知行 Mind and Hand Education

知行 Mind and Hand Education

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知行館希望為香港學生帶來不一樣的選擇 — 我們以開拓多元化課程為長遠目標。小編正努力工作,為開工作室做準備🌱

15/11/2023

香港近月的學生自殺個案數字之多,令每天都會接觸中/小學生的小編不禁為之憂慮。學生的心靈健康在只追求學術成就的教育制度下成為犧牲品,政府在必須回應的時候卻只交出「關懷手勢」等等的建議。

在教學的過程中,我作為導師會設法讓學生們在上課時能以非傳統的方式溫固知新,將小朋友感興趣的話題融入課堂中,多講故事,多分享 --- 力所能及的,確實非常有限呢。

香港學生自殺的數字有著令人擔憂的持續上升趨勢。在新學年首兩個月,我們目睹了每月平均自殺個案直逼過往四年每月平均8.5人的情況,這一現象引發了社會各界的關切。

這種悲劇性的事件不僅對受害者的家庭和朋友造成了巨大的痛苦,也對整個社會的心靈健康和教育體系提出了重大的挑戰。

香港學生面臨著嚴峻的學業壓力、競爭激烈的升學環境以及家庭期望的重壓。這些因素常常使得學生陷入焦慮、憂鬱和無助的情緒中。社交媒體的普及也對年輕人的心理健康產生了不容忽視的影響。網絡欺凌、網絡成癮等問題使得一些學生處於孤獨和無助的境地,進一步加劇了他們的心理負擔。

我們需要建立一個關懷和支持的社會環境。社會對學生的壓力和挑戰應有更多的理解和關注。家長、教師和同學們應該共同努力,提供情感上的支持和友誼,讓學生感到被接納和理解。媒體也有責任提供正確的信息和建立積極的價值導向,避免對學生產生負面影響。

共同創造一個積極健康的學習和成長環境,讓每一個學生都能夠擁有快樂和有意義的生活。

【香港自殺報道資料庫】
https://hkspd.siuyeong.com
https://s.siuyeong.com/hksuicide
https://s.siuyeong.com/hksuicidefull
https://s.siuyeong.com/hksuicidelist
https://s.siuyeong.com/hksuiciderawdata

03/09/2023

梁朝偉得到威尼斯影展金獅獎終身成就獎,媒體大多把焦點放在他是首位獲此殊榮的華人演員,不過我認為逼哭他的很大關鍵是頒獎人李安的頒獎詞!

李安的頒獎詞實在寫得太好了,從導演、攝影師、觀眾等不同角度呈現出梁朝偉是怎麼樣盡心盡力的電影工作者,也讓人想起當年勇奪金獅獎的《色戒》,導演和演員的精湛合作

以下整理了李安的完整致詞,因為我趕著要教課,先不翻譯加註了。推薦大家跟大導演的好文筆學習!

World cinema knows Tony mostly as the romantic lead from Wong Kar-wai’s intoxicating movies but little did they know the range of roles this superstar plays, from arthouse to international blockbusters. Whether it's broad comedy, action, or serious drama, he always delivers enchanting performances and is one of the most beloved actors among Asian audiences.

He holds so many awards and honors, all of them very much deserved, because any movie can be elevated simply by his presence. Speaking from my personal experience, Tony is a director's dream. There is something in his eyes that's electrifying, not just his physical eyes or skill(s) but the soul that shines through them. He can say more in one look than many actors can with a full monologue. That's a soul that can entice you to dream and imagine through him.

He's the kind of actor who lures the best and the worst out of you, which for a director is actually the same thing. It's hard to articulate, but it's like your secret self, even a struggle and confusion that you're hiding, comes to life right in front of your eyes that forces you to deal with it honestly. The deeper he dives into a role, the more he seduces you to push for more, and that takes a part of you. I can only imagine that he likes the suffering as an artist.

There was a day on set on my movie "Lust Caution" when I had a meltdown because of an emotional scene. Tony walked up to me, he touched my shoulder, whispered in my ears, "Director, we expose skin, you expose something else, you have to take care of yourself." We always think that directors help actors, but sometimes it's the other way around. That really gave me strength. It's both terrifying and meaningful when someone that good and genuine embodies a hidden part of you.

His willingness to constantly share that vulnerability is what makes him so great. It appears to me he doesn't do it for the credit. He's like water, filling the lowest places without striving, and he serves. He facilitates the creative force, not just for the director but the whole cast and crew. He does his own stand-ins for lighting because, you know, this saves time. Instead of going to his trailer in between setups, he will stand around on set to watch people work. One time I asked him, "Why don't you go rest?" He said, “I want to see how I can help.” I told him, “Don't waste your energy, because I need you to shine on camera.” He said, "Chatting or gossip wastes Chi, reading makes my eyes lose their luster, and sleep is boring, so I watch people to see where I can help."

There was another time he got to our cinematographer Rodrigo Prieto. We were staging a shot where Tony opens the door and looks in, and the camera pulled focus from the opening door to a close-up of his face. It was an extremely difficult shot to get right technically and with the sparkling performances. Rodrigo came up to me with tears in his eyes because Tony had asked him, "Where should I be?" He said, "I've had a long career and shot all around the world. Nobody ever asked me that question. People just don't know how hard that shot is." If that's not a filmmaker's dream, what is?

When you're that talented and you have the natural look, that's a gift. But to share it with kindness and to facilitate it in others, time and again, that's a lifetime achievement. Being a great actor demands a love of the craft, and being a star requires you to function as inspiration for others, like a kind of modern royalty. Tony does both outstandingly well. He provokes our imagination that we can all dream through him. It's a certain spirit I wish I could articulate and present to you, but I can't because it's beyond words.

I just feel so lucky to have been a small part of that magic, that bigger picture that we're here to celebrate today. It is my great joy to present this Lifetime Achievement Award on the 80th birthday of the Venice Film Festival to Tony Leung.

對於以上李安的頒獎詞,梁朝偉一上台就激動感動到哽咽,並且以以下兩段話表達感謝:

Ang, I know you will make me cry. Can you give me a minute? Thank you so much, Ang, for such lovely compliments, especially coming out from my most respected director and a very good friend of mine. And thank you, Venice International Film Festival. This is really a great honor.

First and foremost, I would love to express my gratitude to my dearest wife, Carina Lau, for her love and constant support, my family, my friends, and fans all over the world. I am so grateful to have been raised in Hong Kong as well as being nurtured later by the Hong Kong movie industry in general, where my acting career began. And I also want to share this honor and give thanks to all those wonderful people who I have worked with over the past 41 years because this is a tribute to them as well. And of course, to Hong Kong cinema. Thank you very much.

從影四十一年,他將這份世界電影終身成就大獎的榮耀與香港電影分享,「因為這獎同樣是對香港電影的肯定」

Photo by Andreas Rentz / Golden Lion For Lifetime Achievement Ceremony - The 80th Venice International Film Festival via Getty Images

18/07/2023

今日就係DSE放榜嘅日子,希望各位考生今晚盡量休息,再去面對明天 — 無論結果係唔係自己想要嘅都好,大家行到呢一步已經好值得嘉許。

記緊身上帶備足夠嘅現金(最好一百蚊紙),帶備水&蛋糕仔/飯團之類頂到肚嘅小食,保持有足夠嘅能量。你嘅放榜日可能好長,可能好短。

即使成績未如理想,今日都唔係你嘅「結果」。世界好大,只要你願意行落去,就會有機會。

13/07/2023

Quality reading materials — free for two weeks!

“…this Element provides insight into the ways in which humans express emotions through colour, and the reasons why they do so.”

New Cambridge Element Metaphor, Metonymy, the Body and the Environment by Jeannette Littlemore, Marianna Bolognesi, Nina Julich Warpakowski, Chung-hong Danny Leung and Paula Perez Sobrino now! Read free for 2 weeks
https://ow.ly/2e0V50P8lHQ

07/06/2023

Bleak House Books - one of my favourite bookstores - has its own custom, handmade neon sign that says “清明堂”. Thank you for your continuous effort in preserving the city’s uniqueness.

I look forward to the day I visit BHB in Honeoye.

Bleak House Books

西西紀錄片網上公映 記童年來港、成長趣事 友人指文如其人 | 獨媒報導 | 獨立媒體 11/04/2023

我在寂靜的清晨驀地想起一件事 --- 某天上課時,讀國際學校的學生要做一份有關西西的功課,我便向她簡介西西是誰,當時她對西西仍然在世一事感到訝異 --- 畢竟她從學校老師口中得知的傳奇人物大多已是古人;誰知數天後,西西便過世了。

《候鳥— 我城的一位作家》是一套由西西好友何福仁編導的紀錄片,歷時約兩小時三十分鐘。如果大家想看西西和她的兄弟回顧成長時期的趣事與磨難,可以在網上搜尋該記錄片。

西西紀錄片網上公映 記童年來港、成長趣事 友人指文如其人 | 獨媒報導 | 獨立媒體 (獨媒報導)香港著名作家西西日前離世,享年85歲。由西西好友何福仁編導的紀錄片《候鳥 — 我城的一位作家》,今日起在網上免費公映至12月

Photos 22/11/2022

Cambridge University Press has published a book on Kongish —— the Cantonese used in Hong Kong. How exciting!

Free access until 28th November. Check it out

Cambridge University Press - Linguistics
Kongish Daily《港語日報》

Don’t miss your chance to read new Cambridge Element Kongish by Tong King Lee! Free access available until 28 November
http://ow.ly/NjTA50LC5FQ

#米紙|23歲竹昇麵師傅子承父業 料成全港最年輕雲吞麵師 雲吞皮雲吞餡蛋麵 全人手製造 盼香港人欣賞職人精神 Ruby實試入工場䟴麵䟴到腳震震|#就業姐 11/11/2022

師傅本著職人精神,傳承日漸式微的手工藝。謝謝師傅的堅持,謝謝米紙做的 雲吞麵麵師專題💪🏻

米紙

#米紙|23歲竹昇麵師傅子承父業 料成全港最年輕雲吞麵師 雲吞皮雲吞餡蛋麵 全人手製造 盼香港人欣賞職人精神 Ruby實試入工場䟴麵䟴到腳震震|#就業姐 老牌麵家一間一間相繼結業,有人說竹昇都這門手藝,會因為師傅們慢慢老去而逐漸失傳。今集《就業姐》Ruby就去尋找可能是全香港最年輕的竹昇麵師傅劉永豪師傅,向他拜師學藝,看看一碗雲吞麵背後,麵師所付出的堅持。.....

30/08/2022

「疑點利益歸於被告」的原則要求控方的舉證必須毫無合理疑點,法庭才能把被告定罪。根據控辯雙方就被告有否搶槍的爭議提出的理據,案件絕對有合理疑點。

11.11 西灣河|「熊仔餅」與青年涉搶槍案 企圖搶劫等 3 罪全部罪成

2019 年 11 月 11 日,一名交通警在西灣河以實彈射擊被稱為「熊仔餅」的學生周柏均,周與另一名男學生被控阻差辦公、企圖搶劫等 3 罪,周一(29 日)在區域法院被裁定全部罪名成立。

法官謝沈智慧指,警員當時正在正當執行職務,期間兩名被告嘗試搶槍,令警員受到嚴重威脅,警員使用佩槍完全合理。

周柏均今早進入法庭前,與親友相擁,有人低頭拭淚。天主教香港教區榮休主教陳日君樞機,亦有到庭旁聽。

(報道連結在留言)

#西灣河 #熊仔餅 #周柏均 #阻差辦公 #企圖搶劫 #法庭線

21/08/2022

經 ReNews 查證,最近大熱的「麥當勞父子」實屬內容農場文。

16/08/2022

第一套港產科幻片,值得支持!
港唔斷戲

應該有嘢想講,但偏偏諗唔到用咩角度切入。坊間好多角度我都未必認同,永遠記得你係睇戲而唔係做善事,會唔會睇一套電影,當然同入面嘅電影人有關,團隊討好,一定會增加入場意欲;反之,如果有啲人心地唔好,食相嘔心,佢拍乜我都唔會睇。但入咗場之後,電影嘅質素先係最最最重要嘅考量,好人可以拍爛片,壞人都可以拍好片,唔需要盲反,亦唔好死撐。
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而《明日戰記》,睇就睇硬,亦好期待。但推唔推薦,當然睇完先可以定論。
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純以成本論,幾億大製作劍指嘅,當然唔係只係香港市場,就算比你拎咗香港史上最高票房(end game大概2點幾億),淨係本土市場,最後都要蝕到渣都無,更莫講話其實最高票房嘅香港戲係《寒戰2》,唔過七千萬。《明日戰記》,有無機會超越到佢?我覺得有少少機會,但最盡應該點都唔會推到超過一億啩?
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唔少人鬧套戲又點稱得上係香港電影呢?係合拍片嚟嘅!上又大陸上先,香港人要執二灘,點解大陸票房炒完之後,走返嚟香港乞票?但再望返成本,要有錢賺,或者平手離場,北望神州,又係情有可原。
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但,北望神州,都有好多種。有啲電影人為咗搵大陸錢,可能甘願大幅度或者完完全全咁失去咗自我,搶住去拍一啲價值觀明顯有誤或者媚俗膚淺嘅作品;有啲電影人又會盡力喺中港夾縫之中掙扎,會有妥協,但不忘言志,不忘暗度陳倉。
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睇《明日戰記》,我嘅著眼點係套戲會唔會為咗迎合某啲市場而貶低自身嘅電影藝術,可唔可以從作品入面展現到香港電影嘅長處,可唔可喺電影拍到本土嘅特色,可唔可以用高成本去拍到一套挑戰世界標準嘅作品,輸出香港嘅文化。
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好多時分享吓睇法都會比人誤會為告急。唔係告急,亦無需要,香港票房對套戲從來都係杯水車薪。以往撐好多小品,其中一樣心灰嘅嘢,係明明小品拍得好好,但到頭來都會輸比一啲得個框但拍到不知所謂嘅[大製作]十九幾條街。而2022年8月,香港終於有一套傾盡全力嘅大製作,香港嘅觀眾又會比咩回應呢?等我哋拭目以待。
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#明日戰記

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