24/08/2026
๐ฌ PANEL SESSION 4C
Gendered care, motherhood, and emotional labor
๐๏ธ Sep 5 (Day 2) | ๐ Saturday, 09:30โ11:00 | ๐ PH 207
๐ To view the abstracts and register, please go to damaresearch.org.
๐ Malungkot o masaya?: Unpacking the complex emotions felt by middle-class working mothers in Metro Manila
๐ค Ileana U. Cabochan
๐๏ธ Department of Anthropology, University of the Philippines Diliman
Conversations with six middle-class working mothers in Metro Manila has led me to understand the body as a contested site where gender, power, and labor converge and manifest in a complex mix of emotional, physical, and mental dispositions. In their experience of motherhood, joy and sadness coexist. Using the body as the main site of my inquiry, I ask, what brings pain and sadness to something they also consider to be joyful? The framework of the double burden of women as an embodied experience gives insight into this. As they juggle productive and reproductive labor, they claim to have felt sadness (โlugmok,โ โlungkotโ), a lack of self-worth, and exhaustion. These feelings are embodied as they are not contained or isolated from the rest of the person, but manifest on the body as physical pains. In this embodied view, emotional pains compound and intersect with mental and physical pains as mothers negotiate between ideas of a moral mother and personal fulfillment. Noting that these feelings are socially, politically, and economically induced, our conversations ended with discussing how the joy of motherhood could be increased while the pains are decreased.
๐ Pero paano naman ako?: A thematic analysis of emotional labor among self-sacrificing Filipino women in Philippine popular film
๐ค Leisel J. Soon
๐๏ธ College of Media and Communication, University of the Philippines Diliman
โI have to go there for us, for our familyโs future,โ (Garcia-Sampana, 2013). โI love you all, pero โฆ paano naman ako?โ (Garcia-Sampana, 2019) Joy Marie Fabregas from Hello, Love, Goodbye (2019) and Bobbie Salazar from Four Sisters and A Wedding (2013) are just some of the many portrayals of a hardworking woman that dedicates their labor to their family. These portrayals depict the struggles of Filipinas who were forced to invest emotionally and physically for the sake of survival in the country, oftentimes finding work abroad for a better chance of a decent pay (Parreรฑas, 2001). Despite its normalcy in a Filipino labor landscape, it is rarely examined through the lens of gendered emotion norms. Thus, the question, what emotional scripts of local womanhood and its relation to self-sacrificing practices are reflected in Filipino popular films?
By using Hochschildโs Emotional Labor thesis (1983) and Brody & Hallโs Gendered Emotion (2008) as the psychological and sociological framework, this paper aims to examine the values and rationale emerging from local films that represent the phenomenon of working women and its importance to recognizing gendered emotions in a local setting.
Through Braun & Clarkeโs Thematic Analysis (2021), this paper determines the themes found in the film textsโdialogue, scenes, and narrative and cultural structureโand examine existing emotional norms, as well as as well as the gendered burden placed on women expected to hold families together in a conservative and patriarchal society. This paper aims to contribute to the narrative of being matibay in a Filipino household, the presence and absence of recognition afforded to the sibling expected to keep the family intact, and what it costs to be the one who is expected to emotionally and physically bear it.
๐ Walang iskwater sa sariling bayan: Emotional landscapes of relocation, gendered care, and community organizing
๐ค Ghemarie C. Labsan
๐๏ธ University of the Philippines Diliman
This study examines the dominant emotions within a relocation community in San Jose del Monte Heights, East Muzon, Bulacan, in the context of the ongoing mass campaign for the National Housing Authority (NHA) Charter Amendment and Total Condonation. Situated within the broader struggle for housing rights and the right to the city, it explores how emotions are experienced, shared, and mobilized in everyday community life and how these shape participation in community organizing and collective action.
The study draws from feminist theories of emotion, emotional labor, social reproduction, and collective action. It understands emotions not as individual psychological states but as social, relational, and political forces that emerge from lived experiences of displacement, precarity, care, and resistance. Particular attention is given to how emotions circulate within communities and influence organizing processes, participation, and collective commitment.
Using a participatory ethnographic approach informed by Ethnography and Participatory Action Research (PAR), the researcher engaged as an undergraduate fieldwork student and participant in the daily life of the community. Data were generated through participant observation, informal conversations, shared everyday activities, field notes, and weekly reflexive journaling.
Findings reveal that emotions within the relocation site are fluid, layered, and collectively produced. Experiences of fatigue, uncertainty, frustration, anxiety, and grief coexist with solidarity, humor, care, and hope. These emotional dynamics shape both participation in organizing and the communityโs capacity to sustain collective struggle. The study further finds that emotional labor is highly gendered and feminized, with women, particularly mothers, playing central roles in caring for others, managing distress, sustaining social bonds, and maintaining collective responsibility within the campaign.
The study contributes to community development and organizing scholarship by foregrounding emotions as central to grassroots political action. It argues that collective emotions are not merely responses to structural conditions but are active forces that enable communities to endure, organize, and pursue social transformation.