USeP Handurawan

USeP Handurawan HANDURAWAN is an Academic Organization from Bachelor of Arts in Literature and Cultural Studies USeP.

USeP-Handurawan is the official academic organization of the Bachelor of Arts in Literature and Cultural Studies from the College of Arts in Sciences at the University of Southeastern Philippines. It is founded with the aim to showcase and represent the students of BALCS.

[๐‚๐Ž๐๐†๐‘๐€๐“๐”๐‹๐€๐“๐ˆ๐Ž๐๐’!] "It always seems impossible until it's done." โ€”Nelson MandelaWe stand together and applaud ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐...
24/09/2026

[๐‚๐Ž๐๐†๐‘๐€๐“๐”๐‹๐€๐“๐ˆ๐Ž๐๐’!] "It always seems impossible until it's done." โ€”Nelson Mandela

We stand together and applaud ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐'s cream of the crop, 2026 graduates, Batch ๐‡๐š๐ซ๐ข๐ง๐š๐ฐ๐š. You carried hope in each step you took, just as how your batch name is defined by. Countless obstacles may dim that hope, but still you persevered. Now, take a moment and look where that credence has taken you: at the peak of success and completion.

Though each of you may walk different paths once you step beyond the gates of this institution, the warmth, insights, and moments you have shared with us will remain forever etched in our hearts.

To our honorable ๐‡๐š๐ซ๐ข๐ง๐š๐ฐ๐š seniors, your competence, commitment, and passion have carved a lasting mark on the community you helped build. You gave your all in service, led with honor, and inspired us through your grounding strength. We are beyond thankful for the selflessness in pouring your time, energy, and wisdom into us.

As you close this chapter of your lives, may the hope you illuminate through brilliant ideas and unwavering persistence resonate in every life you have touched, and may your light continue to shine wherever life takes you.

We see you, and our pride in you knows no bounds. Once again, congratulations, ๐๐š๐ญ๐œ๐ก ๐‡๐š๐ซ๐ข๐ง๐š๐ฐ๐š!

๐‘ณ๐’‚๐’ˆ๐’Š'๐’• ๐’๐’‚๐’ˆ๐’Š ๐‘ท๐’‚๐’“๐’‚ ๐’”๐’‚ ๐‘บ๐’Š๐’๐’Š๐’๐’ˆ, ๐‘ณ๐’Š๐’•๐’†๐’“๐’‚๐’•๐’–๐’“๐’‚, ๐’‚๐’• ๐‘ฒ๐’–๐’๐’•๐’–๐’“๐’‚! ๐ŸคŽ






A single voice, a bare stage and a spine-chilling narrative evocative enough to make an entire room listen.At the Colleg...
17/09/2026

A single voice, a bare stage and a spine-chilling narrative evocative enough to make an entire room listen.

At the College of Education AVR, the University of Southeastern Philippinesโ€™ Buwan ng Wika celebration became a stage where Filipino language met art, imagination, and the growing presence of artificial intelligence under the theme โ€œ๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!โ€ In a time where automation can generate a monologue. Shemaiah Keisha Gayog had to embody one through performance.

Claiming the stage, ๐’๐ก๐ž๐ฆ๐š๐ข๐š๐ก got the audience at the edge of their seats in the ๐ƒ๐ซ๐š๐ฆ๐š๐ญ๐ข๐œ ๐Œ๐จ๐ง๐จ๐ฅ๐จ๐ ๐ฎ๐ž segment, clinching the title of ๐…๐ˆ๐‘๐’๐“ ๐‘๐”๐๐๐„๐‘-๐”๐. Alone, she carried the full gravity of the chilling tale, turning the stage into Aling Inesโ€™ world, the main character feared as an aswang, yet revealed to be something far more haunting, she was a woman confronting the consequences of her own creations.

From the disturbing opening cries of โ€œSaklolo! Saklolo! Aswang! May aswang sa gubat!โ€ to the eerie repetition of โ€œKain lang ng kain,โ€ Gayog established a world where art, creation, and humanity slowly clashed. The characterโ€™s mastery of art โ€œSi Aling Ines napakadalubhasa rin sa mundo ng siningโ€ eventually took a grimmer turn as her own creations began to turn against their creator. She took the audience through a dramatic emotional roller coaster without a single co-actor.

Bravo for ๐’๐ก๐ž๐ฆ๐š๐ข๐š๐ก ๐Š๐ž๐ข๐ฌ๐ก๐š ๐†๐š๐ฒ๐จ๐ , thank you for guarding the vital pulse of our shared expression.

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






๐’๐š ๐ฆ๐ฎ๐ง๐๐จ ๐ง๐  ๐ญ๐ž๐ค๐ง๐จ๐ฅ๐จ๐ก๐ข๐ฒ๐š,๐“๐ข๐ฅ๐šโ€™๐ฒ ๐ง๐š๐ฐ๐š๐ฅ๐š ๐ง๐š ๐š๐ง๐  ๐ฌ๐ข๐ง๐ข๐ง๐  ๐š๐ญ ๐ข๐๐ž๐ฒ๐š.๐Œ๐š๐ญ๐š๐ญ๐š๐ฐ๐š๐  ๐›๐š ๐ข๐ญ๐จ๐ง๐  ๐ฌ๐ข๐ง๐ข๐ง๐ ๐ค๐ฎ๐ง๐  ๐š๐ง๐  ๐ ๐š๐ฐ๐š ๐š๐ฒ ๐ก๐ข๐ง๐๐ข๐†๐š๐ฅ๐ข๐ง๐  ๐ฌ๐š ๐๐š...
17/09/2026

๐’๐š ๐ฆ๐ฎ๐ง๐๐จ ๐ง๐  ๐ญ๐ž๐ค๐ง๐จ๐ฅ๐จ๐ก๐ข๐ฒ๐š,
๐“๐ข๐ฅ๐šโ€™๐ฒ ๐ง๐š๐ฐ๐š๐ฅ๐š ๐ง๐š ๐š๐ง๐  ๐ฌ๐ข๐ง๐ข๐ง๐  ๐š๐ญ ๐ข๐๐ž๐ฒ๐š.
๐Œ๐š๐ญ๐š๐ญ๐š๐ฐ๐š๐  ๐›๐š ๐ข๐ญ๐จ๐ง๐  ๐ฌ๐ข๐ง๐ข๐ง๐ 
๐ค๐ฎ๐ง๐  ๐š๐ง๐  ๐ ๐š๐ฐ๐š ๐š๐ฒ ๐ก๐ข๐ง๐๐ข
๐†๐š๐ฅ๐ข๐ง๐  ๐ฌ๐š ๐๐š๐ฆ๐๐š๐ฆ๐ข๐ง?

BALCS first-year student ๐€๐ง๐ ๐ž๐ฅ๐ข๐œ๐š ๐˜๐ฎ๐ญ๐ซ๐š๐ ๐จ ๐ƒ๐š๐ง๐ญ๐ž๐ฌ proudly represented the ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž ๐จ๐Ÿ ๐€๐ซ๐ญ๐ฌ ๐š๐ง๐ ๐’๐œ๐ข๐ž๐ง๐œ๐ž๐ฌ in the ๐ƒ๐ž๐ค๐ฅ๐š๐ฆ๐š๐ฌ๐ฒ๐จ๐ง contest during the University of Southeastern Philippinesโ€™ Buwan ng Wika celebration, with the theme: "๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!".

Performing the piece that she wrote titled โ€œ๐€๐ง๐  ๐“๐ฎ๐ง๐š๐ฒ ๐ง๐š ๐’๐ข๐ง๐ข๐ง๐ โ€, Dantes declamation showed about how AI is slowly replacing student creativity and talent in writing. Through her declamation, she showed how we often let technology control us, making us forget our own skills in writing. As her piece stated: โ€œ๐ƒ๐š๐ก๐ข๐ฅ ๐š๐ง๐  ๐š๐ซ๐ญ๐ข๐ฉ๐ข๐ฌ๐ฒ๐š๐ฅ ๐ง๐š ๐ฆ๐ž๐ค๐š๐ง๐ข๐ฌ๐ฆ๐จ ๐š๐ฒ ๐ ๐ข๐ง๐š๐ฐ๐š ๐ฉ๐š๐ซ๐š ๐ญ๐ฎ๐ฆ๐ฎ๐ฅ๐จ๐ง๐ , ๐ก๐ข๐ง๐๐ข ๐ฎ๐ฉ๐š๐ง๐  ๐ญ๐š๐ฒ๐จ ๐š๐ฒ ๐ ๐š๐ฐ๐ข๐ง๐  ๐›๐ข๐ฅ๐š๐ง๐ ๐ ๐จ, ๐ฌ๐š ๐ฌ๐š๐ซ๐ข๐ฅ๐ข ๐ง๐š๐ญ๐ข๐ง๐  ๐ญ๐ž๐ค๐ง๐จ๐ฅ๐จ๐ก๐ข๐ฒ๐š ๐š๐ญ ๐ฌ๐ข๐ฅ๐จ๐ง๐ โ€. She reminded everyone that AI is meant to help us, not to be abused or replace our own hands, creativity and voices in making an art. โ€˜nasaan na ang sining?'

Declamation allows students to express their feelings and emotions. It gives students a voice to raise awareness about real-world issues through writing and creating art.

Despite feeling nervous as a first year student joining a contest, Dantes still gave an amazing performance on stage. Her successful show was guided by her coach, Sir ๐Š๐ž๐ง๐ง๐ž๐ญ๐ก ๐’๐ฎ๐ฆ๐š๐ญ๐ซ๐š, with full support of her classmates and the ๐‚๐จ๐ฅ๐ฅ๐ž๐ ๐ž ๐จ๐Ÿ ๐€๐ซ๐ญ๐ฌ ๐š๐ง๐ ๐’๐œ๐ข๐ž๐ง๐œ๐ž๐ฌ ๐Ÿ’š๐Ÿฆ…Community. A warm shoutout also goes to ๐‚๐š๐ง๐๐ข๐œ๐ž ๐™๐จ๐ข๐ž ๐“๐จ๐ซ๐ซ๐ž๐ฌ for lending the Filipiana that she wore on stage! Her performance reminded us all that a true art needs both heart and mind. No one can replace the creativity and intelligence of a person. โ€˜ang tunay na sining ay nasa kamay ng tao.'

Congratulations to Dantes and to all participants for giving their best effort in buwan ng wika, ๐†๐š๐ก๐จ๐ญ ๐ฆ๐จ ๐š๐ฒ!

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






๐๐€๐‹๐‚๐’' ๐Ÿ๐ข๐ซ๐ฌ๐ญ-๐ฒ๐ž๐š๐ซ ๐š๐ง๐ ๐ญ๐ก๐ข๐ซ๐-๐ฒ๐ž๐š๐ซ ๐ฌ๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ brought home the title of ๐‚๐‡๐€๐Œ๐๐ˆ๐Ž๐๐’ for CASBALCS' batch ๐’๐ข๐ง๐š๐ ๐ญ๐š๐ฅ๐š ๐š๐ง๐ ๐Š๐ข๐ง๐š๐š๐๐ฆ๐š...
17/09/2026

๐๐€๐‹๐‚๐’' ๐Ÿ๐ข๐ซ๐ฌ๐ญ-๐ฒ๐ž๐š๐ซ ๐š๐ง๐ ๐ญ๐ก๐ข๐ซ๐-๐ฒ๐ž๐š๐ซ ๐ฌ๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ brought home the title of ๐‚๐‡๐€๐Œ๐๐ˆ๐Ž๐๐’ for CAS

BALCS' batch ๐’๐ข๐ง๐š๐ ๐ญ๐š๐ฅ๐š ๐š๐ง๐ ๐Š๐ข๐ง๐š๐š๐๐ฆ๐š๐ง participated in the ๐’๐ก๐จ๐ซ๐ญ ๐š๐ง๐ ๐’๐ฐ๐ž๐ž๐ญ ๐๐ฅ๐š๐ฒ (๐Œ๐ฎ๐ฌ๐ข๐œ๐š๐ฅ) event of the University of Southeastern Philippines' Buwan ng Wika themed: "๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!"

The team was composed of BALCS students led by third-year ๐Œ๐š๐œ๐ค๐ฒ ๐€๐ณ๐ซ๐ข๐ž๐ฅ ๐๐š๐ฎ๐ฅ who played the character of Datu Barom-mai, together with the first-years ๐ˆ๐ณ๐ž๐ง๐ง๐ž ๐Œ๐š๐ซ๐ข๐ž ๐‹๐จ๐ฆ๐จ๐œ๐ฌ๐จ as Hangin-bai, ๐“๐ข๐ง๐š ๐€๐ฅ๐ญ๐ก๐ž๐š ๐Œ๐จ๐ซ๐š๐ฅ๐ž๐ฌ as Diwata sa Kakahoyan, ๐’๐ก๐ข๐ž๐ฅ๐š ๐Œ๐š๐ž ๐‚๐š๐ญ๐ข๐ฉ๐š๐ฒ as the sound operator, with ๐Œ๐š๐ซ๐ฒ ๐‘๐š๐œ๐ก๐ž๐ฅ ๐Œ๐จ๐ง๐๐ž๐ฃ๐š๐ซ ๐š๐ง๐ ๐Œ๐š๐ซ๐ฒ ๐Œ๐ž๐จ๐ง๐ฒ ๐๐จ๐ฅ๐š๐ฌ๐ญ๐ข๐  as their production team.

The team owed the success of bringing the characters to life through ๐ฆ๐š๐ค๐ž๐ฎ๐ฉ and ๐ก๐š๐ข๐ซ๐ฌ๐ญ๐ฒ๐ฅ๐ข๐ง๐  to the ๐ž๐ฏ๐ž๐ซ-๐ฌ๐ฎ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ข๐ฏ๐ž ๐ฌ๐ž๐œ๐จ๐ง๐-๐ฒ๐ž๐š๐ซ๐ฌ who volunteered themselves to help the participants in achieving their looks.

The team was also grateful for the help they received from two more students who came from different programs. The two filled in the roles and gave justice to the characters, with ๐๐ž๐ณ๐ž๐ฅ ๐€๐ง๐ง ๐•๐ข๐ฅ๐ฅ๐š๐ž๐ฌ๐ญ๐ž๐ซ ๐“๐ž๐ž as Madayaw Bayho, and ๐‰๐ž๐ฌ๐ซ๐ฒ๐ฅ ๐™๐š๐›๐š๐ญ๐ž as Ermitanyo.

With a short amount of time to prepare and rehearse, even with last minute changes to the guidelines, the team still persevered. Taking the characters to heart and memorizing each line of the spoken and sung dialogues.

Together, the ensemble took on the stage and dominated their competition, performing the musical piece titled "๐ƒ๐ฎ๐ซ๐ข๐š๐ง ๐‹๐ž๐ ๐ž๐ง๐: ๐‘๐ž๐ข๐ง๐ญ๐ž๐ซ๐ฉ๐ซ๐ž๐ญ๐š๐ญ๐ข๐จ๐ง" adapting and reinterpreting the musical piece their alums have created and performed.

Their performance showcased the importance of family and the lengths a man would go to for his beloved. Datu Barom-mai's journey across the land just to find Madayaw Bayho reflected the theme regarding '๐Ÿ๐š๐ฆ๐ข๐ฅ๐ฒ ๐ฏ๐š๐ฅ๐ฎ๐ž๐ฌ.' The team took on their roles with conviction and portrayed the characters passionately and with grace, producing ๐ญ๐ก๐ž ๐ฆ๐จ๐ฌ๐ญ ๐ž๐ง๐œ๐ก๐š๐ง๐ญ๐ข๐ง๐  ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐š๐ง๐œ๐ž ever held on stage.

Congratulations to the team and all the other participants for showcasing the importance of the '๐š๐ซ๐ญ๐ฌ', not just in the College of Arts and Sciencesโ€” but for the entire university!

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






BALCS' ๐ฌ๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ brought home another title as ๐‚๐‡๐€๐Œ๐๐ˆ๐Ž๐๐’ for CASBALCS' batch ๐’๐ข๐ง๐š๐ ๐ญ๐š๐ฅ๐š ๐š๐ง๐ ๐Š๐ข๐ง๐š๐š๐๐ฆ๐š๐ง participated in the ...
17/09/2026

BALCS' ๐ฌ๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ brought home another title as ๐‚๐‡๐€๐Œ๐๐ˆ๐Ž๐๐’ for CAS

BALCS' batch ๐’๐ข๐ง๐š๐ ๐ญ๐š๐ฅ๐š ๐š๐ง๐ ๐Š๐ข๐ง๐š๐š๐๐ฆ๐š๐ง participated in the ๐‚๐จ๐ง๐ญ๐ž๐ฆ๐ฉ๐จ๐ซ๐š๐ซ๐ฒ ๐ƒ๐š๐ง๐œ๐ž (๐Ž๐ฉ๐ž๐ง ๐‚๐š๐ญ๐ž๐ ๐จ๐ซ๐ฒ) event of the University of Southeastern Philippines' Buwan ng Wika celebration themed: "๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!"

The 9-member dance troupe was composed of BALCS students with third-year ๐‘๐ก๐จ๐ง ๐‰๐ฎ๐ฌ๐ญ๐ข๐ง๐ž ๐’๐š๐ฆ๐จ๐๐š๐ฅ as their leader and choreographer, alongside the first-years ๐Š๐ก๐ž๐ซ๐›๐ฒ ๐‰๐š๐ฒ๐ฅ๐จ ๐’๐š๐ฅ๐ฆ๐จ๐ซ๐ข๐ง, ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐จ๐ฉ๐ก๐ž๐ซ ๐‰๐จ๐ก๐ง ๐“๐š๐ฆ๐ฉ๐จ๐ง, ๐ƒ๐š๐ฅ๐ข๐š ๐€๐ฅ๐ค๐ฎ๐ข๐ง๐จ, ๐’๐ก๐ž๐ซ๐ฐ๐ž๐ฅ ๐‹๐ก๐ข๐š๐ง ๐€๐ฒ๐ฎ๐›๐š๐ง, ๐„๐ฆ๐ž๐ฅ๐ฒ ๐Œ๐จ๐ง๐ญ๐ž๐ซ๐จ๐ฅ๐š, ๐๐ข๐œ๐จ๐ฅ๐ž ๐๐š๐ ๐š๐ฌ๐ข๐ฃ๐š๐ง, ๐Œ๐ข๐ž๐ฅ๐›๐ž๐ฏ ๐‰๐ฒ๐ง๐ž ๐’๐ฎ๐ข๐œ๐จ, ๐š๐ง๐ ๐€๐ญ๐ก๐ž๐ง๐š ๐Œ๐š๐ซ๐ญ๐ก๐š ๐•๐ž๐ซ๐ฌ๐จ๐ณ๐š.

The group performed their hearts out and dominated the competition with their choreography. The songs '๐Š๐š๐ฅ๐จ๐ฒ' and '๐Ÿ๐Ÿ‘๐Ÿ๐Ÿ—' from the band '๐ƒ๐ข๐ฅ๐š๐ฐ' served not just as the music they danced to, but also as the inspiration for their ๐˜๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜-๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ.

The choreography effectively reflected the controversies surrounding the country's current state. Calling themselves "๐Š๐š๐ฅ๐จ๐ฒ๐ฌ", the dance troupe was able to embody the character of Kaloyโ€” an ordinary citizen plagued with unending suffering from the poverty and injustice happening in the countryโ€” evoking the inner rage and despair of the hundreds who watched them perform.

Congratulations to the team for bringing home another ๐œ๐ก๐š๐ฆ๐ฉ๐ข๐จ๐ง๐ฌ๐ก๐ข๐ฉ win, not just for BALCSโ€” but for the entire College of Arts and Sciences!

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






BALCS' ๐†๐š๐ซ๐ฏ๐ข๐ง ๐๐š๐ฅ๐ข๐œ๐ฎ๐š๐ญ participated in the ๐๐š๐ ๐ค๐ฎ๐ค๐ฎ๐ฐ๐ž๐ง๐ญ๐จ segment of the University of Southeastern Philippines' Buwan ng ...
17/09/2026

BALCS' ๐†๐š๐ซ๐ฏ๐ข๐ง ๐๐š๐ฅ๐ข๐œ๐ฎ๐š๐ญ participated in the ๐๐š๐ ๐ค๐ฎ๐ค๐ฎ๐ฐ๐ž๐ง๐ญ๐จ segment of the University of Southeastern Philippines' Buwan ng Wika celebration themed: "๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!" Materializing the University's collective will to appreciate the Filipino language in all its forms and mediums, the College of Education invited their fellow students to show their own adoration for the national, cultural language through diverse competitions and presentations that elicited pride and marvel. Balicuat of BALCS-2 Dagitab took the stage of literature and arts through sharing a story that enveloped the audience with a world pouring with Filipino culture, and the local language that founded its essence.

Pagkukuwento was an opportunity for a creative star to showcase an imaginative nod to a language that has lasted history, societies, and national understanding. It's an art that stays alive to witness and tell the Filipino people's belonging, an essential to share with today's progressive present and the future nation-building to come.

Congratulations, Balicuat and all the other participants with the effort for immortalizing the local tongue!

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






๐ƒ๐จ๐ž๐ฌ ๐ญ๐ž๐œ๐ก๐ง๐จ๐ฅ๐จ๐ ๐ฒ ๐ก๐จ๐ฅ๐ ๐ญ๐ก๐ž ๐š๐ฎ๐ญ๐ก๐จ๐ซ๐ข๐ญ๐ฒ ๐ญ๐จ ๐ญ๐ซ๐š๐ง๐ฌ๐ฅ๐š๐ญ๐ž ๐ญ๐ก๐ž ๐š๐ง๐š๐ญ๐จ๐ฆ๐ฒ ๐จ๐Ÿ ๐ฏ๐ฎ๐ฅ๐ง๐ž๐ซ๐š๐›๐ข๐ฅ๐ข๐ญ๐ฒ? This question came alive at the College of...
17/09/2026

๐ƒ๐จ๐ž๐ฌ ๐ญ๐ž๐œ๐ก๐ง๐จ๐ฅ๐จ๐ ๐ฒ ๐ก๐จ๐ฅ๐ ๐ญ๐ก๐ž ๐š๐ฎ๐ญ๐ก๐จ๐ซ๐ข๐ญ๐ฒ ๐ญ๐จ ๐ญ๐ซ๐š๐ง๐ฌ๐ฅ๐š๐ญ๐ž ๐ญ๐ก๐ž ๐š๐ง๐š๐ญ๐จ๐ฆ๐ฒ ๐จ๐Ÿ ๐ฏ๐ฎ๐ฅ๐ง๐ž๐ซ๐š๐›๐ข๐ฅ๐ข๐ญ๐ฒ?

This question came alive at the College of Education grounds during the University of Southeastern Philippinesโ€™ Buwan ng Wika celebration by exploring the intersection of language, technology, and human expression under the theme โ€œ๐–๐ข๐ค๐š๐ง๐  ๐…๐ข๐ฅ๐ข๐ฉ๐ข๐ง๐จ ๐š๐ญ ๐€๐ˆ: ๐Š๐š๐ฌ๐š๐ง๐ ๐ค๐š๐ฉ๐š๐ง ๐ฌ๐š ๐๐š๐ง๐š๐ง๐š๐ฅ๐ข๐ค๐ฌ๐ข๐ค ๐š๐ญ ๐“๐ฎ๐ฅ๐š๐ฒ ๐ฌ๐š ๐˜๐š๐ฆ๐š๐ง ๐ง๐  ๐ˆ๐ฆ๐ฉ๐จ๐ซ๐ฆ๐š๐ฌ๐ฒ๐จ๐ง!โ€, the university community gathered to honor the national language through extraordinary visual and performance arts. While modern artificial intelligence can write scripts instantly and mimic human vocals, the voices from ๐๐€๐‹๐‚๐’ reminded the audience that digital automation has its limits: It cannot reproduce the raw emotional vulnerability of a human being.

In the Short and Sweet Play Dialogue category, the team emerged as ๐‚๐‡๐€๐Œ๐๐ˆ๐Ž๐๐’, with ๐‹๐จ๐ฎ๐ข๐ฌ๐ž ๐๐จ๐ซ๐ž๐ž๐ง ๐€๐ง๐ ๐จ๐ฒ as Helen, ๐ƒ๐š๐ง๐ข๐ž๐ฅ๐ฅ๐ž ๐ƒ๐š๐ฏ๐ž ๐€๐›๐จ๐ง๐ž๐ซ๐จ as Marco, and ๐€๐ฅ๐ญ๐ก๐ž๐š ๐€๐ฎ๐ฆ๐š๐ง as the sound operator. Brilliantly interpreting a script penned by the writing trio of Roanne Denise Nemeรฑo, Kyle John Gomez, and Nathaniel Marvin Rosalejos, they pulled the audience into a story where Filipino language became a vessel for confronting fear, stigma, and misinformation. Their piece, craftily titled โ€œ๐‘ท๐’๐’”๐’Š๐’•๐’Š๐’—๐’†โ€, turned one word into two very different realities. What began with the joy of โ€œMagiging tatay na ako!โ€ shifted when Marco learned he had tested positive for HIV, exposing the fear and stigma fueled by misinformation.

In spite of being briefed of the competition only shortly before the event, the team rehearsed the entire piece in just one night and still prevailed. With only hours to brace, they relied on their grit, flexibility, and rapport with one another to bring the performance together. What began as a last-minute setback became a triumphant performance. Kudos to ๐ƒ๐š๐ง๐ข๐ž๐ฅ๐ฅ๐ž ๐ƒ๐š๐ฏ๐ž ๐€๐›๐จ๐ง๐ž๐ซ๐จ, ๐‹๐จ๐ฎ๐ข๐ฌ๐ž ๐๐จ๐ซ๐ž๐ž๐ง ๐€๐ง๐ ๐จ๐ฒ, and ๐€๐ฅ๐ญ๐ก๐ž๐š ๐€๐ฎ๐ฆ๐š๐ง. May you continue to unravel the anatomy of vulnerability through your stellar craft.

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ

Photo Courtesy: USeP Samahan ng Maka-Filipinong USePiano






๐™๐™Ž๐™š๐™‹ ๐™ˆ๐™–๐™จ๐™ฉ๐™š๐™ง ๐™ค๐™› ๐˜ผ๐™ง๐™ฉ๐™จ ๐™ž๐™ฃ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š ๐™‹๐™ง๐™ค๐™œ๐™ง๐™–๐™ข ๐—”๐—ฐ๐—ต๐—ถ๐—ฒ๐˜ƒ๐—ฒ๐˜€ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น ๐—œ๐—œ๐—œ ๐—ฅ๐—ฒ-๐—ฎ๐—ฐ๐—ฐ๐—ฟ๐—ฒ๐—ฑ๐—ถ๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—”๐—ณ๐—ณ๐—ถ๐—ฟ๐—บ๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ ๐—˜๐˜…๐—ฐ๐—ฒ๐—น๐—น๐—ฒ๐—ป๐—ฐ๐—ฒThe Universi...
10/09/2026

๐™๐™Ž๐™š๐™‹ ๐™ˆ๐™–๐™จ๐™ฉ๐™š๐™ง ๐™ค๐™› ๐˜ผ๐™ง๐™ฉ๐™จ ๐™ž๐™ฃ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š ๐™‹๐™ง๐™ค๐™œ๐™ง๐™–๐™ข ๐—”๐—ฐ๐—ต๐—ถ๐—ฒ๐˜ƒ๐—ฒ๐˜€ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น ๐—œ๐—œ๐—œ ๐—ฅ๐—ฒ-๐—ฎ๐—ฐ๐—ฐ๐—ฟ๐—ฒ๐—ฑ๐—ถ๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—”๐—ณ๐—ณ๐—ถ๐—ฟ๐—บ๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ ๐—˜๐˜…๐—ฐ๐—ฒ๐—น๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

The University of Southeastern Philippinesโ€™ Master of Arts in Literature (MALIT) program has earned Level III Re-accreditation from the ๐˜ˆ๐˜ค๐˜ค๐˜ณ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ˆ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜Š๐˜ฉ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜จ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜œ๐˜ฏ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ๐˜ด (๐˜ˆ๐˜ˆ๐˜Š๐˜Š๐˜œ๐˜—). The survey was conducted via Zoom from May 19-21, 2026. Seasoned accreditors identified key areas for improvement in instruction, research, faculty development, and library services, while praising the programโ€™s strong foundation, reliable alumni, and dedicated efforts to preserve, sustain, and develop Mindanaoโ€™s literary and cultural landscapes.

With the leadership of the Program Head, ๐˜ฟ๐™ง. ๐˜ผ๐™ฃ๐™œ๐™š๐™ก๐™ค ๐™‡๐™š๐™ฃ๐™–๐™ง๐™™ ๐™€. ๐™”๐™ช, together with the esteemed faculty members ๐˜ฟ๐™ง. ๐™ˆ๐™–๐™ง๐™  ๐™…๐™ค๐™š๐™ก ๐™Š๐™ง๐™ฉ๐™ž๐™ฏ, ๐˜ฟ๐™ง. ๐™†๐™š๐™ฃ๐™ฃ๐™š๐™ฉ๐™ ๐™‹. ๐™Ž๐™ช๐™ข๐™–๐™ฉ๐™ง๐™–, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™…๐™ค๐™จ๐™š๐™ฅ๐™๐™ž๐™ฃ๐™š ๐™ˆ๐™–๐™ฎ ๐™‚๐™ง๐™–๐™˜๐™š ๐™๐™–๐™ข๐™ค๐™จ๐™ค, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™‘๐™ž๐™ง๐™œ๐™š๐™ก ๐™Ž. ๐™๐™ค๐™ง๐™ง๐™š๐™ข๐™ค๐™˜๐™๐™–, ๐™ˆ๐™จ. ๐™๐™š๐™–๐™ ๐™„๐™ฏ๐™ฏ๐™– ๐™. ๐™‹๐™–๐™œ๐™ก๐™ž๐™ฃ๐™–๐™ฌ๐™–๐™ฃ, ๐™ˆ๐™จ. ๐™…๐™š๐™ฃ๐™ž๐™›๐™š๐™ง ๐™. ๐™๐™ช๐™—๐™–๐™ฃ, ๐˜ฟ๐™ง. ๐™…๐™š๐™ฃ๐™š๐™ž๐™›๐™š๐™ง ๐˜พ. ๐™‰๐™ช๐™š๐™ซ๐™–, ๐˜ผ๐™จ๐™จ๐™ค๐™˜๐™ž๐™–๐™ฉ๐™š ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™Ž๐™–๐™Ÿ๐™š๐™™ ๐™Ž. ๐™„๐™ฃ๐™œ๐™ž๐™ก๐™–๐™ฃ, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™…๐™ค๐™ฎ ๐™. ๐™๐™ž๐™จ๐™ค๐™ฃ๐™–๐™ง, ๐™ˆ๐™จ. ๐™ˆ๐™–๐™ง๐™ž๐™– ๐˜ฟ๐™–๐™ฃ๐™ž๐™˜๐™– ๐™‹. ๐˜พ๐™๐™š๐™ฃ๐™œ, ๐™–๐™ฃ๐™™ ๐™ˆ๐™จ. ๐™…๐™š๐™ฌ๐™š๐™ก๐™ฎ๐™ฃ ๐™๐™ค๐™จ๐™š ๐™. ๐™ˆ๐™–๐™ฃ๐™จ๐™ž๐™–, the program takes its foot forward and meticulously prepares the necessary documents for the visit, acknowledging the undying support and efforts of its stakeholders. Contributing to the series of documentations and creatives are student-interns from the Bachelor of Arts in Literature and Cultural Studies (BALCS) program; Ms. Kesha Mae Tanalgo, Ms. Raenne Rose Faye Ronquillo, Ms. Ella May Segui, Ms. LJ Fernandez, Mr. Syvell C. Dela Cerna, Ms. Kuhyette Joy R. Villones, Ms. Maureen Alonzo, Mr. Adam Rico Labiaga, Ms. Clariss Silvino, and Mr. Charles Gallarde. The program also expresses deep gratitude to the University and President ๐˜ฟ๐™ง. ๐˜ฝ๐™ค๐™ฃ๐™ž๐™›๐™–๐™˜๐™ž๐™ค ๐™‚. ๐™‚๐™–๐™—๐™–๐™ก๐™š๐™จ ๐™…๐™ง.; Vice President for Academic Affairs ๐˜ฟ๐™ง. ๐™…๐™š๐™ฃ๐™š๐™ž๐™›๐™š๐™ง ๐˜พ. ๐™‰๐™ช๐™š๐™ซ๐™–; Dean of Advanced Studies ๐˜ฟ๐™ง. ๐™€๐™ซ๐™š๐™ฎ๐™ฉ๐™ ๐™‹. ๐˜ฟ๐™š๐™ก๐™ž๐™œ๐™š๐™ง๐™ค; College of Arts and Sciences Dean ๐˜ฟ๐™ง. ๐™ˆ๐™–๐™ง๐™ฃ๐™ž๐™š ๐™‚๐™ง๐™–๐™˜๐™š ๐™„. ๐™Ž๐™ค๐™ฃ๐™ž๐™˜๐™ค; Graduate School of Arts and Sciences Head ๐˜ฟ๐™ง ๐˜ผ๐™ง๐™ž๐™š๐™ก ๐˜พ. ๐™‹๐™š๐™™๐™ง๐™–๐™ฃ๐™ค; College of Arts and Sciences Quality Assurance Head ๐˜ผ๐™จ๐™จ๐™ค๐™˜๐™ž๐™–๐™ฉ๐™š ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™ˆ๐™–๐™ง๐™ž๐™™๐™ž๐™ฉ ๐˜พ. ๐™‹๐™š๐™™๐™ง๐™ค๐™จ๐™–; Librarian ๐™ˆ๐™จ. ๐™€๐™ก๐™ก๐™š๐™ฃ ๐™‡. ๐˜ฟ๐™š๐™ก๐™ช๐™ฉ๐™š; and Quality Assurance Division Acting Director ๐™ˆ๐™ง. ๐™ˆ๐™–๐™ง๐™ซ๐™ž๐™ฃ ๐™‡๐™–๐™œ๐™ข๐™–๐™ฎ, along with Ms. ๐™‰๐™ค๐™ง๐™ข๐™š๐™ก๐™š๐™ž๐™ฃ ๐™‚๐™ช๐™—๐™–๐™ก๐™–๐™ฃ๐™š-๐˜พ๐™–๐™ฉ๐™–๐™ฎ๐™ก๐™ค, for their support.

The stakeholders' collective dedication, cooperation, and support in achieving this Re-accreditation allow the program to flourish and continue its goals of providing quality education rooted in Mindanao and the diverse communities of the Philippines. Guided by the evaluators' discerning yet supportive feedback, the program celebrates this achievement. Passing Level III Re-accreditation reflects the University's ongoing commitment to quality assurance and ensures its programs uphold high educational standards.




๐™๐™Ž๐™š๐™‹ ๐™ˆ๐™–๐™จ๐™ฉ๐™š๐™ง ๐™ค๐™› ๐˜ผ๐™ง๐™ฉ๐™จ ๐™ž๐™ฃ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š ๐™‹๐™ง๐™ค๐™œ๐™ง๐™–๐™ข ๐—”๐—ฐ๐—ต๐—ถ๐—ฒ๐˜ƒ๐—ฒ๐˜€ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น ๐—œ๐—œ๐—œ ๐—ฅ๐—ฒ-๐—ฎ๐—ฐ๐—ฐ๐—ฟ๐—ฒ๐—ฑ๐—ถ๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—”๐—ณ๐—ณ๐—ถ๐—ฟ๐—บ๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐—ฎ๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ ๐—˜๐˜…๐—ฐ๐—ฒ๐—น๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

The University of Southeastern Philippinesโ€™ Master of Arts in Literature (MALIT) program has earned Level III Re-accreditation from the ๐˜ˆ๐˜ค๐˜ค๐˜ณ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ˆ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜Š๐˜ฉ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜จ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜œ๐˜ฏ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ๐˜ด (๐˜ˆ๐˜ˆ๐˜Š๐˜Š๐˜œ๐˜—). The survey was conducted via Zoom from May 19-21, 2026. Seasoned accreditors identified key areas for improvement in instruction, research, faculty development, and library services, while praising the programโ€™s strong foundation, reliable alumni, and dedicated efforts to preserve, sustain, and develop Mindanaoโ€™s literary and cultural landscapes.

With the leadership of the Program Head, ๐˜ฟ๐™ง. ๐˜ผ๐™ฃ๐™œ๐™š๐™ก๐™ค ๐™‡๐™š๐™ฃ๐™–๐™ง๐™™ ๐™€. ๐™”๐™ช, together with the esteemed faculty members ๐˜ฟ๐™ง. ๐™ˆ๐™–๐™ง๐™  ๐™…๐™ค๐™š๐™ก ๐™Š๐™ง๐™ฉ๐™ž๐™ฏ, ๐˜ฟ๐™ง. ๐™†๐™š๐™ฃ๐™ฃ๐™š๐™ฉ๐™ ๐™‹. ๐™Ž๐™ช๐™ข๐™–๐™ฉ๐™ง๐™–, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™…๐™ค๐™จ๐™š๐™ฅ๐™๐™ž๐™ฃ๐™š ๐™ˆ๐™–๐™ฎ ๐™‚๐™ง๐™–๐™˜๐™š ๐™๐™–๐™ข๐™ค๐™จ๐™ค, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™‘๐™ž๐™ง๐™œ๐™š๐™ก ๐™Ž. ๐™๐™ค๐™ง๐™ง๐™š๐™ข๐™ค๐™˜๐™๐™–, ๐™ˆ๐™จ. ๐™๐™š๐™–๐™ ๐™„๐™ฏ๐™ฏ๐™– ๐™. ๐™‹๐™–๐™œ๐™ก๐™ž๐™ฃ๐™–๐™ฌ๐™–๐™ฃ, ๐™ˆ๐™จ. ๐™…๐™š๐™ฃ๐™ž๐™›๐™š๐™ง ๐™. ๐™๐™ช๐™—๐™–๐™ฃ, ๐˜ฟ๐™ง. ๐™…๐™š๐™ฃ๐™š๐™ž๐™›๐™š๐™ง ๐˜พ. ๐™‰๐™ช๐™š๐™ซ๐™–, ๐˜ผ๐™จ๐™จ๐™ค๐™˜๐™ž๐™–๐™ฉ๐™š ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™Ž๐™–๐™Ÿ๐™š๐™™ ๐™Ž. ๐™„๐™ฃ๐™œ๐™ž๐™ก๐™–๐™ฃ, ๐˜ผ๐™จ๐™จ๐™ž๐™จ๐™ฉ๐™–๐™ฃ๐™ฉ ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™…๐™ค๐™ฎ ๐™. ๐™๐™ž๐™จ๐™ค๐™ฃ๐™–๐™ง, ๐™ˆ๐™จ. ๐™ˆ๐™–๐™ง๐™ž๐™– ๐˜ฟ๐™–๐™ฃ๐™ž๐™˜๐™– ๐™‹. ๐˜พ๐™๐™š๐™ฃ๐™œ, ๐™–๐™ฃ๐™™ ๐™ˆ๐™จ. ๐™…๐™š๐™ฌ๐™š๐™ก๐™ฎ๐™ฃ ๐™๐™ค๐™จ๐™š ๐™. ๐™ˆ๐™–๐™ฃ๐™จ๐™ž๐™–, the program takes its foot forward and meticulously prepares the necessary documents for the visit, acknowledging the undying support and efforts of its stakeholders. Contributing to the series of documentations and creatives are student-interns from the Bachelor of Arts in Literature and Cultural Studies (BALCS) program. The program also expresses deep gratitude to the University and President ๐˜ฟ๐™ง. ๐˜ฝ๐™ค๐™ฃ๐™ž๐™›๐™–๐™˜๐™ž๐™ค ๐™‚. ๐™‚๐™–๐™—๐™–๐™ก๐™š๐™จ ๐™…๐™ง.; Vice President for Academic Affairs ๐˜ฟ๐™ง. ๐™…๐™š๐™ฃ๐™š๐™ž๐™›๐™š๐™ง ๐˜พ. ๐™‰๐™ช๐™š๐™ซ๐™–; Dean of Advanced Studies ๐˜ฟ๐™ง. ๐™€๐™ซ๐™š๐™ฎ๐™ฉ๐™ ๐™‹. ๐˜ฟ๐™š๐™ก๐™ž๐™œ๐™š๐™ง๐™ค; College of Arts and Sciences Dean ๐˜ฟ๐™ง. ๐™ˆ๐™–๐™ง๐™ฃ๐™ž๐™š ๐™‚๐™ง๐™–๐™˜๐™š ๐™„. ๐™Ž๐™ค๐™ฃ๐™ž๐™˜๐™ค; Graduate School of Arts and Sciences Head ๐˜ฟ๐™ง ๐˜ผ๐™ง๐™ž๐™š๐™ก ๐˜พ. ๐™‹๐™š๐™™๐™ง๐™–๐™ฃ๐™ค; College of Arts and Sciences Quality Assurance Head ๐˜ผ๐™จ๐™จ๐™ค๐™˜๐™ž๐™–๐™ฉ๐™š ๐™‹๐™ง๐™ค๐™›๐™š๐™จ๐™จ๐™ค๐™ง ๐™ˆ๐™–๐™ง๐™ž๐™™๐™ž๐™ฉ ๐˜พ. ๐™‹๐™š๐™™๐™ง๐™ค๐™จ๐™–; Librarian ๐™ˆ๐™จ. ๐™€๐™ก๐™ก๐™š๐™ฃ ๐™‡. ๐˜ฟ๐™š๐™ก๐™ช๐™ฉ๐™š; and Quality Assurance Division Acting Director ๐™ˆ๐™ง. ๐™ˆ๐™–๐™ง๐™ซ๐™ž๐™ฃ ๐™‡๐™–๐™œ๐™ข๐™–๐™ฎ, along with Ms. ๐™‰๐™ค๐™ง๐™ข๐™š๐™ก๐™š๐™ž๐™ฃ ๐™‚๐™ช๐™—๐™–๐™ก๐™–๐™ฃ๐™š-๐˜พ๐™–๐™ฉ๐™–๐™ฎ๐™ก๐™ค, for their support.

The stakeholders' collective dedication, cooperation, and support in achieving this Re-accreditation allow the program to flourish and continue its goals of providing quality education rooted in Mindanao and the diverse communities of the Philippines. Guided by the evaluators' discerning yet supportive feedback, the program celebrates this achievement. Passing Level III Re-accreditation reflects the University's ongoing commitment to quality assurance and ensures its programs uphold high educational standards.




๐‹๐Ž๐Ž๐Š I ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐ recently concluded its session for the Long Range Planning of Activities at the Room 404 of College of...
08/09/2026

๐‹๐Ž๐Ž๐Š I ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐ recently concluded its session for the Long Range Planning of Activities at the Room 404 of College of Computing (CIC) building led by the incoming President, ๐‰๐ฎ๐ฅ๐ข๐ฎ๐ฌ ๐•๐ข๐ง๐œ๐ž๐ง๐ญ ๐‹๐š๐ฒ๐ฅ๐š๐ฒ and HANDURAWAN adviser, ๐ƒ๐ซ. ๐€๐ง๐ ๐ž๐ฅ๐จ ๐‹๐ž๐ง๐š๐ซ๐ ๐˜๐ฎ.

This event served as the first step towards realizing the vision of HANDURAWAN for the Academic Year 2026 - 2027. Where it strives for more collaboration and connection to the arts for literary and cultural students. The discussion offered great insights and opinions from all attendees of the executive board and committeesโ€”delivering a successful planning for upcoming events under the organization. The session started with the interest that these events are what students are looking forward to and ended with achieving the length of what is hoped for.


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[๐„๐•๐„๐๐“ ๐‡๐ˆ๐†๐‡๐‹๐ˆ๐†๐‡๐“๐’] "๐–๐ข๐ญ๐ก๐จ๐ฎ๐ญ ๐ฉ๐š๐ซ๐š๐๐จ๐ฑ ๐š๐ง๐ ๐œ๐จ๐ง๐ญ๐ซ๐š๐๐ข๐œ๐ญ๐ข๐จ๐ง ๐จ๐ฎ๐ซ ๐ฉ๐š๐ซ๐š๐›๐ฅ๐ž๐ฌ ๐ฐ๐ข๐ฅ๐ฅ ๐›๐ž ๐ญ๐จ๐จ ๐ฌ๐ข๐ฆ๐ฉ๐ฅ๐ž ๐Ÿ๐จ๐ซ ๐š ๐œ๐จ๐ฆ๐ฉ๐ฅ๐ž๐ฑ ๐ฉ๐จ๐ฏ๐ž๐ซ๐ญ๐ฒ, ๐ญ๐จ๐จ ๐œ๐จ๐ง๐ฌ๐จ๐ฅ๐š...
21/08/2026

[๐„๐•๐„๐๐“ ๐‡๐ˆ๐†๐‡๐‹๐ˆ๐†๐‡๐“๐’] "๐–๐ข๐ญ๐ก๐จ๐ฎ๐ญ ๐ฉ๐š๐ซ๐š๐๐จ๐ฑ ๐š๐ง๐ ๐œ๐จ๐ง๐ญ๐ซ๐š๐๐ข๐œ๐ญ๐ข๐จ๐ง ๐จ๐ฎ๐ซ ๐ฉ๐š๐ซ๐š๐›๐ฅ๐ž๐ฌ ๐ฐ๐ข๐ฅ๐ฅ ๐›๐ž ๐ญ๐จ๐จ ๐ฌ๐ข๐ฆ๐ฉ๐ฅ๐ž ๐Ÿ๐จ๐ซ ๐š ๐œ๐จ๐ฆ๐ฉ๐ฅ๐ž๐ฑ ๐ฉ๐จ๐ฏ๐ž๐ซ๐ญ๐ฒ, ๐ญ๐จ๐จ ๐œ๐จ๐ง๐ฌ๐จ๐ฅ๐š๐ญ๐จ๐ซ๐ฒ ๐ญ๐จ ๐œ๐จ๐ง๐ฌ๐จ๐ฅ๐ž." - ๐…๐ซ๐š๐ง๐ค ๐Š๐ž๐ซ๐ฆ๐จ๐๐ž

๐ƒ๐ซ. ๐…๐ข๐ซ๐š๐ฌ ๐€๐ฅ-๐‰๐ฎ๐›๐จ๐ฎ๐ซ๐ข, a graduate of PhD in English Literature at Newcastle University, United Kingdom, and Assistant Professor at Lusail University, Doha, Qatar, was given a platform to speak about his recent literary scholarship to the faculty, students and alumni of the Bachelor of Arts in Literature and Cultural Studies (BALCS) and the Master of Arts in Literature (MALIT) of the University of Southeastern Philippines (USeP) last August 13, 2026. Dr. Firas was heartwarmingly welcomed by Dr. Marnie Grace I. Sonico, Dean of the College of Arts and Sciences (CAS) through an inspiring speech to set the tone for what would be a deeply impactful discussion on ๐–๐ž๐ฌ๐ญ๐ž๐ซ๐ง ๐‚๐จ๐ฅ๐จ๐ง๐ข๐š๐ฅ๐ข๐ฌ๐ฆ ๐š๐ง๐ ๐ƒ๐ฒ๐ฌ๐ญ๐จ๐ฉ๐ข๐š๐ง ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐ž ๐ข๐ง ๐ญ๐ก๐ž ๐€๐ ๐ž ๐จ๐Ÿ ๐€๐ˆ, specifically "Orwell, Empire, and the Rhetoric in Shooting an Elephant."

The stellar professor mainly detailed the role of contradictions in delivering narratives materialized by forceful power structures. Through Orwell's literature, an exemplary vow to bear the bare truth, Dr. Firas elaborated on the essay "Shooting the Elephant" to realize that agents serving the dominant, colonial ideology- though seemingly holding a sliver of power- still are victims and subjected to the same but veiled oppression. They end in clawing to fulfill the role molded for them in spite of themselves- their own values and beliefs. The professor also conversed about the weight of an author's milieu as he then likens the tragedy to our age of Artificial Intelligence, telling students faced with the reality of this hastily pervading technology that it only provides a false empowerment with the actual intent of controlling the masses by the mere erasure of individuality and independent thinking. In the discussion centered on dystopian literature, the two paradoxes reveal the other's complexity- a key importance of hypocritical writing that the professor emphasizes: complex systems need literary contradictions to explain them, and that human intelligence is marked by the ability to grasp two sides. AI is immensely distanced from this because it kills the imagination through the elimination of differences. Variety makes people think, and that is not what the empire wants, Dr. Firas concludes.

Post-discussion, a forum was held to turn to the listeners for their imparting of questions and insights. Ardor for answers stirred as talks of hypocritical AI usage and the inevitability of it met the response that it has always been about control that forces people to resort. Finally, culminating messages of collective gratitude and enlightenment were formally expressed by the ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐ ๐€๐๐ฏ๐ข๐ฌ๐ž๐ซ, ๐ƒ๐ซ. ๐€๐ง๐ ๐ž๐ฅ๐จ ๐‹๐ž๐ง๐š๐ซ๐ ๐˜๐ฎ, as certificates and photos were given and taken.

The HANDURAWAN community is immeasurably thankful for the knowledge, the catalyst of thoughts, and the stark reminders of our time's responsibility as imaginative writers and societal agents. In the current chasmal corruption, a revolutionary act rests in literature that resists a singular path and allows contradictions to store the whole, complex truth.

๐‹๐š๐ ๐ข'๐ญ ๐‹๐š๐ ๐ข ๐๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š! ๐ŸคŽ





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