Zoltan MX Clases de violín CDMX

Throwback Tuesday

Bach trifft Appenzell - wie klingt es jedoch tatsächlich, wenn Motive und Vorlagen Bachs im Gewand und Instrumentarium der Appenzeller Volksmusik daherkommen? Lutherchoral meets Hackbrett: Der Geiger, Komponist und Arrangeur Noldi Alder und seine «Klangkombi» laden im stimmungsvollen Ambiente des Volkskunde-Museums Stein zu einer einzigartigen musikalischen Begegnung ein.

Helena Winkelman, Violine; Adrian Häusler, Violine und Viola; Nici Romano, Cello; André Ott, Kontrabass; Markus Lauterburg, Percussion; Noldi Alder, Violine, Hackbrett und Stimme.

(Das Video ist ein Ausschnitt von den Appenzeller Bachtagen 2014)

https://youtu.be/ZhpR8FiHsr8

Mehr Infos zu den Bachtagen 2022 finden Sie hier: https://www.bachtage.ch

Throwback Tuesday

Bach meets Appenzell - but what does it actually sound like when Bach's motifs and models come across in the garb and instruments of Appenzell folk music? Luther chorale meets dulcimer: the violinist, composer and arranger Noldi Alder and his "sound combination" invite you to a unique musical encounter in the atmospheric ambience of the Folklore Museum Stein.

Helena Winkelman, violin; Adrian Häusler, violin and viola; Nici Romano, cello; André Ott, double bass; Markus Lauterburg, percussion; Noldi Alder, violin, dulcimer and voice.

(The video is an excerpt from the Appenzeller Bachtage 2014)

https://youtu.be/ZhpR8FiHsr8

More info about the Bach Days 2022 can be found here: https://www.bachtage.ch/en/

"(Music acted) like a cure...My parents were astonished to find themselves confronted with a different boy who was suddenly concentrating on something concrete, instead of running about with his friends. I became the model son and student, with the highest grades. I even took up sports...everyone remarked on the transformation...I barely recognized myself and I couldn't understand what was happening. All of a sudden everyone wanted to know me and there I was trying to work out what had brought about the change. Before long, I came to the conclusion that the piano which I treasured and of which I was savagely possessive, had a lot to do with it. Heaven help anyone who so much as touched it! No one came between me and my beloved 'magical box.'"
-Leonard Bernstein

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