Elite ART Institute

Frédéric Chopin - Fantaisie Impromptu,
Op. posth. 66
Daniil Trifonov — piano solo !!!
Chopin never signed this piece over to the world. The manuscript Fontana found after the composer's death bore a discreet dedication — to Baroness d'Este, who likely commissioned it. A salon piece, made for an aristocrat, that was never meant to leave that private circle. What Fontana published in 1855 was not merely a posthumous work - it was a double act of disobedience: he ignored the request for destruction and exposed to the public something Chopin never considered ready to exist outside a closed room.
The resemblance to Beethoven's Moonlight Sonata is neither coincidence nor plagiarism — it is dialogue. Both in C # minor, both with a central section in Db major, both with the same rhythmic urgency. Musicologist Ernst Oster wrote that the Fantaisie Impromptu is perhaps the only case in which a genius reveals, through his own composition, what he truly hears in the work of another. Chopin did not copy Beethoven. He answered him. And he was afraid no one would understand the difference.
Trifonov recorded Chopin before any other composer - his first three albums, released between 2010 and 2011, are entirely dedicated to him. It is not repertoire. It is a relationship built since the age of 19, when he played Chopin at the International Warsaw Competition and came away with third place and the special mazurka prize. What you see in this video is not technique on display - it is a pianist playing the work of someone he has studied his entire life, in a piece its own author did not believe deserved to exist.


https://www.instagram.com/reel/DWqumSnjx76/

🎶✨ Frédéric Chopin — Fantaisie Impromptu, Op. posth. 66 Daniil Trifonov — piano solo 🎹 • Chopin never signed this piece over to the world. The manuscript Fontana found after the composer's death bore a discreet dedication — to Baroness d'Este, who likely commissioned it. A salon piece, made for an aristocrat, that was never meant to leave that private circle. What Fontana published in 1855 was not merely a posthumous work — it was a double act of disobedience: he ignored the request for destruction and exposed to the public something Chopin never considered ready to exist outside a closed room. • The resemblance to Beethoven's Moonlight Sonata is neither coincidence nor plagiarism — it is dialogue. Both in C# minor, both with a central section in D♭ major, both with the same rhythmic urgency. Musicologist Ernst Oster wrote that the Fantaisie Impromptu is perhaps the only case in which a genius reveals, through his own composition, what he truly hears in the work of another. Chopin did not copy Beethoven. He answered him. And he was afraid no one would understand the difference. • Trifonov recorded Chopin before any other composer — his first three albums, released between 2010 and 2011, are entirely dedicated to him. It is not repertoire. It is a relationship built since the age of 19, when he played Chopin at the International Warsaw Competition and came away with third place and the special mazurka prize. What you see in this video is not technique on display — it is a pianist playing the work of someone he has studied his entire life, in a piece its own author did not believe deserved to exist. • 👉 Follow us, the best of classical music, daily in your feed. • • • #piano #chopin #classicalmusic #pianist

Edmond Spulber - Primăvara, A. Vivaldi

Listen here: ➡️ https://youtu.be/Q1zy_nIkDmY?feature=shared

Festivalul Muzicii de Cameră ediția a XXI-a, 25.05-16.06. 2026.
Organizat de Facultatea de Muzică și Teatru în Sala Orpheum.

Duo Spulber Edmond și Elysia - prof. Teofil Buteică

Felicitări pentru rezultate obținute la concursul Lugoj Melos Fest ediția a VIII-a 23 mai 2026 organizat de LiveMuseArt.

Elisa Micsa - 🏆 Marele Premiu - 100 puncte

Alma Cornea Ionescu - Festival și Concurs Internațional de Pian, ediția a XXIII–a, 21-25 mai 2026.
Elysia Spulber - 🏆 Premiul I - Mulțumim domnului Prof. Remus Turcu

Edmond Spulber & Elysia Spulber - Fr. Kreisler Rondino. – clasa prof. Buteică Teofil.

Festival – Chamber Music (Muzică de cameră)
În cadrul evenimentului „Alma Cornea Ionescu” - Festival și Concurs Internațional de Pian, ediția a XXIII –a, 21-25 mai 2026.
Sala de concerte „Mihai Perian” a Liceului de Artă „Ion Vidu” Timisoara

https://youtu.be/nExXbLjqI1A?feature=shared

✨Concertul de Anul Nou din 2026 al Filarmonicii din Viena va avea loc pe 1 ianuarie 2026, pentru prima dată sub bagheta maestrului Yannick Nézet-Séguin, în Sala de Aur a Musikverein din Viena.

✨Concertul de Anul Nou este transmis în peste 150 de țări prin TV și streaming și este urmărit de aproximativ 50 de milioane de telespectatori.

✨Dirijorul canadian Yannick Nézet-Séguin va urca pentru prima dată pe podiumul Concertului de Anul Nou al Filarmonicii din Viena. Dirijorul de renume internațional este director muzical al Operei Metropolitane din New York din 2018, director muzical al Orchestrei din Philadelphia din 2012 și conduce Orchestra Metropolitană din Montreal de 25 de ani. De asemenea, este dirijor onorific al Orchestrei Filarmonice din Rotterdam, unde a fost dirijor principal între 2008 și 2018.