SHOT - Formazione Professionale per il Cinema

𝐀𝐏𝐄𝐑𝐓𝐄 𝐋𝐄 𝐈𝐒𝐂𝐑𝐈𝐙𝐈𝐎𝐍𝐈 𝟐𝟔/𝟐𝟕

Diventa un professionista del
𝐂𝐀𝐌𝐄𝐑𝐀 𝐃𝐄𝐏𝐀𝐑𝐓𝐌𝐄𝐍𝐓.

𝐒𝐂𝐄𝐆𝐋𝐈 𝐔𝐍𝐎 𝐃𝐄𝐈 𝐍𝐎𝐒𝐓𝐑𝐈 𝐂𝐎𝐑𝐒𝐈.

𝑳𝒂 𝒏𝒐𝒔𝒕𝒓𝒂 𝒎𝒊𝒈𝒍𝒊𝒐𝒓 𝒑𝒖𝒃𝒃𝒍𝒊𝒄𝒊𝒕𝒂̀?
𝑰 𝒕𝒊𝒕𝒐𝒍𝒊 𝒅𝒊 𝒄𝒐𝒅𝒂 𝒅𝒆𝒊 𝒇𝒊𝒍𝒎.

𝐄𝐗 𝐒𝐇𝐎𝐓, 𝐬𝐮𝐥 𝐬𝐞𝐭 𝐢𝐧 𝐪𝐮𝐞𝐬𝐭𝐢 𝐠𝐢𝐨𝐫𝐧𝐢.

‘𝐏𝐎𝐒𝐈𝐓𝐀𝐍𝐎’
PRODUZIONE NETFLIX
Director: DANIEL ROHER
Cinematographer: LOWELL A. MEYER

𝐌𝐀𝐑𝐂𝐎 𝐂𝐎𝐑𝐀𝐃𝐈𝐍 – 𝐃𝐢𝐠𝐢𝐭𝐚𝐥 𝐈𝐦𝐚𝐠𝐢𝐧𝐠 𝐓𝐞𝐜𝐡𝐧𝐢𝐜𝐢𝐚𝐧
(corso Cinematographer)
𝐓𝐎𝐌𝐌𝐀𝐒𝐎 𝐏𝐄𝐑𝐑𝐎𝐍𝐄 - 𝟐𝐧𝐝 𝐀𝐬𝐬𝐢𝐬𝐭𝐚𝐧𝐭 𝐂𝐚𝐦𝐞𝐫𝐚
(corso Focus Puller)
𝐄𝐋𝐄𝐎𝐍𝐎𝐑𝐀 𝐌𝐀𝐑𝐂𝐄𝐋𝐋𝐈 – 𝐯𝐢𝐝𝐞𝐨 𝐚𝐬𝐬𝐢𝐬𝐭
(corso Cinematographer)
𝐂𝐀𝐑𝐋𝐎𝐓𝐓𝐀 𝐍𝐀𝐒𝐏𝐈 – 𝐝𝐚𝐭𝐚 𝐦𝐚𝐧𝐚𝐠𝐞𝐫
(corso D.I.T.)
𝐅𝐑𝐀𝐍𝐂𝐄𝐒𝐂𝐎 𝐑𝐎𝐌𝐀𝐍𝐎 – 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐥𝐨𝐚𝐝𝐞𝐫
(corso Cinematographer)

‘𝐖𝐇𝐈𝐓𝐄 𝐋𝐈𝐄𝐒’
Director: OLIVER STONE
Cinematographer: DARIA D’ANTONIO
PRODUZIONE EAGLE PICTURES

𝐌𝐀𝐑𝐂𝐎 𝐏𝐀𝐋𝐌𝐈𝐄𝐑𝐈 - 𝐃𝐢𝐠𝐢𝐭𝐚𝐥 𝐈𝐦𝐚𝐠𝐢𝐧𝐠 𝐓𝐞𝐜𝐡𝐧𝐢𝐜𝐢𝐚𝐧
(corso D.I.T.)
𝐀𝐋𝐄𝐒𝐒𝐀𝐍𝐃𝐑𝐎 𝐒𝐂𝐇𝐈𝐔𝐑𝐑𝐔 – 𝐯𝐢𝐝𝐞𝐨 𝐚𝐬𝐬𝐢𝐬𝐭
(corso Cinematographer)

‘𝐈𝐍𝐕𝐈𝐃𝐈𝐎𝐒𝐀’
Director: MILENA COCOZZA - ALESSIA LAURIA STONE
Cinematographer: BENJAMIN MAIER
PRODUZIONE CATTLEYA

𝐕𝐀𝐋𝐄𝐑𝐈𝐀 𝐀𝐑𝐃𝐔𝐈𝐍𝐈 – 𝐝𝐚𝐭𝐚 𝐦𝐚𝐧𝐚𝐠𝐞𝐫
(corso Cinematographer)
𝐕𝐀𝐋𝐄𝐑𝐈𝐎 𝐃𝐈 𝐄𝐆𝐈𝐃𝐈𝐎 – 𝐜𝐚𝐦𝐞𝐫𝐚 𝐭𝐫𝐚𝐢𝐧𝐞𝐞
(corso Cinematographer)

‘𝐓𝐎𝐊𝐘𝐎 𝐄𝐗𝐏𝐑𝐄𝐒𝐒’
Director: EROS PUGLIELLI
Cinematographer: ROCCO MARRA
PRODUZIONE BE WATER

𝐈𝐆𝐍𝐀𝐙𝐈𝐎 𝐋𝐈𝐆𝐀𝐍𝐈 – 𝐜𝐚𝐦𝐞𝐫𝐚 𝐭𝐫𝐚𝐢𝐧𝐞𝐞
(corso Cinematographer)

‘𝐂𝐎𝐌𝐄 𝐈𝐍 𝐂𝐈𝐄𝐋𝐎 𝐂𝐎𝐒𝐈̀ 𝐈𝐍 𝐓𝐄𝐑𝐑𝐀’
Director: ALESSIO PASQUA
Cinematographer: CLAUDIO COFRANCESCO
PRODUZIONE HURRICANE STUDIOS

𝐋𝐔𝐂𝐑𝐄𝐙𝐈𝐀 𝐃𝐈 𝐌𝐀𝐓𝐓𝐄𝐎 – 𝐯𝐢𝐝𝐞𝐨 𝐚𝐬𝐬𝐢𝐬𝐭
(corso Cinematographer)
𝐀𝐃𝐄𝐋𝐀𝐈𝐃𝐄 𝐅𝐈𝐎𝐑𝐈 – 𝐜𝐚𝐦𝐞𝐫𝐚 𝐭𝐫𝐚𝐢𝐧𝐞𝐞𝐞
(corso Cinematographer)

𝐒𝐜𝐫𝐢𝐯𝐢 𝐢𝐧 𝐃𝐌,
𝐩𝐫𝐞𝐧𝐨𝐭𝐚 𝐮𝐧 𝐠𝐢𝐨𝐫𝐧𝐨 𝐩𝐞𝐫 𝐬𝐞𝐠𝐮𝐢𝐫𝐞 𝐮𝐧𝐚 𝐧𝐨𝐬𝐭𝐫𝐚 𝐥𝐞𝐳𝐢𝐨𝐧𝐞.
𝐏𝐨𝐭𝐫𝐚𝐢 𝐠𝐨𝐝𝐞𝐫𝐞 𝐝𝐢 𝐮𝐧𝐨 𝐬𝐜𝐨𝐧𝐭𝐨 𝐬𝐮𝐥 𝐜𝐨𝐫𝐬𝐨 𝐜𝐡𝐞 𝐬𝐜𝐞𝐠𝐥𝐢𝐞𝐫𝐚𝐢 𝐝𝐢 𝐟𝐫𝐞𝐪𝐮𝐞𝐧𝐭𝐚𝐫𝐞.

𝐂𝐈𝐍𝐄𝐌𝐀𝐓𝐎𝐆𝐑𝐀𝐏𝐇𝐄𝐑 𝐓𝐖𝐎

Workshop di Fotografia Cinematografica
con
𝐂𝐋𝐀𝐑𝐈𝐒𝐒𝐀 𝐂𝐀𝐏𝐏𝐄𝐋𝐋𝐀𝐍𝐈

𝐐𝐔𝐀𝐍𝐃𝐎
16 e 17 maggio 2026
(orario dalle 10.00 alle 18.00)

𝐃𝐎𝐕𝐄
c/o
via dei Ruderi di Torrenova, n. 49
- 00133 ROMA -

𝐈𝐍𝐅𝐎
𝟖𝟎𝟎.𝟗𝟕𝟑𝟒𝟎𝟐
𝐢𝐧𝐟𝐨@𝐬𝐡𝐨𝐭𝐚𝐜𝐚𝐝𝐞𝐦𝐲.𝐢𝐭

𝐌𝐈𝐆𝐋𝐈𝐎𝐑 𝐀𝐔𝐓𝐎𝐑𝐄 𝐃𝐄𝐋𝐋𝐀 𝐅𝐎𝐓𝐎𝐆𝐑𝐀𝐅𝐈𝐀

Il premio Miglior Autore della Fotografia
David di Donatello 2026 è stato assegnato a:

𝐏𝐀𝐎𝐋𝐎 𝐂𝐀𝐑𝐍𝐄𝐑𝐀,

per il film ‘La città proibita’
regia di Gabriele Mainetti.

𝐂𝐎𝐌𝐏𝐋𝐈𝐌𝐄𝐍𝐓𝐈 𝐏𝐀𝐎𝐋𝐎!

E congratulazioni a tutti gli Autori della Fotografia candidati!

𝐃𝐀𝐑𝐈𝐀 𝐃’𝐀𝐍𝐓𝐎𝐍𝐈𝐎
𝐌𝐀𝐑𝐂𝐎 𝐆𝐑𝐀𝐙𝐈𝐀𝐏𝐋𝐄𝐍𝐀
𝐑𝐄𝐍𝐀𝐓𝐎 𝐁𝐄𝐑𝐓𝐀
𝐌𝐀𝐒𝐒𝐈𝐌𝐈𝐋𝐈𝐀𝐍𝐎 𝐊𝐔𝐕𝐄𝐈𝐋𝐋𝐄𝐑

Un pezzetto di SHOT ACADEMY è presente in ognuno dei Camera Department dei film candidati.

‘LA CITTÀ PROIBITA’
Video Assist: 𝐋𝐄𝐎𝐍𝐀𝐑𝐃𝐎 𝐂𝐇𝐈𝐋𝐋𝐄𝐌𝐈 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟖)

‘LA GRAZIA’
Digital Imaging Technician: 𝐌𝐀𝐑𝐂𝐎 𝐏𝐀𝐋𝐌𝐈𝐄𝐑𝐈 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟒)

Video Assist: 𝐀𝐋𝐄𝐒𝐒𝐀𝐍𝐃𝐑𝐎 𝐒𝐂𝐇𝐈𝐑𝐑𝐔 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟐𝟐)

‘DUSE’
2nd ASSISTANT CAMERA: 𝐀𝐍𝐆𝐄𝐋𝐎 𝐍𝐀𝐊𝐇𝐍𝐎𝐔𝐊𝐇 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟕)

‘LE ASSAGGIATRICI’
2nd ASSISTANT CAMERA: 𝐒𝐓𝐄𝐅𝐀𝐍𝐎 𝐒𝐆𝐀𝐑𝐋𝐀𝐓𝐀 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟓)

‘LE CITTÀ DI PIANURA’
2nd ASSISTANT CAMERA: 𝐀𝐍𝐆𝐄𝐋𝐎 𝐍𝐀𝐊𝐇𝐔𝐍𝐎𝐔𝐊𝐇 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟕)

𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘: 𝐈𝐋 𝐅𝐔𝐓𝐔𝐑𝐎 𝐈𝐍 𝐏𝐑𝐀𝐓𝐈𝐂𝐀.

𝐅𝐑𝐎𝐌 𝐂𝐎𝐋𝐎𝐑 𝐏𝐀𝐋𝐄𝐓𝐓𝐄
𝐓𝐎
𝐄𝐗𝐏𝐎𝐒𝐔𝐑𝐄 𝐏𝐀𝐋𝐄𝐓𝐓𝐄

is a journey through the history of the Academy Award - Best Cinematography and other movies.

𝐂𝐨𝐥𝐨𝐫 𝐏𝐚𝐥𝐞𝐭𝐭𝐞 𝐭𝐨 𝐄𝐱𝐩𝐨𝐬𝐮𝐫𝐞 𝐏𝐚𝐥𝐞𝐭𝐭𝐞
shows the exposure levels of the original frame and, consequently,
the same frame in b/w with the grayscale levels on the waveform.

𝟖𝟑𝐭𝐡 𝐩𝐨𝐬𝐭
The journey continues with the nominations to
David di Donatello Miglior Autore della Fotografia 2026

‘𝐋𝐄 𝐂𝐈𝐓𝐓𝐀̀ 𝐃𝐈 𝐏𝐈𝐀𝐍𝐔𝐑𝐀’ (𝟐𝟎𝟐𝟓)

DIRECTOR: 𝐅𝐑𝐀𝐍𝐂𝐄𝐒𝐂𝐎 𝐒𝐎𝐒𝐒𝐀𝐈

CINEMATOGRAPHER: 𝐌𝐀𝐒𝐒𝐈𝐌𝐈𝐋𝐈𝐀𝐍𝐎 𝐊𝐔𝐕𝐄𝐈𝐋𝐋𝐄𝐑

2ND ASSISTANT CAMERA: 𝐀𝐍𝐆𝐄𝐋𝐎 𝐍𝐀𝐊𝐇𝐔𝐍𝐎𝐔𝐊𝐇
(𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟕)

ASPECT RATIO: 𝟏,𝟖𝟓:𝟏

CAMERA: 𝐀𝐑𝐑𝐈𝐅𝐋𝐄𝐗 𝟒𝟏𝟔, 𝐀𝐑𝐑𝐈𝐂𝐀𝐌 𝟓𝟑𝟓

SOURCE: 𝐅𝐈𝐋𝐌 𝐍𝐄𝐆𝐀𝐓𝐈𝐕𝐄 𝐊𝐎𝐃𝐀𝐊 𝐕𝐈𝐒𝐈𝐎𝐍 𝟑 𝟓𝟎𝟎𝐓 𝟓𝟐𝟏𝟗/𝟕𝟐𝟏𝟗

LENSES: 𝐙𝐄𝐈𝐒𝐒 𝐔𝐋𝐓𝐑𝐀 𝐏𝐑𝐈𝐌𝐄 𝟏𝟔 𝐦𝐦, 𝐙𝐎𝐎𝐌 𝐀𝐍𝐆𝐄𝐍𝐈𝐄𝐔𝐗 𝐇𝐑 𝟏𝟏.𝟓 – 𝟏𝟑𝟖 𝐦𝐦,
𝐙𝐄𝐈𝐒𝐒 𝐏𝐑𝐈𝐌𝐄 𝐇𝐈𝐆𝐇 𝐒𝐏𝐄𝐄𝐃, 𝐙𝐎𝐎𝐌 𝐙𝐄𝐈𝐒𝐒 𝐋𝐖𝐙 𝟏𝟓.𝟓 – 𝟒𝟓 𝐦𝐦

𝐅𝐑𝐎𝐌 𝐂𝐎𝐋𝐎𝐑 𝐏𝐀𝐋𝐄𝐓𝐓𝐄
𝐓𝐎
𝐄𝐗𝐏𝐎𝐒𝐔𝐑𝐄 𝐏𝐀𝐋𝐄𝐓𝐓𝐄

is a journey through the history of the Academy Award - Best Cinematography and other movies.

𝐂𝐨𝐥𝐨𝐫 𝐏𝐚𝐥𝐞𝐭𝐭𝐞 𝐭𝐨 𝐄𝐱𝐩𝐨𝐬𝐮𝐫𝐞 𝐏𝐚𝐥𝐞𝐭𝐭𝐞
shows the exposure levels of the original frame and, consequently,
the same frame in b/w with the grayscale levels on the waveform.

𝟖𝟐𝐭𝐡 𝐩𝐨𝐬𝐭
The journey continues with the nominations to
David di Donatello Miglior Autore della Fotografia 2026

‘𝐋𝐄 𝐀𝐒𝐒𝐀𝐆𝐆𝐈𝐀𝐓𝐑𝐈𝐂𝐈’ (𝟐𝟎𝟐𝟓)

DIRECTOR: 𝐒𝐈𝐋𝐕𝐈𝐎 𝐒𝐎𝐋𝐃𝐈𝐍𝐈

CINEMATOGRAPHER: 𝐑𝐄𝐍𝐀𝐓𝐎 𝐁𝐄𝐑𝐓𝐀

2ND ASSISTANT CAMERA: 𝐒𝐓𝐄𝐅𝐀𝐍𝐎 𝐒𝐆𝐀𝐑𝐋𝐀𝐓𝐀
(𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟓)

ASPECT RATIO: 𝟏,𝟖𝟓:𝟏

CAMERA: 𝐒𝐎𝐍𝐘 𝐕𝐄𝐍𝐈𝐂𝐄 𝟏

SOURCE: 𝟒𝐊 𝐗 - 𝐎𝐂𝐍 𝐗𝐓 (𝐞𝐗𝐭𝐞𝐧𝐝𝐞𝐝 𝐭𝐨𝐧𝐚𝐥 𝐫𝐚𝐧𝐠𝐞 𝐎𝐫𝐢𝐠𝐢𝐧𝐚𝐥 𝐂𝐚𝐦𝐞𝐫𝐚 𝐍𝐞𝐠𝐚𝐭𝐢𝐯𝐞)

LENSES: 𝐙𝐄𝐈𝐒𝐒 𝐔𝐋𝐓𝐑𝐀 𝐏𝐑𝐈𝐌𝐄

𝐅𝐑𝐎𝐌 𝐂𝐎𝐋𝐎𝐑 𝐏𝐀𝐋𝐄𝐓𝐓𝐄
𝐓𝐎
𝐄𝐗𝐏𝐎𝐒𝐔𝐑𝐄 𝐏𝐀𝐋𝐄𝐓𝐓𝐄

is a journey through the history of the Academy Award - Best Cinematography and other movies.

𝐂𝐨𝐥𝐨𝐫 𝐏𝐚𝐥𝐞𝐭𝐭𝐞 𝐭𝐨 𝐄𝐱𝐩𝐨𝐬𝐮𝐫𝐞 𝐏𝐚𝐥𝐞𝐭𝐭𝐞
shows the exposure levels of the original frame and, consequently,
the same frame in b/w with the grayscale levels on the waveform.

𝟖𝟏𝐭𝐡 𝐩𝐨𝐬𝐭
The journey continues with the nominations to
David di Donatello Miglior Autore della Fotografia 2026

‘𝐋𝐀 𝐆𝐑𝐀𝐙𝐈𝐀 (𝟐𝟎𝟐𝟓)

DIRECTOR: 𝐏𝐀𝐎𝐋𝐎 𝐒𝐎𝐑𝐑𝐄𝐍𝐓𝐈𝐍𝐎

CINEMATOGRAPHER: 𝐃𝐀𝐑𝐈𝐀 𝐃'𝐀𝐍𝐓𝐎𝐍𝐈𝐎

DIGITAL IMAGING TECHNICIAN: 𝐌𝐀𝐑𝐂𝐎 𝐏𝐀𝐋𝐌𝐈𝐄𝐑𝐈
(𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟒)

VIDEO ASSIST: 𝐀𝐋𝐄𝐒𝐒𝐀𝐍𝐃𝐑𝐎 𝐒𝐂𝐇𝐈𝐑𝐑𝐔 (𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟐𝟐)

ASPECT RATIO: 𝟐,𝟑𝟗:𝟏

CAMERA: 𝐀𝐑𝐑𝐈 𝐀𝐋𝐄𝐗𝐀 𝟑𝟓

SOURCE: 𝟒.𝟔𝐊 𝟏𝟔:𝟗 𝐀𝐑𝐑𝐈𝐑𝐀𝐖

LENSES: 𝐋𝐄𝐈𝐓𝐙 𝐇𝐔𝐆𝐎 𝐏𝐑𝐈𝐌𝐄

𝐅𝐑𝐎𝐌 𝐂𝐎𝐋𝐎𝐑 𝐏𝐀𝐋𝐄𝐓𝐓𝐄
𝐓𝐎
𝐄𝐗𝐏𝐎𝐒𝐔𝐑𝐄 𝐏𝐀𝐋𝐄𝐓𝐓𝐄

is a journey through the history of the Academy Award - Best Cinematography and other movies.

𝐂𝐨𝐥𝐨𝐫 𝐏𝐚𝐥𝐞𝐭𝐭𝐞 𝐭𝐨 𝐄𝐱𝐩𝐨𝐬𝐮𝐫𝐞 𝐏𝐚𝐥𝐞𝐭𝐭𝐞
shows the exposure levels of the original frame and, consequently,
the same frame in b/w with the grayscale levels on the waveform.

𝟖𝟎𝐭𝐡 𝐩𝐨𝐬𝐭
The journey continues with the nominations to
David di Donatello Miglior Autore della Fotografia 2026

‘𝐃𝐔𝐒𝐄’ (𝟐𝟎𝟐𝟓)

DIRECTOR: 𝐏𝐈𝐄𝐓𝐑𝐎 𝐌𝐀𝐑𝐂𝐄𝐋𝐋𝐎

CINEMATOGRAPHER: 𝐌𝐀𝐑𝐂𝐎 𝐆𝐑𝐀𝐙𝐈𝐀𝐏𝐋𝐄𝐍𝐀

2nd ASSISTANT CAMERA: 𝐀𝐍𝐆𝐄𝐋𝐎 𝐍𝐀𝐊𝐇𝐍𝐎𝐔𝐊𝐇
(𝐜𝐨𝐫𝐬𝐨 𝐒𝐇𝐎𝐓 𝐀𝐂𝐀𝐃𝐄𝐌𝐘 𝟐𝟎𝟏𝟕)

ASPECT RATIO: 𝟏,𝟔𝟔:𝟏

CAMERA: 𝐀𝐑𝐑𝐈𝐅𝐋𝐄𝐗 𝟒𝟏𝟔, 𝐀𝐑𝐑𝐈𝐂𝐀𝐌 𝐋𝐓, 𝐀𝐑𝐑𝐈𝐅𝐋𝐄𝐗 𝟐𝐂, 𝐁𝐎𝐋𝐄𝐗 𝐇 𝟏𝟔, 𝐀𝐀𝐓𝐎𝐍 𝐌𝐈𝐍𝐈𝐌𝐀.

SOURCE: 𝐒𝐔𝐏𝐄𝐑 𝟏𝟔 𝐌𝐌, 𝟑𝟓 𝐌𝐌
𝐅𝐈𝐋𝐌 𝐍𝐄𝐆𝐀𝐓𝐈𝐕𝐄 𝐊𝐎𝐃𝐀𝐊 𝐕𝐈𝐒𝐈𝐎𝐍 𝟑 𝟓𝟎𝟎 𝐓 𝟓𝟐𝟏𝟗/𝟕𝟐𝟏𝟗, 𝐊𝐎𝐃𝐀𝐊 𝐕𝐈𝐒𝐈𝐎𝐍 𝟑 𝟐𝟎𝟎 𝐓 𝟓𝟐𝟏𝟗/𝟕𝟐𝟏𝟗

LENSES: 𝐂𝐎𝐎𝐊𝐄 𝐒𝟒, 𝐙𝐎𝐎𝐌 𝐙𝐄𝐈𝐒𝐒 𝐒 𝟏𝟔 𝟏𝟏-𝟏𝟏𝟎 𝐦𝐦, 𝐙𝐎𝐎𝐌 𝐀𝐍𝐆𝐄𝐍𝐈𝐄𝐔𝐗 𝐎𝐏𝐓𝐈𝐌𝐎 𝐋𝐈𝐆𝐇𝐓𝐖𝐄𝐈𝐆𝐇𝐓 𝟏𝟓-𝟒𝟎 𝐦𝐦, 𝐙𝐎𝐎𝐌 𝐀𝐍𝐆𝐄𝐍𝐈𝐄𝐔𝐗 𝐄𝐙 𝟏 𝟑𝟎-𝟗𝟎 𝐦𝐦, 𝐙𝐎𝐎𝐌 𝐀𝐍𝐆𝐄𝐍𝐈𝐄𝐔𝐗 𝐎𝐏𝐓𝐈𝐌𝐎 𝟐𝟓-𝟐𝟓𝟎 𝐦𝐦.








.official