22/08/2026
There is something deeply interesting about moving from designing faรงades to sitting on the other side of the table and evaluating them.
Recently, I had the privilege of being part of the ๐๐๐ฟ๐ ๐ฃ๐ฎ๐ป๐ฒ๐น for the SHE Design Competition at WADE ASIA Conference & Awards 2026, judging the ๐๐ฎ๐๐ฐ๐ถ๐ป๐ฎ๐๐ถ๐ป๐ด ๐๐ฎ๐ฐ๐ฎ๐ฑ๐ฒ๐ category alongside some prominent professionals from the industry.
What began with multiple projects across two rounds of shortlisting eventually culminated in a ๐น๐ถ๐๐ฒ ๐ผ๐ป-๐๐๐ฎ๐ด๐ฒ ๐ท๐๐ฟ๐, where nine shortlisted projects were presented by the organisations and women designers behind them.
And the conversations went far beyond โDoes this faรงade look good?โ
We discussed ๐ฒ๐ป๐๐ถ๐ฟ๐ผ๐ป๐บ๐ฒ๐ป๐๐ฎ๐น ๐ฟ๐ฒ๐๐ฝ๐ผ๐ป๐๐ฒ, ๐ฐ๐ผ๐ป๐๐ฒ๐
๐, ๐บ๐ฎ๐๐ฒ๐ฟ๐ถ๐ฎ๐น ๐ถ๐ป๐๐ฒ๐น๐น๐ถ๐ด๐ฒ๐ป๐ฐ๐ฒ, constructability, performance and innovation โ because a fascinating faรงade must ultimately do much more than create a striking first impression.
For me, this experience was particularly meaningful because faรงades sit at the heart of much of what we do at rat[LAB] Studio. We constantly explore how the building envelope can move beyond being a skin to become an ๐ถ๐ฑ๐ฒ๐ป๐๐ถ๐๐ โ responsive, contextual, intelligent and memorable.
Being on a jury is therefore not simply about being on this side of the table or that side of it. It is an opportunity to understand where the profession is heading, exchange perspectives with fellow practitioners, learn from the work being produced across the country, and hopefully contribute to raising the conversation around faรงade design.
And perhaps that is where the larger opportunity lies โ ๐ป๐ผ๐ ๐ท๐๐๐ ๐ถ๐ป ๐ฐ๐ผ๐บ๐ฝ๐ฒ๐๐ถ๐๐ถ๐ผ๐ป, ๐ฏ๐๐ ๐ถ๐ป ๐ฐ๐ผ๐น๐น๐ฎ๐ฏ๐ผ๐ฟ๐ฎ๐๐ถ๐ผ๐ป.
At rat[LAB], our mission continues: to collaborate with architects, designers, developers and organisations to help create ๐ฏ๐ฒ๐๐๐ฒ๐ฟ, ๐๐บ๐ฎ๐ฟ๐๐ฒ๏ฟฝ