亞洲大學 創意設計學院三系聯展 - 總匯三明治

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≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

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⍢ 校內展周邊預購介紹 ⍢

◌① 三明治壓克力吊飾
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↪ $60 / 個

∴ 周邊皆為限量販售!要買要快!

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∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
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∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

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≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

━━━━ ᴄʟᴜʙʜᴏᴜsᴇ sᴀɴᴅᴡɪᴄʜ ━━━━

∴ 亮點介紹｜視覺傳達設計學系 ∴

< THE LAB MEAT 未來肉未來式 >

植物肉不再吸引人？
未來肉的新技術 — 培植肉
透過互動式書籍「Make A Piece Of Lab-Grown Mea 做一塊培植肉」，傳達培植肉的製程以及永續點，以未來肉未來式為概念強調培植肉的趨勢及永續性，讓大眾了解吃培植肉就能夠做環保！
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Is plant meat no longer attractive?
New technology for future meat – cultured meat
THE LAB MEAT uses the "Make a Piece of Lab-Grown Meat" interactive book to convey the production process and sustainability of cultured meat, using the concept of future meat to emphasize the trend and sustainability of cultured meat. Let the public know that eating Lab-grown meat is environmentally friendly!

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∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
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∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

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≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

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∴ 亮點介紹｜視覺傳達設計學系 ∴

< 媽吉麻吉 >

充斥在日常生活周遭的大媽時常做出令人異想不到的行為，敢於做自己，熱情無距離，就像是人人的麻吉一般。而媽吉麻吉這個詞在台灣代表好朋友的意思，同音不同字的媽字剛好與我們的主題“台灣大媽”相呼應。

我們藉由設計四個不同性格的大媽IP角色，透過經營社群媒體的方式吸引觀眾並建立深刻的連結，發展四套line貼圖將其有趣的形象刻入大眾的日常。

我們也希望將台灣大媽們常見的貪小便宜、在公共場所喧嘩，以及與陌生人談論私事等負面形象轉變成他們精明、自信且熱情好客的正面形象，發現他們也有著自己可愛的一面。
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Surrounding our daily lives, aunties often exhibit surprisingly unexpected behaviors, daring to be themselves, warm and approachable, much like everyone's best buddy.

The term '媽吉麻吉' in Taiwan signifies good friends, and the homophonic but
different character '媽' perfectly resonates with our theme of 'Taiwanese Aunties'.

By designing four distinct Auntie IP characters with different personalities, we aim to attract audiences and build profound connections through managing social media. Developing four sets of LINE stickers, we aim to engrave their intriguing personas into the public's daily lives,while also flipping their negative image..

We also hope to transform the negative image of Taiwan's 'aunties', commonly associated with being overly thrifty, causing disturbances in public places, and discussing private matters with strangers, into a positive one portraying them as astute, confident, and warmly hospitable. We want to highlight their lovable aspects and discover their charm.

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↪︎
∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
↪︎
∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

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≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

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∴ 亮點介紹｜視覺傳達設計學系 ∴

< 媽祖媽祖，我們去哪裡呀？ >

「媽祖媽祖，我們去哪裡呀？」是以舞台劇作為基礎並加入有趣的劇本，將大甲媽祖遶境化為劇場立體書，引領國小五六年級的孩子進入紙上劇場，並快速了解遶境流程。
故事線風格為詼諧有趣的風格，將遶境活動分為七個幕次來設計視覺。
劇場立體書內容以環視的立體摺頁呈現，並搭配小機關設計增添互動性與趣味性，希望透過設計讓孩子們可以更了解遶境文化。
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"MAZU, WHERE ARE WE GOING?" is based on a stage drama and incorporating an engaging script, Dajia Mazu Pilgrimage is transformed into a pop-up book, guiding elementary school children in fifth and sixth grades into a paper theater and quickly understanding them with the pilgrimage process.

The storyline adopts a humorous and entertaining style, dividing the pilgrimage activities into seven acts for visual design. The pop-up book is presented through panoramic fold-out pages, accompanied by mechanism made of paper designs to enhance interactivity and amusement, aiming to help children better understand the culture of the pilgrimage through design.

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∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
↪︎
∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

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≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

━━━━ ᴄʟᴜʙʜᴏᴜsᴇ sᴀɴᴅᴡɪᴄʜ ━━━━

∴ 亮點介紹｜視覺傳達設計學系 ∴

< 阿美式 >

以台灣原住民阿美族的傳統服飾文化作為主旨，我們發現到市面上並沒有任何一本相關的教材，使族人與大家無法對於這個民族或文化有更多的認識與了解，因此我們設計了這項專案，內容有介紹阿美族各年齡階層的服飾。

我們做了不一樣的族群服飾之視覺與教材讀本，還有互動式傳統服穿著教學紙娃娃，組裝方式與真實穿著傳統服飾時的步驟完全相同，可以在遊玩的時候學習如何穿著傳統服，免去了需要有昂貴的實際服飾才能學習的困擾。

總共兩種套組四種階級服飾，分別是婦女、少女、勇士與少年，以及多項阿美族人生活中常見的動植物與物件等等，配合可以向外凹折的包裝盒，讓製作完成的紙娃娃能夠與環境一起展示出來，也增加了包裝盒的功能。

且每個物件的卡片都使用了兩種刀模與壓線設計，方便取下不需手動裁剪，都在上面會標記他的原始語言，作為這種瀕危語言的學習媒介，增加這個族群的文化知識傳播的方式。
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Centered on the traditional clothing culture of the Amis indigenous people in Taiwan, we discovered a notable absence of relevant educational materials in the market. This absence hindered both the indigenous community and the wider public from gaining a deeper understanding of this ethnic group and its culture. Consequently, we devised this project, which entails introducing Amis attire across different age groups.

We crafted unique visual resources and instructional booklets on ethnic attire, alongside interactive paper dolls for teaching traditional dress-up. The assembly process mirrors precisely the steps involved in donning traditional attire, allowing individuals to learn how to wear traditional clothing while engaging in play, thus eliminating the need for expensive real garments for learning.

There are a total of two sets featuring attire for four different social classes, including women, girls, warriors, and boys, alongside various animals, plants, and objects commonly found in Amis daily life. Complemented by fold-out packaging boxes, the completed paper dolls can be displayed within their environment, adding functionality to the packaging.

Additionally, each item card features two cutting and embossing designs, enabling easy detachment without manual cutting. Furthermore, the original language of each item is marked on top, serving as a medium for learning this endangered language and enhancing the dissemination of cultural knowledge within the community.

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↪︎
∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
↪︎
∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

🥪
≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

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∴ 亮點介紹｜視覺傳達設計學系 ∴

< Taipainter >

Taipainter是一個倡導永續與環境的友善品牌，意旨在喚醒台灣人的本土意識，推廣文化特色開發海外市場。
我們設計優勢在於圖騰能夠單獨出現也能夠隨機組合，在擁有無限可能的同時，亦能不受載體限制，在各類商品上都能展現別具設計感的時尚風格。
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Taipainter is a brand that advocates sustainability and environmental friendliness. It aims to raise local awareness among Taiwanese people and promote cultural characteristics to expand into overseas markets.
The design advantage of Taipainter is that the totems can appear alone or be combined randomly. While it has unlimited possibilities, it can also display unique fashion design styles on various products without being limited by the carrier.

關於SOOHUA:

“穿上SOOHUA走入蘇花，理解SOOHUA守護蘇花”

我們首次推出SOOHUA系列款式，取材宜蘭到花蓮蘇花公路途徑的風景動植物為發想。
自從蘇花改建以來，舊蘇花逐漸被台灣人遺忘，蘇花改的確帶給我們更便捷的交通選擇，卻失去了舊蘇花依山傍海的絕美景色。
我們希望SOOHUA能激發國內外的好奇與重視。
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“Wear SOOHUA and walk into Suhua, understand SOOHUA and protect Suhua.”

We launched the SOOHUA series for the first time, inspired by the scenic flora and fauna along the Suhua Highway from Yilan to Hualien.
Since the reconstruction of Suhua, the old Suhua has gradually been forgotten by the Taiwanese people. The reconstruction of Suhua has indeed brought us more convenient transportation options, but it has also led to the loss of the beautiful scenery of the old Suhua surrounded by mountains and sea.

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↪︎
∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
↪︎
∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場

🥪
≪ 113th亞洲大學 創意設計學院 畢業聯展 ≫

━━━━ ᴄʟᴜʙʜᴏᴜsᴇ sᴀɴᴅᴡɪᴄʜ ━━━━

∴ 亮點介紹｜視覺傳達設計學系 ∴

< ＃ 台女 >

「台女」這一詞起初是用來描述台灣的女性，而隨著網路論壇的興起，這個詞逐漸演變成具有攻擊性和貶低女性的含義，造成對女性的偏見和貶低。
本專題「＃台女」深入探討此議題，試圖將台女一詞從貶義轉變為正面、尊重和鼓舞女性的意義。透過品牌建立，呈現台灣不同產業的女性特質和事蹟，如描繪國家元首蔡英文的敢做敢當，以及世界級運動員戴資穎在國際上的精彩成就等。
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The term 'Taiwanese girl' initially referred to females from Taiwan, but with the rise of internet forums, it gradually evolved into a derogatory and offensive term, leading to prejudice and belittlement against women.
This project, titled ' ', attempting to transform the term 'Taiwanese girl' from a negative connotation to one that is positive, respectful, and empowering to women. Through branding, it showcases the characteristics and achievements of women in various industries in Taiwan, such as portraying the fearless leadership of the nation's president, Tsai Ing-wen, and the outstanding accomplishments of world-class athlete Tai Tzu-ying on the international stage.

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↪︎
∴ 視覺傳達 ░ 數位媒體 ░ 商品設計 ∴
↪︎
∆ 校內展∆
｜24.04.11（四） ⇀ 24.04.13（六）
｜創意設計學院 3F / 4F / 阿曼廣場