Sonam Ambe

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Sonam Ambe Architect🧱Writer🖋️Educator🎖️
Authored 4 books 📚
Chief-in-Pedagogy 👩‍🏫
Know what 🌿🏗️💁‍♂️🙋‍♀️ by clicking the link below

29/08/2026

I have two husbands.

One I chose.

And the second one the government chose for me. 😂

Because apparently, if you’re a woman who gets married but decides to keep her own name, the government has… questions.

Every official form seems to go:

Mrs. Sonam Ambe
Father’s Name: [Dad’s name]

Excuse me?

I’m married to a man, but according to this form, I’m married to my father. 😂

And it gets even better when your Aadhaar, PAN, passport, bank account, school records, everything is expected to somehow tell the same story.

So here’s the actual question:

Why does a woman have to change her name to prove she is married?

And if she doesn’t change it, why can’t the system simply recognise:

Name: Sonam Ambe
Marital status: Married

Done.
No father-husband identity crisis required.

This reel is for every woman who said,
“I love my husband. I just don’t want his surname.” ❤️

And honestly, this isn't about husbands or surnames.

It’s about whether our official systems can recognise a woman as a person with her own name — before and after marriage.

So how do we change this?

Can government forms stop making a woman’s father’s name or husband’s name function as part of her identity?

Can Aadhaar, PAN, passports, banks and other official systems simply record marital status separately from name?

And can we make this a standard, not a special request?

Because I chose my husband.

I did not choose my father as my second husband. 😂

25/07/2026

Don't stop here

19/06/2026

“केल्याने देशाटन, पंडितमैत्री, सभेत संचार...”

A timeless Marathi shloka shared by writer and strategist Tejaswini Adhikari, Chief Insight Officer at Future Group.

Its wisdom is simple yet profound: travel beyond your familiar world, engage with thinkers, participate in meaningful conversations, and remain curious about people and places. Knowledge does not come only from books—it grows through experience, dialogue, and exploration.

This beautiful reflection emerged during the first episode of Form, Function & Future with Sonam Ambe, reminding us that wisdom is not inherited; it is gathered, one journey and one conversation at a time.

There is a particular kind of film that hides its weight under laughter, and you only feel how heavy it was after you ha...
17/06/2026

There is a particular kind of film that hides its weight under laughter, and you only feel how heavy it was after you have left the theatre.
Tumbadchi Manjula is that film.
For the first half you are simply having a good time. A small village, a young man who has embarrassed himself and landed in real trouble, and one desperate lie to save his skin: he pretends a spirit has taken hold of him. The lie should fall apart in a minute. Instead the whole village leans in to believe it, because belief is easier than doubt, and fear is the most convincing storyteller there is. The comic timing is flawless. The performances never beg for the laugh. You think you know exactly what you signed up for.
Then, just before the interval, the film holds on a single frame of Sai Tamhankar and something in the room shifts. No explanation, no warning. Just an image held a beat too long, and a quiet understanding that the joke has a shadow.
What happens after is the reason I will remember this film.
The lie that began as self-protection grows into something the village can no longer control. A superstition, once spoken aloud, takes on a life of its own and starts deciding who is guilty, who is feared, who is left alone in the dark with it. Underneath all the laughter we had been enjoying so freely sat a real wound, a real person, a real fear that ordinary people had simply agreed not to look at.
The second half is about what it costs to finally look. It shows that courage is rarely loud. It is the slow, frightening decision to stand against something everyone around you has accepted as normal, and to say plainly that it is wrong.
That is what makes the film whole. The comedy was never a distraction from the meaning. It was the meaning, dressed in a way we would let it come close enough to hurt us. We laughed our way to the truth, and by the time we noticed, we cared too much to look away.
To everyone who built this, the writer, the director, and a cast that carried both halves with the same honesty: thank you. You made superstition feel funny, then made it feel dangerous, then made it feel human. Very few films understand a society well enough to do all three.

07/05/2026

From Ratan Tata's visiting card to railway stations used by millions, architect Ratan J Batliboi on why the best design begins with simply looking.
In conversation with Sonam Ambe on Form, Function and Future.
Worth every minute. 👇
https://youtu.be/eCfnInurxqI?si=pzNBpTmA9xU-LVvE

🎧 Catch the full playlist here:
youtube.com/watch?v=eCfnInurxqI&list=PL2M8drqpE2GbRj0EmeVoBSOkDZNreX9O9

16/02/2026

The Local Gyan Manifesto

Learning escapes classrooms and spills into real life.

What if children learned with their hands first—touching, building, discovering?

What if curiosity led the way—questions first, answers later?

What if the city became the textbook and the classroom?

What if learning felt alive—not memorised, but truly experienced?

What if kids became our teachers—observant, honest, endlessly curious?

What if messy was a good sign—because something real just happened?

What if play was serious work—and joy was meaningful data?

What if learning happened across ages—not just inside pages?

What if local was powerful—not small, but deeply rooted?

In 2025, Local Gyan workshops brought this thinking to life -
hands-on, place-based learning that helps children remember what textbooks attempt. We look forward to 2026 with the same set of dreamy eyes.

✨ Join the Local Gyan movement ✨

Give your child the joy of learning through curiosity, community & wonder.





04/02/2026

Good design doesn’t begin at the drawing board.
It begins with conversation.
Aligning expectations. Explaining choices.
Helping clients understand why some decisions matter more than others.
This moment from Episode 3 of Form, Function & Future with Aparna Dhareshwar and Shweta Gore of SP+a Architects, hosted by Sonam Ambe, is a reminder:
clarity before construction changes everything.

🎙️ Form, Function & Future is now streaming on Mahatma Education Society’s YouTube channel
🔗 https://youtu.be/mLxxi5zFkQ8?si=3c2cTXDw0NMMTgZT


SonamAmbe
DesignInsights ArchitectureProcess
ClientDesignerDialogue ResponsibleDesign
BuiltEnvironment DesignBeforeDesign

27/01/2026

I am tired of my social media

We’re losing tolerance one swipe at a time.
If Meta truly wants to “connect the world”, it’s time to show us all of it — not just the parts we already agree with.
Dear algorithm, we need our grey zones back. 🖤🤍🌫️

26/01/2026

Mumbai doesn’t run on chance — it runs on the Constitution.
Your local train safety (Art. 21), your ward office (74th Amendment), your pani-puri vendor (Art. 19), your city’s wild flamingos and forests (Art. 48A), your cultural freedom (Art. 14, 15, 29)…
all of it is quietly powered by the same book.
Everyday Mumbai = Everyday Constitution. 📜✨

12/01/2026

What’s the first thing you check before buying a house?

From city planning to urban development—and everything in between—
explore how our cities are shaped in the latest Form, Function & Future podcast.
Watch now on the Mahatma Education Society YouTube channel.


UrbanDesign ArchitectureTalks PlanningMatters BuiltEnvironment
FormFunctionFuture MahatmaEducationSociety PodcastClip IndianCities

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