities to communicate with other art spaces and artists about techniques and ideas. The residency spaces are located in the older part of downtown Tainan City. Artists can feel and experience local history, culture, landscape, food, and temple customs that mix old and new. Many important artists across generations also live in Tainan, and visiting artists will have many chances to interact with them. We hope lively communities and local cultures will be inspiring to artists during their residency. During the residency, we provide accommodation, workspaces, exhibition spaces, and a great creative environment. The program also enriches international exchanges in Tainan. Besides our existing space, we also add SanHo Art Lab to provide more available spaces to creators. The program provides creative opportunities to artists, and enables engagement between local and international artists. It’s also a new way to introduce art to local population.

Ⅱ. Residency Location
During the artist residency, artists will have accommodation space, studio space, and exhibition space for showcasing their works. We are integrating the existing Absolute Space location and establishing another studio location, resulting in two base addresses. Lab 1｜SanHo Art Lab
No. 14, Sanhe St., South Dist., Tainan City 702033
Lab 2｜Absolute Space × Residency
No.11, Lane 205, Sec. 1 Minsheng Road, Tainan City 700

2026絕對空間藝術進駐藝術家工作坊❸Absolute Space AIR for 2026 ❸📣駐村藝術家Mika 要辦工作坊囉！歡迎一起來動手做~🔆藝術家工作坊 Artist Workshop❖工作坊名稱Workshop Title：我...
26/08/2026

2026絕對空間藝術進駐藝術家工作坊❸
Absolute Space AIR for 2026 ❸

📣駐村藝術家Mika 要辦工作坊囉！歡迎一起來動手做~

🔆藝術家工作坊 Artist Workshop
❖工作坊名稱Workshop Title：我們所能給予的一切All the Offerings We Can Give
❖藝術家Artist：島內美佳Mika Shimauchi

【活動內容簡介】
👻 如果你可以送一樣東西給另一個世界，你會送什麼？
水果？甜點？還是……一樣只有你才知道它為什麼重要的東西？

在臺灣，農曆七月是一個很特別的時節。人們準備水果、糕點、飲料與各種物品，透過「供品」向另一個世界表達感謝與心意。但不同地方的人，會送什麼呢？

來自日本的藝術家島內美佳 Mika Shimauchi，想邀請你一起從臺灣的農曆七月出發，聊聊「供品」這件有趣的事情，也分享你所知道的文化與習俗。

我們希望——
不要只用說的，把它做出來！ ✂️✨
我們將使用摺紙與拼貼，把你心中想送給「另一個世界」的東西，一件一件創作出來。

它可以是一份食物、一份禮物、一個願望、一段記憶，甚至是一樣這個世界不存在的東西。最後，讓大家的作品集合在一起，創造一個屬於我們的「想像世界」🌏

這不只是一場手作工作坊，
也是一次從臺灣、日本與不同文化出發的想像與交流。
👧🏻👦🏻 親子一起來也非常適合！
不需要任何藝術或手作經驗，大人小孩都可以用自己的方式創作。
快來告訴我們——如果另一個世界的客人今天來了，你會送給他什麼？
━━━━━━━━━━━━━━━━━━
我們所能給予的一切
All the Offerings We Can Give
▸ 形式｜摺紙 × 拼貼 × 文化交流
▸ 對象｜年齡限6歲以上，親子皆可參加
▸ 無需任何藝術或手作經驗
📌 名額有限，歡迎提前報名！
📌 報名連結：
https://docs.google.com/forms/d/1DkQaDVzQFmOhDxOaqCHTrN3IWCSPqD-UYQkhQFADd0k/preview

❖地點Venue：絕對空間藝術進駐 三和進駐基地（SanHo Art Lab）
❖日期Date：2026.9.6 (Sun) 13:00-15:00
❖主辦單位Organizer：絕對空間藝術進駐 Absolute Space AIR
❖策劃單位Curating Unit：東益藝術設計工作室DongYi Art
❖合作單位Co-organizer：日本福岡Fan.ACF(Artist Café Fukuoka)
❖指導單位Advisor：文化部 Ministry of Culture

❖海報設計Poster Design：林渝捷 Lin Yu Jie

[Event Description]

👻 If you could give one thing to another world, what would you give?

Fruit? Desserts? Or perhaps… something that only you know why it is important?

In Taiwan, the seventh month of the lunar calendar is a very special time. People prepare fruits, pastries, drinks, and all kinds of objects as offerings, expressing gratitude and heartfelt wishes to another world. But what do people in different places choose to offer?

Japanese artist Mika Shimauchi invites you to explore the traditions of offerings during Taiwan’s seventh lunar month, while sharing stories, customs, and cultural perspectives from different places.

And we hope you won’t just talk about it—let’s make it! ✂️✨

Using origami and collage, we will create, piece by piece, the things we imagine giving to “another world.”

It could be a food, a gift, a wish, a memory, or even something that doesn’t exist in this world.

Finally, we will bring everyone’s creations together to create our own imagined world. 🌏

This is more than just a hands-on workshop.
It is also an opportunity to imagine, create, and exchange ideas through the cultures of Taiwan, Japan, and beyond.

👧🏻👦🏻 Families are very welcome!
No artistic or craft experience is required. Adults and children can all create in their own way.

Come and tell us—If a guest from another world arrived today, what would you give them?

━━━━━━━━━━━━━━━━━━

All the Offerings We Can Give

▸ Format: Origami × Collage × Cultural Exchange
▸ Age: 6 and above; families are welcome
▸ Experience: No artistic or craft experience required

📌 Limited spots available. Advance registration is encouraged!

島內美佳Mika Shimauchi駐村成果展開幕活動順利結束。感謝藝術家Mika在不長的駐村創作過程為我們帶來豐富、熱鬧的創作。在此感謝特別遠道而來參與開幕活動的日本福岡市經濟觀光文化局的高橋伸和Takahashi Nobukazu先生以...
20/08/2026

島內美佳Mika Shimauchi駐村成果展開幕活動順利結束。感謝藝術家Mika在不長的駐村創作過程為我們帶來豐富、熱鬧的創作。在此感謝特別遠道而來參與開幕活動的日本福岡市經濟觀光文化局的高橋伸和Takahashi Nobukazu先生以及Artist Café Fukuoka的入江桃加Momoka Irie小姐。

此次的駐村特別感謝日本福岡Fan.ACF(Artist Café Fukuoka)、東益藝術設計工作室DongYi Art 的幫助，讓藝術家能順利進行進駐計畫。也感謝策展人周郁齡老師前來擔任與談人，透過提問與分享讓大家可以更進一步了解Mika的創作。

展覽到8/30(日)，請大家把握機會前來看展覽喔！

The opening event for Japanese artist Mika Shimauchi’s residency exhibition was a great success!

We would like to thank artist Mika for bringing such rich and vibrant works to Tainan during her relatively short residency. We would also like to extend our special thanks to Mr. Nobukazu Takahashi from the Economic, Tourism and Culture Bureau of Fukuoka City, Japan, and Ms. Momoka Irie from Artist Café Fukuoka, who traveled all the way from Japan to join us for the opening and activity.

We are especially grateful to Fan.ACF (Artist Café Fukuoka) and DongYi Art for their support throughout this residency, which helped Mika carry out her residency project smoothly. We would also like to thank curator Yu-Ling Chou for joining us as a guest speaker. Through her questions and sharing, everyone had the opportunity to gain a deeper understanding of Mika’s artistic practice.

The exhibition will be on view until Sunday, August 30. Don’t miss the chance to come and see the exhibition!

❁｡✩°♡｡❁✩⑅°˖❁｡✩°♡｡❁✩°♡｡❁✩⑅°˖❁｡✩°♡｡❁

展覽開幕Opening：2026.8.16（Sun） 15:00-18:00
開幕座談Forum：2026.8.16（Sun）15:30-17:00
藝術家Artist：島內美佳Mika Shimauchi
與談人Panelist：周郁齡 CHOU Yu-Ling
中日翻譯Chinese–Japanese Translation：大洞敦史Daido Atsushi
展期Duration：2026.8.15 Sat.-8.30 Sun.
地點Venue：絕對空間藝術進駐 三和進駐基地SanHo Art Lab
地址Address：台南市南區三和街14號 No.14, Sanhe St., South Dist., Tainan city
開放時間 Opening Hours：週三-週日 Wed-Sun 13:00-18:00
主辦單位Organizer：絕對空間藝術進駐 Absolute Space AIR
策劃單位Curating Unit：東益藝術設計工作室DongYi Art
合作單位Co-organizer：日本福岡Fan.ACF(Artist Café Fukuoka)
指導單位Advisor：文化部 Ministry of Culture
海報設計Poster Design：林渝捷 Lin Yu Jie

🔆感謝參與上周六藝術家歡迎會的所有朋友，特別感謝從台北遠道而來的朋友們，許多緣分都在台南重新被串起，讓這個活動更有意義。✏️此次的分享活動由我們今年Open Call遴選出的韓國藝術家Mooni Perry以及來自香港藝術家CHAN Sai...
20/08/2026

🔆感謝參與上周六藝術家歡迎會的所有朋友，特別感謝從台北遠道而來的朋友們，許多緣分都在台南重新被串起，讓這個活動更有意義。

✏️此次的分享活動由我們今年Open Call遴選出的韓國藝術家Mooni Perry以及來自香港藝術家CHAN Sai-lok分別分享過往的創作以及此次進駐的計畫，讓大家對他們都有更進一步的認識。很歡迎大家在他們兩位的駐村期間前來交流~

📢📢兩位藝術家都將在九月進行他們的駐村成果發表，歡迎大家前來參加

最後，讓我們一起期待他們的成果吧‼️

🔆 Thank you to everyone who joined the artists’ welcome gathering last Saturday! A special thank you to all the friends who traveled all the way from Taipei. Many connections were reunited and new connections were made in Tainan, making this activity even more meaningful.

✏️ During the sharing activity, our two artists — Korean artist Mooni Perry, who was selected through this year’s Open Call, and Hong Kong artist CHAN Sai-lok — introduced their previous practices as well as their residency projects. It was a wonderful opportunity for everyone to get to know them and their work better. We warmly welcome everyone to come and meet with them during their residency in Tainan~

📢📢 Both artists will be presenting the outcomes of their residencies in September. Everyone is very welcome to join us and see what they have created!

Finally, let’s look forward to their residency outcomes together‼️
☆.｡.:*・°･.｡*･.｡* .☆.｡.:*.☆.｡.:*・°･.｡*･.｡* .☆.｡.:*

Mooni Perry
📅進駐期程Period：8/2(Sun) - 10/20(Tue)
阿三CHAN Sai-lok
📅進駐期程Period：8/3(Mon) - 9/15(Tue)

2026絕對空間藝術進駐藝術家歡迎會暨一人一菜分享會➍Absolute Space Artists-in-Residence Program for 2026 Artist Talk and Potluck Party with Mooni...
07/08/2026

2026絕對空間藝術進駐藝術家歡迎會暨一人一菜分享會➍
Absolute Space Artists-in-Residence Program for 2026 Artist Talk and Potluck Party with Mooni Perry and CHAN Sai-lok
🌟一人一菜藝術家分享會Artist Talk and Potluck Party🌟

日期Date：2026.8.15 Sat. 17:30-20:00
地點 Venue：三和進駐基地 SanHo Art Lab
地址Address：臺南市南區三和街14號 No. 14, Sanhe St., South Dist., Tainan City
主辦單位Organizer：絕對空間藝術進駐 Absolute Space AIR
指導單位Advisor：文化部 Ministry of Culture
海報設計Poster Design：林渝捷 Lin Yu Jie

＼☆＼★／☆＼★／☆＼★／☆＼★／☆＼★／☆＼★／

💡藝術家介紹💡
Mooni Perry（1990 年生於首爾）是一位現居柏林的視覺藝術家與電影創作者，其創作實踐聚焦於離散社群（diaspora）的神性、女性儀式實踐，以及橫跨東亞及其他地區的民間宇宙觀（vernacular cosmologies）。
她的影像作品源自長期田野研究，探討神話、民間信仰、女性儀式，以及被壓抑的歷史如何持續塑造當代生活。她透過電影、裝置與出版等多元媒介，追溯故事、神祇與靈性實踐如何跨越國界、世代與政治體制流動與傳承。
她近期作品《EL》（2025）於首爾國立現代美術館展出，追溯日本殖民時期遷徙至滿洲的韓國女性那些被遺忘的人生。影片拍攝於中國東北昔日滿洲國的多處遺址，在夢境、檔案碎片與當代景觀之間穿梭，探討消失、流離失所，以及殖民暴力所留下的歷史餘波。
她的裝置與出版計畫《Missing》（2024）源於對香港及華南女性道教社群的研究。作品結合影像、田野筆記、訪談與推想性寫作（speculative writing），探討那些生活於傳統家庭結構之外的女性，並透過「失蹤的女人」這一形象，追索另類的親屬關係、信仰實踐與歸屬形式。
她最新的雙頻道裝置作品《The Oracle》（2025）由香港 CHAT（Centre for Heritage, Arts and Textile）委託創作，歷經三個月於香港及華南地區的田野研究發展而成。計畫最初從七仙女傳說及其與紡織女工、自梳女（Comb Sisters）、菜姑（Cai Gu）群體，以及以女性為核心的廟宇傳統之間的關聯展開，隨後逐漸擴展為對死亡、儀式與女性神聖形象的探索。透過廟宇祭儀、乩童／靈媒實踐、刺繡工作坊，以及盂蘭節儀式等場景，作品描繪平凡女性如何透過集體記憶與信仰，被轉化為祖先、薩滿、女神與守護者。
她曾於多個藝術機構展出作品，包括德國明斯特 Westfälischer Kunstverein、柏林 KW 當代藝術中心（KW Institute for Contemporary Art）、柏林新藝術協會（Neuer Berliner Kunstverein）、愛沙尼亞塔林 Kai Art Center、首爾 ARKO Art Center，以及香港 CHAT。2021 年，她獲頒 ars viva 藝術獎。

Mooni Perry (b. 1990, Seoul) is a visual artist and filmmaker based in Berlin whose practice explores diasporic divinity, women's ritual practices, and vernacular cosmologies across East Asia and beyond.
Her moving image works emerge from long term field research and investigate how myths, folk religions, women's ritual practices, and suppressed histories continue to shape contemporary life. Working across film, installation, and publishing, she traces the movement of stories, deities, and spiritual practices across borders, generations, and political regimes.
Her recent film EL (2025), exhibited at the National Museum of Modern and Contemporary Art, Seoul, traces the forgotten lives of Korean women who migrated to Manchuria during the Japanese colonial period. Filmed across former sites of Manchukuo in Northeast China, the work moves between dreams, archival fragments, and contemporary landscapes to explore disappearance, displacement, and the afterlives of colonial violence.
Her installation and publication Missing (2024) emerged from research into female Taoist communities in Hong Kong and Southern China. Combining moving image, field notes, interviews, and speculative writing, the project examines women who have lived outside conventional family structures, tracing alternative forms of kinship, devotion, and belonging through the figure of the missing woman.
Her recent two channel installation The Oracle (2025), commissioned by CHAT, developed through three months of field research in Hong Kong and Southern China. Beginning with research on the Seven Fairies and their connections to textile workers, Comb Sisters, Cai Gu communities, and women centered temple traditions, the project gradually expanded into an exploration of death, ritual, and female sacred figures. Through temple ceremonies, spirit medium practices, embroidery workshops, and Hungry Ghost Festival rituals, the work traces how ordinary women become ancestors, shamans, goddesses, and guardians through collective memory and devotion.
She has exhibited at institutions including Westfälischer Kunstverein, Münster; KW Institute for Contemporary Art, Berlin; Neuer Berliner Kunstverein, Berlin; Kai Art Center, Tallinn; ARKO Art Center, Seoul; and CHAT, Hong Kong. In 2021, she received the ars viva prize.
📅進駐期程Period：8/2(Sun) - 10/20(Tue)

阿三
香港藝術家、策展人及寫作人。畢業於香港中文大學藝術系畢業，後修畢藝術碩士（創作）及性別研究文學碩士課程。他的創作經年思索文字、文學與繪畫的關係，文學性之於當代繪畫的契合。著有展覽小書《文本有相》（2019）及《Everyday Practice》（2020）等。
近年個展包括《大樹好乘涼》「轉角：」公共藝術作品（2025-26）、「花晨月夕」（2024-25）、「無艷有序」（2024）、「Everyday Practice」（香港及紐約，2019及2020）及「一夕餘地」個展（2019）等。參與的藝術及藝評駐留包括丹麥ARoS Art Museum、紐約Flux Factory，及日本越後妻有大地藝術祭香港部屋等。曾入選Sovereign傑出亞洲藝術獎、獲大華銀行年度水墨藝術大獎及高美慶教授藝術史獎學金等。
現同時任教於多間大專院校，並擔任新城電台藝文節目嘉賓主持。

CHAN Sai-lok
Artist, curator, and writer based in Hong Kong. Chan holds a BA and MFA in Fine Art and an MA in Gender Studies, all from the Chinese University of Hong Kong. He has always taken text and literature as points of departure in his artistic endeavor, through which he contemplates the intimate relationship between painting and literariness. His exhibition catalogues The Countenance of Text (2020) and Everyday Practice (2019) were published.
His recent solo exhibitions include Stories under the Canopies - Public art installation of RE: Tai Kok Tsui (2025-26), The Stillness Between (2024-25), The Pictures and Those Thousand Words (2024), Everyday Practice (Hong Kong 2019 and New York 2020), and Land of Longing and Exile (2019), etc. He participated in artist/art critic in residency including ARoS Art Museum at Aarhus, Flux Factory at New York, and Hong Kong House at Echigo Tsumari Art Triennial. Chan has been a finalist in the Sovereign Asian Art Prize, a winner of the UOB Art in Ink Award, and Professor Mayching Kao Art History Award.
He is now also a part-time lecturer from several Universities, and a guest host of a radio cultural program.
📅進駐期程Period：8/3(Mon) - 9/15(Tue)

絕對空間藝術進駐藝術家進駐成果❸Absolute Space Artists-in-Residence Program for 2026❸「鬧熱」的布里柯拉吉 The Bricolage of “lāu-lia̍t”「鬧熱」のブリコラージュ...
07/08/2026

絕對空間藝術進駐藝術家進駐成果❸
Absolute Space Artists-in-Residence Program for 2026❸

「鬧熱」的布里柯拉吉 The Bricolage of “lāu-lia̍t”
「鬧熱」のブリコラージュ

🌟展覽論述Exhibition Statement🌟
在一個日益受理性化驅動的社會中，我長久以來一直對本能與野性，那些無法單憑理性來全然解釋的層面深感興趣。同時也關注著自身，因無法完全與之妥協，而在現代生活中所面臨的困境。在此背景下，歷經反覆發生的災難與疫情，我深刻體會到理性的知識與預測是何等脆弱。受此啟發，我開始尋求有別於西方理性的世界感知方式。透過重新審視我所居住的九州，當地遺留的本土祭典與薩滿信仰展演，我創作出將這些傳統與當代生活相連結的作品。

作為此脈絡的延伸，我獲得了造訪臺南的機會，這是一座與九州有著深厚地理與歷史淵源的城市。我渴望重構自身的敘事，不再將其侷限於特定地域，而是從與其他地區的共通性與交會點來展開探討。

在臺南，廟宇及整座城市充斥著鮮豔的色彩，交織著夜市的喧囂，讓日常生活本身便宛如一場慶典。在那裡，一種魔幻的氛圍存續於現代日常之中；我感受到一種懷舊之情與時間的疊影，並體驗到極大的愉悅與振奮。於是，彷彿為了採集那種「熱鬧」的體感，我開始創作小型的拼貼物件（bricolage）與繪畫作品。透過採集與觀察廟宇及舞獅上的色彩，加上遊園票根、傳單，以及從超市買來的紅包袋等日常拾得物，我逐漸理解了這個將日常生活與慶典溫柔交織在一起的文化。

同時，我也感受到當地人民的韌性。儘管這片土地疊加了複雜的統治歷史，他們依然將這些過往轉化為屬於自己的敘事，在包容這些文化交融的同時，孕育出自身的文化底蘊。

作為這些思辨的延伸，我亦將目光轉向人們在面對焦慮與苦難時的祈禱行為，以及毫無保留的奉獻，並將其作為關鍵元素融入我的創作中。對我而言，臺南的「熱鬧」不僅僅是喧嘩充滿活力的氛圍，更是一種深植於日常生活的文化實踐。這種特質與我長期關注的九州祭典產生了深刻的共鳴。我試圖將兩者與當下連結，並將它們所共有的感性予以視覺化。透過這樣的實踐，我期盼創作出能讓觀者以當代的感知，重新體驗傳統中的魔幻元素與慶典能量的作品。

In a society increasingly driven by rationalization, I have long been interested in instincts and wildness—aspects that cannot be fully explained by rationality alone—as well as the difficulties I personally face in modern life due to my inability to fully come to terms with them. Amid this, as I have experienced repeated disasters and epidemics, I have keenly realized just how fragile rational knowledge and predictions can be. Prompted by this, I have sought ways of perceiving the world that differ from Western rationality. While reevaluating the indigenous festivals and shamanic expressions that remain in Kyushu, where I live, I have created works that connect these traditions to contemporary life.
As an extension of this, I had the opportunity to visit Tainan, a city with deep geographical and historical ties to Kyushu. I wanted to reframe my own narrative not as something confined to a specific region, but rather in terms of its commonalities and intersections with other regions.

In Tainan, the temples and the entire city were filled with vivid colors, and combined with the bustle of the night market, everyday life itself felt like a festival. There, a sense of the magical lives on within modern daily life; I felt a sense of nostalgia and the overlapping of time, and experienced a great sense of elation. And so, as if collecting the sensation of “lively bustle,” I began creating small bricolage and drawing works. By collecting and observing the colors found in temples and lion dances, in addition to familiar objects such as tourist tickets, flyers, and red envelopes purchased at the supermarket, I came to understand a culture in which daily life and celebration are gently intertwined.

I also sensed the resilience of the people who, despite the complex history of domination layered upon their lives, have retold these stories as their own and nurtured their culture while embracing this intermingling.

As an extension of these reflections, I also turned my attention to the acts of prayer and the offering of all one has when facing anxiety and hardship, incorporating them as key elements into my artwork. For me, Tainan’s “re-nao” is not merely a lively atmosphere, but a cultural practice deeply rooted in daily life. It resonates deeply with the festivals of Kyushu that I have long pursued, and I am attempting to connect them to the present while visualizing the sensibilities they share. In doing so, I aim to create works that allow the audience to re-experience the traditional magical elements and the energy of the festivals through a contemporary sensibility.
,.-*`♩`*-.,.-*`♪`*-.,.-*`♫`*-.,.-*`♬`*-.,.-*`♩`*..-*`♪`*-.,.-*`♫`*-.,.-*`♬`*-.,.-*`♩`*

展覽開幕Opening：2026.8.15（Sat） 15:00-18:00
開幕座談Forum：2026.8.16（Sun）15:30-17:00
藝術家Artist：島內美佳Mika Shimauchi
與談人Panelist：周郁齡 CHOU Yu-Ling
展期Duration：2026.8.15 Sat.-8.30 Sun.
地點Venue：絕對空間藝術進駐 三和進駐基地SanHo Art Lab
地址Address：台南市南區三和街14號 No.14, Sanhe St., South Dist., Tainan city
開放時間 Opening Hours：週三-週日 Wed-Sun 13:00-18:00
主辦單位Organizer：絕對空間藝術進駐 Absolute Space AIR
策劃單位Curating Unit：東益藝術設計工作室DongYi Art
合作單位Co-organizer：日本福岡Fan.ACF(Artist Café Fukuoka)
指導單位Advisor：文化部 Ministry of Culture

海報設計Poster Design：林渝捷 Lin Yu Jie

【進駐藝術家介紹 Introduction to the Resident Artists】阿三香港藝術家、策展人及寫作人。畢業於香港中文大學藝術系畢業，後修畢藝術碩士（創作）及性別研究文學碩士課程。他的創作經年思索文字、文學與繪畫的關係，...
06/08/2026

【進駐藝術家介紹 Introduction to the Resident Artists】

阿三
香港藝術家、策展人及寫作人。畢業於香港中文大學藝術系畢業，後修畢藝術碩士（創作）及性別研究文學碩士課程。他的創作經年思索文字、文學與繪畫的關係，文學性之於當代繪畫的契合。著有展覽小書《文本有相》（2019）及《Everyday Practice》（2020）等。

近年個展包括《大樹好乘涼》「轉角：」公共藝術作品（2025-26）、「花晨月夕」（2024-25）、「無艷有序」（2024）、「Everyday Practice」（香港及紐約，2019及2020）及「一夕餘地」個展（2019）等。參與的藝術及藝評駐留包括丹麥ARoS Art Museum、紐約Flux Factory，及日本越後妻有大地藝術祭香港部屋等。曾入選Sovereign傑出亞洲藝術獎、獲大華銀行年度水墨藝術大獎及高美慶教授藝術史獎學金等。

現同時任教於多間大專院校，並擔任新城電台藝文節目嘉賓主持。

CHAN Sai-lok
Artist, curator, and writer based in Hong Kong. Chan holds a BA and MFA in Fine Art and an MA in Gender Studies, all from the Chinese University of Hong Kong. He has always taken text and literature as points of departure in his artistic endeavor, through which he contemplates the intimate relationship between painting and literariness. His exhibition catalogues The Countenance of Text (2020) and Everyday Practice (2019) were published.

His recent solo exhibitions include Stories under the Canopies - Public art installation of RE: Tai Kok Tsui (2025-26), The Stillness Between (2024-25), The Pictures and Those Thousand Words (2024), Everyday Practice (Hong Kong 2019 and New York 2020), and Land of Longing and Exile (2019), etc. He participated in artist/art critic in residency including ARoS Art Museum at Aarhus, Flux Factory at New York, and Hong Kong House at Echigo Tsumari Art Triennial. Chan has been a finalist in the Sovereign Asian Art Prize, a winner of the UOB Art in Ink Award, and Professor Mayching Kao Art History Award.

He is now also a part-time lecturer from several Universities, and a guest host of a radio cultural program.

◇。☆。．０◇。☆。．０◇。☆。．０◇。☆。．０
進駐期程Period：8/3(Mon) - 9/15(Tue)

【進駐藝術家介紹】Mooni Perry（1990 年生於首爾）是一位現居柏林的視覺藝術家與電影創作者，其創作實踐聚焦於離散社群（diaspora）的神性、女性儀式實踐，以及橫跨東亞及其他地區的民間宇宙觀（vernacular cosmol...
06/08/2026

【進駐藝術家介紹】
Mooni Perry（1990 年生於首爾）是一位現居柏林的視覺藝術家與電影創作者，其創作實踐聚焦於離散社群（diaspora）的神性、女性儀式實踐，以及橫跨東亞及其他地區的民間宇宙觀（vernacular cosmologies）。

她的影像作品源自長期田野研究，探討神話、民間信仰、女性儀式，以及被壓抑的歷史如何持續塑造當代生活。她透過電影、裝置與出版等多元媒介，追溯故事、神祇與靈性實踐如何跨越國界、世代與政治體制流動與傳承。

她近期作品《EL》（2025）於首爾國立現代美術館展出，追溯日本殖民時期遷徙至滿洲的韓國女性那些被遺忘的人生。影片拍攝於中國東北昔日滿洲國的多處遺址，在夢境、檔案碎片與當代景觀之間穿梭，探討消失、流離失所，以及殖民暴力所留下的歷史餘波。

她的裝置與出版計畫《Missing》（2024）源於對香港及華南女性道教社群的研究。作品結合影像、田野筆記、訪談與推想性寫作（speculative writing），探討那些生活於傳統家庭結構之外的女性，並透過「失蹤的女人」這一形象，追索另類的親屬關係、信仰實踐與歸屬形式。

她最新的雙頻道裝置作品《The Oracle》（2025）由香港 CHAT（Centre for Heritage, Arts and Textile）委託創作，歷經三個月於香港及華南地區的田野研究發展而成。計畫最初從七仙女傳說及其與紡織女工、自梳女（Comb Sisters）、菜姑（Cai Gu）群體，以及以女性為核心的廟宇傳統之間的關聯展開，隨後逐漸擴展為對死亡、儀式與女性神聖形象的探索。透過廟宇祭儀、乩童／靈媒實踐、刺繡工作坊，以及盂蘭節儀式等場景，作品描繪平凡女性如何透過集體記憶與信仰，被轉化為祖先、薩滿、女神與守護者。

她曾於多個藝術機構展出作品，包括德國明斯特 Westfälischer Kunstverein、柏林 KW 當代藝術中心（KW Institute for Contemporary Art）、柏林新藝術協會（Neuer Berliner Kunstverein）、愛沙尼亞塔林 Kai Art Center、首爾 ARKO Art Center，以及香港 CHAT。2021 年，她獲頒 ars viva 藝術獎。

Mooni Perry (b. 1990, Seoul) is a visual artist and filmmaker based in Berlin whose practice explores diasporic divinity, women's ritual practices, and vernacular cosmologies across East Asia and beyond.

Her moving image works emerge from long term field research and investigate how myths, folk religions, women's ritual practices, and suppressed histories continue to shape contemporary life. Working across film, installation, and publishing, she traces the movement of stories, deities, and spiritual practices across borders, generations, and political regimes.

Her recent film EL (2025), exhibited at the National Museum of Modern and Contemporary Art, Seoul, traces the forgotten lives of Korean women who migrated to Manchuria during the Japanese colonial period. Filmed across former sites of Manchukuo in Northeast China, the work moves between dreams, archival fragments, and contemporary landscapes to explore disappearance, displacement, and the afterlives of colonial violence.
Her installation and publication Missing (2024) emerged from research into female Taoist communities in Hong Kong and Southern China. Combining moving image, field notes, interviews, and speculative writing, the project examines women who have lived outside conventional family structures, tracing alternative forms of kinship, devotion, and belonging through the figure of the missing woman.
Her recent two channel installation The Oracle (2025), commissioned by CHAT, developed through three months of field research in Hong Kong and Southern China. Beginning with research on the Seven Fairies and their connections to textile workers, Comb Sisters, Cai Gu communities, and women centered temple traditions, the project gradually expanded into an exploration of death, ritual, and female sacred figures. Through temple ceremonies, spirit medium practices, embroidery workshops, and Hungry Ghost Festival rituals, the work traces how ordinary women become ancestors, shamans, goddesses, and guardians through collective memory and devotion.

She has exhibited at institutions including Westfälischer Kunstverein, Münster; KW Institute for Contemporary Art, Berlin; Neuer Berliner Kunstverein, Berlin; Kai Art Center, Tallinn; ARKO Art Center, Seoul; and CHAT, Hong Kong. In 2021, she received the ars viva prize.

☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁ ☁
進駐期程Period：8/2(Sun) - 10/20(Tue)

Credit:
The Oracle, Two Channel Video, 20 min, Color, Streo Sound, 2025
Installation view at Centre for Heritage, Arts and Textile (CHAT), Threading Inwards

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