18/08/2024
The Peasant Wedding by Pieter Bruegel the Elder (1568)
Location📍: Kunsthistorisches Museum
Sa portre Flemish-Dutch pe demontre en maryaz an 1568. An avan, bann envite pe bwar e manze. Bol porridge diri e labyer pe domine sa selebrasyon riral. Bann envite pe pran plis latansyon sa ki dan zot ver e lasyet ki nouvel-marye. Li i’n ganny inyore, e i pe asize tousel devan en miray anpandan ver fonse. Diran sa letan, gran mazorite bann Eropeen ti pov. Me ek sa portre, bann historyen ti argimant pour lenportans nouritir e labwason parmi tou klas sosyal Eropeen. Ler ki bann Eropeen ti rankontre « the New Wold », kiltir manze e labwason ti anplifye. Par konsekans, komers ti konekte « the New World » avek Lerop. Tar dan bann lannen 1700, ladministrasyon Franse ti sey plas koloni Sesel dan konteks biznes enternasyonal pour zepis.
In this Flemish painting (circa 1568), a wedding is depicted. At the forefront, guests are illustrated eating and drinking. “Bowls of rice pudding and tankards of ale dominate this rural feast. Guests pay more attention to their plates than to the new bride, who sits alone and ignored in front of a dark green wall hanging.” At this time, most Europeans belonged to the peasant class. But, with this painting, historians argue the vitality of food and beverage for Europeans of all classes. When Europeans encountered the New World; food and drink culture amplified. Consequently, economics connected the New World back to Europe. In the late 1700s, the French administration attempted to place the colony of Seychelles in the context of the international spice trade.
Source:
Beat, Kümin. The European World 1500–1800. Available from: VitalSource Bookshelf, (4th Edition). Taylor & Francis, 2022, 289.
Seychelles National Museum. Pierre Poivre. Web site, Novembre, 17, 2020.