BS Clothing Technology Batch 2027

BS Clothing Technology Batch 2027

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15/12/2025

Confluence represents the coming together of distinct design voices into one shared space. This exhibit is a compilation of our individual apparel line developmentsโ€”each student presenting one prototype garment.

Catch our prototypes at the 2๐’๐’… ๐‘ญ๐’๐’๐’๐’“ ๐’๐’‡ ๐‘ช๐‘ฏ๐‘ฌ ๐‘ด๐‘ฉ and meet our diverse line of casualwear, activewear, and workwear garments! โœ‚๏ธโœจ๏ธ

๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜‹๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 15 ๐˜ต๐˜ฐ ๐˜‹๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 19 ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ!

This exhibit is for the CTech 124: Apparel Line Development, spearheaded by Sir Basil Malicsi.

Poster by: Rochelle Sandigan

Photos from BS Clothing Technology Batch 2027's post 12/12/2025

A heart for service and an eye for creativity.

Join us today as we continue Silid at Sinulid: Mga Sari-Saring Perspektibo ng Ginhawa sa Espasyo at Pananamit, presented by the Department of Clothing, Textiles, and Interior Design.

BSCT Research Colloquium โ€“ Session 3
December 12, 2025
1:00 PM โ€“ 5:00 PM

Be part of the conversation as our BS Clothing Technology students shed light on issues surrounding clothing, space, and human well-being. Your presence supports the creativity, research, and passion behind their work.

๐Ÿ”— Register here: https://bit.ly/SilidAtSinulid-BSCT-RegistrationForm

We look forward to seeing you!

Photos from DOST - PTRI's post 10/10/2025
Photos from BS Clothing Technology Batch 2027's post 17/09/2025

ICYMI: The CT girls serve in double denim

Did you know that denim is actually a weave, not a fabric?

Itโ€™s made using a twill weave, a pattern of interlacing threads that creates its signature diagonal ribbing. Traditionally, denim is woven with cotton fibers, but sometimes polyester or elastane (spandex) is added for stretch and durability.

Photos from BS Clothing Technology Batch 2027's post 05/06/2025

To everyone who visited ๐˜ผ๐™—๐™š๐™ง๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“), thank you for sharing this moment with us and engaging with our work. Your presence means the world.

If you havenโ€™t seen it yet, the exhibit remains open to the public until August 2025. Come and experience the stories sewn through fashion by the students of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ€“2025).

Photos by

05/06/2025

Behind ๐˜ผ๐™—๐™š๐™ง๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“) is the collective hard work, creativity, and dedication of the students of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ€“2025). All from concept to ex*****on, every detail was shaped through hands-on production and a shared drive to bring this vision to life. This exhibit would not have been possible without the support of our mentors, collaborators, sponsors, and the Jurado Study Collection of the UP CHE Department of Clothing, Textiles, and Interior Design. Thank you to everyone who stood beside us and behind us.

Photos from BS Clothing Technology Batch 2027's post 02/06/2025

opens tomorrow, ๐‰๐ฎ๐ง๐ž ๐Ÿ‘ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ (๐“๐ฎ๐ž)! Hereโ€™s what you need to know before coming to our exhibit.

๐˜ผ๐™—๐™š๐™ง๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“) is the culminating fashion exhibit of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ€“2025) students, in collaboration with the Jurado Study Collection of the UP CHE Department of Clothing, Textiles and Interior Design.

Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.

02/06/2025

Culture does not stay still, it refracts, reshapes, and reimagines itself through time, through memory, through us.

๐˜ผ๐™—๐™š๐™ง๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“) is the culminating fashion exhibit of CTech 41: Philippine Clothing and Textile (A.Y. 2024โ€“2025) students, in collaboration with the Jurado Study Collection of the UP CHE Department of Clothing, Textiles and Interior Design.

While the saya is drawn from the museum archives, it is the baro that each student reinterpretsโ€”shaped by personal histories, cultural fragments, and creative expression. But all ask: ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ช๐˜ต ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ค๐˜ญ๐˜ฐ๐˜ต๐˜ฉ?

Join us on ๐‰๐ฎ๐ง๐ž ๐Ÿ‘, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ (๐“๐ฎ๐ž) ๐Ÿ’๐ญ๐ก ๐…๐ฅ๐จ๐จ๐ซ ๐„๐ฑ๐ก๐ข๐›๐ข๐ญ ๐‡๐š๐ฅ๐ฅ, ๐‚๐‡๐„ ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐ , ๐”๐ ๐ƒ๐ข๐ฅ๐ข๐ฆ๐š๐ง.

Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.

Photos from BS Clothing Technology Batch 2027's post 29/05/2025

๐—™๐—ข๐—ฅ ๐—›๐—˜๐—ฅ, ๐—™๐—ข๐—ฅ ๐—›๐—œ๐— ?
A question raised during a class discussion concerned with why the baroโ€™t saya has not been incorporated into menswear, prompted the designer to reimagine what a baro could be like if it were for a male wearerโ€”this decision serving as an attempt to challenge the binaries that are often associated with certain clothing pieces.

Similar to how light refracts and reveals hidden spectrums, I, Oren Leonida, together with other students, have infused our unique stories and identities into each baro piece, paired with a saya drawn from the ๐ฝ๐‘ข๐‘Ÿ๐‘Ž๐‘‘๐‘œ ๐‘†๐‘ก๐‘ข๐‘‘๐‘ฆ ๐ถ๐‘œ๐‘™๐‘™๐‘’๐‘๐‘ก๐‘–๐‘œ๐‘›.

Join us on the opening of ๐˜ผ๐™—๐™š๐™ง๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“), this ๐‰๐ฎ๐ง๐ž ๐Ÿ‘, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ (๐“๐ฎ๐ž) ๐Ÿ’๐ญ๐ก ๐…๐ฅ๐จ๐จ๐ซ ๐„๐ฑ๐ก๐ข๐›๐ข๐ญ ๐‡๐š๐ฅ๐ฅ, ๐‚๐‡๐„ ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐ , ๐”๐ ๐ƒ๐ข๐ฅ๐ข๐ฆ๐š๐ง.

Special thanks to the UP Diliman Office for Initiatives in Culture and the Arts.

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