Chong Chia Wee Piano Tutor

在教师细致入微的指导下，结合学生的专注练习，这位学生得以呈现出技术精湛且充满表现力的演奏。

Under the meticulous guidance of the teacher, combined with the student’s focused practice, the student delivers a technically proficient and expressive performance.

Piece: Tarentella
Instrument: Piano

翻到两年前的一段影片，记录的是那段时间在弹的 Liszt《 Après une lecture du Dante 》。
当时只是很单纯地练、录、存档，现在回头再听，技术和理解都还有很多可以进步的地方，但也挺真实地保留了那个阶段的状态。
就当作一次小小的回顾，把这段旧录像分享出来 📹🎹

Found this video from two years ago—me playing Liszt’s Après une lecture du Dante.
At the time, it was just part of my regular practice and recording routine. Listening back now, there’s definitely room for growth, but it also captures where I was at that moment.
Sharing this as a small throwback 🎹

《降E大调夜曲，作品9之第二首》是弗雷德里克·肖邦（Frédéric Chopin） 于 1830–1832 年间 创作的钢琴夜曲，首次发表于 1832 年，是他作品9三首夜曲中的第二首，也是最为著名的一首。它以 优雅的旋律、丰富的装饰音和细腻的节奏自由（rubato）著称，右手歌唱般的主题与左手轻柔的伴奏交织出浪漫梦幻的氛围。这首作品被视为浪漫主义钢琴夜曲的典范之一，常出现在演奏会和影视作品中。

Nocturne in E‑flat Major, Op. 9, No. 2 is one of Frédéric Chopin’s most celebrated piano pieces, composed between 1830 and 1832 and published in 1832 as part of his Nocturnes, Op. 9. Known for its lyrical, singing melody and ornamented variations, the piece features a flowing left‑hand accompaniment and expressive rubato that embody the Romantic era’s poetic style. It remains a beloved classic in the piano repertoire and a quintessential example of Chopin’s nighttime‑inspired music.

《D 大调穆塞特》（Musette in D Major, BWV Anh. 126）出自 《安娜·玛格达莱娜·巴赫笔记本》（Notebook for Anna Magdalena Bach），这是约 1725 年 巴赫为其妻子整理的家庭音乐集。该曲模仿了一种名为 穆塞特（musette） 的小型巴格派管风乐器风格，通常用轻快的低音伴随明朗的旋律，节奏活泼、充满田园色彩。虽然作品署名在巴赫笔记本中，但关于作者身份仍存一些争议，它展示了巴洛克时期的舞曲风格与精致的音响效果。

Musette in D Major, BWV Anh. 126 comes from the Notebook for Anna Magdalena Bach (circa 1725), a collection of keyboard pieces that Johann Sebastian Bach compiled for his wife. The term musette refers to a small bagpipe‑like instrument popular in Baroque music, and this piece imitates that style with a cheerful melody over a drone‑like bass. Though included in Bach’s notebook, the exact authorship is uncertain. Its bright and playful character makes it a delightful short piece from the Baroque era.

《G 大调小步舞曲》（Minuet in G Major, BWV Anh. 114）出现在 《安娜·玛格达莱娜·巴赫笔记本》（1725 年），这是一部约翰·塞巴斯蒂安·巴赫为妻子收集的音乐集。虽然传统上以巴赫名义收录，但这首小步舞曲实际上是 德国巴洛克作曲家 克里斯蒂安·佩措尔德（Christian Petzold） 所作，它典雅明快、旋律优美，是古典钢琴学习者最熟悉的作品之一。

Minuet in G Major, BWV Anh. 114 is a charming Baroque minuet included in the Notebook for Anna Magdalena Bach (1725), a music collection that Johann Sebastian Bach compiled for his second wife. Although traditionally attributed to Bach in the catalog, the piece was actually composed by Christian Petzold. Its graceful and simple melody has made it a beloved and familiar piece in the classical piano repertoire.

《致爱丽丝》（德语 Für Elise）是德国作曲家路德维希·范·贝多芬于 1810 年创作的一首钢琴小品（Bagatelle No. 25, WoO 59）。这首作品虽然在贝多芬生前未发表，直到他去世约 40 年后才被人发现并出版，但它已经成为最广为人知、最受喜爱的古典钢琴曲之一。曲名中的“爱丽丝”真实身份至今未有定论，有学者认为原本可能是“致特蕾塞（Therese）”，因手稿书写潦草而被误读为“Elise”。这段优美忧郁的旋律象征着浪漫与怀念，深深打动了无数听众。

Für Elise (Bagatelle No. 25 in A minor, WoO 59) is a beloved piano piece by Ludwig van Beethoven, composed in 1810. Although it was not published during Beethoven’s lifetime and only discovered and printed about four decades after his death, it has become one of the most iconic and widely recognized works in classical music. The identity of “Elise” remains a mystery — some scholars believe the title may have originally referred to “Therese,” misread due to Beethoven’s handwriting. With its charming, wistful melody, Für Elise continues to captivate audiences around the world.