15/12/2025
Confluence represents the coming together of distinct design voices into one shared space. This exhibit is a compilation of our individual apparel line developmentsโeach student presenting one prototype garment.
Catch our prototypes at the 2๐๐
๐ญ๐๐๐๐ ๐๐ ๐ช๐ฏ๐ฌ ๐ด๐ฉ and meet our diverse line of casualwear, activewear, and workwear garments! โ๏ธโจ๏ธ
๐๐ณ๐ฐ๐ฎ ๐๐ฆ๐ค๐ฆ๐ฎ๐ฃ๐ฆ๐ณ 15 ๐ต๐ฐ ๐๐ฆ๐ค๐ฆ๐ฎ๐ฃ๐ฆ๐ณ 19 ๐ฐ๐ฏ๐ญ๐บ!
This exhibit is for the CTech 124: Apparel Line Development, spearheaded by Sir Basil Malicsi.
Poster by: Rochelle Sandigan
12/12/2025
A heart for service and an eye for creativity.
Join us today as we continue Silid at Sinulid: Mga Sari-Saring Perspektibo ng Ginhawa sa Espasyo at Pananamit, presented by the Department of Clothing, Textiles, and Interior Design.
BSCT Research Colloquium โ Session 3
December 12, 2025
1:00 PM โ 5:00 PM
Be part of the conversation as our BS Clothing Technology students shed light on issues surrounding clothing, space, and human well-being. Your presence supports the creativity, research, and passion behind their work.
๐ Register here: https://bit.ly/SilidAtSinulid-BSCT-RegistrationForm
We look forward to seeing you!
17/09/2025
ICYMI: The CT girls serve in double denim
Did you know that denim is actually a weave, not a fabric?
Itโs made using a twill weave, a pattern of interlacing threads that creates its signature diagonal ribbing. Traditionally, denim is woven with cotton fibers, but sometimes polyester or elastane (spandex) is added for stretch and durability.
05/06/2025
To everyone who visited ๐ผ๐๐๐ง๐ง๐๐ฉ๐๐ค๐ฃ๐จ (๐๐๐๐), thank you for sharing this moment with us and engaging with our work. Your presence means the world.
If you havenโt seen it yet, the exhibit remains open to the public until August 2025. Come and experience the stories sewn through fashion by the students of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ2025).
Photos by
05/06/2025
Behind ๐ผ๐๐๐ง๐ง๐๐ฉ๐๐ค๐ฃ๐จ (๐๐๐๐) is the collective hard work, creativity, and dedication of the students of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ2025). All from concept to ex*****on, every detail was shaped through hands-on production and a shared drive to bring this vision to life. This exhibit would not have been possible without the support of our mentors, collaborators, sponsors, and the Jurado Study Collection of the UP CHE Department of Clothing, Textiles, and Interior Design. Thank you to everyone who stood beside us and behind us.
02/06/2025
opens tomorrow, ๐๐ฎ๐ง๐ ๐ ๐๐๐๐ (๐๐ฎ๐)! Hereโs what you need to know before coming to our exhibit.
๐ผ๐๐๐ง๐ง๐๐ฉ๐๐ค๐ฃ๐จ (๐๐๐๐) is the culminating fashion exhibit of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ2025) students, in collaboration with the Jurado Study Collection of the UP CHE Department of Clothing, Textiles and Interior Design.
Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.
02/06/2025
Culture does not stay still, it refracts, reshapes, and reimagines itself through time, through memory, through us.
๐ผ๐๐๐ง๐ง๐๐ฉ๐๐ค๐ฃ๐จ (๐๐๐๐) is the culminating fashion exhibit of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ2025) students, in collaboration with the Jurado Study Collection of the UP CHE Department of Clothing, Textiles and Interior Design.
While the saya is drawn from the museum archives, it is the baro that each student reinterpretsโshaped by personal histories, cultural fragments, and creative expression. But all ask: ๐ธ๐ฉ๐ข๐ต ๐ฅ๐ฐ๐ฆ๐ด ๐ช๐ต ๐ฎ๐ฆ๐ข๐ฏ ๐ต๐ฐ ๐ณ๐ฆ๐ฎ๐ฆ๐ฎ๐ฃ๐ฆ๐ณ ๐ต๐ฉ๐ณ๐ฐ๐ถ๐จ๐ฉ ๐ค๐ญ๐ฐ๐ต๐ฉ?
Join us on ๐๐ฎ๐ง๐ ๐, ๐๐๐๐ (๐๐ฎ๐) ๐๐ญ๐ก ๐
๐ฅ๐จ๐จ๐ซ ๐๐ฑ๐ก๐ข๐๐ข๐ญ ๐๐๐ฅ๐ฅ, ๐๐๐ ๐๐ฎ๐ฌ๐๐ฎ๐ฆ ๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐ , ๐๐ ๐๐ข๐ฅ๐ข๐ฆ๐๐ง.
Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.
29/05/2025
๐๐ข๐ฅ ๐๐๐ฅ, ๐๐ข๐ฅ ๐๐๐ ?
A question raised during a class discussion concerned with why the baroโt saya has not been incorporated into menswear, prompted the designer to reimagine what a baro could be like if it were for a male wearerโthis decision serving as an attempt to challenge the binaries that are often associated with certain clothing pieces.
Similar to how light refracts and reveals hidden spectrums, I, Oren Leonida, together with other students, have infused our unique stories and identities into each baro piece, paired with a saya drawn from the ๐ฝ๐ข๐๐๐๐ ๐๐ก๐ข๐๐ฆ ๐ถ๐๐๐๐๐๐ก๐๐๐.
Join us on the opening of ๐ผ๐๐๐ง๐ง๐๐ฉ๐๐ค๐ฃ๐จ (๐๐๐๐), this ๐๐ฎ๐ง๐ ๐, ๐๐๐๐ (๐๐ฎ๐) ๐๐ญ๐ก ๐
๐ฅ๐จ๐จ๐ซ ๐๐ฑ๐ก๐ข๐๐ข๐ญ ๐๐๐ฅ๐ฅ, ๐๐๐ ๐๐ฎ๐ฌ๐๐ฎ๐ฆ ๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐ , ๐๐ ๐๐ข๐ฅ๐ข๐ฆ๐๐ง.
Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.