TCSHS 8 - Pythagoras

TCSHS 8 - Pythagoras

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๐—ฃaglipad sa ๐—ฌugto ng ๐—งadhana sa ๐—›impapawid ng ๐—”la-Ala
Pythagoras SY. 2025-2026
Scientia Ad Veritatem
03.31.26. โœˆ๏ธ๐Ÿ™ˆ

14/04/2026

๐—ฃ๐—”๐—ก๐—ข๐—ข๐—ฅ๐—œ๐—ก: ๐˜ˆ๐˜•๐˜Ž ๐˜๐˜œ๐˜“๐˜๐˜•๐˜Ž ๐˜—๐˜ˆ๐˜ˆ๐˜“๐˜ˆ๐˜”๐Ÿ‘‹๐ŸŽฌโ€ฆโ€ฆ

Ilang beses mang naudlot ang paglabas ng huling pagbibigay-paalam, ๐™ข๐™–๐™ฃ๐™–๐™ฃ๐™–๐™ฉ๐™ž๐™ก๐™ž๐™ฃ๐™œ ๐™๐™–๐™ฃ๐™™๐™– ๐™–๐™ฃ๐™œ ๐™ฅ๐™ช๐™จ๐™ค ๐™ฃ๐™– ๐™ข๐™ช๐™ก๐™ž๐™ฃ๐™œ ๐™ข๐™–๐™œ๐™ฉ๐™–๐™ฅ๐™ค๐™จโ€”๐™๐™ž๐™ฃ๐™™๐™ž ๐™—๐™ž๐™ก๐™–๐™ฃ๐™œ ๐™ฌ๐™–๐™ ๐™–๐™จ, ๐™ ๐™ช๐™ฃ๐™™๐™ž ๐™—๐™ž๐™ก๐™–๐™ฃ๐™œ ๐™จ๐™ž๐™ข๐™ช๐™ก๐™– ๐™ฃ๐™œ ๐™ฅ๐™–๐™ฃ๐™ž๐™—๐™–๐™œ๐™ค๐™ฃ๐™œ ๐™ฅ๐™–๐™œ๐™ก๐™ž๐™ฅ๐™–๐™™. Hali naโ€™t sumabay sa agos ng pag-asa at gunitain ang mga nabuong ala ala sa gitna ng alapaap. ๐ŸŒค๏ธ

At ngayon, sa muling pagdungaw sa silid na minsang naging aming himpapawidโ€”tahimik na lamang ang lahat.

Ngunit sa kabila ng katahimikan, hindi kailanman nawala ang mga bakas.

๐Œ๐ฎ๐ฅ๐š ๐ฌ๐š ๐‹๐ข๐ค๐ก๐š๐ง๐  ๐†๐š๐ฐ๐š ๐ง๐ข ๐๐ซ๐ข๐ง๐œ๐ž ๐๐ข๐ฌ
(๐™ฟ๐šข๐š๐š‘๐šŠ๐š๐š˜๐š›๐šŠ๐šœ ๐™ฟ๐šž๐š‹๐š•๐š’๐šŒ๐š’๐š๐šข ๐™ฒ๐š˜๐š–๐š–๐š’๐š๐š๐šŽ๐šŽ ๐™ฒ๐š‘๐šŠ๐š’๐š›๐š–๐šŠ๐š—) ๐Ÿง‘โ€๐Ÿ’ป๐ŸŽฅ

At kahit wala na ang eroplano sa paningin, kahit hindi na marinig ang ingay ng pag-alis, mananatili ang alapaap.

At sa malawak na himpapawidโ€” kahit magkakalayo na ang direksyon ng bawat paglipad, ang mga alaalaโ€™y patuloy na lilipadโ€ฆ ๐˜ฌ๐˜ข๐˜ด๐˜ข๐˜ฃ๐˜ข๐˜บ ๐˜ฏ๐˜จ ๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ช๐˜ฏ, ๐˜ฌ๐˜ข๐˜ด๐˜ข๐˜ฃ๐˜ข๐˜บ ๐˜ฏ๐˜จ ๐˜ญ๐˜ช๐˜ธ๐˜ข๐˜ฏ๐˜ข๐˜จ, ๐˜ด๐˜ข ๐˜ข๐˜ญ๐˜ข๐˜ฑ๐˜ข๐˜ข๐˜ฑ ๐˜ฏ๐˜ข ๐˜ฌ๐˜ข๐˜ช๐˜ญ๐˜ข๐˜ฏ๐˜ฎ๐˜ขโ€™๐˜บ ๐˜ฉ๐˜ช๐˜ฏ๐˜ฅ๐˜ช ๐˜ฎ๐˜ข๐˜ธ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข.

๐—ฃ๐—ฆ: ๐—ก๐—ผ ๐—ฐ๐—ผ๐—ฝ๐˜†๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐—ถ๐—ป๐—ณ๐—ฟ๐—ถ๐—ป๐—ด๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ถ๐—ป๐˜๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ฑ. โ€œ๐—”๐—น๐—ฎ๐—ฝ๐—ฎ๐—ฎ๐—ฝโ€ ๐—ฏ๐˜† ๐—˜๐—ฟ๐—ฎ๐˜€๐—ฒ๐—ฟ๐—ต๐—ฒ๐—ฎ๐—ฑ๐˜€ ๐—ฏ๐—ฒ๐—น๐—ผ๐—ป๐—ด๐˜€ ๐˜๐—ผ ๐—ถ๐˜๐˜€ ๐—ฟ๐—ถ๐—ด๐—ต๐˜๐—ณ๐˜‚๐—น ๐—ผ๐˜„๐—ป๐—ฒ๐—ฟ๐˜€. ๐—”๐—น๐—น ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐—ฐ๐—ผ๐—ป๐˜๐—ฒ๐—ป๐˜ ๐—ถ๐˜€ ๐—ผ๐—ฟ๐—ถ๐—ด๐—ถ๐—ป๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ณ๐—ผ๐—ฟ ๐—ป๐—ผ๐—ป-๐—ฐ๐—ผ๐—บ๐—บ๐—ฒ๐—ฟ๐—ฐ๐—ถ๐—ฎ๐—น, ๐—ฒ๐—ฑ๐˜‚๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฝ๐˜‚๐—ฟ๐—ฝ๐—ผ๐˜€๐—ฒ๐˜€ ๐—ผ๐—ป๐—น๐˜†.





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31/03/2026

๐—ฃ๐—ถ๐—ฏ๐—ฒ๐—ฟ๐˜๐—ฑ๐—ฎ๐˜† ๐˜€๐—ฎ๐˜‚ ๐˜€๐—ฎ๐—ต ๐Ÿ‘€๐Ÿซต

Maraming salamat sa pagsabay mo sa flow,
marami mang ebas ngunit, palagi namang may bitawโ€”bitaw na aral. Kaya lodi ka namin, no cap ๐Ÿงข

Sa bawat trip at kulitan, nandyan ka pa rin,
kahit magulo ang hood, ikaw ang nagba-balance sa amin. โš–๏ธ

Ngayong pang 34th kaarawan mo na๐ŸŽ‚, hiling namin ang more life for u, more blessings na tuloy-tuloy, walang stop, tuloy ang lapag.

Bago kami mag bounce, โ€˜๐˜ฅ๐˜ช ๐˜ฌ๐˜ข ๐˜ฏ๐˜ข๐˜ฎ๐˜ช๐˜ฏ ๐˜ฎ๐˜ข๐˜ญ๐˜ช๐˜ญ๐˜ช๐˜ฎ๐˜ถ๐˜ต๐˜ข๐˜ฏ ๐˜บ๐˜ข. ๐˜’๐˜ข๐˜ด๐˜ข๐˜ฎ๐˜ข ๐˜ฌ๐˜ข ๐˜ด๐˜ข ๐˜ฑ๐˜ข๐˜จ๐˜ญ๐˜ช๐˜ฑ๐˜ข๐˜ฅ ๐˜ฏ๐˜จ ๐˜ฆ๐˜ณ๐˜ฐ๐˜ฑ๐˜ญ๐˜ข๐˜ฏ๐˜ฐ. โœˆ๏ธ

๐—œ๐˜€๐—ฎ ๐—ธ๐—ฎ ๐˜€๐—ฎ ๐—ฎ๐—บ๐—ถ๐—ป๐—ด ๐—ฑ๐—ฎ๐˜† โ˜๏ธ, ๐—บ๐—ฎ๐˜๐˜€๐—ฎ๐—น๐—ผ๐˜ƒ๐—ฒ ๐˜€๐˜€๐—ผ๐—ฏ ๐˜๐—ฎ๐—น๐—ฎ๐—ด๐—ฎ ๐˜๐—ฎ๐—น๐—ฎ๐—ด๐—ฎ ๐—ธ๐—ฎ๐Ÿซก!





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18/01/2026

๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜๐—ฃ๐˜†๐˜๐—ต๐—ฎ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐˜€๐ŸŽฌโ€ฆ..
#๐Ÿน ๐š†๐šŽ ๐™ต๐šŽ๐šŽ๐š• ๐šŠ๐š—๐š ๐™ต๐šŠ๐š•๐š• ๐™ณ๐š˜๐š ๐š—

This film depicts a somewhat-realistic scenario of the usage of illegal drugs (such as co***ne, as found in the film), shows the legal way to handle a minor drug user (through DSWD), yet ends terrifyingly with the protagonist (Kirk) undergoing recividism (an act of leaving prison or not taking second chances and re-offending the law), which is concerning for the public, the parents, and the department itself, meaning that rehabilitation systems does not work always, but it's very rare.

Photos from TCSHS 8 - Pythagoras's post 18/01/2026

๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜๐—ฃ๐˜†๐˜๐—ต๐—ฎ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐˜€๐ŸŽฌโ€ฆ..
#๐Ÿน ๐š†๐šŽ ๐™ต๐šŽ๐šŽ๐š• ๐šŠ๐š—๐š ๐™ต๐šŠ๐š•๐š• ๐™ณ๐š˜๐š ๐š—

This film depicts a somewhat-realistic scenario of the usage of illegal drugs (such as co***ne, as found in the film), shows the legal way to handle a minor drug user (through DSWD), yet ends terrifyingly with the protagonist (Kirk) undergoing recividism (an act of leaving prison or not taking second chances and re-offending the law), which is concerning for the public, the parents, and the department itself, meaning that rehabilitation systems does not work always, but it's very rare.

DIRECTORS:
Aron Alexis Guimbuayan
Chris Larrey Peralta

WRITERS:
Aron Alexis Guimbuayan
Chris Larrey Peralta
Sean Soriano

CAST (in order of appearance):
S. Soriano as Charlie the Expeditioner
L. Peralta as Kirk
D. Campano as Aling Marites
N. Dacanay as Narrator
C. Pascual as Arthur
P. Malillin as Mario
A. Guimbuayan as Manong Gorio
S. Tappa as addict
L. Sion as Matured Kirk

๐—ช๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š:
This film is a work of fiction that contains sensitive themes including drug use, vices, and emotional distress which may be disturbing to some viewers. Viewer discretion is strongly advised.

The purpose of this film is educational and awareness-based. It does not promote, encourage, or glorify the use of illegal drugs, vices, or any unlawful behavior. All scenes were performed responsibly and safely.

All music used in this film is either original, royalty-free, or used with permission for educational purposes only. This project is a school-based performance task, and no copyright infringement is intended.

๐——๐—œ๐—ฆ๐—–๐—Ÿ๐—”๐—œ๐— ๐—˜๐—ฅ & ๐—ฃ๐—ฅ๐—ข๐—ฃ๐—ฆ ๐—ก๐—ข๐—ง๐—œ๐—–๐—˜:
All substances shown in this film are entirely simulated and used as props only. No real illegal drugs, alcohol, or prohibited substances were used during filming. Items such as salt and soft drinks were used solely for cinematic purposes.

This film is a Performance Task (PETA) created solely for academic purposes as part of the MAPEH subject.

This project was produced under the guidance of a teacher, and permission has been granted for its posting and sharing for educational purposes only.

Photos from TCSHS 8 - Pythagoras's post 18/01/2026

๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜๐—ฃ๐˜†๐˜๐—ต๐—ฎ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐˜€๐ŸŽฌโ€ฆ..
#๐Ÿธ ๐™ฟ๐š•๐šŠ๐šข ๐šƒ๐š‘๐šŠ๐š ๐™ฑ๐šŠ๐šŒ๐š”, ๐š‹๐šž๐š ๐™ฟ๐š•๐šŽ๐šŠ๐šœ๐šŽ ๐™ณ๐š˜๐š—๐š

A short film where in the quiet student named Alex, is pressured into a very risky situation thatโ€™s secretly recorded by her bullies and is used for blackmail. Trapped by fear and isolation, Alex finds support from her younger sibling, Jade, whose honesty and love spark a turning point. By asking for help, Alex breaks free from the cycle of peer pressure, showing that choosing support can lead to hope and healing.

Directed by: Adrienne Matic
Edited by: Sophia Barrera
Videographer: Maisie Bentero

Characters:
Rica Balubal as Alex
Mikhaila Espergal as Jade
Davyd Sigua as Bully 1
Mara Abogado as Bully 2
Sophia Barrera as Bully 3
Jefferson Addatu as the counsellor

๐—ช๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š:
This film is a work of fiction that contains sensitive themes including drug use, vices, and emotional distress which may be disturbing to some viewers. Viewer discretion is strongly advised.

The purpose of this film is educational and awareness-based. It does not promote, encourage, or glorify the use of illegal drugs, vices, or any unlawful behavior. All scenes were performed responsibly and safely.

All music used in this film is either original, royalty-free, or used with permission for educational purposes only. This project is a school-based performance task, and no copyright infringement is intended.

๐——๐—œ๐—ฆ๐—–๐—Ÿ๐—”๐—œ๐— ๐—˜๐—ฅ & ๐—ฃ๐—ฅ๐—ข๐—ฃ๐—ฆ ๐—ก๐—ข๐—ง๐—œ๐—–๐—˜:
All substances shown in this film are entirely simulated and used as props only. No real illegal drugs, alcohol, or prohibited substances were used during filming. Items such as salt and soft drinks were used solely for cinematic purposes.

This film is a Performance Task (PETA) created solely for academic purposes as part of the MAPEH subject.

This project was produced under the guidance of a teacher, and permission has been granted for its posting and sharing for educational purposes only.

Photos from TCSHS 8 - Pythagoras's post 18/01/2026

๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜๐—ฃ๐˜†๐˜๐—ต๐—ฎ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐˜€๐ŸŽฌโ€ฆ..
#๐Ÿท ๐™ฑ๐šž๐š•๐š˜๐š—๐š ๐š—๐š ๐™ป๐šž๐š•๐š˜๐š—๐š

Synopsis:
Isang masipag na photojournalist si โ€œJanineโ€ na sanay maging tagamasid at tagakuha ng litrato at ng mga kwento ng ibaโ€”hindi niya inakalang darating ang panahong siya mismo ang magiging sentro ng isang trahedyang hindi niya nais isulat. Sa likod ng kanyang mga kuhang larawan ay ang grupo ng mga kaibigang puno ng bisyo, mga taong pilit niyang inaakay palayo sa mga maling gawi ngunit bingi sa kanyang paalala.

Ayaw na ayaw ni โ€œJanineโ€ sa bisyo, ngunit habang tumatagal, unti-unting tumutubo ang kanyang pag-usisa na matagal na niyang iniiwasan. Nang dumating ang araw ng awarding at hindi siya napabilang sa mga nagwagi, nangibabaw ang sama ng loobโ€”isang apoy na hindi niya kayang pigilan. Sa paghahanap ng paraan para mailabas ang galit, nilapitan niya ang mga kaibigan at sumubok ng bisyo na dati niyang kinamumuhian.

Hindi niya alam, ang minsang paghabol sa sandaling ginhawa ay magiging pagkalunod sa sariling delubyo. Paunti-unti, ang bisyong itinakwil niya noon ay naging gawain na unti-unting kumakain sa kanyang pagkatao. At sa bawat bulong ng tukso, mas lalo siyang nalalayo sa sarili, sa pangarap, at sa kwentong dati niyang kinukunanโ€”ang kwentong may saysay.

DIRECTED AND PRODUCED BY
Prince Bis

CONCEPT BY
Braille Callueng

STARRING
Janine Castro
Braille Callueng
Yaj Pattaguan
Acezackel Gumabay
Rihanna Love Pagarigan
Sidiel Lingan
Gon Balais

CINEMATOGRAPHY BY
Prince Bis
Braille Callueng
Janine Castro
Gon Balais

๐—ช๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š:
This film is a work of fiction that contains sensitive themes including drug use, vices, and emotional distress which may be disturbing to some viewers. Viewer discretion is strongly advised.

The purpose of this film is educational and awareness-based. It does not promote, encourage, or glorify the use of illegal drugs, vices, or any unlawful behavior. All scenes were performed responsibly and safely.

All music used in this film is either original, royalty-free, or used with permission for educational purposes only. This project is a school-based performance task, and no copyright infringement is intended.

๐——๐—œ๐—ฆ๐—–๐—Ÿ๐—”๐—œ๐— ๐—˜๐—ฅ & ๐—ฃ๐—ฅ๐—ข๐—ฃ๐—ฆ ๐—ก๐—ข๐—ง๐—œ๐—–๐—˜:
All substances shown in this film are entirely simulated and used as props only. No real illegal drugs, alcohol, or prohibited substances were used during filming. Items such as salt and soft drinks were used solely for cinematic purposes.

This film is a Performance Task (PETA) created solely for academic purposes as part of the MAPEH subject.

This project was produced under the guidance of a teacher, and permission has been granted for its posting and sharing for educational purposes only.

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