School of Casablanca

THANK YOU ! ✨
2600 people attended School of Casablanca exhibition and public events!!!! We are very grateful to our interns and who mediated the exhibition in all venues and to .kiche who accompanied 250 young visitors from various schools.

See you in Berlin on 15 February 2024!

🎞️ 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝘀𝗲𝗿𝗶𝗲𝘀 🎞️
“𝗩𝗶𝘀𝘂𝗮𝗹 𝗔𝗿𝘁𝘀 𝗮𝗻𝗱 𝗖𝗶𝗻𝗲𝗺𝗮: 𝗔 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗜𝗺𝗮𝗴𝗲 𝗶𝗻 𝗠𝗼𝗿𝗼𝗰𝗰𝗼”
𝗯𝘆 
𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗻𝗼. 𝟳, 𝗧𝗵𝗲 𝟳𝟬𝘀 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝗼𝘂𝗿 𝘃𝗶𝘀𝘂𝗮𝗹 𝗮𝗻𝗱 𝘀𝗼𝘂𝗻𝗱 𝗮𝗿𝗰𝗵𝗶𝘃𝗲𝘀
𝗕𝗲𝗳𝗼𝗿𝗲 𝘁𝗵𝗲 𝗗𝘆𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗟𝗶𝗴𝗵𝘁, 𝗔𝗹𝗶 𝗘𝘀𝘀𝗮𝗳𝗶 (𝟮𝟬𝟮𝟬, 𝟭𝟮𝟴’, 𝗰𝗼𝗹𝗼𝗿)
𝗪𝗶𝘁𝗵 𝘁𝗵𝗲 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿
🗓️Wednesday, January 3
⏱️19:00
📍American Arts Center

BEFORE THE DYING OF THE LIGHT In Morocco, the 1970s represented the final era when social struggles and aspirations for change were tangible. Referred to as the « Years of Lead, » this period marked the zenith of artistic and cultural productivity, shaping the initial generation of post-colonial Moroccan artists.
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𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗻𝗼. 𝟴, 𝗙𝗿𝗮𝗴𝗺𝗲𝗻𝘁𝘀 𝗼𝗳 𝗮𝗻 𝗔𝘂𝗱𝗶𝗼𝘃𝗶𝘀𝘂𝗮𝗹 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗔𝗿𝘁𝗶𝘀𝘁𝗶𝗰 𝗖𝗿𝗲𝗮𝘁𝗶𝗼𝗻 𝗶𝗻 𝗠𝗼𝗿𝗼𝗰𝗰𝗼
𝗙𝗶𝗹𝗺 𝗰𝗼𝗻𝗳𝗲𝗿𝗲𝗻𝗰𝗲 𝗯𝘆 𝗔𝗹𝗶 𝗘𝘀𝘀𝗮𝗳𝗶
🗓️Thursday, January 4
⏱️19:00
📍American Arts Center

Using a variety of archives, extracts, and fragments (i.e., filmed newsreels and reports produced by the Centre Cinématographique Marocain, Radiodiffusion Télévision Marocaine, Forces Armées Royales, etc.) gleaned from his research, filmmaker and researcher Ali Essafi explores the potential of film and audiovisual sources for writing a fragmentary history of artistic creation and the image in Morocco.

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📷 archives and photos // Bouanani archives.

Dear public

Due to the difficulties we have encountered with the Municipality of Casablanca, which has authorised access to the Annexe de l’église du Sacré-cœur and to the École Supérieure des beaux-arts de Casablanca until 17 December, and despite our repeated reminders to the Municipality to respect their agreement in principle for the duration of the 𝘚𝘤𝘩𝘰𝘰𝘭 𝘰𝘧 𝘊𝘢𝘴𝘢𝘣𝘭𝘢𝘯𝘤𝘢 exhibition planned between 11.11.23 and 14.10.24, we are forced to close the exhibition at 7pm on Sunday 31st December 2023.

We have fought and resisted to enable this project to exist in our city, despite the many difficulties and the lack of understanding by the local authorities of the cultural significance of the exhibition.

We would like to thank our partners , .de .books for their trust and commitment.

And of course, a massive thank you to all the participants: .rami.54584 .belghiti

See you in Berlin on 15 February 2024!

𝗗𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻 𝗕𝘆 𝗔𝗯𝗱𝗲𝘀𝗹𝗮𝗺 𝗭𝗶𝗼𝘂𝗭𝗶𝗼𝘂
𝗖𝗵𝗮𝗻𝗴𝗶𝗻𝗴 𝗔𝘀𝘆𝗹𝘂𝗺! 𝗖𝗿𝗼𝘀𝘀𝗼𝘃𝗲𝗿 𝗘𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲𝘀 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 𝗠𝗼𝗿𝗼𝗰𝗰𝗼 𝗮𝗻𝗱 𝗧𝘂𝗻𝗶𝘀𝗶𝗮
𝗪𝗶𝘁𝗵 𝗗𝗿. 𝗝𝗲𝗱𝗱𝗶 𝗮𝗻𝗱 𝗗𝗿. 𝗭𝗶𝗼𝘂 𝗭𝗶𝗼𝘂
𝗠𝗼𝗱𝗲𝗿𝗮𝘁𝗼𝗿: 𝗦𝘁𝗲𝗳𝗮𝗻𝗶𝗮 𝗣𝗮𝗻𝗱𝗼𝗹𝗳𝗼
🗓️Saturday, December 23
⏱️17:00
📍L’Annexe de l’église du Sacré-cœur

𝗨𝗿𝗯𝗮𝗻 𝗣𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲𝘀 𝗕𝘆 𝗠𝗮𝗻𝘂𝗲𝗹 𝗥𝗮𝗲𝗱𝗲𝗿, 𝗬𝗮𝘀𝘀𝗶𝗻𝗲 𝗦𝗲𝗹𝗹𝗮𝗺 𝗮𝗻𝗱 𝗕𝗲𝘂𝗿𝗱𝗶𝗲𝘀
𝗦𝗸𝗮𝘁𝗲 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
🗓️Saturday, December 23
⏱️11:00
📍La Coupole

Join us for a live demonstration of skateboarding on furniture designed by in collaboration with .amenagementurbain for .
This performance showcases the unique vision of skateboarders, who are continually redefining skate spots such as staircases, pavements and urban benches, which they see as artistic canvases. Urban Perspectives celebrate the fusion of skate culture and contemporary design, offering an immersive experience that embraces fusion of praxis and reimagines the urban environment.

𝗥𝗮𝘀𝘀 𝗺𝗲𝗻 𝗥𝗶𝘆𝗼𝘂𝘀 𝗲𝗹 𝗞𝗵𝗶𝘁/ 𝗞𝗵𝗶𝘆𝗼𝘂𝘁
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗦𝗲𝗿𝗶𝗲𝘀 𝗕𝘆 𝗔𝗺𝗶𝗻𝗮 𝗕𝗲𝗹𝗴𝗵𝗶𝘁𝗶 & 𝗦𝗼𝘂𝗸𝗮𝗶𝗻𝗮 𝗔𝘇𝗶𝘇 𝗘𝗹 𝗜𝗱𝗿𝗶𝘀𝘀𝗶
belghiti
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗻𝗼. 𝟯, 𝗪𝗶𝘁𝗵 𝗖𝗵𝗮𝗸𝗶𝗯 𝗬𝗲𝗺𝗹𝗮𝗵𝗶
🗓️Friday, December 22
⏱️18:00
📍DMC 13 (Derb Moulay Chérif Rue 13)

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For their latest performance, Amina Belghiti and Soukaina Aziz Idrissi invite dancer Chakib Yemlahi to join their rehearsal, focusing on the research and set design and toolbox.

« I was born, raised, and still live on Rue 13, Derb Moulay Cherif, Hay Mohammadi. As I’ve grown up and gained professional experience through personal research, I’ve discovered that the deep attachment I have to my neighborhood is mirrored by an entire country in a sort of myth frozen in time.

« Everything that contributes to the myth of this neighborhood appears to have come to a standstill in time. What about its history today? Its heroes? Its future? Its wounds? Its people? I aim to delve into this past, explore the present, and project myself into the future through dance and bodily expression. »

Chakib Yemlahi

𝗗𝗶𝘃𝗲 𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 ’𝟲𝟬𝘀 𝗮𝗻𝗱 ’𝟳𝟬𝘀 𝗦𝗼𝘂𝗻𝗱 𝗼𝗳 𝗠𝗼𝗿𝗼𝗰𝗰𝗼
𝗟𝗶𝘀𝘁𝗲𝗻𝗶𝗻𝗴 𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗕𝘆 𝗜𝗵𝘀𝘀𝗮𝗻 𝗙𝗶𝗮𝗰𝗵
𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗻𝗼. 𝟮, Thursday, December 21
⏱️19:00
📍The Digger with Dusty Fingers
(Résidence Andaloussia, Immeuble 16, rez-de-chaussée)

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إنغمس في صوت المغرب في الستينيات والسبعينيات
جلسات استماع من تقديم إحسان فياش
الجلسة رقم 2، الخميس 21 دجنبر، الساعة 19:00
الموقع: The Digger with Dusty Fingers
العنوان: إقامة الأندلسية، عمارة 16، الطابق السفلي

📷 Ayoub Bouinbaden

🎞️ 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝘀𝗲𝗿𝗶𝗲𝘀 🎞️
“𝗩𝗶𝘀𝘂𝗮𝗹 𝗔𝗿𝘁𝘀 𝗮𝗻𝗱 𝗖𝗶𝗻𝗲𝗺𝗮: 𝗔 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝘁𝗵𝗲 𝗜𝗺𝗮𝗴𝗲 𝗶𝗻 𝗠𝗼𝗿𝗼𝗰𝗰𝗼”
𝗯𝘆
𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗻𝗼. 𝟲, 𝗧𝗵𝗲𝘀𝗲 𝗳𝗼𝗿𝗲𝗶𝗴𝗻𝗲𝗿𝘀 𝘄𝗵𝗼 𝗰𝗮𝗺𝗲 𝘁𝗼 𝗼𝘂𝗿 𝗰𝗼𝘂𝗻𝘁𝗿𝘆, 𝗮𝘀 𝘀𝗲𝗲𝗻 𝗯𝘆 𝘂𝘀
𝗪𝗶𝘁𝗵 𝗧𝗮𝗵𝗮 𝗛𝘂𝘀𝘀𝗲𝗶𝗻, 𝗠𝗼𝘂𝗺𝗲𝗻 𝗦𝗺𝗶𝗵𝗶 (𝟮𝟬𝟭𝟱, 𝟵𝟬’, 𝘂𝗻𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗲𝗱 𝗳𝗶𝗹𝗺)
𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝗲𝗱 𝗯𝘆 𝗧𝗼𝘂𝗱𝗮 𝗕𝗼𝘂𝗮𝗻𝗮𝗻𝗶
🗓️Wednesday, December 20
⏱️19:00
📍American Arts Center
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📷 archives and photos // Bouanani archives.

𝙎𝙘𝙝𝙤𝙤𝙡 𝙤𝙛 𝘾𝙖𝙨𝙖𝙗𝙡𝙖𝙣𝙘𝙖 𝙋𝙪𝙗𝙡𝙞𝙘 𝙀𝙫𝙚𝙣𝙩𝙨
🔸𝗛𝗮𝗽𝗽𝗲𝗻𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝘄𝗲𝗲𝗸🔸

𝗙𝗶𝗹𝗺 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗕𝘆 𝗧𝗵𝗲 𝗔𝗿𝗰𝗵𝗶𝘃𝗲𝘀 𝗕𝗼𝘂𝗮𝗻𝗮𝗻𝗶 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲
𝗧𝗵𝗲𝘀𝗲 𝗳𝗼𝗿𝗲𝗶𝗴𝗻𝗲𝗿𝘀 𝘄𝗵𝗼 𝗰𝗮𝗺𝗲 𝘁𝗼 𝗼𝘂𝗿 𝗰𝗼𝘂𝗻𝘁𝗿𝘆, 𝗮𝘀 𝘀𝗲𝗲𝗻 𝗯𝘆 𝘂𝘀
𝗪𝗶𝘁𝗵 𝗧𝗮𝗵𝗮 𝗛𝘂𝘀𝘀𝗲𝗶𝗻, 𝗠𝗼𝘂𝗺𝗲𝗻 𝗦𝗺𝗶𝗵𝗶 (𝟮𝟬𝟭𝟱, 𝟵𝟬’, 𝘂𝗻𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗲𝗱 𝗳𝗶𝗹𝗺)
𝗜𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝗲𝗱 𝗯𝘆 𝗧𝗼𝘂𝗱𝗮 𝗕𝗼𝘂𝗮𝗻𝗮𝗻𝗶
🗓️Wednesday, December 20
⏱️19:00
📍American Arts Center
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𝗟𝗶𝘀𝘁𝗲𝗻𝗶𝗻𝗴 𝘀𝗲𝘀𝘀𝗶𝗼𝗻 𝗕𝘆 𝗜𝗵𝘀𝘀𝗮𝗻 𝗙𝗶𝗮𝗰𝗵
𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗻𝗼. 𝟮, 𝗗𝗶𝘃𝗲 𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 𝟲𝟬𝘀 𝗮𝗻𝗱 𝟳𝟬𝘀 𝗦𝗼𝘂𝗻𝗱 𝗼𝗳 𝗠𝗼𝗿𝗼𝗰𝗰𝗼
🗓️Thursday, December 21
⏱️19:00
📍The Digger with Dusty Fingers
Address: Résidence Andaloussia, Immeuble 16, rez-de-chaussée
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𝗥𝗮𝘀𝘀 𝗺𝗲𝗻 𝗥𝗶𝘆𝗼𝘂𝘀 𝗲𝗹 𝗞𝗵𝗶𝘁/ 𝗞𝗵𝗶𝘆𝗼𝘂𝘁
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗦𝗲𝗿𝗶𝗲𝘀 𝗕𝘆 𝗔𝗺𝗶𝗻𝗮 𝗕𝗲𝗹𝗴𝗵𝗶𝘁𝗶 & 𝗦𝗼𝘂𝗸𝗮𝗶𝗻𝗮 𝗔𝘇𝗶𝘇 𝗘𝗹 𝗜𝗱𝗿𝗶𝘀𝘀𝗶
belghiti
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗻𝗼. 𝟯, 𝗪𝗶𝘁𝗵 𝗖𝗵𝗮𝗸𝗶𝗯 𝗬𝗲𝗺𝗹𝗮𝗵𝗶
🗓️Friday, December 22
⏱️18:00
📍DMC 13 (Derb Moulay Chérif Rue 13)
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𝗨𝗿𝗯𝗮𝗻 𝗣𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲𝘀 𝗕𝘆 𝗠𝗮𝗻𝘂𝗲𝗹 𝗥𝗮𝗲𝗱𝗲𝗿, 𝗬𝗮𝘀𝘀𝗶𝗻𝗲 𝗦𝗲𝗹𝗹𝗮𝗺 𝗮𝗻𝗱 𝗕𝗲𝘂𝗿𝗱𝗶𝗲𝘀
𝗦𝗸𝗮𝘁𝗲 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲
🗓️Saturday, December 23
⏱️11:00
📍La Coupole
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𝗗𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻 𝗕𝘆 𝗔𝗯𝗱𝗲𝘀𝗹𝗮𝗺 𝗭𝗶𝗼𝘂𝗭𝗶𝗼𝘂
𝗖𝗵𝗮𝗻𝗴𝗶𝗻𝗴 𝗔𝘀𝘆𝗹𝘂𝗺! 𝗖𝗿𝗼𝘀𝘀𝗼𝘃𝗲𝗿 𝗘𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲𝘀 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 𝗠𝗼𝗿𝗼𝗰𝗰𝗼 𝗮𝗻𝗱 𝗧𝘂𝗻𝗶𝘀𝗶𝗮
𝗪𝗶𝘁𝗵 𝗗𝗿. 𝗝𝗲𝗱𝗱𝗶 𝗮𝗻𝗱 𝗗𝗿. 𝗭𝗶𝗼𝘂 𝗭𝗶𝗼𝘂
𝗠𝗼𝗱𝗲𝗿𝗮𝘁𝗼𝗿: 𝗦𝘁𝗲𝗳𝗮𝗻𝗶𝗮 𝗣𝗮𝗻𝗱𝗼𝗹𝗳𝗼
🗓️Saturday, December 23
⏱️17:00
📍L’Annexe de l’église du Sacré-cœur

𝗦𝗰𝗵𝗼𝗼𝗹 𝗼𝗳 𝗪𝗮𝗹𝗸𝗶𝗻𝗴 𝗕𝘆 𝗕𝗶𝗸 𝗩𝗮𝗻 𝗱𝗲𝗿 𝗣𝗼𝗹
𝗪𝗮𝗹𝗸 𝗻𝗼. 𝟱, 𝗪𝗶𝘁𝗵 𝗜𝗺𝗮𝗻𝗲 𝗗𝗷𝗮𝗺𝗶𝗹
🗓️Saturday, December 16
⏱️11:00
📍Daniel Buren’s installation at Le parc de la Ligue arabe

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Imane Djamil is a Moroccan storyteller and documentary photographer born in 1996 in Morocco, where she lives and works. Djamil engages viewers in photography projects imbued with the style of docudramas. Her works straddle the realistic and phantasmagoric. Her work has been exhibited in major venues, the latest being the Sharjah Art Foundation Biennale (2023). She is a contributor to the New York Times, Le Monde, Reuters among others. She has co-founded KOZ collective in 2020 alongside photographers M’hammed Kilito Seif Kousmate .kousmate and Yasmine Hatimi

For her School of Walking, Imane Djamil will take us through the cities and streets of Algeria. Djamil likes to walk, talk, laugh and also prank people sometimes. Meet her at (...) and head together to l’Assayag, one of Casablanca’s iconic buildings, in which she is currently hosting an exhibition with KOZ and collective 220 (Algeria).

Photo: Imane Djamil, Sans titre (Bejaia), 2022.

𝗥𝗮𝘀𝘀 𝗺𝗲𝗻 𝗥𝗶𝘆𝗼𝘂𝘀 𝗲𝗹 𝗞𝗵𝗶𝘁/ 𝗞𝗵𝗶𝘆𝗼𝘂𝘁
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗦𝗲𝗿𝗶𝗲𝘀 𝗕𝘆 𝗔𝗺𝗶𝗻𝗮 𝗕𝗲𝗹𝗴𝗵𝗶𝘁𝗶 & 𝗦𝗼𝘂𝗸𝗮𝗶𝗻𝗮 𝗔𝘇𝗶𝘇 𝗘𝗹 𝗜𝗱𝗿𝗶𝘀𝘀𝗶
belghiti
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗻𝗼. 𝟮, 𝗪𝗶𝘁𝗵 𝗛𝗮𝗻𝗮𝗻𝗲 𝗦𝗼𝗹𝘁𝗮𝗻𝗶
🗓️Friday, December 15
⏱️18:00
📍La Coupole

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Amina Belghiti and Soukaina Aziz Idrissi invite dancer Hanane Soltani to join their rehearsal, focusing on the research and set design and toolbox. Hanane, a 23-year-old artist and entrepreneur hailing from Agadir, Morocco, began her journey into the world of dance at the age of 14. Through intensive training across various styles, she developed a keen interest in pursuing a professional career as a dancer. Currently, Hanane has established a dynamic dance community dedicated to the unique style in which she specializes: « MA WAACKING. » This initiative aims to showcase the world’s first Moroccan waacking community through the facilitation of workshops and classes. She is an integral part of the NAYE DANCE COMPANY, founded by the olive writers at the American Art Center. Her involvement in this prestigious company reflects her commitment to artistic excellence, innovation, and the promotion of cultural diversity within the realm of dance.

𝗦𝗰𝗵𝗼𝗼𝗹 𝗼𝗳 𝗖𝗮𝘀𝗮𝗯𝗹𝗮𝗻𝗰𝗮 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻
𝗙𝗼𝗰𝘂𝘀 𝗼𝗻 𝗟’𝗔𝗻𝗻𝗲𝘅𝗲 𝗱𝗲 𝗹’𝗲𝗴𝗹𝗶𝘀𝗲 𝗱𝘂 𝗦𝗮𝗰𝗿𝗲-𝗰𝗼𝗲𝘂𝗿

Making Art Public

The Casablanca Art School artists-tutors sought to be present in various segments of society including public spaces, schools, hospitals, cultural magazines, and architectural projects in order to reach as wide an audience as possible. Their goal was to break free from traditional, institutional, and commercial constraints and integrate art into the urban fabric and society at large.
Working at the intersection of social sciences and artistic practice, Abdeslam Ziou Ziou has developed an investigation of an anti-psychiatric experience based on family archives. He brings forward this collective endeavor of artists, patients, doctors, hospital staff, and the public to resist normative standards. He opens up a space for transmission by providing access to the archives of Dr. Ziou Ziou and by inviting artists Fatine Arafati, Sophia Attigui, Sofiane Byari, Grocco-Trick 54, and Said Rami who produced works in dialogue with the archives of the Berrechid experiment.
The call to the artists taking part in this exhibition lies in the desire to make archives a place for creation and for expanding the political and institutional imagination.
Transmission begins with the ability to take charge of these archives, to let them express themselves in a dialogue that continues the life drive they contain. This proposal creates a concrete space for transmission, where a residual history is discussed, digested and reinterpreted according to each artist’s point of view.
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Images :
Exhibition view, School of Casablanca, Making Art Public, L’Annexe de l’église du Sacré-cœur, 2023.
Abdeslam Ziou Ziou with Fatine Arafati, Sophia Attigui, Sofiane Byari, Grocco-Trick 54, and Said Rami
Berrechid 81: On the energy of an impeded movement, 2023
In situ archival installation and creations.

📷 Ayoub Bouinbaden / Mohamed Morchidi
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