USeP Handurawan

USeP Handurawan

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HANDURAWAN is an Academic Organization from Bachelor of Arts in Literature and Cultural Studies USeP.

USeP-Handurawan is the official academic organization of the Bachelor of Arts in Literature and Cultural Studies from the College of Arts in Sciences at the University of Southeastern Philippines. It is founded with the aim to showcase and represent the students of BALCS.

Photos from USeP Handurawan's post 04/06/2026

[๐„๐•๐„๐๐“ ๐‡๐ˆ๐†๐‡๐‹๐ˆ๐†๐‡๐“๐’] ๐‡๐€๐๐ƒ๐”๐Œ๐€๐๐€๐, a Bisaya term for remembrance, legacy, or keepsake. As the curtain for the academic year finally closes, we depart with a lasting mark in our organization.

Honoring students and remembering their achievements, ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐ concluded the school year through ๐‡๐š๐ง๐๐ฎ๐ฆ๐š๐ง๐š๐ง: ๐‘๐ž๐œ๐จ๐ ๐ง๐ข๐ญ๐ข๐จ๐ง ๐š๐ง๐ ๐˜๐ž๐š๐ซ-๐„๐ง๐ ๐†๐š๐ญ๐ก๐ž๐ซ๐ข๐ง๐  with a theme, โ€œ๐‚๐ž๐ฅ๐ž๐›๐ซ๐š๐ญ๐ข๐ง๐  ๐’๐ญ๐จ๐ซ๐ข๐ž๐ฌ, ๐’๐ž๐ซ๐ฏ๐ข๐œ๐ž, ๐š๐ง๐ ๐’๐ก๐š๐ซ๐ž๐ ๐‰๐จ๐ฎ๐ซ๐ง๐ž๐ฒ๐ฌ,โ€ via Google Meet, recognizing their active members who have actively participated throughout all the University and off-campus events.

Handumanan highlighted the collective effort, perseverance, and commitment that strengthened this year's overall organizational success, solidifying HANDURAWAN's legacy in the University.

We end this year with a celebration, then we tell the story of today to the futureโ€”๐’Œ๐’Š๐’•๐’‚โ€™๐’š ๐’Ž๐’‚๐’‰๐’Š๐’๐’–๐’Ž๐’…๐’–๐’Ž๐’‚๐’.





30/05/2026

[๐—ฆ๐—ฃ๐—๐—ฅ๐—— ๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜๐—— ๐—”๐—ฅ๐—ง๐—œ๐—–๐—Ÿ๐—˜]

In celebration of National Heritage Month, centered on the theme "Roots and Horizons: Our Shared Heritage, Our Collective Future," the Southeastern Philippines Journal of Research and Development is proud to feature six selected articles from Volumes 27 to 31. These works honor our cultural roots through preservation while illuminating new horizons for our collective identity.

The fifth featured article, โ€œ๐—ง๐—ต๐—ฒ ๐—ž๐—ฎ๐—ด๐—ฎ๐—ป ๐—™๐—ผ๐—น๐—ธ๐˜๐—ฎ๐—น๐—ฒ๐˜€ ๐—ถ๐—ป ๐— ๐—ถ๐—ป๐—ฑ๐—ฎ๐—ป๐—ฎ๐—ผ ๐—œ๐˜€๐—น๐—ฎ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜€โ€ authored by Angelo Lenard E. Yu, Ezzedin M. Manidoc, and Takashi Tsuji explores this vital oral tradition. Long before the dawn of textbooks and media, communities across Mindanao passed down knowledge through storytelling. Among the Kagan people, folktales carry the distinct traces of daily life: the tensions of ๐˜ณ๐˜ช๐˜ฅ๐˜ฐ (clan feuds), the rhythm of gongs and ๐˜ฃ๐˜ข๐˜ญ๐˜ข๐˜ฐ, the rituals of marriage and dowry, and traditions like wearing the ๐˜ฎ๐˜ข๐˜ญ๐˜ฐ๐˜ฏ๐˜จ or weaving native baskets.

These tales donโ€™t just revolve around entertainment; rather, they reveal the complex systems that shape a community. From farming, fishing, and barter trading to the traditional authority of ๐˜ฅ๐˜ข๐˜ต๐˜ถ๐˜ด and sultans alongside deeply rooted spiritual beliefs, Kagan folktales reflect a complete way of life.

Yet today, as modernization accelerates, the role of these oral narratives risks fading into the background. To understand their enduring significance, Yu, Manidoc, and Tsuji examine how these traditions preserve and sustain indigenous culture. Through an ethnographic lens, their study highlights how folktales in Kagan communities continue to carry beliefs, customs, and traditions across time, proving that storytelling remains a powerful tool for cultural survival.

This National Heritage Month, letโ€™s look beyond the surface of stories. Preserving them means ensuring that the voices of the past continue to guide the future.

Take a moment to explore the full study here: https://doi.org/10.53899/spjrd.v27i2.213

Photos from USeP College of Arts and Sciences's post 29/05/2026

[๐— ๐—˜๐—˜๐—ง ๐—ง๐—›๐—˜ ๐—ฃ๐—ฅ๐—˜๐—ฆ๐—˜๐—ก๐—ง๐—˜๐—ฅ๐—ฆ]

In celebration of ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—›๐—ฒ๐—ฟ๐—ถ๐˜๐—ฎ๐—ด๐—ฒ ๐— ๐—ผ๐—ป๐˜๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ with the theme, โ€œ๐™๐™ค๐™ค๐™ฉ๐™จ ๐™–๐™ฃ๐™™ ๐™ƒ๐™ค๐™ง๐™ž๐™ฏ๐™ค๐™ฃ๐™จ. ๐™Ž๐™๐™–๐™ง๐™š๐™™ ๐™ƒ๐™š๐™ง๐™ž๐™ฉ๐™–๐™œ๐™š. ๐™Š๐™ช๐™ง ๐˜พ๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™š ๐™๐™ช๐™ฉ๐™ช๐™ง๐™š.โ€ The Master of Arts in Literature (MALIT) program of the College of Arts and Sciences (CAS), University of Southeastern Philippines (USeP), proudly presents ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰: ๐˜พ๐™ค๐™ฃ๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š ๐™ค๐™ฃ ๐™ˆ๐™ž๐™ฃ๐™™๐™–๐™ฃ๐™–๐™ค ๐™„๐™ฃ๐™™๐™ž๐™œ๐™š๐™ฃ๐™ค๐™ช๐™จ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š ๐™–๐™ฃ๐™™ ๐˜พ๐™ช๐™ก๐™ฉ๐™ช๐™ง๐™–๐™ก ๐™‹๐™ค๐™š๐™ฉ๐™ž๐™˜๐™จ.

Members of the faculty and students enrolled in the MALIT program will take part in the event, presenting various global and local artistic expressions that celebrate cultural heritage and encourage thoughtful interaction with literature and society. The conference aims to enhance the ongoing growth of Philippine Literature by highlighting inclusivity, identity, and cultural representation.

๐™Ž๐™š๐™ฉ ๐™›๐™ค๐™ง ๐™ˆ๐™–๐™ฎ ๐Ÿ‘๐ŸŽ, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐™›๐™ง๐™ค๐™ข ๐ŸŽ๐Ÿ–:๐ŸŽ๐ŸŽ๐˜ผ๐™ˆ ๐™ฉ๐™ค ๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ๐™‰๐™‰ ๐™ซ๐™ž๐™– ๐™•๐™ค๐™ค๐™ข ๐™๐™š๐™ก๐™š๐™˜๐™ค๐™ฃ๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š, ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” seeks to emphasize the diversity of Mindanao Indigenous Literature and Cultural Poetics through dialogues and presentations that promote critical interaction with literature, identity, heritage, and representation.

As participants converge in this virtual space, the occasion becomes an opportunity to reflect on and envision literature as a powerful means of memory, defiance, innovation, and transformation. By connecting scholarly exploration with cultural creativity, ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰ emphasizes that literature is not merely produced โ€“ it is experienced, passed down, performed, and perpetually revitalized through communities and generations.

Through this initiative, ๐™๐™Ž๐™š๐™‹ ๐™ˆ๐˜ผ๐™‡๐™„๐™ continues to champion a vibrant intellectual tradition that recognizes Mindanao not merely as a geographic space but as a profound source of knowledge, creativity, and cultural possibility.

Join us as we celebrate the enduring power of literature to preserve heritage, amplify voices, and reimagine our collective future.









29/05/2026

[ANNOUNCEMENT]

๐™ธ๐š— ๐šŒ๐šŽ๐š•๐šŽ๐š‹๐š›๐šŠ๐š๐š’๐š˜๐š— ๐š˜๐š ๐๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐‡๐ž๐ซ๐ข๐ญ๐š๐ ๐ž ๐Œ๐จ๐ง๐ญ๐ก ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” ๐š ๐š’๐š๐š‘ ๐š๐š‘๐šŽ ๐š๐š‘๐šŽ๐š–๐šŽ, โ€œ๐—ฅ๐—ผ๐—ผ๐˜๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—›๐—ผ๐—ฟ๐—ถ๐˜‡๐—ผ๐—ป๐˜€. ๐—ฆ๐—ต๐—ฎ๐—ฟ๐—ฒ๐—ฑ ๐—›๐—ฒ๐—ฟ๐—ถ๐˜๐—ฎ๐—ด๐—ฒ. ๐—ข๐˜‚๐—ฟ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒโ€ ๐š๐š‘๐šŽ ๐˜”๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ณ๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜“๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ (๐™ˆ๐˜ผ๐™‡๐™„๐™) ๐š™๐š›๐š˜๐š๐š›๐šŠ๐š– ๐š˜๐š ๐š๐š‘๐šŽ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ณ๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด (๐˜พ๐˜ผ๐™Ž), ๐˜œ๐˜ฏ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ต๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฐ๐˜ถ๐˜ต๐˜ฉ๐˜ฆ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฏ ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ๐˜ด (๐™๐™Ž๐™š๐™‹), ๐š™๐š›๐š˜๐šž๐š๐š•๐šข ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐š๐šœ ๐“๐ˆ๐๐”๐๐ƒ๐€๐: ๐‚๐จ๐ง๐Ÿ๐ž๐ซ๐ž๐ง๐œ๐ž ๐จ๐ง ๐Œ๐ข๐ง๐๐š๐ง๐š๐จ ๐ˆ๐ง๐๐ข๐ ๐ž๐ง๐จ๐ฎ๐ฌ ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐ž ๐š๐ง๐ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š๐ฅ ๐๐จ๐ž๐ญ๐ข๐œ๐ฌ.

๐™ผ๐šŽ๐š–๐š‹๐šŽ๐š›๐šœ ๐š˜๐š ๐š๐š‘๐šŽ ๐š๐šŠ๐šŒ๐šž๐š•๐š๐šข ๐šŠ๐š—๐š ๐šœ๐š๐šž๐š๐šŽ๐š—๐š๐šœ ๐šŽ๐š—๐š›๐š˜๐š•๐š•๐šŽ๐š ๐š’๐š— ๐š๐š‘๐šŽ ๐™ˆ๐˜ผ๐™‡๐™„๐™ ๐š™๐š›๐š˜๐š๐š›๐šŠ๐š– ๐š ๐š’๐š•๐š• ๐š๐šŠ๐š”๐šŽ ๐š™๐šŠ๐š›๐š ๐š’๐š— ๐š๐š‘๐šŽ ๐šŽ๐šŸ๐šŽ๐š—๐š, ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐š๐š’๐š—๐š ๐šŸ๐šŠ๐š›๐š’๐š˜๐šž๐šœ ๐š๐š•๐š˜๐š‹๐šŠ๐š• ๐šŠ๐š—๐š ๐š•๐š˜๐šŒ๐šŠ๐š• ๐šŠ๐š›๐š๐š’๐šœ๐š๐š’๐šŒ ๐šŽ๐šก๐š™๐š›๐šŽ๐šœ๐šœ๐š’๐š˜๐š—๐šœ ๐š๐š‘๐šŠ๐š ๐šŒ๐šŽ๐š•๐šŽ๐š‹๐š›๐šŠ๐š๐šŽ ๐šŒ๐šž๐š•๐š๐šž๐š›๐šŠ๐š• ๐š‘๐šŽ๐š›๐š’๐š๐šŠ๐š๐šŽ ๐šŠ๐š—๐š ๐šŽ๐š—๐šŒ๐š˜๐šž๐š›๐šŠ๐š๐šŽ ๐š๐š‘๐š˜๐šž๐š๐š‘๐š๐š๐šž๐š• ๐š’๐š—๐š๐šŽ๐š›๐šŠ๐šŒ๐š๐š’๐š˜๐š— ๐š ๐š’๐š๐š‘ ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ ๐šŠ๐š—๐š ๐šœ๐š˜๐šŒ๐š’๐šŽ๐š๐šข. ๐šƒ๐š‘๐šŽ ๐šŒ๐š˜๐š—๐š๐šŽ๐š›๐šŽ๐š—๐šŒ๐šŽ ๐šŠ๐š’๐š–๐šœ ๐š๐š˜ ๐šŽ๐š—๐š‘๐šŠ๐š—๐šŒ๐šŽ ๐š๐š‘๐šŽ ๐š˜๐š—๐š๐š˜๐š’๐š—๐š ๐š๐š›๐š˜๐š ๐š๐š‘ ๐š˜๐š ๐™ฟ๐š‘๐š’๐š•๐š’๐š™๐š™๐š’๐š—๐šŽ ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ ๐š‹๐šข ๐š‘๐š’๐š๐š‘๐š•๐š’๐š๐š‘๐š๐š’๐š—๐š ๐š’๐š—๐šŒ๐š•๐šž๐šœ๐š’๐šŸ๐š’๐š๐šข, ๐š’๐š๐šŽ๐š—๐š๐š’๐š๐šข, ๐šŠ๐š—๐š ๐šŒ๐šž๐š•๐š๐šž๐š›๐šŠ๐š• ๐š›๐šŽ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐š๐šŠ๐š๐š’๐š˜๐š—.

๐’๐ž๐ญ ๐Ÿ๐จ๐ซ ๐Œ๐š๐ฒ ๐Ÿ‘๐ŸŽ, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐Ÿ๐ซ๐จ๐ฆ ๐Ÿ–:๐ŸŽ๐ŸŽ ๐€๐Œ ๐ญ๐จ ๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ ๐๐ ๐ฏ๐ข๐š ๐™๐จ๐จ๐ฆ ๐“๐ž๐ฅ๐ž๐œ๐จ๐ง๐Ÿ๐ž๐ซ๐ž๐ง๐œ๐ž, ๐“๐ˆ๐๐”๐๐ƒ๐€๐ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” ๐šœ๐šŽ๐šŽ๐š”๐šœ ๐š๐š˜ ๐šŽ๐š–๐š™๐š‘๐šŠ๐šœ๐š’๐šฃ๐šŽ ๐š๐š‘๐šŽ ๐š๐š’๐šŸ๐šŽ๐š›๐šœ๐š’๐š๐šข ๐š˜๐š ๐™ผ๐š’๐š—๐š๐šŠ๐š—๐šŠ๐š˜ ๐™ธ๐š—๐š๐š’๐š๐šŽ๐š—๐š˜๐šž๐šœ ๐™ป๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ ๐šŠ๐š—๐š ๐™ฒ๐šž๐š•๐š๐šž๐š›๐šŠ๐š• ๐™ฟ๐š˜๐šŽ๐š๐š’๐šŒ๐šœ ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘ ๐š๐š’๐šŠ๐š•๐š˜๐š๐šž๐šŽ๐šœ ๐šŠ๐š—๐š ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐š๐šŠ๐š๐š’๐š˜๐š—๐šœ ๐š๐š‘๐šŠ๐š ๐š™๐š›๐š˜๐š–๐š˜๐š๐šŽ ๐šŒ๐š›๐š’๐š๐š’๐šŒ๐šŠ๐š• ๐š’๐š—๐š๐šŽ๐š›๐šŠ๐šŒ๐š๐š’๐š˜๐š— ๐š ๐š’๐š๐š‘ ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ, ๐š’๐š๐šŽ๐š—๐š๐š’๐š๐šข, ๐š‘๐šŽ๐š›๐š’๐š๐šŠ๐š๐šŽ, ๐šŠ๐š—๐š ๐š›๐šŽ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐š๐šŠ๐š๐š’๐š˜๐š—.

๐™ฐ๐šœ ๐š™๐šŠ๐š›๐š๐š’๐šŒ๐š’๐š™๐šŠ๐š—๐š๐šœ ๐šŒ๐š˜๐š—๐šŸ๐šŽ๐š›๐š๐šŽ ๐š’๐š— ๐š๐š‘๐š’๐šœ ๐šŸ๐š’๐š›๐š๐šž๐šŠ๐š• ๐šœ๐š™๐šŠ๐šŒ๐šŽ, ๐š๐š‘๐šŽ ๐š˜๐šŒ๐šŒ๐šŠ๐šœ๐š’๐š˜๐š— ๐š‹๐šŽ๐šŒ๐š˜๐š–๐šŽ๐šœ ๐šŠ๐š— ๐š˜๐š™๐š™๐š˜๐š›๐š๐šž๐š—๐š’๐š๐šข ๐š๐š˜ ๐š›๐šŽ๐š๐š•๐šŽ๐šŒ๐š ๐š˜๐š— ๐šŠ๐š—๐š ๐šŽ๐š—๐šŸ๐š’๐šœ๐š’๐š˜๐š— ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ ๐šŠ๐šœ ๐šŠ ๐š™๐š˜๐š ๐šŽ๐š›๐š๐šž๐š• ๐š–๐šŽ๐šŠ๐š—๐šœ ๐š˜๐š ๐š–๐šŽ๐š–๐š˜๐š›๐šข, ๐š๐šŽ๐š๐š’๐šŠ๐š—๐šŒ๐šŽ, ๐š’๐š—๐š—๐š˜๐šŸ๐šŠ๐š๐š’๐š˜๐š—, ๐šŠ๐š—๐š ๐š๐š›๐šŠ๐š—๐šœ๐š๐š˜๐š›๐š–๐šŠ๐š๐š’๐š˜๐š—. ๐™ฑ๐šข ๐šŒ๐š˜๐š—๐š—๐šŽ๐šŒ๐š๐š’๐š—๐š ๐šœ๐šŒ๐š‘๐š˜๐š•๐šŠ๐š›๐š•๐šข ๐šŽ๐šก๐š™๐š•๐š˜๐š›๐šŠ๐š๐š’๐š˜๐š— ๐š ๐š’๐š๐š‘ ๐šŒ๐šž๐š•๐š๐šž๐š›๐šŠ๐š• ๐šŒ๐š›๐šŽ๐šŠ๐š๐š’๐šŸ๐š’๐š๐šข, ๐“๐ˆ๐๐”๐๐ƒ๐€๐ ๐šŽ๐š–๐š™๐š‘๐šŠ๐šœ๐š’๐šฃ๐šŽ๐šœ ๐š๐š‘๐šŠ๐š ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š๐šž๐š›๐šŽ ๐š’๐šœ ๐š—๐š˜๐š ๐š–๐šŽ๐š›๐šŽ๐š•๐šข ๐š™๐š›๐š˜๐š๐šž๐šŒ๐šŽ๐šโ€”๐š’๐š ๐š’๐šœ ๐šŽ๐šก๐š™๐šŽ๐š›๐š’๐šŽ๐š—๐šŒ๐šŽ๐š, ๐š™๐šŠ๐šœ๐šœ๐šŽ๐š ๐š๐š˜๐š ๐š—, ๐š™๐šŽ๐š›๐š๐š˜๐š›๐š–๐šŽ๐š, ๐šŠ๐š—๐š ๐š™๐šŽ๐š›๐š™๐šŽ๐š๐šž๐šŠ๐š•๐š•๐šข ๐š›๐šŽ๐šŸ๐š’๐š๐šŠ๐š•๐š’๐šฃ๐šŽ๐š ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘ ๐šŒ๐š˜๐š–๐š–๐šž๐š—๐š’๐š๐š’๐šŽ๐šœ ๐šŠ๐š—๐š ๐š๐šŽ๐š—๐šŽ๐š›๐šŠ๐š๐š’๐š˜๐š—๐šœ.

๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ, ๐™๐™Ž๐™š๐™‹ ๐™ˆ๐˜ผ๐™‡๐™„๐™ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ค๐˜ฉ๐˜ข๐˜ฎ๐˜ฑ๐˜ช๐˜ฐ๐˜ฏ ๐˜ข ๐˜ท๐˜ช๐˜ฃ๐˜ณ๐˜ข๐˜ฏ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ถ๐˜ข๐˜ญ ๐˜ต๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ป๐˜ฆ๐˜ด ๐˜”๐˜ช๐˜ฏ๐˜ฅ๐˜ข๐˜ฏ๐˜ข๐˜ฐ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฎ๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜บ ๐˜ข๐˜ด ๐˜ข ๐˜จ๐˜ฆ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ช๐˜ค ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ข๐˜ด ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ญ๐˜ฆ๐˜ฅ๐˜จ๐˜ฆ, ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ช๐˜ต๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ถ๐˜ญ๐˜ต๐˜ถ๐˜ณ๐˜ข๐˜ญ ๐˜ฑ๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ. ๐˜‘๐˜ฐ๐˜ช๐˜ฏ ๐˜ถ๐˜ด ๐˜ข๐˜ด ๐˜ธ๐˜ฆ ๐˜ค๐˜ฆ๐˜ญ๐˜ฆ๐˜ฃ๐˜ณ๐˜ข๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ญ๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ต๐˜ข๐˜จ๐˜ฆ, ๐˜ข๐˜ฎ๐˜ฑ๐˜ญ๐˜ช๐˜ง๐˜บ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ง๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ.

๐˜‘๐˜ฐ๐˜ช๐˜ฏ ๐˜ถ๐˜ด ๐˜ข๐˜ด ๐˜ธ๐˜ฆ ๐˜ค๐˜ฆ๐˜ญ๐˜ฆ๐˜ฃ๐˜ณ๐˜ข๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ญ๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ต๐˜ข๐˜จ๐˜ฆ, ๐˜ข๐˜ฎ๐˜ฑ๐˜ญ๐˜ช๐˜ง๐˜บ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ง๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ.









[๐—”๐—ก๐—ก๐—ข๐—จ๐—ก๐—–๐—˜๐— ๐—˜๐—ก๐—ง]

In celebration of ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—›๐—ฒ๐—ฟ๐—ถ๐˜๐—ฎ๐—ด๐—ฒ ๐— ๐—ผ๐—ป๐˜๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ with the theme, โ€œ๐™๐™ค๐™ค๐™ฉ๐™จ ๐™–๐™ฃ๐™™ ๐™ƒ๐™ค๐™ง๐™ž๐™ฏ๐™ค๐™ฃ๐™จ. ๐™Ž๐™๐™–๐™ง๐™š๐™™ ๐™ƒ๐™š๐™ง๐™ž๐™ฉ๐™–๐™œ๐™š. ๐™Š๐™ช๐™ง ๐˜พ๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™š ๐™๐™ช๐™ฉ๐™ช๐™ง๐™š.โ€ The Master of Arts in Literature (MALIT) program of the College of Arts and Sciences (CAS), University of Southeastern Philippines (USeP), proudly presents ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰: ๐˜พ๐™ค๐™ฃ๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š ๐™ค๐™ฃ ๐™ˆ๐™ž๐™ฃ๐™™๐™–๐™ฃ๐™–๐™ค ๐™„๐™ฃ๐™™๐™ž๐™œ๐™š๐™ฃ๐™ค๐™ช๐™จ ๐™‡๐™ž๐™ฉ๐™š๐™ง๐™–๐™ฉ๐™ช๐™ง๐™š ๐™–๐™ฃ๐™™ ๐˜พ๐™ช๐™ก๐™ฉ๐™ช๐™ง๐™–๐™ก ๐™‹๐™ค๐™š๐™ฉ๐™ž๐™˜๐™จ.

Members of the faculty and students enrolled in the MALIT program will take part in the event, presenting various global and local artistic expressions that celebrate cultural heritage and encourage thoughtful interaction with literature and society. The conference aims to enhance the ongoing growth of Philippine Literature by highlighting inclusivity, identity, and cultural representation.

๐™Ž๐™š๐™ฉ ๐™›๐™ค๐™ง ๐™ˆ๐™–๐™ฎ ๐Ÿ‘๐ŸŽ, ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐™›๐™ง๐™ค๐™ข ๐ŸŽ๐Ÿ–:๐ŸŽ๐ŸŽ๐˜ผ๐™ˆ ๐™ฉ๐™ค ๐Ÿ๐Ÿ:๐ŸŽ๐ŸŽ๐™‰๐™‰ ๐™ซ๐™ž๐™– ๐™•๐™ค๐™ค๐™ข ๐™๐™š๐™ก๐™š๐™˜๐™ค๐™ฃ๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š, ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” seeks to emphasize the diversity of Mindanao Indigenous Literature and Cultural Poetics through dialogues and presentations that promote critical interaction with literature, identity, heritage, and representation.

As participants converge in this virtual space, the occasion becomes an opportunity to reflect on and envision literature as a powerful means of memory, defiance, innovation, and transformation. By connecting scholarly exploration with cultural creativity, ๐™๐™„๐™‰๐™๐˜ฝ๐˜ฟ๐˜ผ๐™‰ emphasizes that literature is not merely produced โ€“ it is experienced, passed down, performed, and perpetually revitalized through communities and generations.

Through this initiative, ๐™๐™Ž๐™š๐™‹ ๐™ˆ๐˜ผ๐™‡๐™„๐™ continues to champion a vibrant intellectual tradition that recognizes Mindanao not merely as a geographic space but as a profound source of knowledge, creativity, and cultural possibility.

Join us as we celebrate the enduring power of literature to preserve heritage, amplify voices, and reimagine our collective future.









Photos from USeP Handurawan's post 14/05/2026

๐ƒ๐€๐†๐€๐˜๐ƒ๐€๐˜ 2: ๐๐จ๐ญ ๐š ๐†๐ž๐ง๐ญ๐ฅ๐ž ๐…๐ฅ๐จ๐ฐ, ๐๐ฎ๐ญ ๐š ๐‘๐ข๐ฏ๐ž๐ซ ๐จ๐Ÿ ๐…๐ข๐ซ๐ž ๐Ÿ”ฅ

Magpugay kay humana ang ๐ƒ๐€๐†๐€๐˜๐ƒ๐€๐˜ 2! Held last May 8, 2026, this student-led virtual writing workshop turned the online space into a hub of productive dialogue.

๐Œ๐ฌ. ๐‰๐ž๐ฐ๐ž๐ฅ ๐Œ๐š๐ง๐ฌ๐ข๐š opened with remarks celebrating the event's themeโ€”transforming "Dagayday" from a gentle stream into a persistent fire. She praised the students' determination despite setbacks. Guest speaker ๐Œ๐ซ. ๐‰๐š๐๐ž ๐Œ๐š๐ซ๐ค ๐‚๐š๐ฉ๐ขรฑ๐š๐ง๐ž๐ฌ, two-time Palanca awardee and President of the Davao Writers Guild, delivered a sharp discussion on imageryโ€”calling it simple yet often misunderstood.

๐๐€๐‹๐‚๐’ ๐ƒ๐š๐ ๐ข๐ญ๐š๐› then presented featured works: poems "๐‚๐จ๐ฆ๐Ÿ๐จ๐ซ๐ญ" (Jessa Mae Oranza), "๐“๐ก๐ž ๐“๐š๐ฌ๐ญ๐ž ๐จ๐Ÿ ๐’๐ฐ๐ž๐ž๐ญ๐ง๐ž๐ฌ๐ฌ" (Ella Rose Ampilan) and "๐“๐ฌ๐จ๐ค๐จ๐ฅ๐š๐ญ๐ž ๐๐š๐ญ๐ข๐ซ๐จ๐ฅ" (Danielle Abonero), and flash fictions "๐“๐ž๐ง๐๐ž๐ซ ๐‚๐ก๐š๐ง๐ ๐ž" (Collin Macaraeg), "๐๐ž๐ ๐จ๐ญ๐ญ๐ž๐ง ๐’๐จ๐ง" (Danielle Abonero) and "๐ƒ๐š๐ ๐š๐ง ๐ฌ๐š ๐Š๐ข๐ง๐š๐›๐ฎ๐ก๐ข" (Garvin Balicuat).

Mr. Capiรฑanes led a constructive critiquing session, reminding everyone to "charge meaning into the written subject." BALCS students and other participants joined the discussion, enriching the dialogue. The workshop then closed with an open floor where Mr. Capiรฑanes enthusiastically answered queries and shared writing tips.

This was Dagayday in its truest formโ€”not a calm stream, but a Dilaab sa Dakong Tinguha. The heat in every question asked, the fire in every word critiqued, the molten courage to pursue a great desire. As the virtual room faded, what remained was not just a workshop completed, but an inferno lit in each participantโ€”burning fiercely, carving new paths, and illuminating every story yet to be written.

๐‹๐š๐ ๐ข'๐ญ ๐ฅ๐š๐ ๐ข ๐ฉ๐š๐ซ๐š ๐ฌ๐š ๐’๐ข๐ง๐ข๐ง๐ , ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š, ๐š๐ญ ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐š!






Photos from USeP Handurawan's post 13/05/2026

๐๐€๐‹๐‚๐’ ๐Š๐ข๐ง๐š๐š๐๐ฆ๐š๐ง ๐‡๐ข๐ ๐ก๐ฅ๐ข๐ ๐ก๐ญ๐ž๐ ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐žโ€™๐ฌ ๐‘๐จ๐ฅ๐ž ๐ข๐ง ๐‚๐จ๐ง๐ญ๐ž๐ฆ๐ฉ๐จ๐ซ๐š๐ซ๐ฒ ๐๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ ๐š๐ญ ๐‹๐ข๐ญ ๐๐ซ๐š๐ฑ 2026

The pioneering ๐‹๐ข๐ญ ๐๐ซ๐š๐ฑ 2026, held last May 8, gathered 34 case studies presented by the BALCS 2 students as one of their final requirements for the course ๐‹๐‚๐’ 229: ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐ž ๐š๐ง๐ ๐ญ๐ก๐ž ๐๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ. The round table discussion, organized by the instructor, ๐€๐ฌ๐ฌ๐ญ. ๐๐ซ๐จ๐Ÿ. ๐‰๐จ๐ฌ๐ž๐ฉ๐ก๐ข๐ง๐ž ๐Œ๐š๐ฒ ๐†๐ซ๐š๐œ๐ž ๐€. ๐…๐š๐ฆ๐จ๐ฌ๐จ, enabled the students to draw meaningful connections and reaffirm the importance of literature across different professional fields.

The BALCS 2 students selected various literary texts to analyze and connect with specific professions. Five (5) students were recognized as ๐๐ž๐ฌ๐ญ ๐๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐ž๐ซ๐ฌ, namely:

๐‘๐ก๐จ๐ง ๐‰๐ฎ๐ฌ๐ญ๐ข๐ง๐ž ๐’๐š๐ฆ๐จ๐๐š๐ฅโ€“ Mom's Favorite Toy to Play: A Case Study on Jennette McCurdy's Artistry in I'm Glad My Mom Died

๐€๐ญ๐ก๐ž๐ง๐š ๐๐ข๐œ๐จ๐ฅ๐ž๐ญ๐ญ๐ž ๐’๐ž๐ง๐จ๐ง โ€“ All Animals under Authority: A Case Study of Dehumanization in Smaller and Smaller Circles by F.H. Batacan

๐€๐ง๐ ๐ž๐ฅ๐š ๐Œ๐š๐ฒ ๐๐ข๐›๐š๐ญ โ€“ The I in AI: A Techno-Existential Investigation on Kazuo Ishiguro's Klara and the Sun

๐‰๐จ๐ก๐š๐ง๐ง๐š๐ก ๐Œ๐ข๐ญ๐ณ๐ข ๐‡๐จ๐œ๐ฌ๐จ๐ง โ€“ Recipes as Womenโ€™s Voice: The Significance of Food in Literature in Like Water for Chocolate by Laura Esquivel

๐Œ๐š๐ซ๐ข๐š ๐‹๐ฒ ๐Œ๐š๐ ๐ก๐ข๐ง๐š๐ฒ โ€“ Justice Amid Social Inequality: A Case Study of My Father Goes to Court by Carlos Bulosan

Meanwhile, the students comprising ๐๐š๐ง๐ž๐ฅ 5 under the ๐“๐ž๐œ๐ก๐ง๐ข๐œ๐š๐ฅ ๐’๐ž๐ซ๐ฏ๐ข๐œ๐ž๐ฌ ๐…๐ข๐ž๐ฅ๐ were awarded as the Best Panel of the event namely:

๐‚๐ฒ๐ซ๐š ๐Œ๐š๐ž ๐€๐๐จ๐ซ๐ข๐œ๐จ
๐๐ซ๐ž๐œ๐ข๐จ๐ฎ๐ฌ ๐†๐ž๐ฆ ๐๐š๐ฅ๐จ๐ง๐ช๐ฎ๐ข๐ญ
๐Œ๐š๐ซ๐ค ๐“๐ฒ๐ซ๐จ๐ง๐ž ๐„๐ฌ๐ฉ๐ž๐ซ๐š๐ง๐ณ๐š
๐Œ๐š๐ซ๐ข๐š ๐‹๐ฒ ๐Œ๐š๐ ๐ก๐ข๐ง๐š๐ฒ
๐€๐ณ๐ณ๐ข๐ง๐ž๐ญ๐ก ๐…๐š๐ฒ๐ž ๐Œ๐š๐ซ๐š
๐Š๐ก๐ซ๐ข๐ฌ๐ญ๐ฒ๐ง๐ž ๐€๐ง๐ ๐ž๐ฅ๐ข๐ช๐ฎ๐ž ๐Œ๐š๐ซ๐œ๐ข๐š๐ฅ
๐Œ๐š๐ซ๐ ๐š๐ฎ๐ฑ ๐Œ๐š๐ ๐ก๐ข๐ง๐š๐ฒ

๐‹๐ข๐ญ ๐๐ซ๐š๐ฑ 2026 has truly emphasized how analyzing and evaluating literary texts enable professionals to become more effective, creative, and socially aware.

With this, the BALCS students proved that literature remain essential in shaping well-rounded individuals who can think critically, communicate effectively, and respond thoughtfully to real-world challenges.






07/05/2026

๐…๐ซ๐จ๐ฆ ๐ซ๐ข๐ฉ๐ฉ๐ฅ๐ž๐ฌ ๐ญ๐จ ๐Ÿ๐ฅ๐š๐ฆ๐ž๐ฌโ€” ๐ƒ๐€๐†๐€๐˜๐ƒ๐€๐˜ ๐ซ๐ž๐ญ๐ฎ๐ซ๐ง๐ฌ ๐Ÿ”ฅ

Join us this May 8, 2026 and unleash the power of your words at ๐ƒ๐€๐†๐€๐˜๐ƒ๐€๐˜ 2: ๐ƒ๐ข๐ฅ๐š๐š๐› ๐’๐š ๐ƒ๐š๐ค๐จ๐ง๐  ๐“๐ข๐ง๐ฎ๐ง๐ ๐ก๐š. A creative writing workshop crafted for LCS 126 BALCS students, designed to nurture their literary craft and deepens engagement with Mindanaoan writing and literature.

To set ๐ƒ๐€๐†๐€๐˜๐ƒ๐€๐˜ 2 ablaze, we are honored to be joined by ๐Œ๐ซ. ๐‰๐š๐๐ž ๐Œ๐š๐ซ๐ค ๐‚๐š๐ฉ๐ขรฑ๐š๐ง๐ž๐ฌ, the President of Davao Writers Guild, a two-time Palanca awardee and the author of the novel โ€œnot in the mood for loveโ€ (2026), and the flash fiction collection โ€œHow to Grieveโ€ (2022).

From Davao City to the countryโ€™s top writers workshops, and now pursuing his Master of Fine Arts in Creative Writing at De La Salle University, Sir Jade brings a wealth of experience, insight, and passion for the written word.

Prepare to set your pages on fire with words shaped in every form the mind can imagine!

See you there!





Photos from USeP Handurawan's post 07/05/2026

๐†๐ž๐ญ ๐ซ๐ž๐š๐๐ฒ ๐Ÿ๐จ๐ซ ๐‹๐ข๐ญ๐๐ซ๐š๐ฑ 2026!โœจ

The course ๐ˆ๐ง๐ญ๐ซ๐จ๐๐ฎ๐œ๐ญ๐ข๐จ๐ง ๐ญ๐จ ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐ž ๐š๐ง๐ ๐ญ๐ก๐ž ๐๐ซ๐จ๐Ÿ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ (๐‹๐‚๐’ 229) proudly brings you LitPrax, a roundtable discussion on literary praxis.

LitPrax serves as a platform for BALCS students enrolled in the course to present their research findings, exchange ideas, and bring literature to life.

Be part of the discussion! Join us on ๐Œ๐š๐ฒ 8, 2026, from 8:00 ๐€๐Œ to 11:00 ๐๐.






Photos from USeP Handurawan's post 06/05/2026

๐Š๐€๐’๐ˆ๐Š๐€๐’ ๐’๐€ ๐Š๐€๐†๐€๐๐ˆ๐-๐Ž๐: ๐€ ๐๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐‹๐ข๐ญ๐ž๐ซ๐š๐ญ๐ฎ๐ซ๐ž ๐Œ๐จ๐ง๐ญ๐ก ๐’๐ฉ๐ž๐œ๐ข๐š๐ฅ โœ’๏ธ

In celebration of National Literature Month, ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐ presented ๐Š๐š๐ฌ๐ข๐ค๐š๐ฌ ๐ฌ๐š ๐Š๐š๐ ๐š๐›๐ข๐ง-๐จ๐ง, an evening dedicated to the many forms of literary and artistic expression last April 28, 2026. Held with the intent to foster a deeper appreciation for local storytelling, the activity brought together poets, performers, and filmmakers.

The program was structured as an interchange between film screenings and live performancesโ€”a deliberate pacing that allowed audiences to move between visual and spoken narratives. Four multi- awarded films from both on and off campus were presented throughout the evening: ๐Š๐ฎ๐ซ๐ข๐ฌ, ๐๐š๐ฆ๐š๐ญ๐ข๐š, ๐๐ข๐œ๐š, and ๐ข๐†๐€๐๐†. Between the films, the audience witnessed spoken poetries, song performances, storytelling, and poetry readings from the students which further enriched the lineup.

A dedicated segment for critiquing followed the final film screening, wherein film directors and audience members engaged in a constructive dialogueโ€” analyzing themes, techniques, and narratives. This was followed by a special performance from the BALCS Faculty, which brought even more festivity to the event.

Closing the gathering, Ella May Segui, President of ๐‡๐€๐๐ƒ๐”๐‘๐€๐–๐€๐, emphasized the vital role of both literature students and students who love literatureโ€”reminding them that within their words lies the power to seek justice and cradle nature with care. With a heart full of gratitude, she honored each member whose swift and steadfast efforts brought the gathering to life, turning urgency into unity and purpose into story.

The ๐Š๐š๐ฌ๐ข๐ค๐š๐ฌ ๐ฌ๐š ๐Š๐š๐ ๐š๐›๐ข๐ง-๐จ๐ง served not only as a celebration of literature but as a working model of student-led cultural programmingโ€”proof that storytelling, whether through verse or film, remains a vital act of community building.

Lagi't Lagi Para sa Sining, Literatura, at Kultura! ๐ŸคŽ







Photos from USeP Handurawan's post 30/04/2026

[๐–๐‡๐€๐“โ€™๐’ ๐‹๐ˆ๐“ ๐Ÿ”ฅ]

โ€œLittle peopleโ€” how peculiar they must be.โ€
What if the smallest things we lose carry the biggest mysteries?

Our featured writer, Maria Christina Rosales, a 4th year Bachelor of Arts in Literature and Cultural Studies student, weaves curiosity and quiet wonder in her piece Little Peopleโ€”where missing trinkets, childhood imagination, and unseen worlds blur into one enchanting thought: perhaps we are not alone in the spaces we call ours.

This piece was published in SunStar Davao, further bringing its quiet magic to a wider audience.





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