Aikido Heaven & Earth Juku

Aikido Heaven & Earth Juku The Aikido Heaven & Earth Juku(school) was founded by Sensei Low in 2000 in accordance to the teachings and ideas of our Sensei, the late Seiichi Sugano.

11/07/2026

The mind shapes your behaviour. 相由心生。

11/07/2026
28/04/2026

The 63rd All Japan Aikido Embukai will be held as detailed below.
Admission is free.We look forward to welcoming you.

Date: May 23rd, 2026 (Saturday)
Doors Open: 11:00
Opening Ceremony: 12:00

Location: Nippon Budokan (https://www.nipponbudokan.or.jp/english)

2-3 Kitanomarukoen, Chiyoda, Tokyo 102-8321

Organized by the Aikikai Foundation

Sponsored by:
Japan Sports Agency
Tokyo Metropolis
Nippon Budokan Foundation
NHK
Nikkan Sports Holdings

With the cooperation of:
Japan Aikido Federation
All Japan University Student Aikido Federation

* Registration for Embu participants is now closed.

■Due to the 63rd All Japan Aikido Embukai, Aikido Hombu Dojo classes will be done in following schedule on May 23.
Regular 6:30~7:30 a.m
Beginners 7:00~8:00 a.m

第63回全日本合気道演武会を下記のとおり開催いたします(入場無料)。
皆さまのご来場ならびにご観覧を心よりお待ち申し上げます。

日 時:令和8年5月23日(土)午前11時開場 正午開会
会 場:日本武道館(千代田区北の丸公園2-3)
主 催:公益財団法人合気会
協 力:全日本合気道連盟、全国学生合気道連盟
後 援:スポーツ庁、東京都、公益財団法人日本武道館、NHK、 日刊スポーツホールディングス

※演武参加者の受付はすでに終了しております。

■全日本合気道演武大会のため
合気道本部道場5月23日(土)の稽古は下記の通りとなります。
一般クラス 6:30~7:30
初心者クラス 
7:00~8:00

01/02/2026

The beauty of aikido. Anywhere you can also practice aikido. Cheer!!

31/01/2026

𝗔 𝗯𝗶𝗴 𝗵𝘂𝗴 𝗮𝗻𝗱 𝘁𝗵𝗮𝗻𝗸 𝘆𝗼𝘂 𝘁𝗼 𝗲𝘃𝗲𝗿𝘆𝗼𝗻𝗲 𝗳𝗼𝗿 𝘆𝗼𝘂𝗿 𝗲𝘃𝗲𝗿 𝗹𝗮𝘀𝘁𝗶𝗻𝗴 𝘀𝘂𝗽𝗽𝗼𝗿𝘁 𝗮𝗻𝗱 𝗲𝗻𝗰𝗼𝘂𝗿𝗮𝗴𝗲𝗺𝗲𝗻𝘁 𝘁𝗵𝗿𝗼𝘂𝗴𝗵𝗼𝘂𝘁 𝘁𝗵𝗲 𝘆𝗲𝗮𝗿𝘀 𝘁𝗼 𝗳𝗼𝗹𝗹𝗼𝘄 𝗺𝘆 𝗽𝗼𝘀𝘁𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝘁𝗼 𝘁𝗵𝗼𝘀𝗲 𝘁𝗵𝗮𝘁 𝗵𝗮𝘀 𝗳𝗼𝗹𝗹𝗼𝘄𝗲𝗱 𝗺𝗲 𝗶𝗻 𝗺𝘆 𝘁𝗲𝗮𝗰𝗵𝗶𝗻𝗴. 𝗔𝗿𝗶𝗴𝗮𝘁𝗼𝗼 𝗴𝗼𝘇𝗮𝗶𝗶𝗺𝗮𝘀𝗵𝘂.🙏🙌

"𝐓𝐨 𝐛𝐞 𝐛𝐨𝐮𝐧𝐝 𝐛𝐲 𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐦𝐚𝐫𝐭𝐢𝐚𝐥 𝐚𝐫𝐭 𝐬𝐭𝐲𝐥𝐞 𝐨𝐫 𝐬𝐭𝐲𝐥𝐞𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐢𝐧𝐝𝐥𝐞𝐬𝐬, 𝐞𝐧𝐬𝐥𝐚𝐯𝐞𝐝 𝐦𝐚𝐫𝐭𝐢𝐚𝐥 𝐚𝐫𝐭𝐢𝐬𝐭, 𝐛𝐮𝐭 𝐭𝐨 𝐛𝐞 𝐢...
31/01/2026

"𝐓𝐨 𝐛𝐞 𝐛𝐨𝐮𝐧𝐝 𝐛𝐲 𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐦𝐚𝐫𝐭𝐢𝐚𝐥 𝐚𝐫𝐭 𝐬𝐭𝐲𝐥𝐞 𝐨𝐫 𝐬𝐭𝐲𝐥𝐞𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐦𝐢𝐧𝐝𝐥𝐞𝐬𝐬, 𝐞𝐧𝐬𝐥𝐚𝐯𝐞𝐝 𝐦𝐚𝐫𝐭𝐢𝐚𝐥 𝐚𝐫𝐭𝐢𝐬𝐭, 𝐛𝐮𝐭 𝐭𝐨 𝐛𝐞 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 𝐛𝐲 𝐭𝐡𝐞 𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐦𝐚𝐫𝐭𝐢𝐚𝐥 𝐚𝐫𝐭 𝐚𝐧𝐝 𝐭𝐨 𝐚𝐜𝐡𝐢𝐞𝐯𝐞 𝐟𝐮𝐫𝐭𝐡𝐞𝐫 𝐡𝐞𝐢𝐠𝐡𝐭𝐬 𝐢𝐬 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐨𝐟 𝐠𝐞𝐧𝐢𝐮𝐬.”

Bruce Lee’s relationship to, and understanding of, tradition, was much more nuanced and complex and most people think. People often think that Bruce was just anti-tradition, but the reality is actually very different.

He actually saw tradition as a tool,  and like any tool it can be used creatively or more destructively. Here’s what he wrote about the utilisation of tradition:

“To be bound by traditional martial art style or styles is the way of the mindless, enslaved martial artist, but to be inspired by the traditional martial art and to achieve further heights is the way of genius.”

So what Bruce Lee is doing here is differentiating between being bound by tradition, and being inspired by tradition. A really important and incredibly powerful distinction.

And the beauty of this idea, is that you can apply it way beyond just the concept of tradition. This is a universal concept from Bruce, about not being bound by things and trapped by them, but using them as tools for personal growth and development…

Dragon magic!

More Bruce Lee at:

https://m.youtube.com/-p3t

31/01/2026

Hiroyuki Sanada’s journey is one of quiet mastery, relentless discipline, and deep respect for tradition. Long before Hollywood recognized his presence, Sanada was already a seasoned performer in Japan—an actor shaped by physical rigor, classical training, and a lifelong connection to the philosophy of the samurai. His success overseas was not sudden or accidental; it was earned through decades of patience, refinement, and unwavering standards.

Sanada began his career as a child actor, but what truly set him apart was his background in martial arts and action cinema. Trained under legendary figures in Japanese film, he learned early that action was not just movement—it was storytelling. Every stance, every strike, every pause had meaning. This discipline carried over into his dramatic performances, giving his characters a grounded intensity that felt authentic rather than theatrical.

In Japan, Sanada became known for his versatility. He moved effortlessly between historical epics, modern dramas, stage performances, and action films. Whether portraying samurai, soldiers, or ordinary men facing extraordinary circumstances, he brought emotional restraint and inner conflict to the surface. His performances were never loud, yet they were impossible to ignore. This balance of strength and subtlety would later become his signature in international cinema.

When Sanada transitioned to Hollywood, he faced a challenge many Japanese actors before him could not overcome: resisting typecasting. Rather than accepting roles that reduced him to stereotypes, he chose projects carefully. Even when offered fewer lines, he insisted that his characters have dignity, purpose, and cultural accuracy. This insistence sometimes cost him opportunities—but it preserved his integrity, and in the long run, it elevated his reputation.

Films like The Last Samurai, 47 Ronin, and later major international projects introduced global audiences to an actor who didn’t need exposition to command attention. Sanada’s presence alone conveyed honor, resolve, and emotional weight. Directors trusted him not just as an actor, but as a cultural bridge—someone who could authentically represent Japanese history, values, and worldview without compromise.

Behind the scenes, Sanada is known for the same discipline he displays on screen. He trains extensively, respects the crew, and treats every role—large or small—with seriousness. Colleagues often describe him as calm, precise, and deeply professional. In many ways, he embodies the modern form of bushidō: loyalty to craft, humility in success, and constant self-improvement.

His later career, especially with internationally acclaimed series and films, cemented his status not merely as a Japanese actor in Hollywood, but as a global performer. He didn’t “break into” Hollywood by force—he earned his place through consistency, cultural pride, and excellence. Each role added another layer to his legacy, proving that authenticity can travel across languages and borders.

Hiroyuki Sanada’s story is not about fame alone. It’s about carrying tradition into new worlds without losing oneself. Like a true samurai, he walks forward with discipline, respect, and quiet strength—and Hollywood, in time, learned to meet him on his terms.

31/01/2026

In 1933 Hibuse Masafumi participated in a seminar with Judo instructor Tsushima Hyouichi (対馬彪一 / a 6th Dan All Japan Champion):

"He told us that his Aikido master, Mr. Moritaka Ueshiba, was truly a world-class martial artist, and that a group of more than a dozen martial artists attacked him all at once, but he was able to throw them without effort, even when they were holding him by his limbs. When he was struck with a fist, the blow did not land, and even when a bullet was fired, it did not hit him. "Our martial artists are no match for him, and even Miyamoto Musashi would not have been a match for him," he said. I was deeply impressed by this story."

"After that, I happened to read an article about Aikido in the monthly martial arts magazine "Judo". The article stated that the art of Aiki-jujutsu originated by Minamoto no Yoshimitsu and passed down through Sokaku Takeda was being called Aikido and taught by Ueshiba Moritaka to the Imperial Family, at the military academies, and to the Military Police."

Inspired by these tales, the young Hibuse Masafumi joined the Kempeitai (the Japanese Military Police), hoping to be able to train with Ueshiba Moritaka as well.

”I studied under Mr. Ueshiba for a few months. He taught me a lot of things. He taught me the principles of Budo, including how to use my body to control the power in my hands and feet. He also taught me how to use my mind to control the power in my hands and feet."

Hibuse Masafumi (火伏正文), "Aikido and the Military Police"

He would later be promoted to 8th Dan by Ueshiba Kisshomaru.

04/01/2026
04/01/2026

Address

15-3 (3rd Floor), Jalan Puteri 1/4, Bandar Puteri
Puchong
47100

Opening Hours

Tuesday 20:00 - 23:00
Friday 20:00 - 23:00
Saturday 10:00 - 18:30
Sunday 15:00 - 18:30

Telephone

+60162216138

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