Elektronmusikstudion EMS Stockholm

08/09/2026

"Den 11 september inviger Fylkingen sina nya lokaler i ABF-huset med en tvådagarsfestival.

Det blir en hemkomst för musikföreningen som på 1960-talet startade en elektroakustisk utbildningsstudio i samma byggnad."

Snart inviger Fylkingen sina nya lokaler i ABF-huset. Det blir en hemkomst för musikföreningen som på 1960-talet startade en studio i samma byggnad.

08/09/2026

Helgworkshop med Jana Winderen om att lyssna och spela in ljud ur olika perspektiv i olika situationer. Genom praktiska övningar utforskar vi miljöer och situationer med utgångspunkt i deltagarnas egna erfarenheter och intressen som utgångspunkt.

Workshopen vänder sig till användare på EMS som vill fördjupa sitt förhållande till fältinspelning som konstnärlig praktik.

Jana Winderen är en norsk konstnär med bakgrund inom matematik, kemi och fiskekologi. Hennes konstnärliga praktik riktar särskilt uppmärksamheten mot ljudmiljöer och varelser som är svåra för människor att få tillgång till, både fysiskt och auditivt - djupt under vatten, inne i is eller inom frekvensområden som det mänskliga örat inte kan höra.
Hennes verksamhet omfattar platsspecifika och rumsliga ljudinstallationer samt konserter, som har visats och framförts internationellt på framstående institutioner och i offentliga miljöer.

Läs mer och ansök via vår hemsida senast 27 september.
https://elektronmusikstudion.se/kurser/workshops-och-seminarium/workshop-fran-krakans-till-torskens-perspektiv/

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From the Crow’s to the Cod’s Perspective is a weekend workshop with Jana Winderen exploring how to listen to and record sound from different perspectives and in different situations. Through practical exercises, we will explore environments and situations, using the participants’ own experiences and interests as a starting point.

The workshop is aimed at users at EMS who want to deepen their relationship with field recording as an artistic practice.

Jana Winderen is an artist based in Norway with a background in mathematics, chemistry and fish ecology. Her practice pays particular attention to audio environments and to creatures which are hard for humans to access, both physically and aurally – deep under water, inside ice or in frequency ranges inaudible to the human ear. Her activities include site-specific and spatial audio installations and concerts, which have been exhibited and performed internationally in major institutions and public spaces.

Apply via EMS website. Last day to apply September 27, 2026.
https://elektronmusikstudion.se/en/courses/workshops-and-seminars/workshop-from-the-crows-to-the-cods-perspective/

The workshop is not available online, no streaming.

07/09/2026

🎧 The Inner Ear – an evening with exploratory music

EMS is happy to highlight an upcoming concert not organised by EMS, but featuring two of our current guest composers, Yellow Wasabi and Tsung-Yun Lai, alongside Swedish artists/composers Anna Olsson and Lars Åkerlund.

📍 Rumtiden Idea Lab Närkesgatan 6, Stockholm
🗓 Wednesday 9 September
🕡 18:30–22:00

With:
· · ·

Come join The Inner Ear for an evening of exploratory music.

03/09/2026

Paul Ramage is a violinist, improviser and composer. After meeting Didier Lockwood, he turned his attention to jazz and improvised music, whilst continuing his classical training at the Conservatoire in Cergy-Pontoise, where he obtained a Diploma in violin and jazz. He then specialised in electroacoustic composition at the Paris Conservatoire, studying under Denis Dufour and Jonathan Prager, before obtaining a Master’s degree at the INA-GRM. He continued his studies at IRCAM, within the composition and computer music programme.

The author of some fifty works (acousmatic, mixed and instrumental), he performs regularly in France and internationally. Holder of the Certificate of Aptitude (CA) in electroacoustic composition, he teaches composition and sound creation at the Conservatoire and the Pôle Supérieur de Paris, and is committed to promoting creativity in all its forms.

01/09/2026

Yara works with sound and video and has spent the last few years exploring puppetry alongside the resonant textures of metal.

Her residency at EMS takes place in connection with her performance during Fylkingen's opening weekend 11-12 September.

28/08/2026

The music of electroacoustic composer Bekah Simms possesses an enormous sonic palette: timbrally vibrant and ranging from superabundant electronic grotesquerie to lush microtonal waves of sound, their varied musical output has been heralded as “cacophonous, jarring, oppressive — and totally engrossing!” (CBC Music) and “visceral contemporary music that enfolds external inspirations with dazzling rigor and logic” (Peter Margasak).

Bekah’s music has been commissioned by and performed at major festivals across Europe and North America including Wien Modern, Time:Spans, Gaudeamus Newmuziekwrek, ACHT BRÜCKEN, Music on Main, and New Music Dublin. Their acousmatic music has been presented at two consecutive World New Music Days (Faroe Islands and Portugal) as well as the Sound/Image festival in London.  Bekah has also been the recipient of over 40 awards, competitive selections, nominations, and prizes, including a 2024 Guggenheim Fellowship, the 2019 Barlow Prize, and the 2023 JUNO Award for Classical Composition of the Year.
 
Bekah is a Lecturer in Composition at the Royal Conservatoire of Scotland.

28/08/2026

LTY (Lai Tsung-Yun) is a Taiwanese sound and media artist working across modular synthesis, algorithmic composition, and real-time signal processing. His practice explores the relationship between sound, perception, and space, creating immersive sonic environments where noise, electronic signals, and acoustic gestures intersect.

He is the curator of Lacking Sound Festival, one of Taiwan’s longest-running platforms for experimental sound and sound art, and has played an important role in fostering international exchange and expanding the visibility of experimental sound culture in Taiwan. Through both performance and curatorial practice, Lai investigates how sound can shape sensory experience and map emotional and social terrains.

28/08/2026

LTY (Lai Tsung-Yun) is a Taiwanese sound and media artist working across modular synthesis, algorithmic composition, and real-time signal processing. His practice explores the relationship between sound, perception, and space, creating immersive sonic environments where noise, electronic signals, and acoustic gestures intersect.

He is the curator of Lacking Sound Festival, one of Taiwan’s longest-running platforms for experimental sound and sound art, and has played an important role in fostering international exchange and expanding the visibility of experimental sound culture in Taiwan. Through both performance and curatorial practice, Lai investigates how sound can shape sensory experience and map emotional and social terrains.

28/08/2026

The music of electroacoustic composer Bekah Simms possesses an enormous sonic palette: timbrally vibrant and ranging from superabundant electronic grotesquerie to lush microtonal waves of sound, their varied musical output has been heralded as “cacophonous, jarring, oppressive — and totally engrossing!” (CBC Music) and “visceral contemporary music that enfolds external inspirations with dazzling rigor and logic” (Peter Margasak).

Bekah’s music has been commissioned by and performed at major festivals across Europe and North America including Wien Modern, Time:Spans, Gaudeamus Newmuziekwrek, ACHT BRÜCKEN, Music on Main, and New Music Dublin. Their acousmatic music has been presented at two consecutive World New Music Days (Faroe Islands and Portugal) as well as the Sound/Image festival in London. Bekah has also been the recipient of over 40 awards, competitive selections, nominations, and prizes, including a 2024 Guggenheim Fellowship, the 2019 Barlow Prize, and the 2023 JUNO Award for Classical Composition of the Year.

Bekah is a Lecturer in Composition at the Royal Conservatoire of Scotland.

25/08/2026

Nu är ansökan öppen till kursen Patterns in SuperCollider with SuperClean.
Kursen syftar till att ta alla över den initiala tröskeln till en punkt där du kan använda SuperCollider med självförtroende och personlig uttrycksförmåga.

Kursen kräver eller förutsätter ingen erfarenhet av programmering eller att göra musik, men grundläggande datorvana krävs.

Kursen undervisas på svenska och eller engelska beroende på kursdeltagarna.

Ansök senast 20 September.
https://elektronmusikstudion.se/kurser/workshops-och-seminarium/patterns-in-supercollider-with-superclean-2/

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Applications are now open for the course Patterns in SuperCollider with SuperClean

The course aims to get everyone over the initial threshold to a place where they are using SuperCollider with confidence and personal expressivity.

The course is held in Swedish and or English.

It takes place in our studio in Stockholm, it's not an online course.

Last day to apply September 20.
https://elektronmusikstudion.se/en/courses/workshops-and-seminars/patterns-in-supercollider-with-superclean-2/