12/05/2023
Excerpt from the introduction to 'Performance and Performativity' (Author: Maria-Sabina Draga Alexandru; Copyright Year: 2015):
"The anniversary issue of The New Yorker looks back to [Midnight's Children, Salman Rushdie's seminal writing style in the English language] and draws a parallel between the birth of America’s post-independence literature, also written in a non-British variety of English, and the 1997 moment, when India celebrated a similar event. At the same time, the issue signals the originality and the local colour of this relatively new school of writing. This is also suggested by its cover, which features a picture of the Hindu god Ganesha, the patron of storytellers, the remover of obstacles in Indian tradition, standing for the revival of the rich mythical traditions of India in contemporary narratives.
The issue exhibits a festive attitude towards Indian fiction. As part of the celebration, it features a picture of the most important contemporary Indian novelists writing in English: Vikram Chandra, Rohinton Mistry, Arundhati Roy, Anita Desai, Amit Chaudhuri, Kiran
Desai, Ardashir Vakil, Vikram Seth, Amitav Ghosh, along with the Sri Lankan author Romesh Gunesekera.The variety of writing styles represented by this group is impressive: from realism (as represented by Rohinton Mistry and also Vikram Seth and Amitav Ghosh in some of their novels) to more subjective fictions of the female self (Anita Desai, Kiran Desai, Arundhati Roy) and digressive storytelling that mixes Indian tradition with contemporary developments of the novel form (Vikram Chandra). They are all grouped around Salman Rushdie, identified as the father figure of the group."
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