Irina Song Masterclass / Creative Classes

Irina Song Masterclass / Creative Classes Artists will not sit idly wondering what to do, for ours is the joy of unravelling the meaning of li

Step five: more ideas and colour gradations.
18/11/2020

Step five: more ideas and colour gradations.

Step four: adding details, painting leaves, grass with the fan brush.
18/11/2020

Step four: adding details, painting leaves, grass with the fan brush.

Step three: when the background is ready and dry, we apply acrylic paints using the palette knife, creating the impressi...
18/11/2020

Step three: when the background is ready and dry, we apply acrylic paints using the palette knife, creating the impression of the autumn forest. Simple, bold, confident.

Step two: painting the silver birch trees using the palette knife.
18/11/2020

Step two: painting the silver birch trees using the palette knife.

Using the palette knife- fun and joy. more ideas...
18/11/2020

Using the palette knife- fun and joy.
more ideas...

Autumn colours, so vivid, so vibrant!Step one: practicing using the palette knife- get the texture, feel the adventure. ...
18/11/2020

Autumn colours, so vivid, so vibrant!
Step one: practicing using the palette knife- get the texture, feel the adventure. The results are not always predictable, surprising colour combinations, colours mix and move.

More creative ideas inspired by autumn colours.
15/11/2020

More creative ideas inspired by autumn colours.

🍁🍂🖌Autumn leaves are already nature’s work of art. Their variety of exiting shapes , textures and colours can make an in...
12/11/2020

🍁🍂🖌Autumn leaves are already nature’s work of art. Their variety of exiting shapes , textures and colours can make an intriguing subject for creating a very unique painting.
To make this workshop happen we went for a forest walk to collect leaves of all shapes and sizes. Leaves have to be still fresh and pliable.
As a background we used watercolour washes making colours flow into each other. When the surface got dry we painted the leaves one by one with acrylic paints then gently flipped the leaves painted side down onto the paper(canvas). The printed mirror images of the leaves can appear in a random position creating an interesting composition, just use our imagination. Also, we often have beautiful instrumental music playing in a background whilst painting. Beautiful symphony stirs up the visual senses and unfolds your creativity, making you enjoying every moment of it.
When the print work is done and the painting is dry -it is good to add some pencil work ( crosshatching with coloured pencils or ink) creating a sense of depth and a 3D effect. How to make leaves look like jewels and bring back to life the whole painting? by drawing some circle shapes which would stand for a rain droplets, or highlighting or darkening the corners of the leaves.
The ideas can be countless , just let your imagination flow : ) and be brave and innovative.

This is one of my quick acrylic outdoor paintings 🎨🔑✨Below there is step-by step guide/lesson how to paint woodland path...
29/06/2020

This is one of my quick acrylic outdoor paintings 🎨🔑✨
Below there is step-by step guide/lesson how to paint woodland path and which colour hues/combinations to use
; )
🖌More of the painting is suggested by using tonal values and colour rather than by line. Woodlands are one of the most interesting subjects to paint because you can add so much interest and drama to them in a form of little pathways leading off to some mysterious place and lovely passages of sunlight and dark shadows.

Step 1. Make a light blue mix of French ultramarine or Prussian blue and white and paint in the sky, taking the colour approximately two-fifth of the way down the canvas.

2. With the firm but quite soft round brush block in the foliage using different greens. By dabbing on the paint randomly, you can create an irregular, mottled background forest resembling dense foliage.
Darken the shades areas and introduce a little burn sienna for adding interest. Bring some light green and yellow into the background foliage and gently dab it on to the areas where the sunlight catches the leaves.

3. Lay a base of greys over the path using horizontal strokes. Ones the base colour has been laid, introduce some patches of darker tones at the edge of the path. Leave fairly distinct brush marks and use impasto to create texture. Use impasto on path, tracks and areas of bare ground as progress towards the front of the landscape. The resulting texture gives real depth to your painting.

4. Paint in the tree trunks using different tones of browns or black.
Use the variations of the same mix, sometimes with the hint of burnt sienna added, to strengthen the colour of the darker trunks.

5. Mid tones.
Darken the mix slightly for the mid-tone greens and continue building up the colour of the background foliage. Bring the brighter tones further down the picture, and introduce a touch of cerulean blue here and there. Then put in the darker, blue-green tones on the foliage overlaying the tops of the tree trunks.
Break up the background foliage using the variety of tones and colours makes a more interesting picture, but avoid introducing too much detail as this can be tiring on the eyes.
6. Fine branches.
Using delicate brushstrokes, put some finer branches. Then add an element of drama to the picture, bring in some touches of blue, pink and violet down the grass. This will soften the colour and give the impression of reflected light , will evoke the feeling of excitement : )
Strengthen the tonal values using olive green and lemon yellow. Add few touches of almost pure white for the brightest highlight, making these particular sharp.

7. Once we have applied the mass of the background foliage , using the paintbrush with a good point we deftly add individual grass patches and even flowers to some areas on a foreground.
Lighten the area of grass that is in sunlight. Using the mix of lemon yellow and white we put in blades of grass and stems at the edge of the path. We can make some of the blades longer and curve them different directions. Add some tiny leaves here and there to define the undergrowth and strengthen the grasses and foliage at the bases of the trees.

The work is unfinished on the right-hand side, but I left it for a purpose to let you see the preliminary layer of a very ‘sketchy’ beginning.
Now, be inspired and create your own masterpiece : )

11/03/2020

LESSON 5.
Project for young painters.
For this lesson we use materials which are easy to find: paper, scissors, paper, acrylic or poster paints. However, this project can be experimented with using different kinds of paper or card.
1. First of all, think of the silhouette you would like to portray in your creative work. It can be an object or a person, animal, any living thing or a silhouette of the city, forest or mountains.
2. Draw your ideas on a paper 300mg ( thicker than a usual printing paper but thinner than a cardboard).
3. Paint the paper or canvas with preferably dark blue paints, creating an impression of the night sky.
4. Cut out carefully along the outline of your drawing and fix the corners of the stencil with the masking tape to the surface.
5. Pour some acrylic paints diluted with water into a plastic pot and stir it well.
6. The technique is simple as we’ve been using toothbrush for spattering the paint all around the cut-out silhouette. You can pull the ruler along the bristles towards you spatter the paint. Carry on spattering paint until the spackles are quite dense.
7. The moment of lifting up the paper is the most exciting moments as you can see how the silhouette of your object is revealed.
You can add other details to you painting. This little girl wanted to create not just starry night but something that would represent a firework in a sky or the constellations of distant planets and galaxies.
Bright yellow gives the brilliant contrast against the dark blue background sky.
Use your imagination adding details and shadings such as windows light or a watery reflection.

Enjoy watching and creating : )

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Finley's Cafe
Wareham
BH205RQ

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